Posts Tagged ‘ Phillip Sink

Mizzou New Music Initiative awards postdoctoral fellowship to Carolina Heredia

The Mizzou New Music Initiative and the University of Missouri School of Music have awarded a postdoctoral fellowship to composer Carolina Heredia.

Starting with the Fall 2017 semester and continuing for two years, Heredia (pictured) will teach private composition lessons to Mizzou students; assist with various MNMI programs; and work on interdisciplinary collaborative projects, initiating and supervising student efforts and also completing a major research project herself.

As MNMI’s second postdoctoral fellow, Heredia succeeds Phillip Sink, who is leaving Mizzou for a tenure-track job as assistant professor of theory and composition at Northern Illinois University.

Before beginning her fellowship, Heredia will have a chance to get acquainted with her new home as one of the eight resident composers for this year’s Mizzou International Composers Festival, a position for which she applied and was accepted last year.

“We were very impressed with Carolina’s work when we reviewed her application for the Mizzou International Composers Festival,” said Stefan Freund, professor of composition and artistic director of MNMI. “The festival is a catalyst for all sorts of opportunities, and in this case, it led to a connection with a composer and teacher who is going to be a great addition to our program.”

“Carolina’s interest in interdisciplinary projects was particularly attractive to us, and potentially could strengthen our ties with the university’s art and theater departments and the College of Arts and Science’s new digital storytelling program,” said Julia Gaines, director/associate professor of percussion and director of the School of Music. “We’re delighted to have her as part of the Mizzou New Music Initiative.“

Born in Córdoba, Argentina, Heredia comes to Mizzou from the University of Michigan, where she has just completed her doctorate in musical arts, studying with Michael Daugherty, Evan Chambers, Kristin Kuster, and Erik Santos.

While at Michigan, she also taught electronic music as a graduate student instructor and founded the Khemia Ensemble, a contemporary music group dedicated to creating innovative concert experiences involving interactive technology.

Previously, she earned her bachelor’s degree in music composition from the Universidad and Nacional de Villa María, and a bachelor’s degree in violin from the Conservatorio Superior Félix Garzón, both in Argentina; and a master’s degree in music composition from the University of Michigan.

Her compositions have been commissioned and performed in the United States and South America by musicians and ensembles including JACK Quartet, Derek Bermel, Aspen Contemporary Ensemble, Duo Cortona, and the Argentinean Cordoba State String Orchestra, and featured at events such as the SONIC Festival NYC, Aspen Music Festival and School, Bowling Green New Music Festival, TIES Toronto International Electroacoustic Festival, SEAMUS, the Cordoba Composition Biennial, and more.

Heredia’s honors and fellowships include a 2015 commission from the Fromm Music Foundation at Harvard University; the 2015 fellowship from the Susan and Ford Schumman Center for Composition Studies at the Aspen Music Festival; the Brehm Prize in Choral Composition (2015); the 2015 International Research Grant from the University of Michigan; the Margaret Dow Towsley Scholarship (2012); the Merit Scholarship from the University of Michigan (2011); and the Dorothy Greenwald Scholarship (2011).

Composer Louis Goldford visiting Mizzou campus in February

Louis Goldford will be the first visiting composer on the Mizzou campus in 2017, coming to Columbia next month for a weekend residency that will include a presentation of works, a coaching session with the Mizzou New Music Ensemble, and a concert.

Two of his compositions – “Travertine Hybrid #3,” for violin and electronics, and “Giffen Good,” for trombone and electronics – will be featured in the Mizzou music faculty’s electroacoustic concert at 7:30 p.m. Saturday, February 11 at Whitmore Recital Hall.

The performance also will include music written by Mizzou New Music Initiative managing director Jacob Gotlib, retired composition professor and MNMI co-artistic director emeritus W. Thomas McKenney, and Phillip Sink, who is MNMI’s first post-doctoral fellow and curated the concert program.

Goldford (pictured) is a St. Louis native who currently is a doctoral fellow studying composition at Columbia University in New York City. Before enrolling there, he earned his bachelor’s degree in composition from Webster University in St. Louis and a master’s degree from the Jacobs School of Music at Indiana University.

His works have been performed by Ensemble Dal Niente, Ensemble Modelo62, and the Meitar Ensemble, and featured at the International Computer Music Conference, the Northwestern University New Music Conference, and June in Buffalo, among others.

Goldford received an Honorable Mention from the 2015 American Composers Orchestra / Underwood New Music Readings, and in 2014 was the recipient of a Dean’s Prize in music composition from Indiana University.

More recently, he was named the winner of the 2017 Suzhou (Chou’s) International Commission Competition, and also was accepted into the Cursus program at IRCAM in Paris, where he previously completed the Computer Music Workshop (Atelier d’informatique musicale) while studying at the IRCAM Académie and festival ManiFESTE.

You can hear some of Louis Goldford’s music on his SoundCloud page.

Mizzou New Music Ensemble to open 2016-17 season
on Sunday, October 16 at Whitmore Recital Hall

Keith Fitch

The Mizzou New Music Ensemble will begin their 2016-17 season with a concert featuring music from a renowned visiting composer, two works written by Mizzou composers, and more.

The performance will take place at 7:30 p.m. Sunday, October 16 at Whitmore Recital Hall on the University of Missouri campus. General admission is $5 for the public, free for Mizzou faculty, students and staff.

Keith Fitch, who heads the composition department at the prestigious Cleveland Institute of Music, will be in Columbia that weekend for a residency at Mizzou, and the Ensemble’s concert will include his 1994 work “Dancing the Shadows,” which contrasts eerie, suspended resonances with hard-hitting, driving sections to create music for an imaginary ballet.

Aaron Mencher

The recipient of numerous honors, awards, and commissions, Fitch has had his music performed by ensembles such as the Philadelphia Orchestra, the American Composers Orchestra, the League of Composers Orchestra, the Chamber Music Society of Lincoln Center, and many others.

The concert also will feature two works from composers associated with Mizzou. “Uncertainly Yours” was written this year by Aaron Mencher, a Mizzou sophomore composition major and Sinquefield Scholar. The work recently won the Boston New Music Initiative’s second Young Composers Competition, and will be performed by the Boston New Music Ensemble as part of their concert season in November.

Phillip Sink

“Flowers of Salt” was composed in 2013 by Phillip Sink, who came to Mizzou in August as the University of Missouri’s first postdoctoral composition fellow. Inspired by microscopic, flower-like structures created from salt and silicon by engineers at Harvard University, the piece captures the fragility of these “nanogardens” with an organic form filled with ornamentation.

Completing the program will be “cheating, lying, stealing” by David Lang, a Pulitzer Prize winner in 2008 and co-founder of the new music organization Bang on a Can; and “Study III from Trio No. 3” by Greek-American composer Dinos Constantinides.

Lang’s piece, heralded as a post-minimalist classic, celebrates the dark and the dirty, incorporating two antiphonal brake drums to produce an ominous funk. Constantinides’ work, the first movement of his “Trio No. 3,” is based on a modal tune that resembles a Greek folk melody and uses intervals of fourths and fifths.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, professor of composition, and artistic director of the Mizzou New Music Initiative. The Ensemble’s members for the 2016-17 season are Victoria Hargrove, clarinet; Daniel Keeler, cello; Kelariz Keshavarz, flute; Renan Leme, violin; Rebecca McDaniel, percussion; Gyumi Rha, piano; and Panagiotis Skyftas, saxophone.

Mizzou New Music Initiative awards postdoctoral fellowship to Phillip Sink

The Mizzou New Music Initiative and the University of Missouri School of Music have awarded the Initiative’s first-ever postdoctoral fellowship to composer Phillip Sink.

Starting with the Fall 2016 semester, Sink (pictured) will teach classes in composition and electronic music at Mizzou, and also will begin a major research project to be completed during the two years of his fellowship.

“We’re delighted to have Phillip as our first postdoctoral fellow,” said Stefan Freund, associate professor of composition at Mizzou and artistic director of the Mizzou New Music Initiative. “He’s an accomplished composer who has a lot of experience in electronic music and also has been teaching at the university level, which makes him a great fit for our program.”

A native of High Point, North Carolina, Sink comes to Mizzou from the Jacobs School of Music at Indiana University, where he recently earned a doctoral degree (DM) in music composition with minors in electronic music and music theory.

While at the Jacobs School, he studied electronic music with Jeffrey Hass and John Gibson, and acoustic composition with Claude Baker, David Dzubay, Aaron Travers, Sven-David Sandström, Ricardo Lorenz, Jere Hutcheson, and Scott Meister. Sink also served as an associate instructor of composition during his time in Indiana, teaching courses in counterpoint, notation, composition for non-majors, and more.

He received bachelor’s degrees in music composition/theory and music education from Appalachian State University in 2004, and then taught middle school orchestra and band in Charlotte, NC from 2005 to 2009. In 2012, he earned master’s degrees in music composition and music theory pedagogy from Michigan State University, while also serving as a graduate assistant in music theory.

Phillip Sink’s compositions have been performed in concerts and at conferences and festivals in the United States and Europe, including the 2015 Aspen Music Festival, where he was awarded the Hermitage Prize by the faculty; 2015 Art and Science Days in Bourges, France; the 2015 SEAMUS conference, and many others. His awards and honors include the 2015 Dean’s Prize for chamber music at Indiana University; Innovox Ensemble’s 2015 Green Call for Scores; the 2013 Kuttner String Quartet Composition Competition; and more.