Posts Tagged ‘ Santiago Beis

[Switch~ Ensemble] virtual residency at Mizzou will include
presentations plus a free online concert on Sunday, May 2

The new music group [Switch~ Ensemble] will do a “virtual residency” this spring for the Mizzou New Music Initiative, culminating in a online concert featuring works by Mizzou student composers.

The concert at 8:30 p.m. on Sunday, May 2 will include new works by Mizzou’s Santiago Beis, Luis Bezerra, and Oswald Huynh, as well as music by Chris Chandler and Zachary James Watkins. The performance will be available to view on the University of Missouri School of Music’s YouTube channel and on the Mizzou New Music Facebook page.

The [Switch~ Ensemble] residency also will include a presentation to the School of Music’s convocation on entrepreneurship for musicians, plus presentations to the School’s composition seminar and “introduction to electronic music” class.

Founded in 2012 at the Eastman School of Music, [Switch~ Ensemble] (pictured) is a group of ten instrumentalists and composers dedicated to performing high-level chamber music integrated with cutting-edge technology and supporting emerging and early career composers.

Mizzou assistant professor Megan Arns is their percussionist, and there are two other members who have some prior experience at MU: cellist T.J. Borden, who did a residency and concert for MNMI in 2019, and Jason Thorpe Buchanan, the ensemble’s artistic director, who was a resident composer at the 2013 Mizzou International Composers Festival.

Other members of [Switch~ Ensemble] are Lauren Cauley, violin; Christopher Chandler, composer and sound engineer; Matt Evans, saxophones; Madison Greenstone, clarinets; Clay Mettens, director of development, composer and sound engineer; Zach Sheets, composer, flutes, and managing director; and Wei-Han Wu, piano..

In keeping with their mission statement, [Switch~ Ensemble] has collaborated with both emerging and established composers, performing commissions and premieres of dozens of new works. Upcoming engagements include world premieres of commissioned works by Anne Leilehua Lanzilotti, Katharina Rosenberger, Anna-Louise Walton, and Kelly Sheehan, supported by New Music USA, the Ernst von Siemens Musikstiftung, Pro Helvetia, the MAP Fund, and more.

Past performances and residencies include Cornell, Bard College, University of Chicago, Ithaca College, Harvard University Group for New Music, UC Berkeley, the VIPA Festival (Spain), Eastman School of Music, Frost School of Music at University of Miami, and Avaloch Farms Music Institute, as well as concerts at the Image/Sound Festival, San Francisco Center for New Music, MATA Interval Series, NYCEMF, Vanguard New Music Series at Kent State University, the Queens New Music Festival, and more.

Sheldon commissions to be available for online viewing

New works written on commission by Mizzou student composers for premiere at the Sheldon Concert Hall in St. Louis soon will be available for everyone to view via The Sheldon’s YouTube channel.

The first three pieces that will go online at 8:00 p.m. Thursday, March 25 are The Grace of Falling” by Santiago Beis, “Aubade with Ashen Clouds, Scarlet Sky by Oswald Huynh, and “Poem of the Phantom Queen” by Daniel Fitzpatrick.

All three works were written as the result of a partnership between The Sheldon (pictured) and the Mizzou New Music Initiative that since 2012 has commissioned new music to premiere live as part of the long-running Sheldon Classics series at the hall.

Performed variously by members of the St. Louis Symphony Orchestra, Mizzou faculty or fellow students and funded by Dr. Jeanne and Rex Sinquefield and the Sinquefield Charitable Foundation, the commissions are intended to “offer emerging composers the opportunity to premiere their works in a professional setting, and classical-music lovers the chance to experience some of today’s most adventurous new music.”

Additional world premieres will be added as The Sheldon’s season continues into mid-June.


Santiago Beis wins 2021 Sinquefield Composition Prize

The University of Missouri School of Music and the Mizzou New Music Initiative have awarded the 2021 Sinquefield Composition Prize to Santiago Beis.

Beis is a first-year graduate student working toward a master’s degree in composition at Mizzou. He submitted “La sed y el Agua” (“Thirst and Water”), a work for piano and string orchestra, to the competition and was selected for the prize by a panel of independent judges.

The adjudicators for the 2021 competition were Yigit Kolat, composer and lecturer at the University of Washington; Wendy Richman, violist with the International Contemporary Ensemble and The Rhythm Method; and Evan Williams, assistant professor of music and director of instrumental studies at Rhodes College.

Now in its 16th year, the Sinquefield Composition Prize is the top award for a composition student at Mizzou.

As this year’s winner, Beis (pictured) will be commissioned to write a new work for the string section of the MU Philharmonic to be recorded in Spring 2021. With the commission, Beis also will receive a cash prize for the production of the score and parts.

Born in Rivera, Uruguay, Beis earned his bachelor’s degree in composition and conducting from EMBAP – UNESPAR (Escola de Música e Belas Artes do Paraná – Universidade Estadual do Paraná) in Curitiba, Brazil. As an undergraduate, he collaborated with a number of local and regional new music ensembles, and won first prizes in two Brazilian national composition festivals, the Funarte Prémio de Composição Clássica and the Bienal Música Hoje.

Also a performer who plays piano, flute, saxophone, trumpet, and synthesizers, Beis has recorded his jazz compositions with various groups including his own trio, which was recognized as one of the top five groups in the “Made in NY Jazz Gala” competition at the Tribeca Center of Performing Arts in New York City.

The other finalists for the 2021 Sinquefield Composition Prize were Daniel Fitzpatrick, Daniel Vega, Oswald Huynh, and Luis Hermano Bezerra.