Posts Tagged ‘ residency

[Switch~ Ensemble] virtual residency at Mizzou will include
presentations plus a free online concert on Sunday, May 2

The new music group [Switch~ Ensemble] will do a “virtual residency” this spring for the Mizzou New Music Initiative, culminating in a online concert featuring works by Mizzou student composers.

The concert at 8:30 p.m. on Sunday, May 2 will include new works by Mizzou’s Santiago Beis, Luis Bezerra, and Oswald Huynh, as well as music by Chris Chandler and Zachary James Watkins. The performance will be available to view on the University of Missouri School of Music’s YouTube channel and on the Mizzou New Music Facebook page.

The [Switch~ Ensemble] residency also will include a presentation to the School of Music’s convocation on entrepreneurship for musicians, plus presentations to the School’s composition seminar and “introduction to electronic music” class.

Founded in 2012 at the Eastman School of Music, [Switch~ Ensemble] (pictured) is a group of ten instrumentalists and composers dedicated to performing high-level chamber music integrated with cutting-edge technology and supporting emerging and early career composers.

Mizzou assistant professor Megan Arns is their percussionist, and there are two other members who have some prior experience at MU: cellist T.J. Borden, who did a residency and concert for MNMI in 2019, and Jason Thorpe Buchanan, the ensemble’s artistic director, who was a resident composer at the 2013 Mizzou International Composers Festival.

Other members of [Switch~ Ensemble] are Lauren Cauley, violin; Christopher Chandler, composer and sound engineer; Matt Evans, saxophones; Madison Greenstone, clarinets; Clay Mettens, director of development, composer and sound engineer; Zach Sheets, composer, flutes, and managing director; and Wei-Han Wu, piano..

In keeping with their mission statement, [Switch~ Ensemble] has collaborated with both emerging and established composers, performing commissions and premieres of dozens of new works. Upcoming engagements include world premieres of commissioned works by Anne Leilehua Lanzilotti, Katharina Rosenberger, Anna-Louise Walton, and Kelly Sheehan, supported by New Music USA, the Ernst von Siemens Musikstiftung, Pro Helvetia, the MAP Fund, and more.

Past performances and residencies include Cornell, Bard College, University of Chicago, Ithaca College, Harvard University Group for New Music, UC Berkeley, the VIPA Festival (Spain), Eastman School of Music, Frost School of Music at University of Miami, and Avaloch Farms Music Institute, as well as concerts at the Image/Sound Festival, San Francisco Center for New Music, MATA Interval Series, NYCEMF, Vanguard New Music Series at Kent State University, the Queens New Music Festival, and more.

George Lewis’ virtual residency at Mizzou
to include public panel discussion and more

The renowned composer, musician, educator, and author George Lewis will take part in a “virtual residency” for the Mizzou New Music Initiative next month.

Lewis (pictured) will coach the Mizzou New Music Ensemble in preparation for their performance of his composition “Les exercises spirituels” in an online concert at 7:00 p.m. Wednesday, April 14. The performance will be available to view on the University of Missouri School of Music’s YouTube channel and on the Mizzou New Music Facebook page.

Then on Thursday, April 15, Lewis will be one of the panelists for a School of Music convocation to discuss “Decolonizing Contemporary Music.” The presentation, which will be open to the public for online viewing via Zoom, also will feature Mizzou faculty members including Stefan Freund, Yoshiaki Onishi, Sam Griffith, and Stephanie Shonekan.

Lewis’ residency will conclude on Friday, April 16 with a presentation to the School of Music’s composition seminar.

Currently the Edwin H. Case Professor of American Music at Columbia University in New York City, Lewis has been a distinctive and prominent figure in American music for the past half-century. He has been a member of Chicago’s Association for the Advancement of Creative Musicians (AACM) since 1971, and holds doctoral degrees from the University of Edinburgh, New College of Florida, and Harvard University.

Lewis’ work in electronic and computer music, computer-based multimedia installations, and notated and improvisational forms has been documented on more than 150 recordings, and his music has been presented by ensembles around the world, including the BBC Scottish Symphony Orchestra, London Philharmonia Orchestra, Radio-Sinfonieorchester Stuttgart, Boston Modern Orchestra Project, London Sinfonietta, Spektral Quartet, and many others.

His book “A Power Stronger Than Itself: The AACM and American Experimental Music” (University of Chicago Press, 2008) received the American Book Award and the American Musicological Society’s Music in American Culture Award. He also is the co-editor of the two-volume “Oxford Handbook of Critical Improvisation Studies” (2016), and his opera “Afterword” (2015), commissioned by the Gray Center for Arts and Inquiry at the University of Chicago, has been performed in the United States, United Kingdom, and the Czech Republic.

Lewis also has received numerous other commissions from ensembles such as the American Composers Orchestra, International Contemporary Ensemble, Harvestworks, Ensemble Either/Or, Orkestra Futura, Turning Point Ensemble, IRCAM, and more.

He is a Fellow of the American Academy of Arts and Sciences, the American Academy of Arts and Letters, and a Corresponding Fellow of the British Academy. His other honors include a MacArthur Fellowship (2002) and a Guggenheim Fellowship (2015); a Doris Duke Artist Award (2019); a United States Artists Walker Fellowship (2011); an Alpert Award in the Arts (1999); and fellowships from the National Endowment for the Arts.

He has been on the faculty of Columbia University since 2004, having previously taught at the University of California, San Diego; Mills College; the School of the Art Institute of Chicago; the Koninklijke Conservatorium Den Haag; and Simon Fraser University’s Contemporary Arts Summer Institute.

Lewis also has served as visiting professor at Harvard and the University of California, Berkeley; as composer in residence for the American Academy in Rome; as resident scholar for the University of Chicago’s Center for Disciplinary Innovation; and as artist in residence at Brown University.

Mizzou New Music Initiative welcomes
Gahlord Dewald for virtual residency in March

The Mizzou New Music Initiative will welcome Gahlord Dewald for a virtual residency this month and an online concert in April.

Dewald (pictured) is a bassist, electronic musician, composer, and community organizer who is based in Burlington, Vermont. His Mizzou residency during the second week of March will include presentations to the School of Music’s introduction to electronic music class and to the composition seminar.

He’ll follow up those residency activities next month with a free online streaming performance presented by Mizzou at 7:00 p.m. Monday, April 19. Dewald’s concert will be available to view on the University of Missouri School of Music’s YouTube channel and the Mizzou New Music Facebook page.

A graduate of Marlboro College with a degree in ethnomusicology, composition, and music performance, Dewald works in both composed and improvised music as a solo artist and as a member of the duos Jaguar Stereo!, Fat Tiger, and The Yes &.

His recent album “Coherent Light Enclosed Without” features a series of free improvisations on bass recorded inside The TANK Center for Sonic Arts, a seven-story steel water tank in Rangely, CO.

Dewald is the founder of a collective of experimental musicians and composers called Community of Sound, and also commissions music, performances, and recordings though a project called New Sound for Double Bass.

Duo Cortona, Evan Chambers doing virtual residencies for Mizzou

While the current pandemic-related restrictions may be limiting some in-person interactions, Mizzou students still are getting opportunities to work with and learn from composers and performers from throughout the world of new music.

For example, this month new music ensemble Duo Cortona and composer Evan Chambers both will take part in virtual residencies for MNMI.

Chambers (pictured, top left) is a professor of composition at the University of Michigan whose works have been performed by the Cincinnati, Kansas City, Memphis, New Hampshire, and Albany Symphonies, among others. Recordings of his music have been released by labels such as Albany Records, the Foundation Russolo-Pratella, Cambria, Clarinet Classics, Equilibrium, and Centaur.

During his residency, Chambers will give private lessons to composition students; make a presentation to this semester’s composition seminar; and coach the Mizzou New Music Ensemble in the performance of his work “longing for peace in the garden of lost children.,” which they’ll perform as part of the School of Music’s online “Monday Mashup” concert on Monday, November 16.

Duo Cortona, the husband and wife team of violinist Ari Streisfeld and mezzo-soprano Rachel Calloway (pictured, bottom left), is a contemporary music ensemble dedicated to the creation of new works for their unique instrumentation. Both Streisfeld and Calloway are faculty members at the University of South Carolina School of Music.

Founded at and named for the Cortona Sessions for New Music in Italy, Duo Cortona has done performances and residencies across the USA, including at the Resonant Bodies Festival; the SONiC Festival and The Stone, both in New York City; Contemporary Undercurrents of Song Project in Princeton, NJ; New Music on the Point in Vermont; the Southern Exposure Series for New Music; East Carolina New Music Initiative; University of Wisconsin; College of Charleston; and more.

During their residency for Mizzou, the duo will read and record new works from student composers Isabelle Borchardt, Ben Rouder, and Sam Whitty, with other composition students also observing the session. In addition, they’ll make a presentation to composition students on Friday, November 13, and record a concert on video that will be available for viewing online at a later date.

The concert will feature works by Evan Chambers and Mizzou professor Carolina Heredia, as well as pieces by Amadeus Regucera, who was a resident composer at the 2017 Mizzou International Composers Festival; Robert Morris, a guest composer at the 2018 MICF; and Annika Socolofsky, who visited Mizzou for a residency in 2019.

Quatuor Diotima to perform in two concerts, present world premiere during residency at University of Missouri

The internationally acclaimed group Quatuor Diotima is coming to the University of Missouri for a residency that will include two performances and the world premiere of a new commissioned work composed by Mizzou post-doctoral fellow Yoshiaki Onishi.

Formed in 1996 by graduates of the Paris National Conservatory, Quatuor Diotima (pictured) is a string quartet that performs contemporary classical music and offers a fresh look at works by the great composers. The quartet’s members are violinists Yun-Peng Zhao and Constance Ronzatti, violist Franck Chevalier, and cellist Pierre Morlet.

They will perform at 7:30 p.m. Thursday, February 20 at Whitmore Recital Hall on the Mizzou campus, presenting a program that will include music by Beethoven and Alban Berg in addition to Onishi’s “String Quartet No. 2,” which was written with a commission from the Fromm Music Foundation. Admission to the concert is free and open to the public.

The quartet will conclude their residency with a concert at 7:00 p.m. Saturday, February 22 at First Baptist Church, 1112 E Broadway, performing works by Berg and Bartók and teaming up with Mizzou’s Esterhazy Quartet for the rarely heard Shostakovich Octet.

Tickets for Saturday’s concert, which is a co-presentation of the Mizzou New Music Initiative and the Odyssey Chamber Music Series, are $20 for general admission, $10 for students with ID, free for children under 12, and can be purchased online at https://www.odysseymissouri.org/tickets.html.

During their residency on campus, Quatuor Diotima also will read works by student composers; coach the members of the Mizzou New Music Ensemble; and make a recording of Onishi’s new quartet.

Named after a work by Italian avant garde composer Luigi Nono, Quatuor Diotima has toured the United States, Asia, Australia, and South America and performed at major European festivals and venues, such as the Berlin Philharmonie, Berlin Konzerthaus, Reina Sofia in Madrid, Cité de la musique in Paris, Wigmore Hall and SouthBank Centre in London, the Vienna Konzerthaus, and more.

Quatuor Diotima has worked with major composers including Pierre Boulez, Helmut Lachenmann, Toshio Hosokawa, and Brian Ferneyhough, and have commissioned new works from composers Gérard Pesson, Alberto Posadas, Oscar Bianchi, James Dillon, Miroslav Srnka, Rebecca Saunders, Pascal Dusapin, Tristan Murail, and more. They also have won several international competitions, and have recorded for NEOS, Kairos, Alpha Productions, ECM, and Naïve.

Aaron Perrine to visit Mizzou for residency, concert

Composer Aaron Perrine is coming to the University of Missouri in February for a residency and concert featuring the premiere of a new commissioned work he wrote for the Mizzou Wind Ensemble.

Perrine (pictured) will arrive in Columbia on Thursday, February 13. While he’s on campus, he’ll give lessons to composition students; make a presentation about his music; and coach the Wind Ensemble and the Symphonic Band, which will perform two of his older works at a concert later in the month.

His visit will conclude with a performance by the Wind Ensemble and All-Juniors Honor Band at 7:00 p.m. Monday, February 17 at the Missouri Theatre, at which the Ensemble, directed by Brian Silvey, will present the world premiere of Perrine’s new work “Stained with Light.”

Aaron Perrine is a Minnesota native who holds degrees from the University of Iowa, the University of Minnesota, and the University of Minnesota, Morris, and currently is on the faculty at Cornell College in Mt. Vernon, Iowa.

He has composed music in a variety of genres, and is noted especially for his works for concert and symphonic bands, twice winning the American Bandmasters Association Sousa/Ostwald Award for his compositions “Only Light” in 2015 and “Pale Blue on Deep” in 2013.

Perrine’s music for winds has been featured at numerous national, regional, all-state, state conference, and honor band concerts, and his works for saxophone also have received many notable performances. He also is an active conductor who has worked with a variety of honor bands.

Ken Thomson Sextet to perform with Concert Jazz Band
on Monday, November 4 at Stotler Lounge

Clarinetist, saxophonist, and composer Ken Thomson is bringing his sextet to Mizzou for a performance with the university’s Concert Jazz Band at 7:00 p.m. Monday, November 4 at Stotler Lounge in the Memorial Union building on campus.

The concert will feature sets from both Thomson’s group and the Concert Jazz Band, and some students from the band also will sit in with the sextet. Admission is free and open to the public.

In addition to the performance, Thomson during his visit will give a presentation to jazz and composition students, and teach a composition master class, and members of the sextet will rehearse with and coach students in the Concert Jazz Band.

Based in New York City, Ken Thomson moves between jazz and new music as both leader and collaborator in a number of different ensembles. In addition to his sextet, he also leads the group Slow/Fast; is a member of the new music ensemble Bang On A Can All-Stars and the punk/jazz quartet Gutbucket; and is musical director for the Asphalt Orchestra, a 12-piece “next-generation avant-garde marching band.”

Along with Thomson as alto saxophonist and composer, the sextet (pictured) also includes tenor saxophonist Anna Webber, trumpeter Nadje Noordhuis, trombonist Kalia Vandever, bassist Adam Armstrong, and drummer Ron Wiltrout. Their self-titled debut recording was released in September 2018.

As a composer, Thomson has been commissioned by the American Composers Orchestra, Bang on a Can, the True/False Film Festival, Doug Perkins, Mariel Roberts, and others, and has received awards from New Music USA, ASCAP and Meet the Composer. “Thaw,” a CD of his compositions recorded by the JACK Quartet for Cantaloupe Music, was named the #1 Classical CD of 2013 by Rhapsody.com, and was featured in NPR’s “10 Songs Public Radio Can’t Stop Playing.”

As an instrumentalist, he has performed across the US and Europe at major jazz festivals including Jazz a Vienne, San Sebastian Jazz Festival, Warsaw Summer Jazz Days and the Saalfelden, London, Copenhagen, Rotterdam and Belgrade Jazz Festivals. Thomson’s credits also include performing and recording with Ensemble Signal (conducted by Brad Lubman), working directly with composers from Steve Reich to Helmut Lachenmann, and performing on CDs for Harmonia Mundi, Mode, Orange Mountain, and Cantaloupe Records.

Amy Williams coming to Mizzou in October for residency and concert

Composer and pianist Amy Williams is coming to Mizzou next month for a residency and concert.

Williams, who is an associate professor teaching composition and music theory at the University of Pittsburgh, will be on campus in Columbia on Wednesday, October 9 and Thursday, October 10.

While she’s at Mizzou, Williams (pictured) will make a presentation to composition students, give private lessons, and perform in a free concert featuring excerpts from John Cage’s “Sonatas and Interludes for Prepared Piano” at 3:00 p.m. Thursday at Whitmore Recital Hall.

The daughter of two professional musicians, Williams grew up in Buffalo, NY, frequently hearing contemporary music and meeting composers such as John Cage, Morton Feldman, Lukas Foss, Elliott Carter, and more. She earned her undergraduate degree at Bennington College, and then completed both her master’s degree in piano performance and her Ph.D. in composition at the University at Buffalo. She previously taught at Bennington and Northwestern University before joining the Pittsburgh faculty in 2005.

One of Williams’ best-known works as a composer is the Cineshape series of chamber pieces inspired by different films, first performed in May 2016 by the JACK Quartet, flautist Lindsey Goodman, and percussionist Scott Christian, with video by Aaron Henderson.

“My performance influences my composition very directly — I think very much about the role of the performer, sometimes specifically (what would she or he want to play, what is his or her sound at the instrument), but also performative issues such as physicality and coordination,” Williams said in a 2015 interview. “And I analyze pieces that I play very much from a composer/theorist’s perspective. So it works both ways.”

Her compositions have been presented at renowned contemporary music venues in the United States, Asia, Australia, and Europe, including Ars Musica in Belgium, Gaudeamus Music Week in the Netherlands, Dresden New Music Days in Germany, Festival Aspekte is Austria, Festival Musica Nova in Brazil, and many more.

Williams’ works have been performed by prominent soloists and ensembles such as the Pittsburgh Symphony Orchestra, Buffalo Philharmonic Orchestra, Pro Arte Chamber Orchestra, Ensemble Aleph, Ensemble Dal Niente, Wet Ink, Talujon, Empyrean Ensemble, California E.A.R. Unit, International Contemporary Ensemble (ICE), pianist Ursula Oppens, and numerous others. Her compositions also have been featured on two “portrait” CDs of solo and chamber works released by Albany Records, “Crossings: Music for Piano and Strings” (2013) and “Cineshape and Duos” (2017).

Williams formed the Bugallo-Williams Piano Duo with Helena Bugallo while both were graduate students at the University at Buffalo. The duo has been featured at major contemporary music festivals and series in Europe and the Americas, including the Ojai Festival, Miller Theatre, Symphony Space, Le Poisson Rouge, Musica Contemporanea Ciclos de Conciertos in Buenos Aires, Festival Attacca in Stuttgart, and many more. They have released five CDs, featuring the music of Conlon Nancarrow, Morton Feldman and Edgard Varèse, György Kurtág, and Igor Stravinsky.