Posts Tagged ‘ Tanner Porter

Composers Festival spotlight: ANTiCX

Founded in 2021, ANTiCX is an artist collective of composers and makers. The group’s name is an acronym of the first letters of the first names of its members. They are (pictured clockwise from upper left):

Annika Socolofsky is a composer and avant-folk vocalist who is assistant professor of composition and artistic director of Pendulum New Music at the University of Colorado Boulder

Nina Shekhar currently is pursuing her PhD in composition at Princeton University. She is a composer teaching artist fellow for Los Angeles Chamber Orchestra and is on faculty at Idyllwild Arts Academy and Brightwork newmusic‘s Project Beacon initiative.

Tanner Porter is a composer-performer and songwriter. She earned her BM in composition from the University of Michigan’s School of Music, Theatre and Dance, and an MM in composition from the Yale School of Music.

inti figgis-vizueta is a composer who maintains a private studio in New York City, with regular guest composition workshops and presentations of her practice at music programs around the country.

Carolina Heredia is a composer of acoustic and electronic music, intermedia producer, violinist, and educator. She currently is assistant professor of music composition at the University of Missouri, and the assistant director of the Mizzou New Music Initiative.

Xuan is a new media artist, filmmaker, and pianist working at the intersection of music, visual art, and technology. She currently teaches experimental filmmaking as an adjunct professor of humanities at Eastman School of Music and works as a freelance video artist.

ANTiCX will debut at the 2021 Mizzou International Composers Festival with “Entry Points of Empathy,” an online multimedia performance on Friday, July 30. The program will feature individual and collaborative works, including a live “sound sculpture,” with live performances by Mizzou faculty member Wesley Warnhoff (clarinet), Mizzou student Eve Werger (piano), and guest artists Leigh Muñoz (bassoon) and Ellen Sommer (piano).

It also will include a video art premiere by guest artist Katina Bitsicas, assistant professor in Mizzou’s School of Visual Studies, in collaboration with MU alumni Wilson Minshall.

The works to be performed are:
Nina Shekhar – “[redact]”
Tanner Porter – “Two movements for clarinet” (world premiere)
Carolina Heredia – “Tango Americano”
Xuan – “Interludes 1 and 2” (world premiere)
Annika Socolofsky – “The Dictionary of Obscure Sorrows: the meantime”
inti figgis-vizueta – “a bridge between starshine and clay”
Katina Bitsicas and Wilson Minshall – “Eye Thorn Forrest” (world premiere)
ANTiCX – “Entry Points of Empathy” (world premiere)

The title work “Entry Points of Empathy” is “a piece for fixed media, live improvisation and sound sculpture that explores communication through both personal and technological lenses,” said Carolina Heredia. “The visuals draw from the sounds directly with some being generated in real-time and others interpreted through pre-made animations. Each composer’s sound is connected to a distinct visual aesthetic and then pieced together like a mosaic on the Olga 3D screens structure.”

You can hear samples of music composed by the members of ANTiCX at their individual websites, linked above, and in the embedded players below.

“Rise” by Annika Socolofsky, recorded in October 2018 at Princeton University by Jonathan Hulting-Cohen (alto sax) and Nicholas Shaneyfelt (piano) .

“if these walls” by Nina Shakhar, recorded in May 2021 by Left Coast Chamber Ensemble .

“Propellers in the Sun” by Tanner Porter, performed by the University of Michigan Symphony Orchestra, conducted by Kenneth Kiesler.

“Openwork, knotted object”/”Trellis in bloom”/”lightning ache” by inti figgis-vizueta, recorded in June 2019 at National Sawdust in Brooklyn, NY by the National Sawdust Ensemble, featuring Allison Loggins-Hull (flute), Oran Etkin (clarinet), Sugar Vendil (piano), Ian Rosenbaum (percussion), Miranda Cuckson (violin), Jeffrey Zeigler (cello), and Charles Hagaman (technician), conducted by Lidiya Yankovskaya.

“Ausencias” by Carolina Heredia, recorded in 2016 by JACK Quartet.

“Reactions” is an experimental animation created in 2016 by Xuan in collaboration with composer Tomek Arnold.

Mizzou International Composers Festival to return
July 26-31 with nine world premieres and more

After a year in which the COVID-19 pandemic forced last-minute changes in programming, the Mizzou International Composers Festival (MICF) is back in 2021 in a more familiar form.

Presented Monday, July 26 through Saturday, July 31 by the Mizzou New Music Initiative (MNMI) and the University of Missouri School of Music, the twelfth annual MICF will showcase the world premieres of new works from nine resident composers and more, with all four concerts streamed online for free. The schedule of performances is:

Tuesday, July 27: “World Premieres I,” featuring resident ensemble Alarm Will Sound performing new works by three of the festival’s resident composers, plus the premiere of an excerpt from distinguished guest composer David T. Little’s monodrama “What Belongs to You,” featuring singer Karim Sulayman.

Wednesday, July 28: “Mizzou New Music,” featuring the Mizzou New Music Ensemble playing music by David Little and Chen Yi, and Khemia Ensemble premiering new works by Stefan Freund, Phillip Sink, and Nina Shekhar.

Friday, July 30: “Entry Points of Empathy,” a world premiere multi-media event with music composed by inti figgis-vizueta, Carolina Heredia, Tanner Porter, Annika Socolofsky, and Nina Shekhar, performed by Mizzou faculty and guests, plus video interludes and live graphics by Xuan Zhang.

Saturday, July 31: “World Premieres II,” featuring Alarm Will Sound performing new works from six resident composers, plus the American premiere of Stefan Freund’s arrangement of “Sparkle” by distinguished guest composer Chen Yi.

All concerts will begin at 7:30 p.m. Central Daylight Time, and can be viewed on the Mizzou New Music Facebook page and on the University of Missouri School of Music YouTube channel.

The concerts on Tuesday and Saturday will feature world premieres of new works written by each of the festival’s nine resident composers. Listed with their current places of residence, they are:

(Four of the composers – Alcocer, Fitzpatrick, Mortilla and Shekar – were newly selected this year to participate in the 2021 MICF; the other five originally were chosen for the 2020 MICF, but their works could not be premiered when COVID-related restrictions forced the festival to be reconfigured. Three more composers chosen in 2020 were unable to participate this year, but will be invited to be part of a future festival.)

The MICF’s distinguished guest composers for 2021 are Chen Yi and David T. Little. Chen is a distinguished professor of composition at the Conservatory of Music and Dance at the University of Missouri-Kansas City. A finalist for the 2006 Pulitzer Prize for Music for her composition “Si Ji” (“Four Seasons”), she was born and raised in Guangzhou, China and is known as a prolific composer who blends Chinese and Western traditions, transcending cultural and musical boundaries.

Little currently chairs the composition program at Mannes – The New School in New York City. He previously served as Executive Director of MATA and on the board of directors at Chamber Music America, and from 2014–2017 was composer-in-residence with Opera Philadelphia and Music-Theatre Group.

During the festival, the resident composers will receive composition lessons from Chen and Little and take part via Zoom in rehearsals with Alarm Will Sound. The resident composers also will give public presentations online about their music, and after the premiere performances, will receive professional live recordings of their new works.

For more information on the 2021 Mizzou International Composers Festival, including a complete schedule of events, times, and dates, please visit http://composersfestival.missouri.edu/.