Posts Tagged ‘ Mizzou New Music Ensemble

Mizzou New Music Ensemble to perform works
from MADSM competition, Mizzou and more
on Sunday, December 2 at Whitmore Recital Hall

The Mizzou New Music Ensemble will perform four new student works plus two pieces from acclaimed contemporary composers in a concert at 7:30 p.m. Sunday, December 2 at Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus. Admission is free and open to the public.

Two of the student works were selected for the performance through the first-ever Collegiate Composition Competition co-sponsored this year by the Mizzou New Music Initiative and the Missouri Association of Departments and Schools of Music (MADSM).

Ryan Jeschke, a senior composition major at Truman State University, won the MADSM competition’s undergraduate division with “Gunkanjima.” named for an island off the coast of Nagasaki, Japan that for nearly a century was a densely populated center for coal mining, then completely abandoned in the 1970s. The Ensemble will perform the work’s first movement, “The Shamisen.”

Daniel Vega, a first-year master’s student in composition at Mizzou, was the MADSM competition winner in the graduate division for “Natales,” which draws inspiration from the music of Estonian composer Arvo Pärt.

The other two student works were written by University of Missouri undergraduates. “Starry Night” by Ben Dawson, a junior working toward a composition degree at Mizzou, depicts “a cloudy, lonely night” with teasing fragments of a melody that is fully revealed at the end, while “A Dance Through Desire” by Holden Franklin, a freshman composition major, evokes feelings of a missed connection following a brief encounter.

Completing the program will be “à propos,” a work in four parts by French composer Fabien Lévy that was inspired by Arte Povera, an Italian artistic movement of the 1960s; and “Rising Tide,” written in 2015 by Nina C. Young, who will visit the Mizzou campus on November 30 and coach the Ensemble in preparation for the performance.

The seven-member Mizzou New Music Ensemble (pictured) is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2018-19 season are Hannah Hutchins, percussion; Ann Mozina, flutes; Pedro Ramiro, violin; Elisabeth Roberts, piano; Brianna Trainor, percussion; Cameron Tubbs, cello; and Austin Wright, clarinets, augmented for this performance by guest musicians Kassandra Ormsby, bassoon; and Morgan Owen, viola. Post-doctoral fellow Yoshiaki Onishi is the Ensemble’s assistant conductor, and will conduct the performance of “à propos” at this concert.

Mizzou New Music Ensemble to perform music by Daugherty,
Sharlat and Donatoni on Monday, October 15 at Whitmore Recital Hall

The Mizzou New Music Ensemble’s first concert of the 2018-19 season will feature works by two composers who are visiting the University of Missouri campus this fall, and more.

The Ensemble will perform at 7:30 p.m. Monday, October 15 at Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus. Admission is free and open to the public.

The concert will include “Divertissement” by composer Yevgeniy Sharlat, who will be in Columbia the first week in October; and “Sinatra Shag” and “Jackie’s Song” by multiple Grammy Award winner Michael Daugherty, who’s visiting Mizzou for a residency on Monday, October 8 and Tuesday, October 9. Both Sharlat and Daugherty will spend time during their residencies coaching the Ensemble on the performances of their works.

“Divertissement,” written by Sharlat in 2006 for flute, clarinet, violin, and cello, showcases all four instruments in individual caprices, alternating with slow movements that provide contrast.

“Sinatra Shag” was composed by Daugherty in 1997. It’s one of a series of works inspired by the architecture and popular culture of Las Vegas in the 1960s, incorporating “chromatically ascending passages, swinging lounge instrumental riffs and swirling glisses…looped and layered virtuosically throughout the composition, like a multi-colored shag carpet.”

“Jackie’s Song,” also from 1997, is a work for solo cello that was written as the overture to Daughtery’s opera “Jackie O.”

“Arpége,” a piece from 1986 by Italian composer Franco Donatoni, will complete the program. The work is a series of linked vignettes, each at a different tempo, featuring colorful interplay among various instrumental combinations.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2018-19 season are Hannah Hutchins, percussion; Ann Mozina, flutes; Pedro Ramiro, violin; Elisabeth Roberts, piano; Brianna Trainor, percussion; Cameron Tubbs, cello; and Austin Wright, clarinets. Post-doctoral fellow Yoshiaki Onishi is the Ensemble’s assistant conductor.

Composer Michael Daugherty’s upcoming residency
at Mizzou inspires three concerts featuring his music

Grammy Award-winning composer Michael Daugherty is coming to Columbia for a residency, and the University of Missouri School of Music and the Mizzou New Music Initiative are welcoming him with three concerts featuring his music in October.

Daugherty, who is a professor of composition at the University of Michigan School of Music, Theatre & Dance, will be in Columbia for two days. On the first evening of his residency, the MU Wind Ensemble will perform his works “On the Air” and “Niagara Falls” as part of a concert at 7:00 p.m. Monday, October 8 at the Missouri Theatre. Admission to the performance is $5 for the general public, free for MU students, faculty and staff with IDs.

The next evening, seven more of Daugherty’s compositions will be featured a concert devoted entirely to his music, with performances by Mizzou faculty ensembles ZouM and DRAX; the Missouri Saxophone Quartet; the Mizzou New Music Ensemble; and faculty soloists Eli Lara, Leigh Muñoz and Julie Rosenfeld. That concert will take place at 7:30 p.m. Tuesday, October 9 at Whitmore Recital Hall, and is free and open to the public.

While he’s on campus, Daugherty (pictured) also will make a presentation on his music, give private lessons to composition students, and work with the Mizzou New Music Ensemble, who will complete the concert trilogy when they play two of his works in their first performance of the semester on Monday, October 15, also at Whitmore Recital Hall.

Daugherty is a composer, pianist, and teacher who’s originally from Cedar Rapids, IA. He is one of the most widely performed American concert music composers of his generation, influenced by Romanticism, Postmodernism, and popular culture, and known for referencing in his music iconic figures ranging from Elvis Presley and Superman to Frida Kahlo and Jackie Onassis.

His teachers included notable 20th century composers such as Jacob Druckman, Earle Brown, Bernard Rands and Roger Reynolds from 1980-82 at Yale; Pierre Boulez in 1979 and 1980 at IRCAM in Paris; and György Ligeti from 1982 to 1984 in Hamburg. Daugherty was also an assistant to famed jazz arranger Gil Evans from 1980 to 1982 in New York.

Daugherty’s orchestral music has received six Grammy awards, including “Best Contemporary Classical Composition” in 2011 and 2017, and has been commissioned and premiered by major orchestras such as the Albany Symphony, Baltimore Symphony Orchestra, Bournemouth Symphony (U.K), Detroit Symphony Orchestra, Nashville Symphony, National Symphony Orchestra, Pacific Symphony, Philharmonia Orchestra (London), Pittsburgh Symphony Orchestra, the Philadelphia Orchestra, RAI Symphony Orchestra (Milan), and San Francisco Symphony.

Composers Festival spotlight: Mizzou New Music Ensemble

As has become tradition over the past nine years, the Mizzou New Music Ensemble will be performing during the Mizzou International Composers Festival as part of Friday night’s “Mizzou New Music” concert at the Missouri Theatre.

Their portion of the evening’s program will include works by the MICF’s two distinguished guest composers – “Portraits and Repetitions” by Alex Mincek and “Mountain Streams” by Robert Morris – as well as “Near Distance” by Chen Yi (who last week had to withdraw from the festival for medical reasons and was replaced by Morris).

The Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, professor of composition and artistic director of the Mizzou New Music Initiative and the MICF. The Ensemble serves as the repertory group for MNMI, working with faculty, students, and visiting composers, and giving public performances on campus and in the community.

In addition to presenting several concerts each year in Columbia, the Ensemble also has performed programs of works by Mizzou composers at the Contemporary Art Museum – St. Louis, the St. Louis Zoo, the St. Louis Science Center, Forest Park, the World Chess Hall of Fame, Cortex Innovation Community, and more.

Since the MICF happens in the summer when school’s not in session, the current members of the Ensemble in any given year are augmented as necessary for the festival by guest musicians, drawn from Mizzou students,  alumni, faculty and staff, as well as the regional community of performers engaged in new music.

For the 2018 MICF, the lineup of players will include Kelariz Keshavarz (flute), Victoria Hargrove (clarinet), Ben Harting (saxophone), Brianna Trainor (percussion), Hannah Hutchins (percussion), Libby Roberts (piano), and Pedro Ramiro (violin), plus freelance Kansas City cellist Sascha Groschang. Mizzou senior Hans Bridger Heruth will conduct the ensemble for Chen’s “Near Distance,” and graduate student Jesus Gomez will conduct the performance of Mincek’s “Portraits and Repetitions”

You can hear some past performances by the Mizzou New Music Ensemble via the embedded player below.

2018 Mizzou International Composers Festival
complete schedule of events and ticket information

Here is the complete schedule of events and information on how to get tickets for the 2018 Mizzou International Composers Festival.

The 2018 MICF begins on Monday, July 23 and continues through Saturday, July 28.

Festival events will be held at the Fine Arts Building and Loeb Hall on the campus of the University of Missouri and at the Missouri Theatre in downtown Columbia, including:

Monday, July 23

10:00 a.m. – 12:40 p.m.
Resident Composer Presentations:
Amanda Feery, Igor Santos, and Viet Cuong
Fine Arts Building Room 145 on the Mizzou campus
Open to the Public

6:00 p.m. – 9:00 p.m.
Alarm Will Sound – Open Rehearsal with Distinguished Guest Composers
Missouri Theatre, 203 South 9th Street, Columbia, MO 65201
Open to the Public

Tuesday, July 24

9:00 a.m. – 12:15 p.m.
Resident Composer Presentations:
Christine Burke, Oren Boneh, Gemma Peacocke, and Douglas Osmun
Fine Arts Building Room 145 on the Mizzou campus
Open to the Public

Wednesday, July 25

2:30 p.m. – 5:30 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Missouri Theatre, 203 South 9th Street, Columbia, MO 65201
Open to the Public

7:00 p.m.
Robert Morris, Distinguished Guest Composer Presentation
Fine Arts Building Room 145 on the Mizzou Campus
Open to the Public

8:15 p.m.
Alex Mincek, Distinguished Guest Composer Presentation
Fine Arts Building Room 145 on the Mizzou Campus
Open to the Public

Thursday, July 26

7:30 p.m.
Alarm Will Sound
Missouri Theatre, 203 South 9th Street, Columbia, MO 65201
Tickets are $18 adults, $10 students

The concert will feature the festival’s resident ensemble Alarm Will Sound performing music by 2018 MICF distinguished guest composers Robert Morris and Alex Mincek, plus works by Stefan Freund and Matt Marks,  and Chen Yi.

Friday, July 27

11:00 a.m. – 12:30 p.m.
Alarm Will Sound Open Rehearsal with Resident Composers
Loeb Hall 201 on the Mizzou campus
Open to the Public

2:00 p.m. – 5:00 p.m.
Alarm Will Sound Open Rehearsal with Resident Composers
Loeb Hall 201
Open to the Public

7:30 p.m.
Mizzou New Music
Missouri Theatre, 203 South 9th Street, Columbia, MO 65201
$18 adults/ $10 students

This concert showcases the Mizzou New Music Ensemble, the flagship group of the Mizzou New Music Initiative, performing music from distinguished guest composers Robert Morris and Alex Mincek and composer Chen Yi. In addition, the Missouri Clarinet Quintet, featuring Mizzou students and faculty members, will perform works by Mizzou composers Stefan Freund, Carolina Heredia, and Aaron Mencher.

Saturday, July 28

7:30 p.m.
Seven World Premieres performed by Alarm Will Sound
Missouri Theatre, 203 South 9th Street, Columbia, MO 65201
$18 adults/ $10 students

More than 250 composers from around the world submitted their portfolios to the festival, and seven were selected. The grand finale concert features the world premieres of seven works composed specifically for the acclaimed new music ensemble Alarm Will Sound by the festival’s resident composers:

* Oren Boneh, Berkeley, CA
* Christine Burke, Iowa City, IA
* Viet Cuong, Philadelphia, PA
* Amanda Feery, Dublin, Ireland
* Douglas Osmun, Columbia, MO
* Gemma Peacocke, Princeton, NJ
* Igor Santos, Chicago, IL

Tickets

Festival passes good for admission to all three concerts are on sale for $80 for the VIP package, which includes reserved premium seating and other benefits; $40 for adults; and $20 for students.

Single tickets are priced at $18 for adults, $10 for students. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781. To buy tickets online, visit http://composersfestival.missouri.edu/.

Box Office Hours and Location

Missouri Theatre, 203 S. Ninth St Columbia, MO, 65201
Regular business hours: Monday – Friday 9:00 AM – 5:00 PM

Hours during Mizzou International Composers Festival concert days:
Thursday, July 26: 9:00 AM – Performance Intermission (approx. 8:30 PM)
Friday, July 27: 9:00 AM – Performance Intermission (approx. 8:30 PM)
Saturday, July 28: 5:00 PM – Performance Intermission (approx. 8:30 PM)

Tickets for 2018 Mizzou International Composers Festival
go on sale Friday, May 25

Tickets for the 2018 Mizzou International Composers Festival (MICF) will go on sale at 10:00 a.m. CDT on Friday, May 25.

Recognized as an important regional showcase for new works by top young composers, the MICF will take place this year from Monday, July 23 through Saturday, July 28 in Columbia, and will include three public concerts.

Returning for the ninth year as the festival’s resident ensemble, Alarm Will Sound will begin the weekend of shows at 7:30 p.m. Thursday, July 26 at the Missouri Theatre, 203 S. Ninth St. in downtown Columbia.

They’ll perform music from the 2018 MICF’s distinguished guest composers, Chen Yi and Alex Mincek, as well as a work by Mizzou’s Stefan Freund and more.

The following evening, the “Mizzou New Music” concert at 7:30 p.m., Friday, July 27 at the Missouri Theatre will feature the Mizzou New Music Ensemble performing works by Chen and Mincek, plus the Missouri Clarinet Quartet playing new music by Stefan Freund, Carolina Heredia, and Aaron Mencher.

The grand finale of the week will showcase the world premieres of seven new works written by the festival’s resident composers and performed by Alarm Will Sound at 7:30 p.m., Saturday, July 28 at the Missouri Theatre.

Festival VIP packages are $80, and include reserved premium seating at all three concerts; two drink tickets good at the Thursday and Friday performances; and admission to a VIP reception prior to the Saturday evening performance, featuring champagne and hors d’oeuvres with members of Alarm Will Sound and the composers.

Festival passes for all three concerts are $40 for an adult general admission pass, and $20 for a student general admission pass.

Single tickets are priced at $18 for adults, $10 for students, and are all general admission. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781. To buy tickets online, visit http://composersfestival.missouri.edu/.

The MICF also offers a special limited-time discount for early ticket buyers. If you purchase tickets before June 3 and use the promotional code, you can get single adult tickets for any MICF concert for just $10 each (regular price $18), while student tickets are discounted to $7 (from $10).

To get the discount, use “2018MICF” (without quotes) when prompted for a promotional code. This offer is good only on tickets purchased between May 25 and June 3, 2018.

In addition to these three concerts, the MICF also will feature several free events, including open rehearsals and presentations by the participating composers. A complete schedule of those events will be released at a later date.

The seven resident composers were chosen from among more than 240 applicants from 22 different countries to participate in the festival and create a new work for Alarm Will Sound. Listed with their current places of residence, they are:

* Oren Boneh, Berkeley, CA
* Christine Burke, Iowa City, IA
* Viet Cuong, Philadelphia, PA
* Amanda Feery, Princeton, NJ
* Douglas Osmun, Columbia, MO
* Gemma Peacocke, Princeton, NJ
* Igor Santos, Chicago, IL

An eighth resident composer, Peter Shin, was announced as part of the group in December 2017, but had to postpone his participation due to scheduling conflicts. “At the same time that Peter was selected for the MICF, he also received a commission to write a new work for the Los Angeles Philharmonic,” said Stefan Freund, professor of composition and artistic director of the Mizzou New Music Initiative. “When it became apparent that he could not complete both pieces in time, we extended an invitation to him to be part of our 2019 festival, and we look forward to working with him next year.”

During the festival, the resident composers will receive composition lessons from distinguished guest composers Chen Yi, who is a distinguished professor of composition at the Conservatory of Music and Dance at the University of Missouri-Kansas City; and Alex Mincek, an assistant professor, composition and music technology at Northwestern University’s Bienen School of Music and a co-founder and artistic director of the Wet Ink Ensemble.

The resident composers also will take part in rehearsals with Alarm Will Sound; give presentations on their music; and receive a premiere performance and professional live recording of their work.

Mizzou New Music Ensemble to debut “Innovation Symphony”
with performances in Columbia and St. Louis

The Mizzou New Music Ensemble will celebrate the spirit of creativity in technology and the arts with performances in Columbia and St. Louis of “Innovation Symphony,” a new collaborative, multi-part work by four Mizzou student composers.

“Innovation Symphony” will be previewed in a concert at 7:30 p.m. Monday, April 23 at Whitmore Recital Hall on the University of Missouri campus in Columbia.

The work’s official premiere will be presented by Venture Cafe St. Louis at 8:00 p.m. Saturday, April 28 at the Cortex Innovation Community‘s @4240 building, located at 4240 Duncan Ave. in St. Louis.

The concert in Columbia is free and open to the public. Admission to the performance in St. Louis also is free and open to the public, but those wishing to attend are asked to RSVP online at https://innovationsymphony.eventbrite.com/.

“Innovation Symphony” has four sections, each written by a different composer based on a specific aspect of the Cortex Innovation Community, and was composed specifically for the Mizzou New Music Ensemble (pictured) with funding from the Sinquefield Charitable Foundation.

The sections are “A Creative Meditation,” written by Libby Roberts, who’s in her first year of study for a master’s degree in composition at Mizzou and is the pianist for the Ensemble; “Breath of Life,” by Ethan Forte, a sophomore composition major at Mizzou; “Efficiency of Locomotion,” by Adam Cohen, also a sophomore composition major; and “Untitled (Room to Breathe)” by Mikkel Christensen, who’s also a first year master’s student in composition.

“Innovation Symphony” does more than explore innovation as a subject, as the composers also have deployed unusual, creative techniques and instruments in their scores. For example, Christensen’s segment uses wood and plastic percussion instruments custom-built by the composer, while Roberts’ work incorporates a high-tech form of audience participation. Her composition includes ambient sounds that audience members will be able to trigger during the performance from three Novation Launchpad Minis, which are push-button controllers designed specifically for electronic music.

Before the premiere in St. Louis, all four composers will be on hand for Venture Cafe St. Louis’ weekly “Thursday Gathering” at 4:30 p.m. Thursday, April 26 at Venture Cafe, 4240 Duncan Ave, to give a presentation about their works and compositional processes. That event also is free and open to the public, with no RSVP required.

Venture Cafe St. Louis is an organization dedicated to connecting innovators to make things happen. Cortex Innovation Community is a 200-acre innovation hub and technology district integrated into St. Louis’ historic Central West End and Forest Park Southeast residential neighborhoods.

Composer Jonathan Newman to visit Mizzou for residency

Photo by Peace Gardiner SavetzComposer Jonathan Newman is coming to Columbia this month for a residency at the School of Music.

Newman (pictured), who is director of composition and coordinator of new music at Shenandoah Conservatory in Winchester, VA,  will visit Mizzou from Wednesday, April 25 through Friday, April 27.

While he’s on campus, his activities will include coaching the Mizzou New Music Ensemble in rehearsal; giving composition lessons and a presentation on his works; and attending the concert by the Mizzou Wind Ensemble on Friday at the Missouri Theatre.

Wind and educational ensembles around the world frequently perform Newman’s music, and the Mizzou Wind Ensemble’s concert will include one of his best-known compositions, “Blow It Up, Start Again,” as well as “Avenue X” and “As the scent of spring rain…” In addition, Newman’s works “Moon by Night” and “1861” will be performed by Mizzou’s Symphonic Band at their concert on Sunday, April 29, also at the Missouri Theatre.

Trained as a pianist, trombonist, and singer, Newman creates music informed by an upbringing performing in orchestras, singing in jazz choirs, playing in marching bands, and accompanying himself in talent shows, incorporating pop, blues, jazz, folk, and funk into otherwise classical models.

Born in 1972, he received the Charles Ives Scholarship from the American Academy of Arts and Letters, and holds degrees from Boston University’s School for the Arts and from The Juilliard School, where his collaborative works for dance enjoyed multiple performances at The Juilliard Theater, Alice Tully Hall, P.S. 122, and Dance Theater Workshop.

Newman’s music has been performed by orchestras worldwide, including the Minnesota Orchestra, the Toronto Symphony, the Cabrillo Festival of Contemporary Music Orchestra, the Royal Philharmonic Orchestra at the 2015 BBC Proms, and many others.

In 2016 he was appointed composer-in-residence for the Chicago Youth Symphony Orchestra, which originally commissioned “Blow It Up, Start Again” in 2011 and performed four of his works, including the newly commissioned “Meridian,” during their 2016-17 season. Other recent projects include a re-imagined Mass for The Choir of Trinity Wall Street; a large-scale work commissioned by the Florida State University Wind Orchestra; “Prayers of Steel” for Chicago’s Gaudete Brass, and, with playwright Gary Winter, an opera based on the 1962 cult horror film Carnival of Souls.

Newman also has a connection to the Mizzou International Composers Festival’s resident ensemble Alarm Will Sound, having transcribed and arranged “Logan Rock With” and “Fingerbib” for their 2005 album Acoustica: Alarm Will Sound Performs Aphex Twin on Cantaloupe Records.

His works have been recorded on labels such as Avian, BCM, Brain Music, Cantaloupe, Cedille, Klavier, Mark Custom, Naxos, Potenza, and Summit Records. Newman also is a founding member of the composer consortium BCM International, which has released two albums.

You can hear some of Jonathan Newman’s music in the embedded players below and on his SoundCloud page.

“Blow It Up, Start Again,” a transcription with performance by the Florida State University Wind Orchestra, conducted by Richard Clary, recorded April 15, 2013 at Ruby Diamond Concert Hall in Tallahassee FL

“Stereo Action,” recorded by the Texas A&M-Commerce Percussion Ensemble at the 2010 PASIC in Indianapolis, IN

“My Hands Are A City,” as performed by the University Of Georgia Wind Ensemble, conducted by John Lynch, on their album “Millennium Canons: Looking Forward, Looking Back”