Posts Tagged ‘ Selim Göncü

Composers Festival spotlight: Selim Göncü

Born in Turkey and educated in Hungary and Austria, Selim Göncü is one of four resident composers at the 2017 Mizzou International Composers Festival who originally comes from outside the USA.

He currently is pursuing a PhD in composition at University of California, Berkeley, studying with Franck Bedrossian and Ken Ueno, and the Bay Area is just the latest stop in an itinerary that already has included some prestigious destinations.

Göncü (pictured) started taking piano lessons at the age of eleven, and began his higher education with a year of study at the Liszt Academy of Music in Hungary.

He moved to University Mozarteum of Salzburg in Austria, studying with Reinhard Febel and focusing on electronic music. Göncü also served as an assistant in Mozarteum’s composition department for two years before graduating in 2012.

From Salzburg, it was on to Graz, as Göncü then attended the famous Kunstuniversität Graz, studying with Clemens Gadenstätter and graduating with the highest distinction.

As part of his musical education, he also has taken part in workshops and seminars with other notable composers including Francesco Filidei, Franck Bedrossian, Beat Furrer, Philippe Leroux, Klaus Huber, Aaron Cassidy, Isabel Mundry, and Dieter Ammann.

Göncü’s works have been performed and recorded in festivals and concerts in Austria, Germany, France, United Kingdom, Italy, Spain, Hungary, Turkey and the USA. In 2016, he participated in IRCAM’s ManiFeste Festival, where his work “dimINNUENDO” was premiered by Ensemble Intercontemporain.

Other honors include being selected for the 2013 Firenze Suona Contemporanea festival; a special mention in Risuonanze 2013; and a Kunstuniversität Graz Jahresstipendium fellowship.

For the 2017 MICF, Göncü has written a new work called “post-pandemonium” that will be performed by Alarm Will Sound as part of the festival’s grand finale on Saturday, July 29.

Other recent projects include a small ensemble work for L’Instant Donné, a duo for electric guitar and accordion for Ensemble Cairn soloists, a new work for Ensemble Proton Bern, and a concerto for keyboard and ensemble for Berkeley’s ECO Ensemble.

You can hear Selim Göncü talk about his music in the interview he did earlier this summer with KMUC’s “Mizzou Music” Program, and you can listen to samples of his work on his SoundCloud page and via the embedded players below.

“damplification” (2014-15), US premiere recording performed by Kate Campbell and Anne Rainwater.

Works for Ensemble playlist

“SISYPHEAN S(T)EIN” (2015), recorded at the world premiere at the 2015 Etchings Festival, performed by by Ecce Ensemble, with Vasko Dukovski (clarinet) Diamanda La Berge Dramm (violin), László Hudacsek (percussion), and Nicholas Isherwood (bass baritone), conducted by Jean-Philippe Wurtz.

Tickets for 2017 Mizzou International Composers Festival go on sale Friday, May 26

Tickets for the 2017 Mizzou International Composers Festival (MICF) will go on sale at 10:00 a.m. CDT on Friday, May 26.

Known as the region’s premier showcase for new works by top young composers, the MICF will take place this year from Monday, July 24 through Saturday, July 29 in Columbia, and will include three public concerts.

Returning for the eighth year as the festival’s resident ensemble, Alarm Will Sound will begin the weekend of shows at 7:30 p.m. Thursday, July 27 at the Missouri Theatre, 203 S. Ninth St. in downtown Columbia.

They’ll perform music from the 2017 MICF’s distinguished guest composers, Georg Friedrich Haas and Dan Visconti, as well as works by Robert Sirota, Don Freund, and AWS violinist/guitarist Caleb Burhans.

Next, the “Mizzou New Music” concert at 7:30 p.m., Friday, July 28 at the Missouri Theatre will feature performances by the Mizzou New Music Ensemble and guest artists DRAX, with saxophonist Leo Saguiguit and percussionist Megan Arns, and cellist Eli Lara.

The grand finale of the week will showcase the world premieres of eight new works written by the festival’s resident composers and performed by Alarm Will Sound at 7:30 p.m., Saturday, July 29 at the Missouri Theatre.

Festival VIP packages are $80, and include reserved premium seating at all three concerts; two drink tickets good at the Thursday and Friday performances; and admission to a VIP reception prior to the Saturday evening performance, featuring champagne and hors d’oeuvres with members of Alarm Will Sound and the composers.

Festival passes for all three concerts are $40 for an adult general admission pass, and $20 for a student general admission pass. Single tickets are priced at $18 for adults, $10 for students, and are all general admission. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781. To buy tickets online, visit http://composersfestival.missouri.edu/.

In addition to these three concerts, the MICF also will feature several free events, including open rehearsals and presentations by the participating composers. A complete schedule of those events will be released at a later date.

The eight resident composers were chosen from among more than 260 applicants from 25 different countries to participate in the festival and create a new work for Alarm Will Sound. They are:
* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

During the festival, the resident composers will receive composition lessons from distinguished guest composers George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The resident composers also will take part in rehearsals with Alarm Will Sound; give presentations on their music; and receive a premiere performance and professional live recording of their work.

Mizzou International Composers Festival announces resident composers for 2017

The Mizzou New Music Initiative (MNMI) has selected eight resident composers to participate in the 2017 Mizzou International Composers Festival (MICF).

Presented by MNMI and the University of Missouri School of Music from Monday, July 24 through Saturday, July 29 in Columbia, the eighth annual MICF will feature world premieres of new works written by each of the selected composers. Listed with their current places of residence, they are:

* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

The resident composers are chosen through a portfolio application process that this year attracted a record 261 entries from 25 different countries, also a record for the MICF. Applications were received from Argentina, Australia, Brazil, Canada, Denmark, England, Finland, France, Germany, Greece, Hong Kong, Ireland, Israel, Italy, Mexico, the Netherlands, New Zealand, Poland, Russia, Scotland, Serbia, South Korea, Sweden, Turkey, and the United States.

Four of the resident composers selected for 2017 are originally from outside the US, including Selim Göncü, who was born in Turkey; Carolina Heredia, a native of Argentina; Christopher Mayo, a Canadian; and Aaron Parker, who hails from England.

Henry Breneman Stewart, a graduate student working toward a master’s in composition at Mizzou, will represent the University of Missouri. Stewart was the winner of the 2016 Sinquefield Composition Prize, the university’s highest honor for a student composer.

The 2017 Mizzou International Composers Festival will include a series of public concerts featuring music from the resident composers and other contemporary creators, as well as workshops, master classes, and other events.

The Festival’s distinguished guest composers for 2017 will be George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they have since the MICF began in 2010.

During the festival, the eight resident composers will receive composition lessons from Haas and Visconti; take part in rehearsals with Alarm Will Sound; give public presentations on their music; and receive a premiere performance and professional live recording of a new work created specifically for the MICF and Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2017 Mizzou International Composers Festival will be announced at a later date. For more information, please visit http://composersfestival.missouri.edu/.