Posts Tagged ‘ Robert Morris

Mizzou New Music Initiative to present Duo Cortona
in a free online concert on Friday, February 5

The Mizzou New Music Initiative will present Duo Cortona in a free online concert at 7:00 p.m. Friday, February 5.

The concert will be available to view on the University of Missouri School of Music’s YouTube channel and the Mizzou New Music Facebook page. It was recorded in conjunction with a “virtual residency” in November 2020 by the duo that also included reading and recording new works by Mizzou student composers and making a presentation to composition students.

The program will include music by Mizzou assistant professor Carolina Heredia; Evan Chambers, who also had a “virtual residency” with MNMI last fall; Robert Morris, a guest composer at the 2018 Mizzou International Composers Festival; and Annika Socolofsky, who visited Mizzou for a residency in 2019; as well as works by composers Hilda Paredes and John Liberatore.

Duo Cortona, the husband and wife team of violinist Ari Streisfeld and mezzo-soprano Rachel Calloway, is a contemporary music ensemble dedicated to the creation of new works for their unique instrumentation. Both Streisfeld and Calloway are faculty members at the University of South Carolina School of Music.

Founded at and named for the Cortona Sessions for New Music in Italy, Duo Cortona (pictured) has done performances and residencies across the USA, including at the Resonant Bodies Festival; the SONiC Festival and The Stone, both in New York City; Contemporary Undercurrents of Song Project in Princeton, NJ; New Music on the Point in Vermont; the Southern Exposure Series for New Music; East Carolina New Music Initiative; University of Wisconsin; College of Charleston; and more.

Duo Cortona, Evan Chambers doing virtual residencies for Mizzou

While the current pandemic-related restrictions may be limiting some in-person interactions, Mizzou students still are getting opportunities to work with and learn from composers and performers from throughout the world of new music.

For example, this month new music ensemble Duo Cortona and composer Evan Chambers both will take part in virtual residencies for MNMI.

Chambers (pictured, top left) is a professor of composition at the University of Michigan whose works have been performed by the Cincinnati, Kansas City, Memphis, New Hampshire, and Albany Symphonies, among others. Recordings of his music have been released by labels such as Albany Records, the Foundation Russolo-Pratella, Cambria, Clarinet Classics, Equilibrium, and Centaur.

During his residency, Chambers will give private lessons to composition students; make a presentation to this semester’s composition seminar; and coach the Mizzou New Music Ensemble in the performance of his work “longing for peace in the garden of lost children.,” which they’ll perform as part of the School of Music’s online “Monday Mashup” concert on Monday, November 16.

Duo Cortona, the husband and wife team of violinist Ari Streisfeld and mezzo-soprano Rachel Calloway (pictured, bottom left), is a contemporary music ensemble dedicated to the creation of new works for their unique instrumentation. Both Streisfeld and Calloway are faculty members at the University of South Carolina School of Music.

Founded at and named for the Cortona Sessions for New Music in Italy, Duo Cortona has done performances and residencies across the USA, including at the Resonant Bodies Festival; the SONiC Festival and The Stone, both in New York City; Contemporary Undercurrents of Song Project in Princeton, NJ; New Music on the Point in Vermont; the Southern Exposure Series for New Music; East Carolina New Music Initiative; University of Wisconsin; College of Charleston; and more.

During their residency for Mizzou, the duo will read and record new works from student composers Isabelle Borchardt, Ben Rouder, and Sam Whitty, with other composition students also observing the session. In addition, they’ll make a presentation to composition students on Friday, November 13, and record a concert on video that will be available for viewing online at a later date.

The concert will feature works by Evan Chambers and Mizzou professor Carolina Heredia, as well as pieces by Amadeus Regucera, who was a resident composer at the 2017 Mizzou International Composers Festival; Robert Morris, a guest composer at the 2018 MICF; and Annika Socolofsky, who visited Mizzou for a residency in 2019.

Composers Festival spotlight: Robert Morris

The Mizzou New Music Initiative is most grateful to Robert Morris for agreeing to serve as one of the two distinguished guest composers at the 2018 Mizzou International Composers Festival.

Morris, a composer and professor at Eastman School of Music, graciously re-arranged his summer schedule on short notice to come to Columbia after composer Chen Yi had to withdraw for medical reasons.

Festival-goers will be able to hear two of Morris’ works during the MICF.  As part of their concert on Thursday night at the Missouri Theatre, resident ensemble Alarm Will Sound will perform Morris’ “In Concert,” and Friday’s “Mizzou New Music” concert will include his electronic piece “Mountain Streams.”

While at the festival, Morris also will give a public presentation about his music; teach the seven resident composers in individual and group sessions; and consult with Alarm Will Sound on their performance of his music.

Morris was born in Cheltenham, England and received his musical education at the Eastman School and at the University of Michigan, where he earned his masters and doctoral degrees in composition and ethnomusicology.

He has taught at Eastman since 1980, serving as chair of the composition department from 1999 to 2005 and again from 2008 to 2011. Before his appointment at Eastman, Morris taught composition, electronic music, and music theory at the University of Hawaii; at Yale University, where he was chairman of the composition department and director of the Yale Electronic Music Studio; and at the University of Pittsburgh, where he directed the Computer and Electronic Studio.

Morris has composed more than 160 musical works, which have been performed in North America, Europe, Asia, and Australia, and recorded on labels including CRI, New World, Music Gallery Editions, Neuma, Music and Arts, Fanfare, Centaur, Open Space, Innova, Yank Gulch, Albany, and Attacca.

In addition to his music and teaching, Morris has written four books and more than 50 articles and reviews on subjects including musical analysis and aesthetics; compositional design; electronic and computer music; the Carnatic music of south India; and more.

He is the recipient of grants from the National Endowment for the Arts, the A. Whitney Griswold Foundation, the American Music Center, the Hanson Institute of American Music, and the American Council of Learned Societies. In 1975 he was a MacDowell Colony fellow, and in 2008, a Djerassi artist.

Morris has been guest composer at many festivals and series of new music, including the ISCM Festival of Contemporary MusicInternational Conferences of Computer MusicComposer to Composer, Composer’s Symposium, Kobe International Modern Music Festival, Heidelberg Contemporary Music Festival, Western Illinois University New Music Festival, Center for Research in Electronic Art TechnologyMidAmerican Center for Contemporary Music’s  New Music Festival, New Music on the Point, University of South Florida at Tampa New Music Festival, and more.

He has received numerous awards and commissions from organizations and ensembles including the Pittsburgh Symphony, Rochester Philharmonic Orchestra, Yale University, Speculum Musicae, Brave New Works, JACK Quartet, Momenta String Quartet, The Society for New Music, Alienor Harpsichord Society, Hartt College Festival of Contemporary Organ Music, National Flute Association, and more.

For more about Robert Morris, read the interview with him published in 2010 by New Music Box, and watch a video in which he discusses his work SOUND/PATH/FIELD, one of series of works inspired by his enjoyment of hiking that are intended to be performed outdoors. You can hear some samples of Robert Morris’ music in the embedded players below.

“Mysterious Landscape [excerpt],” recorded live by Robert Morris at Eastman School of Music’s Hatch Recital Hall.

“Entelechy 2012” (version p100g250) for piano with electronic modification

“Still,” performed by Solungga Fang-Tzu Liu (piano)

“Oracle,” performed in March 2011 at Lettuce Lake Park in Tampa, FL by the University of South Florida New-Music Consortium, conducted by Baljinder Sekhon

Composers Festival spotlight: Mizzou New Music Ensemble

As has become tradition over the past nine years, the Mizzou New Music Ensemble will be performing during the Mizzou International Composers Festival as part of Friday night’s “Mizzou New Music” concert at the Missouri Theatre.

Their portion of the evening’s program will include works by the MICF’s two distinguished guest composers – “Portraits and Repetitions” by Alex Mincek and “Mountain Streams” by Robert Morris – as well as “Near Distance” by Chen Yi (who last week had to withdraw from the festival for medical reasons and was replaced by Morris).

The Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, professor of composition and artistic director of the Mizzou New Music Initiative and the MICF. The Ensemble serves as the repertory group for MNMI, working with faculty, students, and visiting composers, and giving public performances on campus and in the community.

In addition to presenting several concerts each year in Columbia, the Ensemble also has performed programs of works by Mizzou composers at the Contemporary Art Museum – St. Louis, the St. Louis Zoo, the St. Louis Science Center, Forest Park, the World Chess Hall of Fame, Cortex Innovation Community, and more.

Since the MICF happens in the summer when school’s not in session, the current members of the Ensemble in any given year are augmented as necessary for the festival by guest musicians, drawn from Mizzou students,  alumni, faculty and staff, as well as the regional community of performers engaged in new music.

For the 2018 MICF, the lineup of players will include Kelariz Keshavarz (flute), Victoria Hargrove (clarinet), Ben Harting (saxophone), Brianna Trainor (percussion), Hannah Hutchins (percussion), Libby Roberts (piano), and Pedro Ramiro (violin), plus freelance Kansas City cellist Sascha Groschang. Mizzou senior Hans Bridger Heruth will conduct the ensemble for Chen’s “Near Distance,” and graduate student Jesus Gomez will conduct the performance of Mincek’s “Portraits and Repetitions”

You can hear some past performances by the Mizzou New Music Ensemble via the embedded player below.

Robert Morris to serve as guest composer for 2018 Mizzou International Composers Festival; Chen Yi withdraws for medical reasons

Composer Chen Yi, who had been scheduled to be one of the distinguished guest composers later this month at the 2018 Mizzou International Composers Festival, has withdrawn from the festival due to medical reasons.

In place of Chen, Robert Morris, composer and professor at the Eastman School of Music, has agreed to serve as a guest composer for the 2018 MICF.

“We regret that Chen Yi is unable to participate in this year’s festival. She recently had surgery and though a full recovery is expected, it’s taking longer than originally anticipated,” said Stefan Freund, professor of composition and artistic director of the Mizzou New Music Initiative and the MICF. “We hope she’ll be feeling better soon, and we’re very grateful to Bob Morris for being willing to come to Columbia on such short notice.”

Morris (pictured) was born in Cheltenham, England and received his musical education at the Eastman School and at the University of Michigan, where he earned his masters and doctoral degrees in composition and ethnomusicology.

He has taught at Eastman since 1980, serving as chair of the composition department from 1999 to 2005 and again from 2008 to 2011. Before his appointment at Eastman, Morris taught composition, electronic music, and music theory at the University of Hawaii; at Yale University, where he was chairman of the composition department and director of the Yale Electronic Music Studio; and at the University of Pittsburgh, where he directed the Computer and Electronic Studio.

Morris has composed more than 160 musical works, which have been performed in North America, Europe, Asia, and Australia, and recorded on labels including CRI, New World, Music Gallery Editions, Neuma, Music and Arts, Fanfare, Centaur, Open Space, Innova, Yank Gulch, Albany, and Attacca.

For MICF ticket buyers, the change in guest composers means that they’ll hear a slightly different program during the concert by Alarm Will Sound on Thursday, July 26 at the Missouri Theatre, as the festival’s resident ensemble will perform Morris’ “In Concert” in place of the Chen Yi work that had been announced previously. In addition, “Mountain Streams,” an electronic work composed by Morris, will be added to the program for the “Mizzou New Music” concert on Friday, July 27.

For the MICF’s seven resident composers, Morris’ participation in the festival will give them a chance to work with a composer and teacher who has written for many musical forms and types of media. Spanning the gap from academic to experimental, his compositions range from orchestral and chamber works to computer and improvisational music to works heavily influenced by non-Western music from Asia and the Middle East.

In addition to his music and teaching, Morris has written four books and more than 50 articles and reviews on subjects including musical analysis and aesthetics; compositional design; electronic and computer music; the Carnatic music of south India; and more.

During the MICF, he will give a public presentation about his music; teach the seven resident composers in individual and group sessions; and consult with Alarm Will Sound on the performance of “In Concert.”