Posts Tagged ‘ Niko Schroeder

Mizzou International Composers Festival going online for 2020,
will take place Monday, July 27 – Saturday, August 1

Clockwise from top: Alarm Will Sound, Khemia Ensemble, Mizzou New Music Ensemble

Responding to the restrictions on live events imposed due to the COVID-19 pandemic, the Mizzou International Composers Festival is going online for 2020.

The 11th annual edition of the MICF is set for Monday, July 27 through Saturday, August 1, with events streamed online from the Facebook pages of the Mizzou New Music Initiative and resident ensembles Alarm Will Sound and Khemia Ensemble, and from the YouTube channels of the University of Missouri School of Music, Alarm Will Sound, and Khemia Ensemble.

At 9:00 p.m. CDT on Friday, July 31, the MICF will present “Under Twilight,” a multimedia event curated by Mizzou professor Carolina Heredia that will take place both online and for an in-person, “drive-in” audience.

For the “drive-in” audience in the parking lot of the Sinquefield Music Center on the Mizzou campus, videos will be projected on an array of special outdoor 3D screens, while accompanying music is simulcast on radio station KMUC (90.5 FM). At the same time, the online audience will be able to see the program via Facebook and YouTube.

“Under Twilight” will include music and video by Maria Chavez and Flying Lotus, with soundtracks recorded by the composers; and a work by Joel Thompson, with music recorded by Sphinx Symphony Orchestra and the University of Michigan Men’s Glee Choir, conducted by Eugene Rogers.

The evening also will include pieces by former MICF distinguished guest composer Donnacha Dennehy and former resident composer Charlie Piper, as recorded by Alarm Will Sound; a work by Melissa Dunphy, recorded by Khemia Ensemble; and compositions from Carolina Heredia and Mizzou senior Ben Dawson, recorded by the composers and Mizzou students.

Then at 8:00 p.m. CDT Saturday, August 1, the festival’s finale will feature members of Alarm Will Sound, Khemia Ensemble, and the Mizzou New Music Ensemble performing a concert program including works by famed composers Meredith Monk and Pauline Oliveros, plus new music from Mizzou student Daniel Fitzpatrick and 2020 master’s graduate Niko Schroeder.

Alarm Will Sound will perform Monk’s “Anthem,” which also is the first work in their new series VIDEO CHAT VARIATIONS, showcasing remotely performed new works that respond to the quirks of video chat platforms.

Also on Saturday, the Mizzou New Music Ensemble will present Fitzpatrick’s “Ancient Echoes,” a concertino for banjo and ensemble that features the composer as banjo soloist; and the Khemia Ensemble, led by MU faculty composer Carolina Heredia, will present the world premiere of Schroeder’s “Moves” for ensemble and video.

The final piece on the program will feature members of all three groups coming together to perform Oliveros’ “Buffalo Jam,” which is scored with text instructions for any number and instrumentation of performers. The musicians, who were dispersed across the country, rehearsed and recorded the performance using the Jamulus platform, which enables transmission of audio with virtually no latency.

Along with the performances, Saturday’s event also will include interviews with the composers and a post-concert discussion open to audience members. The discussion will be led by Mizzou professor and MNMI and MICF artistic director Stefan Freund, Alarm Will Sound artistic director and conductor Alan Pierson, and Mizzou professor and Khemia Ensemble executive director Carolina Heredia.

Both Friday and Saturday night’s events are free and open to the public, but audience members are asked to register in advance using Eventbrite. To register for Friday’s event, either to view the event online or to “drive in” in person, go to https://micf2020undertwilight.eventbrite.com.To register for Saturday, go to https://micf2020finaleconcert.eventbrite.com.

In addition to the two weekend events, the festival also will include public online presentations from the eight resident composers and two distinguished guest composers who had been announced previously as participants in the 2020 MICF. All of the composer presentations will be available for public viewing online via the Mizzou New Music Initiative Facebook page.

Resident composers Pascal Le Boeuf, DM R (Diana M. Rodriguez), Niko Schroeder, and Celka Ojakangas will make individual presentations on their music starting at 6:00 p.m. CDT Monday, July 27, with Felipe Tovar-Henao, Shuying Li, Andrew Tholl, and Yu Kuwabara presenting at 6:00 p.m. CDT on Tuesday, July 28.

Distinguished guest composers David T. Little and Chen Yi will be the final presenters, starting at 6:00 p.m. CDT on Wednesday, July 29.

A complete schedule of events, times and dates for the 2020 Mizzou International Composers Festival will be available on the MICF website at https://composersfestival.missouri.edu/.

Mizzou International Composers Festival announces resident composers for 2020

The Mizzou New Music Initiative (MNMI) has selected eight resident composers to participate in the 2020 Mizzou International Composers Festival (MICF).

Presented by MNMI and the University of Missouri School of Music from Monday, July 27 through Saturday, August 1 in Columbia, the eleventh annual MICF (http://composersfestival.missouri.edu/) will feature world premieres of new works written by each of the selected composers. Listed with their current places of residence, they are:

* Yu Kuwabara – Tokyo, Japan
* Pascal Le Boeuf – New York, NY
* Shuying Li – Boston, MA
* Celka Ojakangas – Los Angeles, CA
* DM R (Diana M. Rodriguez) – New York, NY
* Niko Schroeder – Columbia, MO
* Andrew Tholl – Los Angeles, CA
* Felipe Tovar-Henao – Bloomington, IN

The resident composers were chosen from among 346 entrants – a record for the MICF – from 24 countries. Four of them are originally from outside the US: Yu Kuwabara was born in Japan; Shuying Li is a native of China; and Felipe Tovar-Henao and DM R both are from Colombia.

Niko Schroeder, who will be in his second year of study for a masters in composition at Mizzou, will represent the University of Missouri. Schroeder was the winner of the 2019 Sinquefield Composition Prize, the university’s highest honor for a student composer. Resident composer Celka Ojakangas also has a Missouri connection, as she was raised in Springfield and earned her bachelor’s degree at Drury University.

The 2020 Mizzou International Composers Festival will include a series of public concerts featuring music from the resident composers and other contemporary creators, as well as workshops, master classes, and other events.

The Festival’s distinguished guest composers for 2020 will be Chen Yi and David T. Little. Chen is a distinguished professor of composition at the Conservatory of Music and Dance at the University of Missouri-Kansas City. A finalist for the 2006 Pulitzer Prize for Music for her composition “Si Ji” (“Four Seasons”), she was born and raised in Guangzhou, China and is known as a prolific composer who blends Chinese and Western traditions, transcending cultural and musical boundaries.

Little currently chairs the composition program at Mannes – The New School in New York City. He previously served as Executive Director of MATA and on the board of directors at Chamber Music America, and from 2014–2017 was composer-in-residence with Opera Philadelphia and Music-Theatre Group.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they have since the MICF began in 2010.

During the festival, the eight resident composers will receive composition lessons from Chen and Little; take part in rehearsals with Alarm Will Sound; give public presentations on their music; and receive a premiere performance and professional live recording of a new work created specifically for the MICF and Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2020 Mizzou International Composers Festival will be announced at a later date. For more information, please visit http://composersfestival.missouri.edu/.

Mizzou New Music Ensemble to debut “Influences Symphony”
with performances in St. Louis and Columbia

The Mizzou New Music Ensemble will explore the influence of various styles of music created in Missouri with performances in Columbia and St. Louis of “Influences Symphony,” a new collaborative, multi-part work by four Mizzou student composers.

“Influences Symphony” will be premiered in a concert at 7:00 p.m. Friday, May 3 at the World Chess Hall of Fame, 4652 Maryland Ave. in St. Louis, with an encore performance at 7:30 p.m. Sunday, May 5 at Whitmore Recital Hall on the University of Missouri campus in Columbia.

The concert in Columbia is free and open to the public. General admission to the performance at the World Chess Hall of Fame is $20, which includes one free drink and complimentary hors d’oeuvres, or $10 for WCHOF members, seniors, and military. Advance tickets can be purchased at http://bit.ly/MizzouNME.

“Influences Symphony” has four sections, each inspired by a different style of music, and was composed specifically for the Mizzou New Music Ensemble with funding from the Sinquefield Charitable Foundation.

The performance will begin with “A Bucket and a Rag” by freshman composition major Holden Franklin, which acknowledges the influence of Scott Joplin and others in “a comedic ragtime piece about a group of friends cleaning the floors.”

Next is sophomore composition major Ben Rouder’s “Missouri,” which draws inspiration from the folk song “Shenandoah.” That’s followed by “the girl in the pines” by Emily Shaw, a freshman composition major who describes it as “an ode to Missouri’s classic rock…heavily influenced by the music of Chuck Berry.”

The final section is “City Swing” by freshman composition major Jack Snelling, which reflects his interest in jazz. as exemplified by Charlie Parker, Count Basie, Clark Terry and other giants of the genre with Missouri roots.

The concert in Columbia also will include two more new works by Mizzou composers. “Warm-up No. 1: Tuning Exercise” by Niko Schroeder, who’s in his first year of study for a master’s degree in composition, brings the audience inside the process of tuning and “directs the players through each stage of listening: ideation, self-assessment, and then the consideration of others.” The final piece, “you,oranyone” by second-year master’s student Mikkel Christensen, is a “musical, motivic, and emotional sequel” to his earlier work “notfromme.”

The World Chess Hall of Fame (WCHOF) is a 501(c)(3) nonprofit organization committed to building awareness of the cultural and artistic significance of chess. It opened in September 2011 at 4652 Maryland Avenue in the Central West End neighborhood of St. Louis after moving from previous locations in New York; Washington, D.C.; and Florida.

The WCHOF is housed in an historic 15,900 square-foot residence-turned-business, featuring World Chess Hall of Fame inductees, United States Chess Hall of Fame inductees selected by the U.S. Chess Trust, displays of artifacts from the permanent collection and exhibitions highlighting the great players, historic games and rich cultural history of chess. The WCHOF partners with the Saint Louis Chess Club to provide innovative programming and outreach to local, national and international audiences.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2018-19 season are Hannah Hutchins, percussion; Ann Mozina, flutes; Pedro Ramiro, violin; Elisabeth Roberts, piano; Brianna Trainor, percussion; Cameron Tubbs, cello; and Austin Wright, clarinets.

Mizzou composers Libby Roberts, Niko Schroeder
featured in Columbia Daily Tribune

From left: Roberts, Schroeder

Mizzou composers Libby Roberts and Niko Schroeder both were featured recently in stories published by the Columbia Daily Tribune.

Roberts, a second-year masters student in composition who also serves as the pianist for the Mizzou New Music Ensemble, was the subject of a story by features editor Aarik Danielsen under the headline “Whole notes: MU student unites mind, body and soul in musical pursuits.”

She is one of three Mizzou composers taking part in this year’s program of readings by musicians of the St. Louis Symphony and resident conductor Gemma New, and will have the work she composed for the Symphony read for the second time in a public event at 6:30 p.m. Wednesday, April 3 at Powell Hall in St. Louis.

Schroeder, who’s in his first year working toward a masters in composition, was profiled by the Tribune‘s Elena K. Cruz in a story headlined “Art and craft: Sinquefield Prize winner combines history with theory and simplicity.”

As the winner of this year’s Sinquefield Composition Prize, Mizzou’s highest honor for a student composers, Schroeder is writing a new, original work for the University Philharmonic Orchestra, directed by Barry Ford, which will premiere it as part of the Chancellor’s Arts Showcase on Monday, April 8, 2019 at the Missouri Theatre in Columbia.

Fall 2018 Student Composers Recital set for
Monday, November 26 at Whitmore Recital Hall

The Fall 2018 edition of the University of Missouri School of Music’s Student Composers Recital will present new works written and performed by students at 7:30 p.m. Monday, November 26 at Whitmore Recital Hall on the Mizzou campus. Admission is free and open to the public.

The program will include:
“The Wooden Playground” by Nathan Andrzejewski
“Numbers” by Mikkel Christensen
“The Struggle of a Painter” by Zach Davis
“When Icarus fell it was Spring” by Aaron Mencher
“Duck Your Modernism” by Niko Schroeder
“The Exquisites” by Emily Shaw
“Stream of Consciousness” by Jack Snelling
“The Bounds of Tonality” by Harry Tryer

The concert also will feature a performance of “Exquisite Corpse I,” a collaborative work written by first-year composition students Nathan Andrejewski, Ross Dryer, Holden Franklin, Emily Shaw, Jack Snelling, Nathaniel Swan, and Harry Tryer under the supervision of assistant professor Carolina Heredia.

The concept of “Exquisite Corpse” is derived from the Surrealist parlor game of the same name, in which the first participant would write a phrase or make a sketch on a sheet of paper, fold the paper to conceal part of it, and pass it on to the next player for their contribution.

As Heredia explains in the program notes, “Each student worked on a variation of the Happy Birthday song. The first collaborator wrote the introduction and passed on the last two bars only to the second collaborator. Then, the second collaborator repeated this action, and so on. At the end, our copyist and arranger took all the materials, put them together, and worked on the transitions to make them smoother.” The students dedicated the work to Dr. Stefan Freund, professor of composition and artistic director of the Mizzou New Music Initiative, and presented it to him for his birthday on October 31.

Niko Schroeder wins 2019 Sinquefield Composition Prize

Photo by SnoStudios PhotographyThe University of Missouri School of Music and the Mizzou New Music Initiative have awarded the 2019 Sinquefield Composition Prize to Niko Schroeder.

Schroeder (pictured) is in his first year of study for a master’s degree in composition at Mizzou. He submitted “genealogy I,” a work written for piano, violin, and cello, to the competition and was selected for the prize by a panel of independent judges.

The adjudicators for the 2019 competition were Emily Koh, assistant professor of composition at the University of Georgia; Sky Macklay, assistant professor of music at Valparaiso University; and David Werfelmann, assistant professor of music theory and composition at Webster University.

Now in its 14th year, the Sinquefield Composition Prize is the top award for a composition student at Mizzou.

As this year’s winner, Schroeder now will be commissioned to write an original work for the University Philharmonic Orchestra, directed by Barry Ford, which will premiere it as part of the Chancellor’s Arts Showcase on Monday, April 8, 2019 at the Missouri Theatre in Columbia. With the commission, Schroeder also receives a cash prize for the production of the score and parts, and will have his work professionally recorded.

Originally from Waverly, IA, Schroeder earned his bachelor of arts degree from Grand Valley State University in Allendale, MI.

While he was a student there, he served as sound engineer and student manager for the Grand Valley State University New Music Ensemble and won several awards, including “Composer of the Year” for the 2015-16 and 2016-17 school years; the 2017 Concerto Competition; and the Glenn A. Niemeyer Award, the highest distinction for student contributions to the university.

A performer as well as a composer and engineer, Schroeder has toured with rock and contemporary classical ensembles and regularly performs with his polka band, the Bierkeller Boys.

The other finalists for the 2019 Sinquefield Composition Prize were Dustin Dunn and Ben Rouder.