Posts Tagged ‘ Stefan Freund

Mizzou New Music Ensemble presenting “Words and Music”
and more on Sunday, December 3 at Whitmore Recital Hall

The Mizzou New Music Ensemble will premiere new works by seven different Mizzou composers in a concert at 7:30 p.m. Sunday, December 3 at Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus. Admission is $5 for the general public, free for Mizzou faculty, students and staff with ID.

The full Ensemble (pictured) will present the premiere performances of “notfromme” by Mikkel Christensen, a first-year master’s student; “Night Blossoms,” by senior composition major Ben Colagiovanni; “If you have nothing nice to say [say it softly],” by Libby Roberts, also a first-year master’s student and the pianist for the Ensemble; and “Good Vibes,” by freshman composition major Nick Williams.

The concert also will feature four songs created this fall as part of “Words and Music,” a collaborative project between the School of Music and the Department of English.

Overseen by post-doctoral fellow Carolina Heredia and assistant teaching professor Julia Bentley from the School of Music, along with Gabriel Fried, assistant professor of English, the “Words and Music” project involved three teams, each including an MU student poet, composer, singer, and a Mizzou New Music Ensemble member.

The new works they created to be performed at this concert are:

“Katabasis,” with words by Mary Clare Agnew and music by Libby Roberts, which will be performed by Briana Bennett, mezzo-soprano, and Kelariz Keshavarz, flute;

“The Wanderer,” with words by Hannah Cajandig and music by Adam J. Cohen, a sophomore composition major, to be performed by soprano Morgan Owen and percussionist Brianna Trainor; and

“Transience,” with words by Bryn Bartel and music by sophomore composition major Ethan Forte, performed by Matt Ahn, baritone and Daniel Keeler, cello.

In addition, as an example for the students, Gabriel Fried and Carolina Heredia worked together to write “Schoolyard Blessing,” which will be performed at the concert by Julia Bentley with Libby Roberts on piano.

Mizzou New Music Ensemble playing works
by Mizzou composers past and present
on Monday, October 16 at Whitmore Recital Hall

The Mizzou New Music Ensemble‘s first concert of the 2017-18 season will feature music from two Mizzou alumni, one new faculty member, and more.

The concert will take place at 7:30 p.m. Monday, October 16 at Whitmore Recital Hall on the Mizzou campus. Admission is $5 for the general public, free for Mizzou faculty, students and staff with ID.

Works to be performed will include “Lus in Bello” by Carolina Heredia, who this fall joined the University of Missouri faculty as the Mizzou New Music Initiative’s new postdoctoral fellow. Heredia first composed the piece in 2014 for the acclaimed new music group JACK Quartet, and in 2016 revised the arrangement for the Khemia Ensemble, the group she founded while a graduate student at the University of Michigan.

Also on the program are two pieces by recent Mizzou alumni. “Spherodendron” is by Haley Myers, who graduated in 2015 with a BM in composition. Inspired by the work of artist Bill Smith, it was written in 2013 specifically for a concert at the World Chess Hall of Fame in St. Louis.

“Naturally Synthetic” was premiered in 2012 at the Contemporary Art Museum St. Louis, and was written by Joe Hills, who earned his master’s degree in composition from Mizzou in 2013.

In addition, Mizzou faculty mezzo-soprano Julia Bentley will join the Ensemble as guest artist for a performance of Steven Snowden‘s “Matilda.” Written in 2010 for soprano and mixed chamber ensemble, the piece incorporates the text of “Matilda Who Told Lies, and was Burned to Death,” a satirical children’s poem by the early 20th century writer Hilaire Belloc.

Snowden is a freelance composer based in Boston who was a resident composer at the 2011 Mizzou International Composers Festival. He’s returning to Mizzou for a guest composer residency in October, which will include a “Composer Portrait” concert of his music on Tuesday, October 3.

Completing the evening, the Ensemble will perform “Damn,” a 1998 work for amplified clarinet and four percussionists composed by John Mackey. Mackey, who lives in Massachusetts and is known particularly for his works for wind ensemble and concert band, visited the Mizzou campus for a residency in 2012.

The seven-member Mizzou New Music Ensemble (pictured) is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, professor of composition, and artistic director of the Mizzou New Music Initiative. The Ensemble’s members for the 2017-18 season are Victoria Hargrove, clarinet; Hannah Hutchins, percussion; Daniel Keeler, cello; Kelariz Keshavarz, flute; Pedro Ramiro, violin; Libby Roberts, piano; and Brianna Trainor, percussion.

Missouri Composers Project (MOCOP) looking for
new orchestral, choral works for concert in March 2018

While writing music may be a solitary activity, composers of new music for orchestra or chorus ultimately need the help of many others to bring their works to life in concert.

That’s why the Missouri Composers Project (MOCOP) once again in 2018 will offer performance opportunities for new, large-ensemble music written by Missouri residents.

Now in its eighth year, MOCOP is a collaborative effort involving the Mizzou New Music Initiative, the Columbia Civic Orchestra (CCO) (pictured), the Columbia Chamber Choir, and the Sinquefield Charitable Foundation.

Each year, recently composed works are selected through a competitive, blind judging process and are performed by the CCO and Chamber Choir at a concert in Columbia. Each of the composers of the selected works also is awarded a $500 honorarium.

MOCOP’s 2018 competition is open to composers of orchestral and choral music in four categories – two for Missouri composers currently in high school, and two open to Missouri composers of any age.

The CCO and the Columbia Chamber Choir will perform the selected works in a concert at 7:30 p.m. Sunday, March 11, 2018 at First Baptist Church, 1112 E Broadway in Columbia.

Composers who wish to submit their work to MOCOP can find details on eligibility and instrumentation plus complete application materials online at https://music.missouri.edu/mnmi/mocop.

Applications must be submitted no later than Monday, December 4, 2017.

Mizzou faculty ensemble ZouM to perform
Friday, September 8 in Columbia and
Saturday, September 9 in St. Louis

The Mizzou faculty collective ZouM will showcase new music from six living composers with performances next weekend in Columbia and St. Louis.

They’ll play at 7:30 p.m. Friday, September 8 at Whitmore Recital Hall on the MU campus, then travel to St. Louis for a concert at 7:30 p.m. Saturday, September 9 at Washington University’s 560 Music Center.

Admission to the concert in Columbia is $5 for the general public, free to Mizzou students, staff and faculty with ID. The St. Louis concert is free and open to the public.

In all, fifteen Mizzou faculty members (plus one guest composer/performer) will take part in the concerts, which will feature two world premieres commissioned with support from the Sinquefield Charitable Foundation and the Mizzou New Music Initiative.

The program for the two concerts will include:

* “Portrait Sequence (Blanching Out),” a 2012 work by Mizzou New Music Initiative managing director Jacob Gotlib that will be performed by percussionists Abby Rehard and Megan Arns.

* “Dejate Caer,” written in 2012 by MNMI’s new post-doctoral fellow Carolina Heredia, and performed by violinist Julie Rosenfeld with pre-recorded electronics by Heredia.

* “Southern Harmony,” composed in 2014 by Jacob Bancks and performed by mezzo-soprano Julia Bentley and pianist Neil Minturn.

* “Winter Haiku,” composed in 2016 by Dennis Leclaire specifically for the Esterhazy String Quartet, which includes Julie Rosenfeld, Eva Szekely (violin), Leslie Perna (viola), and Eli Lara (cello).

* “Tantrums,” a new work by Asha Srinivasan, who was a resident composer at the 2012 Mizzou International Composers Festival (MICF). The piece was commissioned and will be given its world premiere by MU faculty duo DRAX, featuring Leo Saguiguit on baritone saxophone and Megan Arns on percussion, with the composer on electronics.

     Christopher Stark

* “Monday, Midnight,” a new work commissioned from Christopher Stark, who’s an assistant professor of composition at Washington University and was a resident composer at the 2015 MICF.

The world premiere will be performed by an ensemble including Rosenfeld, Lara, Minturn, and Arns, plus Steven Tharp (tenor), Kristine Poulsen (alto flute), and Wesley Warnhoff (clarinet), conducted by Mizzou professor of composition and MNMI artistic director Stefan Freund.

ZouM is a collective of Mizzou faculty members formed in the spring of 2015 to present contemporary chamber music.

After only two seasons, ZouM already has enlisted the talents of more than 25 faculty performers, composers, and academics from the University of Missouri School of Music to present innovative programs that promote contemporary chamber works by living composers.

Recent projects have featured works by Jennifer Higdon, Gabriel Prokofiev, and Dennis DeSantis, and by Mizzou composers Stefan Freund, Trey Makler, Jacob Gotlib, and Carolina Heredia.

MICF in the news

With the 2017 Mizzou International Composers Festival set to start on Monday, July 24, the MICF has been in the news.

The website I Care If You Listen, which has an international following among composers, musicians, and new music enthusiasts, offered extensive coverage of the festival with “5 Questions for Stefan Freund,” which included several photos and a SoundCloud playlist of the 2016 MICF’s eight world premieres.

Freund – the artistic director of the MICF and the Mizzou New Music Initiative, professor of composition at Mizzou, and cellist for Alarm Will Sound – used the opportunity to tell ICIYL’s worldwide audience all about the festival and how it fits into MNMI’s array of programs for composers at all stages of their careers.

On Sunday, July 16, the Columbia Daily Tribune published a feature story, “Face the Music,” previewing the MICF. The article by the Tribune‘s Aarik Danielsen, which was the cover story of the paper’s “Sunday Blend” section (pictured), featured interviews with resident composers Carolina Heredia and Christopher Mayo.

The Tribune and Danielsen followed up that story with three sidebars published online: one profiling the MICF’s resident ensemble Alarm Will Sound, one featuring a wide-ranging Q&A about the festival with MNMI managing director Jacob Gotlib, and one touting the MICF’s “can’t miss” moments.

Gotlib also was interviewed by Connor Lagore of the Columbia Missourian for that newspaper’s preview of the MICF, “Composers descend upon Columbia for new-music festival,”

On Tuesday, July 25, Columbia’s NBC affiliate KOMU aired a story about the festival by reporter Nick Allen, “Mizzou International Composers Festival begins eighth annual showcase.”

In addition, over the past few weeks the festival’s resident and distinguished guest composers all have talked with KMUC’s Trevor Harris for the station’s weekly “Mizzou Music” program, which airs at 6:00 p.m. every Wednesday. Those interviews have been archived on KMUC’s website.

Composers Festival spotlight: Mizzou New Music Ensemble

The Mizzou New Music Ensemble will be the featured performers in the Mizzou International Composers Festival‘s “Mizzou New Music” concert on Friday, July 28 at the Missouri Theatre.

Comprised of graduate students on scholarship, the Ensemble (pictured) is directed by professor of composition, faculty composer, and Alarm Will Sound member Stefan Freund. They serve as the flagship group of the Mizzou New Music Initiative, collaborating with student, faculty, and visiting composers throughout the year to perform a variety of new works.

The Ensemble’s members for the 2016-17 season are Victoria Hargrove, clarinet; Daniel Keeler, cello; Kelariz Keshavarz, flute; Renan Leme, violin; Rebecca McDaniel, percussion; Gyumi Rha, piano; and Panagiotis Skyftas, saxophone.

For the “Mizzou New Music” concert on Friday, July 28, the Ensemble will play works by both of this year’s distinguished guest composers, performing Dan Visconti’s “Fractured Jams” and Georg Friedrich Haas’ “…aus freier Lust…verbunden”.

During the academic year, the group performs a series of concerts on campus, and they also play off campus as well. Most recently, in May of this year they premiered “Eclipse Symphony,” a suite of four new works written by Mizzou students to commemorate the upcoming solar eclipse, in a performance at the St. Louis Science Center’s McDonnell Planetarium.

The Ensemble also has performed at the World Chess Hall of Fame, the Sheldon Concert Hall, the Shoenberg Theatre at the Missouri Botanical Garden, the Contemporary Art Museum St. Louis, the St. Louis Zoo’s Living World, and in St. Louis’ Forest Park as part of a benefit for Forest Park Forever.

Just about all of the Ensemble’s concerts, whether on campus or off, include music from student composers at Mizzou, giving both composers and performers valuable hands-on experience in the process of developing new work.

In the embedded audio player below, you can hear some samples of the Ensemble performing music from various student, faculty and visiting composers.

Mizzou New Music Initiative awards postdoctoral fellowship to Carolina Heredia

The Mizzou New Music Initiative and the University of Missouri School of Music have awarded a postdoctoral fellowship to composer Carolina Heredia.

Starting with the Fall 2017 semester and continuing for two years, Heredia (pictured) will teach private composition lessons to Mizzou students; assist with various MNMI programs; and work on interdisciplinary collaborative projects, initiating and supervising student efforts and also completing a major research project herself.

As MNMI’s second postdoctoral fellow, Heredia succeeds Phillip Sink, who is leaving Mizzou for a tenure-track job as assistant professor of theory and composition at Northern Illinois University.

Before beginning her fellowship, Heredia will have a chance to get acquainted with her new home as one of the eight resident composers for this year’s Mizzou International Composers Festival, a position for which she applied and was accepted last year.

“We were very impressed with Carolina’s work when we reviewed her application for the Mizzou International Composers Festival,” said Stefan Freund, professor of composition and artistic director of MNMI. “The festival is a catalyst for all sorts of opportunities, and in this case, it led to a connection with a composer and teacher who is going to be a great addition to our program.”

“Carolina’s interest in interdisciplinary projects was particularly attractive to us, and potentially could strengthen our ties with the university’s art and theater departments and the College of Arts and Science’s new digital storytelling program,” said Julia Gaines, director/associate professor of percussion and director of the School of Music. “We’re delighted to have her as part of the Mizzou New Music Initiative.“

Born in Córdoba, Argentina, Heredia comes to Mizzou from the University of Michigan, where she has just completed her doctorate in musical arts, studying with Michael Daugherty, Evan Chambers, Kristin Kuster, and Erik Santos.

While at Michigan, she also taught electronic music as a graduate student instructor and founded the Khemia Ensemble, a contemporary music group dedicated to creating innovative concert experiences involving interactive technology.

Previously, she earned her bachelor’s degree in music composition from the Universidad and Nacional de Villa María, and a bachelor’s degree in violin from the Conservatorio Superior Félix Garzón, both in Argentina; and a master’s degree in music composition from the University of Michigan.

Her compositions have been commissioned and performed in the United States and South America by musicians and ensembles including JACK Quartet, Derek Bermel, Aspen Contemporary Ensemble, Duo Cortona, and the Argentinean Cordoba State String Orchestra, and featured at events such as the SONIC Festival NYC, Aspen Music Festival and School, Bowling Green New Music Festival, TIES Toronto International Electroacoustic Festival, SEAMUS, the Cordoba Composition Biennial, and more.

Heredia’s honors and fellowships include a 2015 commission from the Fromm Music Foundation at Harvard University; the 2015 fellowship from the Susan and Ford Schumman Center for Composition Studies at the Aspen Music Festival; the Brehm Prize in Choral Composition (2015); the 2015 International Research Grant from the University of Michigan; the Margaret Dow Towsley Scholarship (2012); the Merit Scholarship from the University of Michigan (2011); and the Dorothy Greenwald Scholarship (2011).

Mizzou New Music Ensemble to debut “Eclipse Symphony”
with performances in Columbia and St. Louis

The Mizzou New Music Ensemble will commemorate the upcoming solar eclipse of August 2017 with performances in Columbia and St. Louis of the “Eclipse Symphony,” a new collaborative, multi-part work by four Mizzou student composers.

The work will be previewed in a concert at 7:30 p.m. Saturday, April 29 at the Bond Life Sciences Center on the University of Missouri campus in Columbia, with the official premiere set for 7:00 p.m. Friday, May 5 at the St. Louis Science Center’s James S. McDonnell Planetarium.

General admission to the concert in Columbia is $5 for the public, free for Mizzou faculty, students and staff.

Admission to the performance in St. Louis is free, but will require a ticket. Tickets will be available for pickup at any Science Center box office starting at 6:00 p.m. on the day of the concert.

The “Eclipse Symphony” has four sections, each written by a different composer to correspond to a different stage of eclipse that will take place on Monday, August 21, 2017. The work was composed specifically for the Mizzou New Music Ensemble with funding from the Sinquefield Charitable Foundation.

The first section, Hans Bridger Heruth’s “In the Shadow of the Moon,” heralds the coming of the eclipse, followed by Dustin Dunn’s “Now That Daylight Fills the Sky” to mark the event’s inception. Douglas Osmun’s “Convergences” then describes the point of total eclipse, with Jake Smucker’s “But You Have So Much to Live For” serving as a celebratory conclusion.

For the concert at the Planetarium in St. Louis, a backdrop of images, photos, and projections inspired by the eclipse will add a visual element to the Ensemble’s performance.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, professor of composition, and artistic director of the Mizzou New Music Initiative. The Ensemble’s members for the 2016-17 season are Victoria Hargrove, clarinet; Daniel Keeler, cello; Kelariz Keshavarz, flute; Renan Leme, violin; Rebecca McDaniel, percussion; Gyumi Rha, piano; and Panagiotis Skyftas, saxophone.