Posts Tagged ‘ Mizzou New Music Ensemble

Mizzou New Music Ensemble to preview music from upcoming tour of South America and more on Monday, March 9 at Sinquefield Music Center

The Mizzou New Music Ensemble will present a preview of music from their upcoming tour of South America and more in a concert at 7:30 p.m. Monday, March 9 at the Sinquefield Music Center on the University of Missouri campus in Columbia. The concert is free and open to the public.

For their first concert of 2020 and their first public performance at the new Sinquefield Music Center, the Ensemble (pictured) will play two new works written by Mizzou graduate composition students, “Cataretê” by Luis Hermano Bezerra and “Ancient Echoes” by Daniel Fitzpatrick. Both pieces were composed specifically for the Ensemble’s upcoming tour of South America in late May and early June.

In addition, the Ensemble will present three works by South American composers that they will play during the tour: “Luna más negra” by Jose Halac of Argentina; “Sin Muerte” by Vladimir Guicheff Bogacz of Uruguay; and “Y vos, Por Salvarte, También Gritaste,” by Brazil’s German Gras, who was Luis Hemano Bezerra’s undergraduate composition teacher at the Universidade Estadual do Ceará in Fortaleza.

The concert also will feature music from the two distinguished guest composers for this summer’s Mizzou International Composers Festival, as the Ensemble will play Chen Yi’s “Near Distance” and David T. Little’s “Descanso (waiting).”

Rounding out the program will be a second performance of “Construction,” composed by Mizzou graduate student Niko Schroeder for the grand opening of the Sinquefield Music Center in February.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2019-20 season are Daniel Fitzpatrick, piano; Stephen Landy, percussion; Ann Mozina, flute; Jordan Nielsen, percussion; Pedro Ramiro, violin; Cameron Tubbs, cello; and Andrew Wiele, clarinet. Mizzou New Music Initiative post-doctoral fellow Yoshiaki Onishi serves as the Ensemble’s assistant conductor.

Mizzou New Music Ensemble hitting the road in May
for concert in Texas, tour of South America

The Mizzou New Music Ensemble will hit the road this spring to perform a concert in Fort Worth, TX, followed by a tour of South America that will take them to Argentina, Brazil, Peru and Uruguay.

The journey will begin with a performance at 3:00 p.m. Saturday, May 9 at the Amon Carter Museum of American Art in Ft. Worth, TX, where the Ensemble (pictured) will perform a program of new works created by Mizzou composition students in response to images from the museum’s collection.

Junior composition major Ben Dawson’s piece is inspired by the Carter Museum’s collection of 19th Century Landscapes, while freshman composition majors Isabelle Borchardt, Camden Hernandez and Sam Whitty have based their respective works on the collections devoted to Contemporary American Creativity, Western Living – Sculptures and Paintings, and 20th Century Modern Abstractions.

Admission to the concert is free, but reservations are required and can be made starting Wednesday, April 1 via the museum’s website at https://www.cartermuseum.org/.

Later in the month, the Ensemble will travel to South America for a tour from Monday, May 18 through Friday, June 5 that will include three residencies with concerts in Argentina, plus residencies and concerts in Brazil, Peru and Uruguay.

All six concerts will feature a core program of works by Mizzou faculty members Stefan Freund and Carolina Heredia, Mizzou composition alumnus José Martínez, and current graduate students Luis Hermano Bezerra and Daniel Fitzpatrick.

Those works include a new arrangement of Freund’s “St. Louis Reds,” Heredia’s “Ius in Bello,” and Martinez’s “Illegal Cycles,” as well as two pieces composed specifically for the tour, Bezerra’s “Cataretê” and Fitzpatrick’s “Ancient Echoes.” In addition, each concert on the tour will feature a work by a local composer associated with the host institution.

The Ensemble’s first stop will be from Monday, May 18 through Wednesday, May 20 at the Universidad Nacional de Quilmes in Buenos Aires, Argentina, where their concert will include a performance of Patricia Martínez’s “Expansion.”

Next, from Thursday, May 21 through Saturday, May 23, they’ll be at the Universidad Nacional de Córdoba in Córdoba, Argentina, and performing “Luna más negra” by José Halac.

From there, it’s back to Buenos Aires on Monday, May 25 and Tuesday, May 26, where they will reprise Martinez’s work as part of their performance at the Conservatorio Superior de la Ciudad de Buenos Aires.

Then, on Thursday, May 28 and Friday, May 29, the Ensemble will be in residence at the Escuela Universitaria de Música in Montevideo, Uruguay, with Vladimir Guicheff Bogacz’s “Sin muerte” and Sofia Scheps’ “I come from afar” as part of their concert program.

Traveling on to Brazil, their next stop will be from Sunday, May 31 through Tuesday, June 2 at the Universidade Estadual do Ceará in Fortaleza, where they will perform “Y vos, por salvarte, también gritaste…” by German Gras, who was Luis Bezerra’s composition teacher for his undergraduate degree.

The final residency of the tour will be on Thursday, June 4 and Friday, June 5 at the Universidad Nacional de Música in Lima, Peru, with the Ensemble performing José Sosaya’s “Girasol mágico gran brote” during their concert there.

At each location, the Mizzou composers also will give presentations about their work, and the Ensemble will do reading sessions of pieces written by composition students at each university.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2019-20 season are Daniel Fitzpatrick, piano; Stephen Landy, percussion; Ann Mozina, flute; Jordan Nielsen, percussion; Pedro Ramiro, violin; Cameron Tubbs, cello; and Andrew Wiele, clarinet. Mizzou New Music Initiative post-doctoral fellow Yoshiaki Onishi serves as the Ensemble’s assistant conductor.

Mizzou New Music Ensemble to perform works from Missouri, South America, and more on Sunday, November 17 at Whitmore Recital Hall

The Mizzou New Music Ensemble will offer new music from Missouri, South America, and more in concert at 7:30 p.m. Sunday, November 17 at Whitmore Recital Hall on the University of Missouri campus in Columbia. The concert is free and open to the public.

From close to home, the Ensemble (pictured) will perform the two winning works written for the 2019 Missouri Association of Departments and Schools of Music (MADSM) Collegiate Composition Competition.

“Cadencia” was composed by Truman State University student Samuel Tillman, the 2019 winner in the undergraduate category winner, and “Hitt Street Harangue” is by Daniel Vega, a master’s student in composition at Mizzou and this year’s graduate winner. Both works were selected in a competitive judging process open to all student composers enrolled at MADSM member institutions.

The concert also will include two works from South American composers that will be featured when the Ensemble tours that continent in May, 2020. “I come from afar” was composed by Sofia Scheps, who teaches at the Escuela Universitaria de Música in Montevideo, Uruguay; and “Expansion” is by Patricia Martínez, a composer, pianist and professor of composition at the National University of Quilmes in Buenos Aires, Argentina. During the tour, both composers will host concerts by the Ensemble at their respective institutions.

In addition to those four compositions, assistant conductor Yoshi Onishi will lead the Ensemble in a performance of “Talea” by French composer Gérard Grisey. Considered a late-20th-century classic, it alternates “between ferocity and quietude,” so as to – in the composer’s words – “express two aspects or, more precisely, two auditory angles of a single phenomenon.”

Two more new pieces of music from Missouri will complete the program. “Love Is Love, The Pedro Zamora Story” was composed by Daniel Vega originally for a film soundtrack; and “Pentatonic Sonata” is by Harry Tyrer, a retired Mizzou engineering professor now studying composition with Mizzou’s Carolina Heredia.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2019-20 season are Daniel Fitzpatrick, piano; Stephen Landy, percussion; Ann Mozina, flute; Jordan Nielsen, percussion; Pedro Ramiro, violin; Cameron Tubbs, cello; and Andrew Wiele, clarinet. Mizzou New Music Initiative post-doctoral fellow Yoshiaki Onishi serves as the Ensemble’s assistant conductor.

Mizzou New Music Ensemble to perform works by Boulez, Higdon, Martínez, and Heredia in concert Sunday, October 6 at Whitmore Recital Hall

The Mizzou New Music Ensemble will begin their 2019-20 season with a concert featuring works by two modern masters, a Mizzou alumnus, and a current Mizzou faculty member.

The Ensemble (pictured) will perform music by Pierre Boulez, Jennifer Higdon, José Martínez, and Carolina Heredia at 7:30 p.m. Sunday, October 6 at Whitmore Recital Hall on the University of Missouri campus in Columbia. The concert is free and open to the public.

As the name suggests, Boulez’s “Dérive 1” is derived from two of his other compositions, “Messagesquisse” and “Répons,” the latter of which in turn was created as a re-elaboration of musical ideas from “Éclat/Multiples.” This working method was typical of Boulez, who was known for producing new material by extending or transforming existing pieces.

Higdon’s “Zaka” has been called “an energetic and tightly focused work that uses string instruments in percussive and unorthodox ways,” and was praised by the Sacramento Bee as “a fantastic sprint full of irresistible Stravinskian energy and rhythmic drive.”

Martínez, who earned his master’s degree in composition from Mizzou in 2016, describes his piece “Illegal Cycles” as “an attempt to contaminate salsa with some noise, yet at the same time, to look for the groove in the fine-art sound of the freely improvised music” and “a natural product of our post-postmodern world, where the artistic boundaries between genres are happily long gone.”

“Ius in Bello” (Latin for “law of war”) was inspired by the socio-political confrontations in Venezuela that began in 2014. Heredia, a native of Argentina and an assistant professor of composition at Mizzou, calls the work “my response to the violent repression executed by the government against civilian protesters,” explaining that it “engages with dream-like sections in which color-saturated imagery of a perfect future is tinted with crispy dissonances.”

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2019-20 season are Daniel Fitzpatrick, piano; Stephen Landy, percussion; Ann Mozina, flute; Jordan Nielsen, percussion; Pedro Ramiro, violin; Cameron Tubbs, cello; and Andrew Wiele, clarinet. Mizzou New Music Initiative post-doctoral fellow Yoshiaki Onishi serves as the Ensemble’s assistant conductor.

MADSM 2019 Collegiate Composition Competition
looking for new works for chamber ensemble

The Missouri Association of Departments and Schools of Music (MADSM) and the Mizzou New Music Initiative are looking for new chamber music written by college students in Missouri for the second annual MADSM Collegiate Composition Competition.

Founded in 2018 to encourage the creation of original chamber music that can be played by high-school level musicians, the MADSM Collegiate Composition Competition is open to all students currently enrolled in any MADSM member institution, with separate categories for undergraduate and graduate students.

Composers are asked to write a new work from five to seven minutes in length for a group of three to five musicians, consisting of some combination of flute, clarinet, piano, violin, cello, and percussion. Scores and recordings must be submitted online by Friday, October 4, and winners will be announced in mid-October.

Winning composers then will be invited to the University of Missouri, where their pieces will be workshopped and recorded by the Mizzou New Music Ensemble on Sunday, November 17. The Ensemble will premiere this year’s winning works in January 2020 at the Missouri Music Educators Association conference in Osage Beach, with the goal of attracting future opportunities on concert programs around the state.

For more information or to submit an entry, go to https://newmusic.missouri.edu/perform/madsm-composition-competition.

The Missouri Association of Departments and Schools of Music (MADSM) includes all institutions in the state of Missouri that offer post-secondary music study. MADSM offers a regular forum for leaders from these institutions to discuss issues pertaining to music study; to provide mutual support for each other; and to advocate for music education at the collegiate level, presenting a strong and unified voice for music education in Missouri.

A look back at the 2019 Mizzou International Composers Festival

2019 Mizzou International Composers Festival complete schedule

Here is the complete schedule of events for the 2019 Mizzou International Composers Festival.

Celebrating its tenth year in 2019, the MICF begins on Monday, July 22 and continues through Saturday, July 27. All festival events listed are free and open to the public, with general admission seating on a first-come, first-served basis.

Events will take place at the Fine Arts Building and Loeb Hall on the campus of the University of Missouri; at the Missouri Theatre, Cafe Berlin, and two “pop-up” locations in downtown Columbia; and at the Firestone Baars Chapel on the campus of Stephens College.

Monday, July 22

9:45 a.m. – 12:00 p.m.
Resident Composer Presentations:
Chelsea Komschlies, inti figgis-vizueta and Peter Shin
Fine Arts Building Room 145 on the Mizzou campus

1:30 p.m. – 4:30 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Missouri Theatre, 203 S. 9th Street

6:00 p.m. – 8:10 p.m.
Resident Composer Presentations:
Theo Chandler, Nicole Murphy and Aaron Mencher
Fine Arts Building Room 145 on the Mizzou campus

Tuesday, July 23

9:30 a.m. – 10:55 p.m.
Resident Composer Presentations:
Charles Halka and Kristina Wolfe
Fine Arts Building Room 145 on the Mizzou campus

5:00 p.m. – 7:00 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:00 PM
Daniel Neumann, Guest Artist Presentation
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Wednesday, July 24

2:10 p.m. – 5:30 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Missouri Theatre, 203 South 9th Street

5:00 p.m. – 7:00 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:00 p.m.
Amy Beth Kirsten, Distinguished Guest Composer Presentation
Fine Arts Building Room 145 on the Mizzou campus

8:15 p.m.
Donnacha Dennehy, Distinguished Guest Composer Presentation
Fine Arts Building Room 145 on the Mizzou campus

Thursday, July 25

1:00 p.m.
Khemia Ensemble “Pop-Up Concert #1”
Sparky’s Homemade Ice Cream, 21 S 9th Street

Khemia Ensemble members Elizabeth Robinson (flute), Thiago Ancelmo de Souza (clarinet), Er-Gene Kahng (violin), and Amy Petrongelli (soprano) perform works by Lembit Beecher, Heitor Villa-Lobos, Ellen Harrison, Bruno Mantovani and Bjarne Brustad.

5:30 p.m. – 7:00 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:30 p.m.
Alarm Will Sound
Missouri Theatre, 203 South 9th Street

The festival’s resident ensemble Alarm Will Sound and guest artist Richard Crawford will perform the world premiere of “Jacob In Chains,” a new work written specifically for the festival by MICF distinguished guest composer Amy Beth Kirsten. AWS also will perform the concert version of distinguished guest composer Donnacha Dennehy’s “The Hunger” with guest artists Kate Manley and Iarla O’Lionard, and “Con/Influences” by Mizzou professor of composition, MNMI artistic director, and AWS cellist Stefan Freund.

9:30 p.m.
Bels Lontano
Cafe Berlin, 220 North 10th Street

Original electronic music by Mizzou composers and MICF resident composers. Presented in association with Dismal Niche.

Friday, July 26

11:00 a.m. – 12:30 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Loeb Hall 201 on the Mizzou campus

1:00 p.m.
Khemia Ensemble “Pop-Up Concert #2”
Uprise Bakery, 10 Hitt Street

Khemia Ensemble percussionists Chelsea Tinsler Jones and Shane Jones perform music by Andy Akiho, John Cage, Tom Johnson, and Tim Peterson.

2:00 p.m. – 5:00 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Loeb Hall 201 on the Mizzou campus

5:00 p.m. – 7:30 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:30 p.m.
Mizzou New Music
Missouri Theatre, 203 South 9th Street

This concert showcases the Mizzou New Music Ensemble, the flagship group of the Mizzou New Music Initiative, performing music by distinguished guest composers Donnacha Dennehy and Amy Beth Kirsten and Mizzou student composer Jack Snelling. In addition, faculty duo DRAX will perform a work by Mizzou assistant professor of composition Carolina Heredia, and Mizzou Percussion will perform music by Kirsten, Annika Socolofsky, and 2019 MICF resident composer inti figgis-vizueta.

9:30 p.m.
Eli Keszler
Firestone Baars Chapel, 1306 East Walnut Street

Solo performance of original works for percussion and electronics. Presented in association with Dismal Niche.

Saturday, July 27

11:00 a.m.
Khemia Ensemble
Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus

Multimedia chamber group Khemia Ensemble, featuring Mizzou faculty members Carolina Heredia, Bret Bohman, and Eli Lara, will perform a program of works by composers including Heredia, Bohman, Andy Akiho, Chris Cerrone, Daniel Fawcett, Patricia Martinez, Emma O’Halloran, and 2019 MICF resident composer inti figgis-vizueta.

5:00 p.m. – 7:30 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:30 p.m.
Eight World Premieres performed by Alarm Will Sound
Missouri Theatre, 203 South 9th Street

The grand finale concert features the world premieres of eight works created specifically for the acclaimed new music ensemble Alarm Will Sound by the festival’s resident composers:

* Theo Chandler – “Familiar Punchlines”
* inti figgis-vizueta – “braiding on golden stoops”
* Charles Halka – “Fever Dream”
* Chelsea Komschlies – “Hexactinellida”
* Aaron Mencher – “Haworthia”
* Nicole Murphy – “Dust”
* Peter Shin – “dogwhistling”
* Kristina Wolfe – “A Curation of Finds”

Composers Festival spotlight: Mizzou New Music Ensemble

Occupying their usual spot in the festival lineup, the Mizzou New Music Ensemble will be performing during the 2019 Mizzou International Composers Festival as part of Friday night’s “Mizzou New Music” concert at the Missouri Theatre.

Their portion of the evening’s program will include works by the MICF’s two distinguished guest composers – “The Blotting” by Donnacha Dennehy and “World Under Glass No. 2” by Amy Beth Kirsten – as well as music by Mizzou student Jack Snelling.

The Mizzou New Music Ensemble (pictured) is made up of University of Missouri graduate students under the direction of Stefan Freund, professor of composition and artistic director of the Mizzou New Music Initiative and the MICF. The Ensemble serves as the repertory group for MNMI, working with faculty, students, and visiting composers, and giving public performances on campus and in the community.

In addition to presenting several concerts each year in Columbia, the Ensemble also has performed programs of works by Mizzou composers at the Contemporary Art Museum – St. Louis, the St. Louis Zoo, the St. Louis Science Center, Forest Park, the World Chess Hall of Fame, Cortex Innovation Community, and more.

The Ensemble’s current members are Hannah Hutchins, percussion; Ann Mozina, flutes; Pedro Ramiro, violin; Libby Roberts, piano; Brianna Trainor, percussion; Cameron Tubbs, cello; and Austin Wright, clarinets. They will be augmented for this performance by Mizzou graduate student Tyler Hannsz on viola. MNMI’s post-doctoral fellow Yoshiaki Onishi serves as the Ensemble’s assistant conductor.

You can hear some past performances by the Mizzou New Music Ensemble using the embedded player below.