Posts Tagged ‘ residency

Annika Socolofsky visiting Mizzou for concert, residency

Composer and singer Annika Socolofsky is coming to Mizzou later this month for a residency and concert.

During her visit, she will coach the Mizzou New Music Ensemble, make a presentation on her music to composition students, and give private lessons to selected composition majors. Socolofsky will conclude her residency by performing with the Ensemble when they present her work “Don’t say a word” at their concert on Sunday, February 24 at Whitmore Recital Hall.

Currently a doctoral candidate and fellow in composition at Princeton University. Socolofsky previously earned an MFA in composition from Princeton, an MA in composition the University of Michigan, and a BFA in composition from Carnegie Mellon University.

Drawing on both classical and folk traditions, her works are based in “the inflections, gesture, and resonance of the human voice” and range from orchestral compositions to unaccompanied folk ballads. As a researcher, she is focused on physiology in contemporary vocal music, using the music of Dolly Parton to create a pedagogical approach to composition that is inclusive of many vocal styles and techniques.

Her works, projects, and related research have been presented at Carnegie Hall, The Italian Society of Contemporary Music, American Music Festival, Northwestern New Music Institute, Strange Beautiful Music Detroit, and more.

Socolovsky’s current composition projects include new works for the Albany Symphony, So Percussion, Contemporaneous, Carnegie Mellon Contemporary Ensemble, Girlnoise, and Shepherdess. She also is a 2019 Stone Composer Fellow for the Great Lakes Chamber Music Festival, for which she will be writing a new work for the Callisto Quartet. Her previous collaborations include the Rochester Philharmonic, Albany Symphony, Knoxville Symphony Orchestra, Dogs of Desire, eighth blackbird, Third Coast Percussion, Latitude 49, and numerous others.

As a vocalist, she has performed as soloist with the Albany Symphony, Dogs of Desire, Knoxville Symphony Orchestra, Tulsa Camerata, eighth blackbird, and composer-vocalist Anna Pidgorna.

Socolofsky’s honors as a composer include a Fromm Foundation Commission, Cortona Prize, and BMI Student Composer Award, as well as fellowships to the Blackbird Creative Lab, Banff Centre for the Arts, Bang on a Can Summer Festival, Cultivate at Copland House, and the Brevard Music Center. You can hear some of her music on her SoundCloud page.

Transient Canvas coming to Mizzou for residency, concert on Monday, February 4

The new music duo Transient Canvas will visit Mizzou next month for a residency and concert.

They’ll perform at 7:30 p.m. Monday, February 4 at Whitmore Recital Hall, presenting a program of electroacoustic music by contemporary composers Brian Sears, Kirsten Volness, Peter Van Zandt Lane, Marissa Hickman, Dan VanHassel, and David Ibbett. The concert is free and open to the public.

While they’re on campus, bass clarinetist Amy Advocat and percussionist Matt Sharrock also will present master classes on their respective instruments and make a presentation to student composers. They’ll wrap up their residency by reading new works from Mizzou student composers at 5:30 p.m. Tuesday, February 5 in Room 112 of Loeb Hall.

Advocat and Sharrock started working together as Transient Canvas in 2011, and since then have premiered more than 80 new works, performing across the United States and abroad. Based in Boston, MA, they have released two albums on New Focus Recordings: their debut Sift in 2017, and Wired, which came out in November 2018.

Transient Canvas has performed at the Alba Music Festival in Italy, Music at the Forefront (Bowling Green, OH), Composers, Inc. (San Francisco, CA), New Music at the Short North Stage (Columbus, OH), the SoundNOW Festival (Atlanta, GA), and more.

Reflecting their ongoing interest in educating young performers and composers, they’ve presented masterclasses and composition workshops at Baldwin Wallace, Cleveland State, Franklin Pierce, Fresno Pacific, James Madison, Kennesaw State, Kent State, Northern Illinois, Ohio Wesleyan, Otterbein, Rutgers, and San Jose State Universities, UC Berkeley, UC Riverside, University of Maine, UNC Pembroke, University of the Pacific, UW Green Bay, and UW Madison

They’ve also done residencies with the composition departments at Harvard, Northeastern, Brandeis, Otterbein, and Tufts Universities, the University of Georgia, the Vermont College of Fine Arts, and the Boston Conservatory at Berklee.

You can hear some of Transient Canvas’ music on their SoundCloud page, and watch a selection of past performances on their YouTube channel.

Composer Nina C. Young coming to Mizzou for residency, concert

Composer Nina C. Young will visit Mizzou at the end of this month to coach the Mizzou New Music Ensemble and give a pre-concert talk before a performance of one of her works.

Young (pictured), who is an assistant professor of composition and director of the electronic music studios at the University of Texas at Austin and a visiting composer at the Peabody Institute, will be in Columbia starting Friday, November 30.

She’ll spend some time during the day on Friday working with the Ensemble, which will perform her composition “Rising Tide” as part of their concert on Sunday, December 2 at Whitmore Recital Hall.

Then on Friday evening, Young will present a pre-concert talk starting at 7:00 p.m. before the Mizzou Electronic Music Showcase at 7:30 p.m. at the A.P. Green Chapel. The showcase will include a performance of Young’s piece “Sun Propeller” by violinist and MU faculty member Julie Rosenfeld.

Born and raised in Rockland County, NY, just outside New York City, Young earned degrees from McGill University in Montreal and from Massachusetts Institute of Technology before getting her DMA at Columbia University. Her music draws on a variety of influences, from classical to minimalism to pop and more, frequently combining electronics and conventional acoustic instruments.

Young’s works have been performed by ensembles including the American Composers Orchestra, the Minnesota Orchestra, Phoenix Symphony Orchestra, Le Nouvel Ensemble Moderne, JACK Quartet, Aspen Philharmonic Orchestra, and many others. She also is co-artistic director of the New York-based new music group Ensemble Échappé. Her honors include the 2015-16 Rome Prize, a Koussevitzky Commission from the Library of Congress, a Charles Ives Scholarship from the American Academy of Arts and Letters, and the Salvatore Martirano Memorial Award.

Her interests in recent years have expanded to include collaborative, multidisciplinary works such as “Temenos,” a site-specific piece involving music, ballet, and the architecture of the Tempietto Del Bramante in Rome; and “Out of whose womb came the ice,” a work “commenting on the ill-fated Ernest Shackleton Trans-Antarctic Expedition 1914-17,” written for baritone, orchestra, electronics, and generative video and premiered in 2017 by the American Composers Orchestra Underground.

Composer Joseph Joubert to visit Mizzou
for premiere of new commissioned work

Composer and pianist Joseph Joubert is coming to Mizzou at the end of this month for a residency that will include the world premiere performance of “Freedom’s Plow,” a new commissioned work written by Joubert for Mizzou’s Concert Chorale.

On Thursday, November 29, Joubert (pictured) will speak at a convocation of the music department, and then take part in a recording session with the Concert Chorale. While he’s in Columbia, he’ll also attend rehearsals of the Chorale and the University Singers, as well as the Concert Chorale’s performance featuring his new work on Saturday, December 1 at First Baptist Church in Columbia.

A native New Yorker and graduate of the Manhattan School of Music, Joubert probably is best known for his involvement in musical theater, having served as the conductor of “Motown The Musical” on Broadway; as keyboardist and assistant conductor for “Billy Elliot” and “The Color Purple”; and for two seasons as staff pianist for the Metropolitan Opera Company’s revival of “Porgy And Bess.”

As a pianist, he has appeared in New York City’s major concert halls, including Carnegie Hall, Avery Fisher Hall, and Alice Tully Hall, and with the Manhattan Symphony, the Bronx Arts Ensemble, the New Philharmonia, the West Palm Beach Symphony, the Mobile Symphony, the Marin Symphony, and more.  Joubert also has been active as a recording artist, providing arrangements and keyboards for well-known performers including Ashford & Simpson, Patti Labelle, Jennifer Holliday, Nancy Wilson, Diana Ross, Judy Collins, George Benson, The O’Jays, Nnenna Freelon, Boys Choir of Harlem, Dixie Hummingbirds, and more.

Mizzou welcoming composer Andrew List for residency next week

The School of Music and the Mizzou New Music Initiative will welcome composer Andrew List to Columbia for a residency next Thursday, October 25 and Friday, October 26.

While he’s on campus, List, who’s a professor of composition at Berklee College of Music in Boston, will make a presentation on his music; give private composition lessons; and work with the University’s Percussion Ensemble, which will perform his work “Night Wanderings” as part of the “Percussion Extravaganza” concert on Thursday night at the Missouri Theatre.

A longtime Bostonian, List (pictured) earned his undergraduate and master’s degrees at the New England Conservatory and his doctorate in composition at Boston University. He writes music for a variety of instrumentations and genres, including works for orchestra, string quartet, soloists, and various chamber ensembles, as well as vocal and choral music, opera, and music for children.

He has received commissions and performances from many ensembles and soloists in North and South America and in Europe, including the Boston Classical Orchestra, Zodiac Trio, Alea III, Esterhazy Quartet, Interensemble, Kalistos Chamber Orchestra, North-South Consonance, Metamorphosen Chamber Orchestra, Concordia String Trio, Turtle Island String Quartet, pianists George Lopez and Winston Choi, cellist Emmanuel Feldman, and soprano Lisa Saffer.

Recordings of his music include releases by the Prague Radio Symphony Orchestra, with Eva Szekely as violin soloist, on the Albany label; by MONTAGE Music Society on MSR Classics; and Zodiac Trio on Blue Griffin.

List has won numerous awards and honors, and is the composer-in-residence at the Zodiac Music Academy and Festival in Valdeblor, Côte d’Azur, France, where he presents a composition class each summer. He also was the first American ever to serve as a composer-in-residence for the city of Amsterdam. Sponsored by the city, the Amsterdams Fonds voor de Kunst foundation, and the American Embassy in The Hague, he spent eight months there presenting concerts of his music and that of other American composers, as well as lectures and workshops at major conservatories throughout the Netherlands.

Composer Michael Daugherty’s upcoming residency
at Mizzou inspires three concerts featuring his music

Grammy Award-winning composer Michael Daugherty is coming to Columbia for a residency, and the University of Missouri School of Music and the Mizzou New Music Initiative are welcoming him with three concerts featuring his music in October.

Daugherty, who is a professor of composition at the University of Michigan School of Music, Theatre & Dance, will be in Columbia for two days. On the first evening of his residency, the MU Wind Ensemble will perform his works “On the Air” and “Niagara Falls” as part of a concert at 7:00 p.m. Monday, October 8 at the Missouri Theatre. Admission to the performance is $5 for the general public, free for MU students, faculty and staff with IDs.

The next evening, seven more of Daugherty’s compositions will be featured a concert devoted entirely to his music, with performances by Mizzou faculty ensembles ZouM and DRAX; the Missouri Saxophone Quartet; the Mizzou New Music Ensemble; and faculty soloists Eli Lara, Leigh Muñoz and Julie Rosenfeld. That concert will take place at 7:30 p.m. Tuesday, October 9 at Whitmore Recital Hall, and is free and open to the public.

While he’s on campus, Daugherty (pictured) also will make a presentation on his music, give private lessons to composition students, and work with the Mizzou New Music Ensemble, who will complete the concert trilogy when they play two of his works in their first performance of the semester on Monday, October 15, also at Whitmore Recital Hall.

Daugherty is a composer, pianist, and teacher who’s originally from Cedar Rapids, IA. He is one of the most widely performed American concert music composers of his generation, influenced by Romanticism, Postmodernism, and popular culture, and known for referencing in his music iconic figures ranging from Elvis Presley and Superman to Frida Kahlo and Jackie Onassis.

His teachers included notable 20th century composers such as Jacob Druckman, Earle Brown, Bernard Rands and Roger Reynolds from 1980-82 at Yale; Pierre Boulez in 1979 and 1980 at IRCAM in Paris; and György Ligeti from 1982 to 1984 in Hamburg. Daugherty was also an assistant to famed jazz arranger Gil Evans from 1980 to 1982 in New York.

Daugherty’s orchestral music has received six Grammy awards, including “Best Contemporary Classical Composition” in 2011 and 2017, and has been commissioned and premiered by major orchestras such as the Albany Symphony, Baltimore Symphony Orchestra, Bournemouth Symphony (U.K), Detroit Symphony Orchestra, Nashville Symphony, National Symphony Orchestra, Pacific Symphony, Philharmonia Orchestra (London), Pittsburgh Symphony Orchestra, the Philadelphia Orchestra, RAI Symphony Orchestra (Milan), and San Francisco Symphony.

Composer Yevgeniy Sharlat coming to Mizzou for residency, concert

Composer Yevgeniy Sharlat is coming to Mizzou next month for a residency and concert.

Sharlat, who’s an associate professor at the University of Texas at Austin, will be in Columbia on Monday, October 1 and Tuesday, October 2.

While he’s on campus, he’ll give a presentation and private lessons to composition students and coach the Mizzou New Music Ensemble, who will perform his piece “Divertissement” in their first concert of the semester on Monday, October 15.

Sharlat’s visit will conclude with the premiere of his new work “Trio Contemplating the Moon,” which was commissioned by Trio Séléné with funding from the Mizzou New Music Initiative and will be performed as part of their concert at 7:30 p.m. Tuesday, October 2 at Whitmore Recital Hall.

Born in 1977 in Moscow, Russia, Sharlat majored in violin, piano, and music theory at the Academy of Moscow Conservatory. Immigrating to the United States in 1994, he studied composition at the Juilliard Pre-College, Curtis Institute of Music, and Yale University, where he earned his masters and doctoral degrees.

He has written music for orchestra, chamber ensembles, solo, theater, ballet, and film, and was the recipient of the 2006 Charles Ives Fellowship from American Academy of Arts and Letters. His other honors include a Fromm Music Foundation Commission; ASCAP’s Morton Gould, Boosey & Hawkes, and Leiber & Stoller awards; Yale University’s Rena Greenwald Award; and fellowships from the MacDowell and Yaddo artists’ communities.

Sharlat has received recent commissions from organizations including the Gilmore Keyboard Festival, Seattle Chamber Players, Astral Artistic Services, and LA Piano Duo. His music also has been performed by ensembles such as Kremerata Baltica, the Seattle Symphony, the Hartford Symphony, Seattle Chamber Players, Chamber Orchestra Kremlin, and others.

Composer Jonathan Newman to visit Mizzou for residency

Photo by Peace Gardiner SavetzComposer Jonathan Newman is coming to Columbia this month for a residency at the School of Music.

Newman (pictured), who is director of composition and coordinator of new music at Shenandoah Conservatory in Winchester, VA,  will visit Mizzou from Wednesday, April 25 through Friday, April 27.

While he’s on campus, his activities will include coaching the Mizzou New Music Ensemble in rehearsal; giving composition lessons and a presentation on his works; and attending the concert by the Mizzou Wind Ensemble on Friday at the Missouri Theatre.

Wind and educational ensembles around the world frequently perform Newman’s music, and the Mizzou Wind Ensemble’s concert will include one of his best-known compositions, “Blow It Up, Start Again,” as well as “Avenue X” and “As the scent of spring rain…” In addition, Newman’s works “Moon by Night” and “1861” will be performed by Mizzou’s Symphonic Band at their concert on Sunday, April 29, also at the Missouri Theatre.

Trained as a pianist, trombonist, and singer, Newman creates music informed by an upbringing performing in orchestras, singing in jazz choirs, playing in marching bands, and accompanying himself in talent shows, incorporating pop, blues, jazz, folk, and funk into otherwise classical models.

Born in 1972, he received the Charles Ives Scholarship from the American Academy of Arts and Letters, and holds degrees from Boston University’s School for the Arts and from The Juilliard School, where his collaborative works for dance enjoyed multiple performances at The Juilliard Theater, Alice Tully Hall, P.S. 122, and Dance Theater Workshop.

Newman’s music has been performed by orchestras worldwide, including the Minnesota Orchestra, the Toronto Symphony, the Cabrillo Festival of Contemporary Music Orchestra, the Royal Philharmonic Orchestra at the 2015 BBC Proms, and many others.

In 2016 he was appointed composer-in-residence for the Chicago Youth Symphony Orchestra, which originally commissioned “Blow It Up, Start Again” in 2011 and performed four of his works, including the newly commissioned “Meridian,” during their 2016-17 season. Other recent projects include a re-imagined Mass for The Choir of Trinity Wall Street; a large-scale work commissioned by the Florida State University Wind Orchestra; “Prayers of Steel” for Chicago’s Gaudete Brass, and, with playwright Gary Winter, an opera based on the 1962 cult horror film Carnival of Souls.

Newman also has a connection to the Mizzou International Composers Festival’s resident ensemble Alarm Will Sound, having transcribed and arranged “Logan Rock With” and “Fingerbib” for their 2005 album Acoustica: Alarm Will Sound Performs Aphex Twin on Cantaloupe Records.

His works have been recorded on labels such as Avian, BCM, Brain Music, Cantaloupe, Cedille, Klavier, Mark Custom, Naxos, Potenza, and Summit Records. Newman also is a founding member of the composer consortium BCM International, which has released two albums.

You can hear some of Jonathan Newman’s music in the embedded players below and on his SoundCloud page.

“Blow It Up, Start Again,” a transcription with performance by the Florida State University Wind Orchestra, conducted by Richard Clary, recorded April 15, 2013 at Ruby Diamond Concert Hall in Tallahassee FL

“Stereo Action,” recorded by the Texas A&M-Commerce Percussion Ensemble at the 2010 PASIC in Indianapolis, IN

“My Hands Are A City,” as performed by the University Of Georgia Wind Ensemble, conducted by John Lynch, on their album “Millennium Canons: Looking Forward, Looking Back”