Posts Tagged ‘ Mizzou New Music Ensemble

Mizzou New Music Ensemble to perform works by Socolofsky, Kirsten, Dennehy, Christensen and Forte on Sunday, February 24 at Whitmore Recital Hall

The Mizzou New Music Ensemble will perform works by three visiting composers plus two world premieres by Mizzou students in a concert at 7:30 p.m. Sunday, February 24 at Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus. Admission is free and open to the public.

The program will feature “Don’t say a word,” a “feminist rager-lullaby” by Annika Socolofsky from 2017 that “invokes the fragility and fury of the female voice.” Socolofsky, a composer and singer who is a doctoral candidate and fellow in composition at Princeton University, will be visiting Mizzou for a residency that week, and will coach and perform with the Ensemble.

Also included on the program will be “World Under Glass No. 2,” composed in 2011 by Amy Beth Kirsten. The piece is inspired by the Distillation series of New York visual artist Thomas Doyle, who creates dark, disturbing miniature scenes displayed in vessels resembling over-sized snow globes. Kirsten will be one of the two distinguished guest composers at this summer’s Mizzou International Composers Festival (MICF).

Donnacha Dennehy, who will be the other distinguished guest composer at the 2019 MICF, will be represented by “The Blotting.” a work commissioned in 2004 by the Bath International Music Festival that’s described by the composer as being “quite rhythmically virtuosic in places, making use of manically interlocking hockets.”

Two new works by Mizzou students will complete the concert. “Ozymandias” by Ethan Forte, a junior composition major at Mizzou, “attempts to capture the vivid literary work by Percy Bysshe Shelley,” while “The Dream is More Than Process” by second-year master’s student Mikkel Christensen takes inspiration and its title from a lyric by rapper Kendrick Lamar.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2018-19 season are Hannah Hutchins, percussion; Ann Mozina, flutes; Pedro Ramiro, violin; Elisabeth Roberts, piano; Brianna Trainor, percussion; Cameron Tubbs, cello; and Austin Wright, clarinets. They will be augmented for this performance by guest musicians Mitchell Goodman, euphonium; Tyler Hannsz, viola; Kassandra Ormsby, bassoon; and Aubrey Smith, soprano.

Post-doctoral fellow Yoshiaki Onishi is the Ensemble’s assistant conductor, and will conduct the performances of “World Under Glass no. 2” and “The Blotting.”

Annika Socolofsky visiting Mizzou for concert, residency

Composer and singer Annika Socolofsky is coming to Mizzou later this month for a residency and concert.

During her visit, she will coach the Mizzou New Music Ensemble, make a presentation on her music to composition students, and give private lessons to selected composition majors. Socolofsky will conclude her residency by performing with the Ensemble when they present her work “Don’t say a word” at their concert on Sunday, February 24 at Whitmore Recital Hall.

Currently a doctoral candidate and fellow in composition at Princeton University. Socolofsky previously earned an MFA in composition from Princeton, an MA in composition the University of Michigan, and a BFA in composition from Carnegie Mellon University.

Drawing on both classical and folk traditions, her works are based in “the inflections, gesture, and resonance of the human voice” and range from orchestral compositions to unaccompanied folk ballads. As a researcher, she is focused on physiology in contemporary vocal music, using the music of Dolly Parton to create a pedagogical approach to composition that is inclusive of many vocal styles and techniques.

Her works, projects, and related research have been presented at Carnegie Hall, The Italian Society of Contemporary Music, American Music Festival, Northwestern New Music Institute, Strange Beautiful Music Detroit, and more.

Socolovsky’s current composition projects include new works for the Albany Symphony, So Percussion, Contemporaneous, Carnegie Mellon Contemporary Ensemble, Girlnoise, and Shepherdess. She also is a 2019 Stone Composer Fellow for the Great Lakes Chamber Music Festival, for which she will be writing a new work for the Callisto Quartet. Her previous collaborations include the Rochester Philharmonic, Albany Symphony, Knoxville Symphony Orchestra, Dogs of Desire, eighth blackbird, Third Coast Percussion, Latitude 49, and numerous others.

As a vocalist, she has performed as soloist with the Albany Symphony, Dogs of Desire, Knoxville Symphony Orchestra, Tulsa Camerata, eighth blackbird, and composer-vocalist Anna Pidgorna.

Socolofsky’s honors as a composer include a Fromm Foundation Commission, Cortona Prize, and BMI Student Composer Award, as well as fellowships to the Blackbird Creative Lab, Banff Centre for the Arts, Bang on a Can Summer Festival, Cultivate at Copland House, and the Brevard Music Center. You can hear some of her music on her SoundCloud page.

Mizzou composers Libby Roberts, Niko Schroeder
featured in Columbia Daily Tribune

From left: Roberts, Schroeder

Mizzou composers Libby Roberts and Niko Schroeder both were featured recently in stories published by the Columbia Daily Tribune.

Roberts, a second-year masters student in composition who also serves as the pianist for the Mizzou New Music Ensemble, was the subject of a story by features editor Aarik Danielsen under the headline “Whole notes: MU student unites mind, body and soul in musical pursuits.”

She is one of three Mizzou composers taking part in this year’s program of readings by musicians of the St. Louis Symphony and resident conductor Gemma New, and will have the work she composed for the Symphony read for the second time in a public event at 6:30 p.m. Wednesday, April 3 at Powell Hall in St. Louis.

Schroeder, who’s in his first year working toward a masters in composition, was profiled by the Tribune‘s Elena K. Cruz in a story headlined “Art and craft: Sinquefield Prize winner combines history with theory and simplicity.”

As the winner of this year’s Sinquefield Composition Prize, Mizzou’s highest honor for a student composers, Schroeder is writing a new, original work for the University Philharmonic Orchestra, directed by Barry Ford, which will premiere it as part of the Chancellor’s Arts Showcase on Monday, April 8, 2019 at the Missouri Theatre in Columbia.

Mizzou New Music Ensemble to perform works
from MADSM competition, Mizzou and more
on Sunday, December 2 at Whitmore Recital Hall

The Mizzou New Music Ensemble will perform four new student works plus two pieces from acclaimed contemporary composers in a concert at 7:30 p.m. Sunday, December 2 at Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus. Admission is free and open to the public.

Two of the student works were selected for the performance through the first-ever Collegiate Composition Competition co-sponsored this year by the Mizzou New Music Initiative and the Missouri Association of Departments and Schools of Music (MADSM).

Ryan Jeschke, a senior composition major at Truman State University, won the MADSM competition’s undergraduate division with “Gunkanjima.” named for an island off the coast of Nagasaki, Japan that for nearly a century was a densely populated center for coal mining, then completely abandoned in the 1970s. The Ensemble will perform the work’s first movement, “The Shamisen.”

Daniel Vega, a first-year master’s student in composition at Mizzou, was the MADSM competition winner in the graduate division for “Natales,” which draws inspiration from the music of Estonian composer Arvo Pärt.

The other two student works were written by University of Missouri undergraduates. “Starry Night” by Ben Dawson, a junior working toward a composition degree at Mizzou, depicts “a cloudy, lonely night” with teasing fragments of a melody that is fully revealed at the end, while “A Dance Through Desire” by Holden Franklin, a freshman composition major, evokes feelings of a missed connection following a brief encounter.

Completing the program will be “à propos,” a work in four parts by French composer Fabien Lévy that was inspired by Arte Povera, an Italian artistic movement of the 1960s; and “Rising Tide,” written in 2015 by Nina C. Young, who will visit the Mizzou campus on November 30 and coach the Ensemble in preparation for the performance.

The seven-member Mizzou New Music Ensemble (pictured) is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2018-19 season are Hannah Hutchins, percussion; Ann Mozina, flutes; Pedro Ramiro, violin; Elisabeth Roberts, piano; Brianna Trainor, percussion; Cameron Tubbs, cello; and Austin Wright, clarinets, augmented for this performance by guest musicians Kassandra Ormsby, bassoon; and Morgan Owen, viola. Post-doctoral fellow Yoshiaki Onishi is the Ensemble’s assistant conductor, and will conduct the performance of “à propos” at this concert.

Mizzou New Music Ensemble to perform music by Daugherty,
Sharlat and Donatoni on Monday, October 15 at Whitmore Recital Hall

The Mizzou New Music Ensemble’s first concert of the 2018-19 season will feature works by two composers who are visiting the University of Missouri campus this fall, and more.

The Ensemble will perform at 7:30 p.m. Monday, October 15 at Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus. Admission is free and open to the public.

The concert will include “Divertissement” by composer Yevgeniy Sharlat, who will be in Columbia the first week in October; and “Sinatra Shag” and “Jackie’s Song” by multiple Grammy Award winner Michael Daugherty, who’s visiting Mizzou for a residency on Monday, October 8 and Tuesday, October 9. Both Sharlat and Daugherty will spend time during their residencies coaching the Ensemble on the performances of their works.

“Divertissement,” written by Sharlat in 2006 for flute, clarinet, violin, and cello, showcases all four instruments in individual caprices, alternating with slow movements that provide contrast.

“Sinatra Shag” was composed by Daugherty in 1997. It’s one of a series of works inspired by the architecture and popular culture of Las Vegas in the 1960s, incorporating “chromatically ascending passages, swinging lounge instrumental riffs and swirling glisses…looped and layered virtuosically throughout the composition, like a multi-colored shag carpet.”

“Jackie’s Song,” also from 1997, is a work for solo cello that was written as the overture to Daughtery’s opera “Jackie O.”

“Arpége,” a piece from 1986 by Italian composer Franco Donatoni, will complete the program. The work is a series of linked vignettes, each at a different tempo, featuring colorful interplay among various instrumental combinations.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2018-19 season are Hannah Hutchins, percussion; Ann Mozina, flutes; Pedro Ramiro, violin; Elisabeth Roberts, piano; Brianna Trainor, percussion; Cameron Tubbs, cello; and Austin Wright, clarinets. Post-doctoral fellow Yoshiaki Onishi is the Ensemble’s assistant conductor.

Composer Michael Daugherty’s upcoming residency
at Mizzou inspires three concerts featuring his music

Grammy Award-winning composer Michael Daugherty is coming to Columbia for a residency, and the University of Missouri School of Music and the Mizzou New Music Initiative are welcoming him with three concerts featuring his music in October.

Daugherty, who is a professor of composition at the University of Michigan School of Music, Theatre & Dance, will be in Columbia for two days. On the first evening of his residency, the MU Wind Ensemble will perform his works “On the Air” and “Niagara Falls” as part of a concert at 7:00 p.m. Monday, October 8 at the Missouri Theatre. Admission to the performance is $5 for the general public, free for MU students, faculty and staff with IDs.

The next evening, seven more of Daugherty’s compositions will be featured a concert devoted entirely to his music, with performances by Mizzou faculty ensembles ZouM and DRAX; the Missouri Saxophone Quartet; the Mizzou New Music Ensemble; and faculty soloists Eli Lara, Leigh Muñoz and Julie Rosenfeld. That concert will take place at 7:30 p.m. Tuesday, October 9 at Whitmore Recital Hall, and is free and open to the public.

While he’s on campus, Daugherty (pictured) also will make a presentation on his music, give private lessons to composition students, and work with the Mizzou New Music Ensemble, who will complete the concert trilogy when they play two of his works in their first performance of the semester on Monday, October 15, also at Whitmore Recital Hall.

Daugherty is a composer, pianist, and teacher who’s originally from Cedar Rapids, IA. He is one of the most widely performed American concert music composers of his generation, influenced by Romanticism, Postmodernism, and popular culture, and known for referencing in his music iconic figures ranging from Elvis Presley and Superman to Frida Kahlo and Jackie Onassis.

His teachers included notable 20th century composers such as Jacob Druckman, Earle Brown, Bernard Rands and Roger Reynolds from 1980-82 at Yale; Pierre Boulez in 1979 and 1980 at IRCAM in Paris; and György Ligeti from 1982 to 1984 in Hamburg. Daugherty was also an assistant to famed jazz arranger Gil Evans from 1980 to 1982 in New York.

Daugherty’s orchestral music has received six Grammy awards, including “Best Contemporary Classical Composition” in 2011 and 2017, and has been commissioned and premiered by major orchestras such as the Albany Symphony, Baltimore Symphony Orchestra, Bournemouth Symphony (U.K), Detroit Symphony Orchestra, Nashville Symphony, National Symphony Orchestra, Pacific Symphony, Philharmonia Orchestra (London), Pittsburgh Symphony Orchestra, the Philadelphia Orchestra, RAI Symphony Orchestra (Milan), and San Francisco Symphony.

Composers Festival spotlight: Mizzou New Music Ensemble

As has become tradition over the past nine years, the Mizzou New Music Ensemble will be performing during the Mizzou International Composers Festival as part of Friday night’s “Mizzou New Music” concert at the Missouri Theatre.

Their portion of the evening’s program will include works by the MICF’s two distinguished guest composers – “Portraits and Repetitions” by Alex Mincek and “Mountain Streams” by Robert Morris – as well as “Near Distance” by Chen Yi (who last week had to withdraw from the festival for medical reasons and was replaced by Morris).

The Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, professor of composition and artistic director of the Mizzou New Music Initiative and the MICF. The Ensemble serves as the repertory group for MNMI, working with faculty, students, and visiting composers, and giving public performances on campus and in the community.

In addition to presenting several concerts each year in Columbia, the Ensemble also has performed programs of works by Mizzou composers at the Contemporary Art Museum – St. Louis, the St. Louis Zoo, the St. Louis Science Center, Forest Park, the World Chess Hall of Fame, Cortex Innovation Community, and more.

Since the MICF happens in the summer when school’s not in session, the current members of the Ensemble in any given year are augmented as necessary for the festival by guest musicians, drawn from Mizzou students,  alumni, faculty and staff, as well as the regional community of performers engaged in new music.

For the 2018 MICF, the lineup of players will include Kelariz Keshavarz (flute), Victoria Hargrove (clarinet), Ben Harting (saxophone), Brianna Trainor (percussion), Hannah Hutchins (percussion), Libby Roberts (piano), and Pedro Ramiro (violin), plus freelance Kansas City cellist Sascha Groschang. Mizzou senior Hans Bridger Heruth will conduct the ensemble for Chen’s “Near Distance,” and graduate student Jesus Gomez will conduct the performance of Mincek’s “Portraits and Repetitions”

You can hear some past performances by the Mizzou New Music Ensemble via the embedded player below.

2018 Mizzou International Composers Festival
complete schedule of events and ticket information

Here is the complete schedule of events and information on how to get tickets for the 2018 Mizzou International Composers Festival.

The 2018 MICF begins on Monday, July 23 and continues through Saturday, July 28.

Festival events will be held at the Fine Arts Building and Loeb Hall on the campus of the University of Missouri and at the Missouri Theatre in downtown Columbia, including:

Monday, July 23

10:00 a.m. – 12:40 p.m.
Resident Composer Presentations:
Amanda Feery, Igor Santos, and Viet Cuong
Fine Arts Building Room 145 on the Mizzou campus
Open to the Public

6:00 p.m. – 9:00 p.m.
Alarm Will Sound – Open Rehearsal with Distinguished Guest Composers
Missouri Theatre, 203 South 9th Street, Columbia, MO 65201
Open to the Public

Tuesday, July 24

9:00 a.m. – 12:15 p.m.
Resident Composer Presentations:
Christine Burke, Oren Boneh, Gemma Peacocke, and Douglas Osmun
Fine Arts Building Room 145 on the Mizzou campus
Open to the Public

Wednesday, July 25

2:30 p.m. – 5:30 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Missouri Theatre, 203 South 9th Street, Columbia, MO 65201
Open to the Public

7:00 p.m.
Robert Morris, Distinguished Guest Composer Presentation
Fine Arts Building Room 145 on the Mizzou Campus
Open to the Public

8:15 p.m.
Alex Mincek, Distinguished Guest Composer Presentation
Fine Arts Building Room 145 on the Mizzou Campus
Open to the Public

Thursday, July 26

7:30 p.m.
Alarm Will Sound
Missouri Theatre, 203 South 9th Street, Columbia, MO 65201
Tickets are $18 adults, $10 students

The concert will feature the festival’s resident ensemble Alarm Will Sound performing music by 2018 MICF distinguished guest composers Robert Morris and Alex Mincek, plus works by Stefan Freund and Matt Marks,  and Chen Yi.

Friday, July 27

11:00 a.m. – 12:30 p.m.
Alarm Will Sound Open Rehearsal with Resident Composers
Loeb Hall 201 on the Mizzou campus
Open to the Public

2:00 p.m. – 5:00 p.m.
Alarm Will Sound Open Rehearsal with Resident Composers
Loeb Hall 201
Open to the Public

7:30 p.m.
Mizzou New Music
Missouri Theatre, 203 South 9th Street, Columbia, MO 65201
$18 adults/ $10 students

This concert showcases the Mizzou New Music Ensemble, the flagship group of the Mizzou New Music Initiative, performing music from distinguished guest composers Robert Morris and Alex Mincek and composer Chen Yi. In addition, the Missouri Clarinet Quintet, featuring Mizzou students and faculty members, will perform works by Mizzou composers Stefan Freund, Carolina Heredia, and Aaron Mencher.

Saturday, July 28

7:30 p.m.
Seven World Premieres performed by Alarm Will Sound
Missouri Theatre, 203 South 9th Street, Columbia, MO 65201
$18 adults/ $10 students

More than 250 composers from around the world submitted their portfolios to the festival, and seven were selected. The grand finale concert features the world premieres of seven works composed specifically for the acclaimed new music ensemble Alarm Will Sound by the festival’s resident composers:

* Oren Boneh, Berkeley, CA
* Christine Burke, Iowa City, IA
* Viet Cuong, Philadelphia, PA
* Amanda Feery, Dublin, Ireland
* Douglas Osmun, Columbia, MO
* Gemma Peacocke, Princeton, NJ
* Igor Santos, Chicago, IL

Tickets

Festival passes good for admission to all three concerts are on sale for $80 for the VIP package, which includes reserved premium seating and other benefits; $40 for adults; and $20 for students.

Single tickets are priced at $18 for adults, $10 for students. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781. To buy tickets online, visit http://composersfestival.missouri.edu/.

Box Office Hours and Location

Missouri Theatre, 203 S. Ninth St Columbia, MO, 65201
Regular business hours: Monday – Friday 9:00 AM – 5:00 PM

Hours during Mizzou International Composers Festival concert days:
Thursday, July 26: 9:00 AM – Performance Intermission (approx. 8:30 PM)
Friday, July 27: 9:00 AM – Performance Intermission (approx. 8:30 PM)
Saturday, July 28: 5:00 PM – Performance Intermission (approx. 8:30 PM)