Posts Tagged ‘ Patrick David Clark

Missouri Composers Orchestra Project chooses works
by Zachary Cairns, Hans Heruth for performance on Saturday, March 7

The famous conductor James Levine once compared the orchestra to a “treasure chest,” but the relative scarcity of modern works on orchestral programs means that few contemporary composers ever get the chance to access those riches.

Zachary Cairns

Now, two more Missouri composers will receive that valuable opportunity, as the Columbia Civic Orchestra (CCO) and the Mizzou New Music Initiative have announced the selection of two orchestral works written by Missouri residents to be performed by the CCO at a concert on Saturday, March 7 in Columbia.

The winning compositions were chosen in a statewide competition conducted under the auspices of the Missouri Composers Orchestra Project (MOCOP). Both winners will receive a $500 honorarium from MOCOP’s sponsor, the Sinquefield Charitable Foundation.

Hans Heruth

The work chosen for 2015 in the Open category is “Refracted Moonlight” by Zachary Cairns, an assistant professor of music theory at the University of Missouri – St. Louis. Cairns earned a Ph.D. in theory from the Eastman School of Music, and an M.A. in theory and a B.S. in music education from Penn State University.

The winning composition in the High School category is “Impression on a Theme” by Hans Heruth, a senior at Liberty High School in Liberty, MO. A two-time winner in the University of Missouri’s statewide Creating Original Music Project (C.O.M.P.) competition for students in grades K-12, Heruth also is a violinist, pianist, and vocalist.

Both winning compositions will be performed by the Columbia Civic Orchestra as part of their annual concert of music by living composers at 7:30 p.m., Saturday, March 7 at Broadway Christian Church, 2601 West Broadway in Columbia. Admission is free and open to the public.

Cairns’ work will be conducted by Patrick David Clark, a Mizzou alumnus and music director of the Jefferson City Symphony Orchestra, while MU senior Grant Bradshaw, assistant conductor of the Missouri Symphony Society Conservatory, will take the baton for Heruth’s composition.

The concert also will include Bradshaw’s own work “Incandescent” and the premiere of Amy Leventhal’s “Mom and Me,” both conducted by CCO artistic director (and Mizzou professor) Stefan Freund; Mizzou alumna Katie Andres’ Horn Concertino, conducted by Mizzou graduate student Jaron Lester; and three new works sung by the Columbia Chorale Chamber Choir and conducted by Emily Edgington Andrews, the Chorale’s artistic director.

The Columbia Civic Orchestra is a volunteer group located in Columbia, Missouri, dedicated to providing enjoyment for its members and audiences with the presentation and preservation of high-quality symphonic music.

The Missouri Composers Orchestra Project (MOCOP) is a collaborative effort by the Sinquefield Charitable Foundation, the Mizzou New Music Initiative, and the Columbia Civic Orchestra to bring attention to orchestral works written in the state of Missouri. By identifying composers of orchestral music and providing opportunities for the performance of their work, MOCOP strives to showcase the talent of Missouri and share it with the community.

Missouri Composers Orchestra Project chooses works
by Clark, Strobel and Williams for performance on Sunday, March 16

For a composer of orchestral music, getting a new work performed by a live orchestra represents not only the culmination of many hours of hard work but also the realization of a dream.

Now, three Missouri composers will see their work rewarded and hear their dreams realized, as the Columbia Civic Orchestra (CCO) and the Mizzou New Music Initiative have announced the selection of three orchestral works written by Missouri residents to be performed by the CCO at a concert on Sunday, March 16 in Columbia.

The winning compositions were chosen in a statewide competition conducted under the auspices of the Missouri Composers Orchestra Project (MOCOP). Each winner will receive a $500 honorarium from MOCOP’s sponsor, the Sinquefield Charitable Foundation.

The works chosen for 2014 in the Open category are FE 700° C by Patrick David Clark and From the Book of the Dead by Robert Strobel. Clark, a native of St. Louis who now lives in Columbia, earned both a bachelor’s degree in music and a master’s in composition from the University of Missouri. Strobel, also a resident of Columbia, is working on a master’s in composition at Mizzou.

The winning composition in the High School category is Firelight by Alex Williams, an 18-year-old senior at Neosho High School in Neosho.

The winners were selected through a blind judging process by John Cheetham, professor emeritus of music theory and composition at the University of Missouri, and Bruce Gordon, former orchestra manager for CCO.

All three winning compositions will be performed by the Columbia Civic Orchestra as part of their annual concert of music by living composers at 7:30 p.m., Sunday, March 16 at Columbia College’s Launer Auditorium, 901 Rogers St. in Columbia.

Tickets are $15 for adults, $5 for students, and can be purchased in advance online at http://cco.missouri.org/ or at the door.

The concert also will include the Overture from Mizzou professor and CCO music director Stefan Freund’s forthcoming Civil War Oratorio; American Sojourn by Kevin Hartnett, a former winner in the statewide Creating Original Music Project (C.O.M.P.) competition for student composers; and Mutaciones I by Mizzou student José Martínez, which won the $6,000 National Prize for Culture in Martínez’ native country of Colombia.

Freund will conduct the orchestra’s performances of his Overture and of Martínez’ work, while Patrick Clark will conduct his own work and Robert Strobel’s composition. Brian Silvey, assistant professor of music education at Mizzou, will lead the performance of Hartnett’s American Sojourn, and MU junior Grant Bradshaw, assistant conductor of the Missouri Symphony Society Conservatory, will conduct Williams’ Firelight.

The Columbia Civic Orchestra is a volunteer group located in Columbia, Missouri, dedicated to providing enjoyment for its members and audiences with the presentation and preservation of high-quality symphonic music.

The Missouri Composers Orchestra Project (MOCOP) is a collaborative effort by the Sinquefield Charitable Foundation, the Mizzou New Music Initiative, and the Columbia Civic Orchestra to bring attention to orchestral works written in the state of Missouri. By identifying composers of orchestral music and providing opportunities for the performance of their work, MOCOP strives to showcase the talent of Missouri and share it with the community.

Patrick David Clark

Robert Strobel

Alex Williams

Mizzou New Music Ensemble to perform five new works by student composers on Monday, December 2 at Whitmore Recital Hall

The Mizzou New Music Ensemble’s second concert of the 2013-14 season will take place at 7:30 p.m., Monday, December 2 in Whitmore Recital Hall, 135 Fine Arts Building on the University of Missouri campus. Admission is free for Mizzou students, $5 suggested donation for the general public.

The program will include a new work from 2014 Sinquefield Composition Prize winner José Guillermo Martínez Rubiano, plus encore performances of four compositions written by Mizzou students for the recent collaboration between the Mizzou New Music Initiative and the Stephens College dance department.

Martinez’ “Canciones de la Ausencia” (“Songs of Absence”) is a 2013 composition that evokes and explores different aspects of absence and longing. The three sections of the work are named after poems by the 20th century writers Xavier Villaurrútia (of Mexico), Jorge Gaitán Durán (Colombia), and Mariano Brull (Cuba).

The four works created for the Mizzou-Stephens collaboration also were all written in 2013.  Trey Makler’s “Southern Portraits” draws on influences including Aaron Copland and Bela Fleck in an effort to capture the essence of Okeechobee, Florida, hometown of choreographer LeeAnn Davis. “Phoenix,” by Haley Myers, was written for a dance choreographed by Samantha Bennett.  It deals with the theme of creation and destruction, and integrates imagery of the mythological bird that gives the work its title.

David Witter’s “Visions of Progression” was composed in collaboration with dancer and choreographer Samari Jackson Preston, and is meant to suggest a passing of seasons or journey under the watchful eye of a guiding spirit. “Blank Slate,” written by Shaun Gladney while working with choreographer Kramer Pruitt, “works to encapsulate the rise and fall of human emotions.”

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer and associate professor. However, while Freund is on research leave this semester, Patrick David Clark is directing the group. Clark earned his master’s degree in conducting at Mizzou in 2012; was the winner of the 2011 Sinquefield Prize; and also holds a bachelor’s in composition from Mizzou and a DMA in composition from Rice University.

The Ensemble’s members for the 2013-14 season are Rachel Czech, cello; Hsu Shun Jung, piano; Mary Jamerson, flute; Katherine Jones, violin; Ian McClaflin, percussion; Shawn Nemati-Baghestani, oboe; and Jeremiah Rittel, clarinets. For this concert, the Ensemble will be augmented by guest performers Sam Jennings, guitar; Nathan Ward, tenor; and Shaun Gladney, percussion.

Mizzou New Music Ensemble to open 2013-14 season
on Friday, October 11 at Whitmore Recital Hall

The Mizzou New Music Ensemble will open their 2013-14 season with a concert at 7:30 p.m., Friday, October 11 in Whitmore Recital Hall, 135 Fine Arts Building on the University of Missouri campus. Admission is free for Mizzou students, $5 suggested donation for the general public.

The program will include works by the acclaimed contemporary composers Daniel Asia and Nico Muhly, as well as the world premieres of four pieces written by composers affiliated with Mizzou.

Daniel Asia’s ”Breath in a Ram’s Horn” (2003) is a song cycle based on five poems by writer Paul Pines, described as “imbued with images of family and Judaism, and their intertwining…filled with the difficulties and anguish of a life as it is really lived.”

”I Know Where Everything Is,” written by Muhly in 2007 on commission from the Seattle Chamber Players, “is a cycle of chords in a pile. Each chord has a series of possible voicings, and a series of possible quick ornamentations,” which begin with the most moderate and progress through a series of variations to a vigorous conclusion.

“Rhetoric and Drama in Ahuan Tones,” a brand new work by Mizzou alumnus Patrick David Clark, is a musical manifestation of twilight colors, using soft, delicate sounds and establishing “a feeling of free space and suspended time.”

Completing the program will be three works composed this year by current Mizzou students. Matthew Stiens’ “Rituals of Ancient Voices” is “a musical depiction of a druidic ceremony as I saw it,” utilizing extreme registers of each instrument in the ensemble and unusual techniques. “#YOLO” by Trey Makler is described as “energetic and exciting, heavily influenced by rock and popular music,” while Justin Pounds’ “Electric Brain,” is ”a fast-paced piece focused on a series of mixed-meter grooves inspired by the progressive rock genre.”

The seven-member Mizzou New Music Ensemble (pictured) is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer and associate professor. However, while Freund is on research leave this semester, Patrick David Clark is directing the group. Clark earned his master’s degree in conducting at Mizzou in 2012; was the winner of the 2011 Sinquefield Composition Prize; and also holds a bachelor’s in composition from Mizzou and a DMA in composition from Rice University.

The Mizzou New Music Ensemble serves as the repertory group for the Mizzou New Music Initiative, an array of programs intended to position the University of Missouri School of Music as a leading center in the areas of composition and new music. As the repertory group for the Initiative, they work with faculty, students and visiting composers, and give public performances on campus and in the community.

The Ensemble’s members for the 2013-14 season are Rachel Czech, cello; Hsu Shun Jung, piano; Mary Jamerson, flute; Katherine Jones, violin; Ian McClaflin, percussion; Shawn Nemati-Baghestani, oboe; and Jeremiah Rittel, clarinets.

St. Louis Beacon spotlights Mizzou composers’ new works
for Sheldon Concert Hall’s 100th anniversary season

The St. Louis Beacon today published an article by Terry Perkins about the new works commissioned from Mizzou composers by the Sinquefield Charitable Foundation that are being performed at the Sheldon Concert Hall and Art Galleries as part of the hall’s 100th anniversary season.

The third commission in the series, Patrick David Clark’s “Snow Coming,” will be premiered next Tuesday, February 5 by pianist Peter Henderson at one of the Sheldon’s “Coffee Concerts.” You can read the Beacon article here.

Mizzou New Music Ensemble opens 2012-13 season with concert on Monday, October 15 at Whitmore Recital Hall

The Mizzou New Music Ensemble will open their 2012-13 season with a concert at 7:30 p.m., Monday, October 15 in Whitmore Recital Hall, 135 Fine Arts Building on the University of Missouri campus. Admission is free for Mizzou students, $5 suggested donation for the general public.

For the season opener, the Ensemble (pictured) will perform five recent pieces by composers associated with the University, along with two parts of Daniel Kellogg’s extended work Divinum Mysterium. Kellogg, an associate professor of music at the University of Colorado, will be one of the guest composers for the 2013 Mizzou International Composers Festival.

Penrose Staircase, written in 2012 by Mizzou sophomore percussion major Matthew Stiens, is a soundscape of a mathematically inspired drawing by M.C. Escher.

Source and Refraction was composed in 2004 by Patrick David Clark, who graduated from Mizzou in May, 2012 with a master’s degree in conducting. It’s described as “a thoughtful, soft piece for piano, cello, violin, and guitar, wherein the piano is the source. The other instruments color, or refract the piano’s melody.” For this piece, the Ensemble will be augmented by guest musician Paulo Oliveira on guitar.

Bhairava, a 2012 composition by Justin Alexander Pounds, explores the Eastern sounds of India through a modern lens. Pounds is a senior studying composition at Mizzou.

Dan Cox’s I’m back at my cliff, also written in 2012, is a musical depiction of the Native American tradition of a “vision quest.” Cox graduated from Mizzou in May, 2012 with a bachelor’s degree in music.

pendulum and present was composed by Michael Ward, a senior pursuing a degree in vocal performance at Mizzou. The 2012 work is “a study on time featuring rigid and mechanical rhythmic motives.”

The concert will conclude with the prelude and first movement of Daniel Kellogg’s Divinum Mysterium. Commissioned in 2000 by the chamber ensemble eighth blackbird, the five-movement work is based on the 13th century chant melody “Divinum Mysterium.” With Patrick David Clark conducting, the Ensemble will play different parts of the work at each of their concerts this year in preparation for a full performance during the 2013 Mizzou International Composers Festival.

The six-member Mizzou New Music Ensemble is made up of University of Missouri graduate students and recent alumni under the direction of Stefan Freund, a cellist, composer and associate professor. They serve as the repertory group for the Mizzou New Music Initiative, an array of programs intended to position the University of Missouri School of Music as a leading center in the areas of composition and new music.

The Ensemble’s members for the 2012-13 season are Rachel AuBuchon, piano; Stephanie Berg, clarinets; Mary Jamerson, flutes; Katherine Jones, violin; Ian McClaflin, percussion; and Matthew Pierce, cello. As the repertory group for the Initiative, they work with faculty, students and visiting composers, and give public performances on campus and in the community.

Sinquefield Charitable Foundation commissions new works from Mizzou composers to celebrate The Sheldon’s 100th anniversary

The famous German composer Robert Schumann once said, “In order to compose, all you need to do is remember a tune that nobody else has thought of.” While that may be true, getting that new composition performed and heard once it is written can be another matter entirely. For an emerging composer writing music inspired by the classical tradition, performance opportunities can be few and far between.

To give some of those composers a chance to be heard, the Mizzou New Music Initiative, the Sheldon Concert Hall and the Sinquefield Charitable Foundation have joined forces to commission a series of new works to commemorate The Sheldon’s centennial. Five composers associated with the University of Missouri will create new short works to be performed at five different concerts at The Sheldon during the hall’s historic 100th year.

Stefan Freund

The first piece comes from Mizzou music professor Stefan Freund, who has written a string quartet to be performed by St. Louis Symphony concertmaster David Halen and three of his SLSO colleagues as part of The Sheldon’s centennial gala on Thursday, October 11. The piece will be accompanied by a slideshow of 100 photographs taken to celebrate the hall’s 100th anniversary.

“One of the goals of the Sinquefield Charitable Foundation is to find and grow composers,” said Jeanne Sinquefield. “This new Sinquefield inititative of working with The Sheldon and Mizzou composers is a perfect musical storm.”

The other four commissioned compositions, which range in length from five to seven minutes, will be played during subsequent concerts during the 2012-13 season.

Stephanie Berg

On Friday, November 9, the ArtSounds benefit featuring singer Sylvia McNair and pianist Kevin Cole will include a new work for piano and clarinet written by Stephanie Berg, a Kansas City native who earned her master’s in music from Mizzou earlier this year. Berg’s piece will underscore a slide show of 200 celebrity caricatures by Al Hirschfeld, the famed artist and St. Louis native whose work currently is the subject of a major exhibit in the Sheldon Art Galleries.

Patrick David Clark

Then on Tuesday February 5 and Wednesday, February 6, 2013, pianist Peter Henderson will perform a new work by composer Patrick David Clark as part of The Sheldon Coffee Concerts “Piano Classics” program. Clark, who grew up in St. Louis, earned his undergraduate degree at Mizzou, and just received his master’s degree in conducting from the University earlier this year.

Next, Mizzou undergrad Grant Bradshaw will perform his new composition for piano as part of the “Pianopalooza” concert featuring Peter Henderson, Alla Voskoboynikova, Daniel Schene and Martin Kennedy on Wednesday, February 27. Bradshaw, a native of Columbia, currently is studying viola and composition at the University, and also is assistant conductor of the Missouri Symphony Society Conservatory.

Michael E. Anderson

Michael E. Anderson

The fifth and final work in the series is a composition for brass quintet by Michael Anderson, which will be performed by the Clarion Brass on April 10, 2013 as part of their “Springtime Brass Spectacular.” Anderson, who grew up in Platte City, MO, was the 2012 recipient of the University of Missouri’s Sinquefield Composition Prize and graduated from Mizzou in May with a degree in composition.

All five works will be recorded so they can be shared later online here on the Mizzou New Music Initiative website, as well as on the Sheldon’s website.

Mizzou New Music in the News

If you’ve missed some of the recent coverage of the Mizzou New Music Summer Festival in the news media, here’s your chance to catch up.

* On Sunday, the Columbia Daily Tribune published a thoughtful and comprehensive preview story about the Festival by Aarik Danielsen.

* The St. Louis Beacon last week had a nice feature story about the Festival, written by Neel Thakkar.

* Stephanie Berg, who recently earned her master’s degree at Mizzou and is one of the resident composers for this year’s Festival, was featured in last week’s issue of Columbia’s VOX magazine.

* Mizzou’s Stefan Freund was on KBIA’s “Radio Friends with Paul Pepper” last week to talk about the Festival. You can listen to streaming audio of the program, or watch in the embedded video window below.

And while we’re on the subject of media coverage, composer and Mizzou graduate Patrick David Clark‘s recent trip to Iraq also got some notice from the press in his hometown of St. Louis.

Before Clark left to go teach high school students at American Voices‘ YES Academy in northern Iraq, he was interviewed by KSDK’s Art Holliday for the 4:00 p.m. newscast on the NBC affiliate. You can watch a clip of that interview here.

Clark also was interviewed before his departure by Nate Birt of Nate Birt of Clayton/Richmond Heights Patch.com.

When Clark returned to the USA last week, he did a follow-up interview with Holliday, which can be seen online here.