Posts Tagged ‘ residency

Miles Brown to premiere new concerto for bass in concert on Friday, April 26

Bassist Miles Brown will be the featured soloist for the world premiere of “Incino Arvum,” a new concerto by Mizzou professor emeritus of composition W. Thomas McKenney that will be performed by the MU Wind Ensemble in a concert at 7:00 p.m. Friday, April 26 at the Missouri Theatre.

During his residency on campus, Brown (pictured) also will make a presentation to student composers, coach the Concert Jazz Band, and give private bass lessons.

A composer and teacher as well as a bassist, Brown is an assistant professor of string bass and jazz at the University of Delaware in Newark, DE.

He earned his bachelor and doctorate degrees in jazz performance studies from the Eastman School of Music, as well as a master’s degree from the Mannes College of Music in classical bass performance. Brown previously has taught at institutions including the Eastman School of Music, Oakland University, Cornell University, University of Rochester, Peabody Institute of Johns Hopkins, York College of Pennsylvania, and the Community College of Baltimore County. He also has led master classes at Ohio University, Ithaca College, Duke University, Hamilton College, and the University of South Carolina.

As the bassist for the contemporary music group Alarm Will Sound, which since 2010 has served as resident ensemble for the Mizzou International Composers Festival, Brown already is quite familiar with Columbia and the University of Missouri. He has performed with AWS in venues such as Carnegie Hall, Jazz at Lincoln Center, Alice Tully Hall, Amsterdam’s Muziekgebow, Philadelphia’s Kimmel Center for the Performing Arts, the Sheldon Concert Hall in St. Louis, and more; and has recorded with the group on labels including Nonesuch Records and Cantaloupe Records.

Alarm Will Sound has performed his compositions at venues including Carnegie Hall, Lincoln Center, and the Cleveland Museum of Art, and numerous other ensembles also have played his original works and arrangements.

As a jazz performer, Brown has led groups featured at the Syracuse Jazz Festival, the Rochester International Jazz Festival, the JVC Jazz Festival, and the Blue Note, and has recorded on the Native Language, Leading Tone, and Yummy House labels. He has released two CDs as a bandleader: Share My Life in 2007, and Middle Game in 2016.

Cellist T.J. Borden coming to Mizzou for residency, concert

Cellist and composer T. J. Borden will visit Mizzou next month for a residency and concert.

Borden (pictured) will be in Columbia on Tuesday, April 9 and Wednesday, April 10. While on campus, he’ll make a presentation to Mizzou composition students and give private lessons to selected cello students.

He’ll wrap up his visit with a concert at 8:30 p.m. Wednesday night at Whitmore Recital Hall, performing a work by Mizzou New Music Initative post-doctoral fellow Yoshi Onishi, plus music by composers Zeynap Toraman and Carolyn Chen and the world premiere of “Soften the World,” a new piece for cello, percussion, and electronics by Daniel Meyer-O’Keeffe.

A critically acclaimed performer of contemporary music, Borden currently is working towards his DMA at UC San Diego. He is a member of Mivos Quartet, a string quartet specializing in new music, and of the [Switch~ Ensemble], a group dedicated to the performance of works that incorporate multimedia into live performance (and that also includes Mizzou percussion professor Megan Arns among its members.)  He previously earned his BM degree at Ithaca College and his MM at the University at Buffalo,

As a cellist, Borden has worked with established composers including Brian Ferneyhough, La Monte Young, Alvin Lucier, Phillippe Leroux, and Steven Mackey, as well as with younger composers such as Wojtek Blecharz, Zane Merritt, Ben Isaacs, Lena Nietfeld, and Matt Sargent.

He has performed with ensembles and musicians including the JACK Quartet, the Theater of Eternal Music Brass and String Band, the Slee Sinfonietta, Ensemble Offspring, Tony Conrad, Paul D. Miller aka DJ Spooky, and Steve McCaffery.  Borden’s festival appearances include performances at the Soundways New Music Festival in St. Petersburg, June in Buffalo, the New Media Art and Sound Summit, the New York City Electroacoustic Music Festival,  and more.

As a composer, Borden has been commissioned by organizations and performers such as Cleveland Institute of Art, Hochstein Alumni Orchestra, and hammered dulcimer virtuoso Mitzie Collins. You can hear T.J. Borden’s music on his website and on his Bandcamp page.

Annika Socolofsky visiting Mizzou for concert, residency

Composer and singer Annika Socolofsky is coming to Mizzou later this month for a residency and concert.

During her visit, she will coach the Mizzou New Music Ensemble, make a presentation on her music to composition students, and give private lessons to selected composition majors. Socolofsky will conclude her residency by performing with the Ensemble when they present her work “Don’t say a word” at their concert on Sunday, February 24 at Whitmore Recital Hall.

Currently a doctoral candidate and fellow in composition at Princeton University. Socolofsky previously earned an MFA in composition from Princeton, an MA in composition the University of Michigan, and a BFA in composition from Carnegie Mellon University.

Drawing on both classical and folk traditions, her works are based in “the inflections, gesture, and resonance of the human voice” and range from orchestral compositions to unaccompanied folk ballads. As a researcher, she is focused on physiology in contemporary vocal music, using the music of Dolly Parton to create a pedagogical approach to composition that is inclusive of many vocal styles and techniques.

Her works, projects, and related research have been presented at Carnegie Hall, The Italian Society of Contemporary Music, American Music Festival, Northwestern New Music Institute, Strange Beautiful Music Detroit, and more.

Socolovsky’s current composition projects include new works for the Albany Symphony, So Percussion, Contemporaneous, Carnegie Mellon Contemporary Ensemble, Girlnoise, and Shepherdess. She also is a 2019 Stone Composer Fellow for the Great Lakes Chamber Music Festival, for which she will be writing a new work for the Callisto Quartet. Her previous collaborations include the Rochester Philharmonic, Albany Symphony, Knoxville Symphony Orchestra, Dogs of Desire, eighth blackbird, Third Coast Percussion, Latitude 49, and numerous others.

As a vocalist, she has performed as soloist with the Albany Symphony, Dogs of Desire, Knoxville Symphony Orchestra, Tulsa Camerata, eighth blackbird, and composer-vocalist Anna Pidgorna.

Socolofsky’s honors as a composer include a Fromm Foundation Commission, Cortona Prize, and BMI Student Composer Award, as well as fellowships to the Blackbird Creative Lab, Banff Centre for the Arts, Bang on a Can Summer Festival, Cultivate at Copland House, and the Brevard Music Center. You can hear some of her music on her SoundCloud page.

Transient Canvas coming to Mizzou for residency, concert on Monday, February 4

The new music duo Transient Canvas will visit Mizzou next month for a residency and concert.

They’ll perform at 7:30 p.m. Monday, February 4 at Whitmore Recital Hall, presenting a program of electroacoustic music by contemporary composers Brian Sears, Kirsten Volness, Peter Van Zandt Lane, Marissa Hickman, Dan VanHassel, and David Ibbett. The concert is free and open to the public.

While they’re on campus, bass clarinetist Amy Advocat and percussionist Matt Sharrock also will present master classes on their respective instruments and make a presentation to student composers. They’ll wrap up their residency by reading new works from Mizzou student composers at 5:30 p.m. Tuesday, February 5 in Room 112 of Loeb Hall.

Advocat and Sharrock started working together as Transient Canvas in 2011, and since then have premiered more than 80 new works, performing across the United States and abroad. Based in Boston, MA, they have released two albums on New Focus Recordings: their debut Sift in 2017, and Wired, which came out in November 2018.

Transient Canvas has performed at the Alba Music Festival in Italy, Music at the Forefront (Bowling Green, OH), Composers, Inc. (San Francisco, CA), New Music at the Short North Stage (Columbus, OH), the SoundNOW Festival (Atlanta, GA), and more.

Reflecting their ongoing interest in educating young performers and composers, they’ve presented masterclasses and composition workshops at Baldwin Wallace, Cleveland State, Franklin Pierce, Fresno Pacific, James Madison, Kennesaw State, Kent State, Northern Illinois, Ohio Wesleyan, Otterbein, Rutgers, and San Jose State Universities, UC Berkeley, UC Riverside, University of Maine, UNC Pembroke, University of the Pacific, UW Green Bay, and UW Madison

They’ve also done residencies with the composition departments at Harvard, Northeastern, Brandeis, Otterbein, and Tufts Universities, the University of Georgia, the Vermont College of Fine Arts, and the Boston Conservatory at Berklee.

You can hear some of Transient Canvas’ music on their SoundCloud page, and watch a selection of past performances on their YouTube channel.

Composer Nina C. Young coming to Mizzou for residency, concert

Composer Nina C. Young will visit Mizzou at the end of this month to coach the Mizzou New Music Ensemble and give a pre-concert talk before a performance of one of her works.

Young (pictured), who is an assistant professor of composition and director of the electronic music studios at the University of Texas at Austin and a visiting composer at the Peabody Institute, will be in Columbia starting Friday, November 30.

She’ll spend some time during the day on Friday working with the Ensemble, which will perform her composition “Rising Tide” as part of their concert on Sunday, December 2 at Whitmore Recital Hall.

Then on Friday evening, Young will present a pre-concert talk starting at 7:00 p.m. before the Mizzou Electronic Music Showcase at 7:30 p.m. at the A.P. Green Chapel. The showcase will include a performance of Young’s piece “Sun Propeller” by violinist and MU faculty member Julie Rosenfeld.

Born and raised in Rockland County, NY, just outside New York City, Young earned degrees from McGill University in Montreal and from Massachusetts Institute of Technology before getting her DMA at Columbia University. Her music draws on a variety of influences, from classical to minimalism to pop and more, frequently combining electronics and conventional acoustic instruments.

Young’s works have been performed by ensembles including the American Composers Orchestra, the Minnesota Orchestra, Phoenix Symphony Orchestra, Le Nouvel Ensemble Moderne, JACK Quartet, Aspen Philharmonic Orchestra, and many others. She also is co-artistic director of the New York-based new music group Ensemble Échappé. Her honors include the 2015-16 Rome Prize, a Koussevitzky Commission from the Library of Congress, a Charles Ives Scholarship from the American Academy of Arts and Letters, and the Salvatore Martirano Memorial Award.

Her interests in recent years have expanded to include collaborative, multidisciplinary works such as “Temenos,” a site-specific piece involving music, ballet, and the architecture of the Tempietto Del Bramante in Rome; and “Out of whose womb came the ice,” a work “commenting on the ill-fated Ernest Shackleton Trans-Antarctic Expedition 1914-17,” written for baritone, orchestra, electronics, and generative video and premiered in 2017 by the American Composers Orchestra Underground.

Composer Joseph Joubert to visit Mizzou
for premiere of new commissioned work

Composer and pianist Joseph Joubert is coming to Mizzou at the end of this month for a residency that will include the world premiere performance of “Freedom’s Plow,” a new commissioned work written by Joubert for Mizzou’s Concert Chorale.

On Thursday, November 29, Joubert (pictured) will speak at a convocation of the music department, and then take part in a recording session with the Concert Chorale. While he’s in Columbia, he’ll also attend rehearsals of the Chorale and the University Singers, as well as the Concert Chorale’s performance featuring his new work on Saturday, December 1 at First Baptist Church in Columbia.

A native New Yorker and graduate of the Manhattan School of Music, Joubert probably is best known for his involvement in musical theater, having served as the conductor of “Motown The Musical” on Broadway; as keyboardist and assistant conductor for “Billy Elliot” and “The Color Purple”; and for two seasons as staff pianist for the Metropolitan Opera Company’s revival of “Porgy And Bess.”

As a pianist, he has appeared in New York City’s major concert halls, including Carnegie Hall, Avery Fisher Hall, and Alice Tully Hall, and with the Manhattan Symphony, the Bronx Arts Ensemble, the New Philharmonia, the West Palm Beach Symphony, the Mobile Symphony, the Marin Symphony, and more.  Joubert also has been active as a recording artist, providing arrangements and keyboards for well-known performers including Ashford & Simpson, Patti Labelle, Jennifer Holliday, Nancy Wilson, Diana Ross, Judy Collins, George Benson, The O’Jays, Nnenna Freelon, Boys Choir of Harlem, Dixie Hummingbirds, and more.

Mizzou welcoming composer Andrew List for residency next week

The School of Music and the Mizzou New Music Initiative will welcome composer Andrew List to Columbia for a residency next Thursday, October 25 and Friday, October 26.

While he’s on campus, List, who’s a professor of composition at Berklee College of Music in Boston, will make a presentation on his music; give private composition lessons; and work with the University’s Percussion Ensemble, which will perform his work “Night Wanderings” as part of the “Percussion Extravaganza” concert on Thursday night at the Missouri Theatre.

A longtime Bostonian, List (pictured) earned his undergraduate and master’s degrees at the New England Conservatory and his doctorate in composition at Boston University. He writes music for a variety of instrumentations and genres, including works for orchestra, string quartet, soloists, and various chamber ensembles, as well as vocal and choral music, opera, and music for children.

He has received commissions and performances from many ensembles and soloists in North and South America and in Europe, including the Boston Classical Orchestra, Zodiac Trio, Alea III, Esterhazy Quartet, Interensemble, Kalistos Chamber Orchestra, North-South Consonance, Metamorphosen Chamber Orchestra, Concordia String Trio, Turtle Island String Quartet, pianists George Lopez and Winston Choi, cellist Emmanuel Feldman, and soprano Lisa Saffer.

Recordings of his music include releases by the Prague Radio Symphony Orchestra, with Eva Szekely as violin soloist, on the Albany label; by MONTAGE Music Society on MSR Classics; and Zodiac Trio on Blue Griffin.

List has won numerous awards and honors, and is the composer-in-residence at the Zodiac Music Academy and Festival in Valdeblor, Côte d’Azur, France, where he presents a composition class each summer. He also was the first American ever to serve as a composer-in-residence for the city of Amsterdam. Sponsored by the city, the Amsterdams Fonds voor de Kunst foundation, and the American Embassy in The Hague, he spent eight months there presenting concerts of his music and that of other American composers, as well as lectures and workshops at major conservatories throughout the Netherlands.

Composer Michael Daugherty’s upcoming residency
at Mizzou inspires three concerts featuring his music

Grammy Award-winning composer Michael Daugherty is coming to Columbia for a residency, and the University of Missouri School of Music and the Mizzou New Music Initiative are welcoming him with three concerts featuring his music in October.

Daugherty, who is a professor of composition at the University of Michigan School of Music, Theatre & Dance, will be in Columbia for two days. On the first evening of his residency, the MU Wind Ensemble will perform his works “On the Air” and “Niagara Falls” as part of a concert at 7:00 p.m. Monday, October 8 at the Missouri Theatre. Admission to the performance is $5 for the general public, free for MU students, faculty and staff with IDs.

The next evening, seven more of Daugherty’s compositions will be featured a concert devoted entirely to his music, with performances by Mizzou faculty ensembles ZouM and DRAX; the Missouri Saxophone Quartet; the Mizzou New Music Ensemble; and faculty soloists Eli Lara, Leigh Muñoz and Julie Rosenfeld. That concert will take place at 7:30 p.m. Tuesday, October 9 at Whitmore Recital Hall, and is free and open to the public.

While he’s on campus, Daugherty (pictured) also will make a presentation on his music, give private lessons to composition students, and work with the Mizzou New Music Ensemble, who will complete the concert trilogy when they play two of his works in their first performance of the semester on Monday, October 15, also at Whitmore Recital Hall.

Daugherty is a composer, pianist, and teacher who’s originally from Cedar Rapids, IA. He is one of the most widely performed American concert music composers of his generation, influenced by Romanticism, Postmodernism, and popular culture, and known for referencing in his music iconic figures ranging from Elvis Presley and Superman to Frida Kahlo and Jackie Onassis.

His teachers included notable 20th century composers such as Jacob Druckman, Earle Brown, Bernard Rands and Roger Reynolds from 1980-82 at Yale; Pierre Boulez in 1979 and 1980 at IRCAM in Paris; and György Ligeti from 1982 to 1984 in Hamburg. Daugherty was also an assistant to famed jazz arranger Gil Evans from 1980 to 1982 in New York.

Daugherty’s orchestral music has received six Grammy awards, including “Best Contemporary Classical Composition” in 2011 and 2017, and has been commissioned and premiered by major orchestras such as the Albany Symphony, Baltimore Symphony Orchestra, Bournemouth Symphony (U.K), Detroit Symphony Orchestra, Nashville Symphony, National Symphony Orchestra, Pacific Symphony, Philharmonia Orchestra (London), Pittsburgh Symphony Orchestra, the Philadelphia Orchestra, RAI Symphony Orchestra (Milan), and San Francisco Symphony.