Posts Tagged ‘ residency

Quatuor Diotima to perform in two concerts, present world premiere during residency at University of Missouri

The internationally acclaimed group Quatuor Diotima is coming to the University of Missouri for a residency that will include two performances and the world premiere of a new commissioned work composed by Mizzou post-doctoral fellow Yoshiaki Onishi.

Formed in 1996 by graduates of the Paris National Conservatory, Quatuor Diotima (pictured) is a string quartet that performs contemporary classical music and offers a fresh look at works by the great composers. The quartet’s members are violinists Yun-Peng Zhao and Constance Ronzatti, violist Franck Chevalier, and cellist Pierre Morlet.

They will perform at 7:30 p.m. Thursday, February 20 at Whitmore Recital Hall on the Mizzou campus, presenting a program that will include music by Beethoven and Alban Berg in addition to Onishi’s “String Quartet No. 2,” which was written with a commission from the Fromm Music Foundation. Admission to the concert is free and open to the public.

The quartet will conclude their residency with a concert at 7:00 p.m. Saturday, February 22 at First Baptist Church, 1112 E Broadway, performing works by Berg and Bartók and teaming up with Mizzou’s Esterhazy Quartet for the rarely heard Shostakovich Octet.

Tickets for Saturday’s concert, which is a co-presentation of the Mizzou New Music Initiative and the Odyssey Chamber Music Series, are $20 for general admission, $10 for students with ID, free for children under 12, and can be purchased online at https://www.odysseymissouri.org/tickets.html.

During their residency on campus, Quatuor Diotima also will read works by student composers; coach the members of the Mizzou New Music Ensemble; and make a recording of Onishi’s new quartet.

Named after a work by Italian avant garde composer Luigi Nono, Quatuor Diotima has toured the United States, Asia, Australia, and South America and performed at major European festivals and venues, such as the Berlin Philharmonie, Berlin Konzerthaus, Reina Sofia in Madrid, Cité de la musique in Paris, Wigmore Hall and SouthBank Centre in London, the Vienna Konzerthaus, and more.

Quatuor Diotima has worked with major composers including Pierre Boulez, Helmut Lachenmann, Toshio Hosokawa, and Brian Ferneyhough, and have commissioned new works from composers Gérard Pesson, Alberto Posadas, Oscar Bianchi, James Dillon, Miroslav Srnka, Rebecca Saunders, Pascal Dusapin, Tristan Murail, and more. They also have won several international competitions, and have recorded for NEOS, Kairos, Alpha Productions, ECM, and Naïve.

Aaron Perrine to visit Mizzou for residency, concert

Composer Aaron Perrine is coming to the University of Missouri in February for a residency and concert featuring the premiere of a new commissioned work he wrote for the Mizzou Wind Ensemble.

Perrine (pictured) will arrive in Columbia on Thursday, February 13. While he’s on campus, he’ll give lessons to composition students; make a presentation about his music; and coach the Wind Ensemble and the Symphonic Band, which will perform two of his older works at a concert later in the month.

His visit will conclude with a performance by the Wind Ensemble and All-Juniors Honor Band at 7:00 p.m. Monday, February 17 at the Missouri Theatre, at which the Ensemble, directed by Brian Silvey, will present the world premiere of Perrine’s new work “Stained with Light.”

Aaron Perrine is a Minnesota native who holds degrees from the University of Iowa, the University of Minnesota, and the University of Minnesota, Morris, and currently is on the faculty at Cornell College in Mt. Vernon, Iowa.

He has composed music in a variety of genres, and is noted especially for his works for concert and symphonic bands, twice winning the American Bandmasters Association Sousa/Ostwald Award for his compositions “Only Light” in 2015 and “Pale Blue on Deep” in 2013.

Perrine’s music for winds has been featured at numerous national, regional, all-state, state conference, and honor band concerts, and his works for saxophone also have received many notable performances. He also is an active conductor who has worked with a variety of honor bands.

Ken Thomson Sextet to perform with Concert Jazz Band
on Monday, November 4 at Stotler Lounge

Clarinetist, saxophonist, and composer Ken Thomson is bringing his sextet to Mizzou for a performance with the university’s Concert Jazz Band at 7:00 p.m. Monday, November 4 at Stotler Lounge in the Memorial Union building on campus.

The concert will feature sets from both Thomson’s group and the Concert Jazz Band, and some students from the band also will sit in with the sextet. Admission is free and open to the public.

In addition to the performance, Thomson during his visit will give a presentation to jazz and composition students, and teach a composition master class, and members of the sextet will rehearse with and coach students in the Concert Jazz Band.

Based in New York City, Ken Thomson moves between jazz and new music as both leader and collaborator in a number of different ensembles. In addition to his sextet, he also leads the group Slow/Fast; is a member of the new music ensemble Bang On A Can All-Stars and the punk/jazz quartet Gutbucket; and is musical director for the Asphalt Orchestra, a 12-piece “next-generation avant-garde marching band.”

Along with Thomson as alto saxophonist and composer, the sextet (pictured) also includes tenor saxophonist Anna Webber, trumpeter Nadje Noordhuis, trombonist Kalia Vandever, bassist Adam Armstrong, and drummer Ron Wiltrout. Their self-titled debut recording was released in September 2018.

As a composer, Thomson has been commissioned by the American Composers Orchestra, Bang on a Can, the True/False Film Festival, Doug Perkins, Mariel Roberts, and others, and has received awards from New Music USA, ASCAP and Meet the Composer. “Thaw,” a CD of his compositions recorded by the JACK Quartet for Cantaloupe Music, was named the #1 Classical CD of 2013 by Rhapsody.com, and was featured in NPR’s “10 Songs Public Radio Can’t Stop Playing.”

As an instrumentalist, he has performed across the US and Europe at major jazz festivals including Jazz a Vienne, San Sebastian Jazz Festival, Warsaw Summer Jazz Days and the Saalfelden, London, Copenhagen, Rotterdam and Belgrade Jazz Festivals. Thomson’s credits also include performing and recording with Ensemble Signal (conducted by Brad Lubman), working directly with composers from Steve Reich to Helmut Lachenmann, and performing on CDs for Harmonia Mundi, Mode, Orange Mountain, and Cantaloupe Records.

Amy Williams coming to Mizzou in October for residency and concert

Composer and pianist Amy Williams is coming to Mizzou next month for a residency and concert.

Williams, who is an associate professor teaching composition and music theory at the University of Pittsburgh, will be on campus in Columbia on Wednesday, October 9 and Thursday, October 10.

While she’s at Mizzou, Williams (pictured) will make a presentation to composition students, give private lessons, and perform in a free concert featuring excerpts from John Cage’s “Sonatas and Interludes for Prepared Piano” at 3:00 p.m. Thursday at Whitmore Recital Hall.

The daughter of two professional musicians, Williams grew up in Buffalo, NY, frequently hearing contemporary music and meeting composers such as John Cage, Morton Feldman, Lukas Foss, Elliott Carter, and more. She earned her undergraduate degree at Bennington College, and then completed both her master’s degree in piano performance and her Ph.D. in composition at the University at Buffalo. She previously taught at Bennington and Northwestern University before joining the Pittsburgh faculty in 2005.

One of Williams’ best-known works as a composer is the Cineshape series of chamber pieces inspired by different films, first performed in May 2016 by the JACK Quartet, flautist Lindsey Goodman, and percussionist Scott Christian, with video by Aaron Henderson.

“My performance influences my composition very directly — I think very much about the role of the performer, sometimes specifically (what would she or he want to play, what is his or her sound at the instrument), but also performative issues such as physicality and coordination,” Williams said in a 2015 interview. “And I analyze pieces that I play very much from a composer/theorist’s perspective. So it works both ways.”

Her compositions have been presented at renowned contemporary music venues in the United States, Asia, Australia, and Europe, including Ars Musica in Belgium, Gaudeamus Music Week in the Netherlands, Dresden New Music Days in Germany, Festival Aspekte is Austria, Festival Musica Nova in Brazil, and many more.

Williams’ works have been performed by prominent soloists and ensembles such as the Pittsburgh Symphony Orchestra, Buffalo Philharmonic Orchestra, Pro Arte Chamber Orchestra, Ensemble Aleph, Ensemble Dal Niente, Wet Ink, Talujon, Empyrean Ensemble, California E.A.R. Unit, International Contemporary Ensemble (ICE), pianist Ursula Oppens, and numerous others. Her compositions also have been featured on two “portrait” CDs of solo and chamber works released by Albany Records, “Crossings: Music for Piano and Strings” (2013) and “Cineshape and Duos” (2017).

Williams formed the Bugallo-Williams Piano Duo with Helena Bugallo while both were graduate students at the University at Buffalo. The duo has been featured at major contemporary music festivals and series in Europe and the Americas, including the Ojai Festival, Miller Theatre, Symphony Space, Le Poisson Rouge, Musica Contemporanea Ciclos de Conciertos in Buenos Aires, Festival Attacca in Stuttgart, and many more. They have released five CDs, featuring the music of Conlon Nancarrow, Morton Feldman and Edgard Varèse, György Kurtág, and Igor Stravinsky.

Miles Brown to premiere new concerto for bass in concert on Friday, April 26

Bassist Miles Brown will be the featured soloist for the world premiere of “Incino Arvum,” a new concerto by Mizzou professor emeritus of composition W. Thomas McKenney that will be performed by the MU Wind Ensemble in a concert at 7:00 p.m. Friday, April 26 at the Missouri Theatre.

During his residency on campus, Brown (pictured) also will make a presentation to student composers, coach the Concert Jazz Band, and give private bass lessons.

A composer and teacher as well as a bassist, Brown is an assistant professor of string bass and jazz at the University of Delaware in Newark, DE.

He earned his bachelor and doctorate degrees in jazz performance studies from the Eastman School of Music, as well as a master’s degree from the Mannes College of Music in classical bass performance. Brown previously has taught at institutions including the Eastman School of Music, Oakland University, Cornell University, University of Rochester, Peabody Institute of Johns Hopkins, York College of Pennsylvania, and the Community College of Baltimore County. He also has led master classes at Ohio University, Ithaca College, Duke University, Hamilton College, and the University of South Carolina.

As the bassist for the contemporary music group Alarm Will Sound, which since 2010 has served as resident ensemble for the Mizzou International Composers Festival, Brown already is quite familiar with Columbia and the University of Missouri. He has performed with AWS in venues such as Carnegie Hall, Jazz at Lincoln Center, Alice Tully Hall, Amsterdam’s Muziekgebow, Philadelphia’s Kimmel Center for the Performing Arts, the Sheldon Concert Hall in St. Louis, and more; and has recorded with the group on labels including Nonesuch Records and Cantaloupe Records.

Alarm Will Sound has performed his compositions at venues including Carnegie Hall, Lincoln Center, and the Cleveland Museum of Art, and numerous other ensembles also have played his original works and arrangements.

As a jazz performer, Brown has led groups featured at the Syracuse Jazz Festival, the Rochester International Jazz Festival, the JVC Jazz Festival, and the Blue Note, and has recorded on the Native Language, Leading Tone, and Yummy House labels. He has released two CDs as a bandleader: Share My Life in 2007, and Middle Game in 2016.

Cellist T.J. Borden coming to Mizzou for residency, concert

Cellist and composer T. J. Borden will visit Mizzou next month for a residency and concert.

Borden (pictured) will be in Columbia on Tuesday, April 9 and Wednesday, April 10. While on campus, he’ll make a presentation to Mizzou composition students and give private lessons to selected cello students.

He’ll wrap up his visit with a concert at 8:30 p.m. Wednesday night at Whitmore Recital Hall, performing a work by Mizzou New Music Initative post-doctoral fellow Yoshi Onishi, plus music by composers Zeynap Toraman and Carolyn Chen and the world premiere of “Soften the World,” a new piece for cello, percussion, and electronics by Daniel Meyer-O’Keeffe.

A critically acclaimed performer of contemporary music, Borden currently is working towards his DMA at UC San Diego. He is a member of Mivos Quartet, a string quartet specializing in new music, and of the [Switch~ Ensemble], a group dedicated to the performance of works that incorporate multimedia into live performance (and that also includes Mizzou percussion professor Megan Arns among its members.)  He previously earned his BM degree at Ithaca College and his MM at the University at Buffalo,

As a cellist, Borden has worked with established composers including Brian Ferneyhough, La Monte Young, Alvin Lucier, Phillippe Leroux, and Steven Mackey, as well as with younger composers such as Wojtek Blecharz, Zane Merritt, Ben Isaacs, Lena Nietfeld, and Matt Sargent.

He has performed with ensembles and musicians including the JACK Quartet, the Theater of Eternal Music Brass and String Band, the Slee Sinfonietta, Ensemble Offspring, Tony Conrad, Paul D. Miller aka DJ Spooky, and Steve McCaffery.  Borden’s festival appearances include performances at the Soundways New Music Festival in St. Petersburg, June in Buffalo, the New Media Art and Sound Summit, the New York City Electroacoustic Music Festival,  and more.

As a composer, Borden has been commissioned by organizations and performers such as Cleveland Institute of Art, Hochstein Alumni Orchestra, and hammered dulcimer virtuoso Mitzie Collins. You can hear T.J. Borden’s music on his website and on his Bandcamp page.

Annika Socolofsky visiting Mizzou for concert, residency

Composer and singer Annika Socolofsky is coming to Mizzou later this month for a residency and concert.

During her visit, she will coach the Mizzou New Music Ensemble, make a presentation on her music to composition students, and give private lessons to selected composition majors. Socolofsky will conclude her residency by performing with the Ensemble when they present her work “Don’t say a word” at their concert on Sunday, February 24 at Whitmore Recital Hall.

Currently a doctoral candidate and fellow in composition at Princeton University. Socolofsky previously earned an MFA in composition from Princeton, an MA in composition the University of Michigan, and a BFA in composition from Carnegie Mellon University.

Drawing on both classical and folk traditions, her works are based in “the inflections, gesture, and resonance of the human voice” and range from orchestral compositions to unaccompanied folk ballads. As a researcher, she is focused on physiology in contemporary vocal music, using the music of Dolly Parton to create a pedagogical approach to composition that is inclusive of many vocal styles and techniques.

Her works, projects, and related research have been presented at Carnegie Hall, The Italian Society of Contemporary Music, American Music Festival, Northwestern New Music Institute, Strange Beautiful Music Detroit, and more.

Socolovsky’s current composition projects include new works for the Albany Symphony, So Percussion, Contemporaneous, Carnegie Mellon Contemporary Ensemble, Girlnoise, and Shepherdess. She also is a 2019 Stone Composer Fellow for the Great Lakes Chamber Music Festival, for which she will be writing a new work for the Callisto Quartet. Her previous collaborations include the Rochester Philharmonic, Albany Symphony, Knoxville Symphony Orchestra, Dogs of Desire, eighth blackbird, Third Coast Percussion, Latitude 49, and numerous others.

As a vocalist, she has performed as soloist with the Albany Symphony, Dogs of Desire, Knoxville Symphony Orchestra, Tulsa Camerata, eighth blackbird, and composer-vocalist Anna Pidgorna.

Socolofsky’s honors as a composer include a Fromm Foundation Commission, Cortona Prize, and BMI Student Composer Award, as well as fellowships to the Blackbird Creative Lab, Banff Centre for the Arts, Bang on a Can Summer Festival, Cultivate at Copland House, and the Brevard Music Center. You can hear some of her music on her SoundCloud page.

Transient Canvas coming to Mizzou for residency, concert on Monday, February 4

The new music duo Transient Canvas will visit Mizzou next month for a residency and concert.

They’ll perform at 7:30 p.m. Monday, February 4 at Whitmore Recital Hall, presenting a program of electroacoustic music by contemporary composers Brian Sears, Kirsten Volness, Peter Van Zandt Lane, Marissa Hickman, Dan VanHassel, and David Ibbett. The concert is free and open to the public.

While they’re on campus, bass clarinetist Amy Advocat and percussionist Matt Sharrock also will present master classes on their respective instruments and make a presentation to student composers. They’ll wrap up their residency by reading new works from Mizzou student composers at 5:30 p.m. Tuesday, February 5 in Room 112 of Loeb Hall.

Advocat and Sharrock started working together as Transient Canvas in 2011, and since then have premiered more than 80 new works, performing across the United States and abroad. Based in Boston, MA, they have released two albums on New Focus Recordings: their debut Sift in 2017, and Wired, which came out in November 2018.

Transient Canvas has performed at the Alba Music Festival in Italy, Music at the Forefront (Bowling Green, OH), Composers, Inc. (San Francisco, CA), New Music at the Short North Stage (Columbus, OH), the SoundNOW Festival (Atlanta, GA), and more.

Reflecting their ongoing interest in educating young performers and composers, they’ve presented masterclasses and composition workshops at Baldwin Wallace, Cleveland State, Franklin Pierce, Fresno Pacific, James Madison, Kennesaw State, Kent State, Northern Illinois, Ohio Wesleyan, Otterbein, Rutgers, and San Jose State Universities, UC Berkeley, UC Riverside, University of Maine, UNC Pembroke, University of the Pacific, UW Green Bay, and UW Madison

They’ve also done residencies with the composition departments at Harvard, Northeastern, Brandeis, Otterbein, and Tufts Universities, the University of Georgia, the Vermont College of Fine Arts, and the Boston Conservatory at Berklee.

You can hear some of Transient Canvas’ music on their SoundCloud page, and watch a selection of past performances on their YouTube channel.