Posts Tagged ‘ Missouri Theatre

2019 Mizzou International Composers Festival complete schedule

Here is the complete schedule of events for the 2019 Mizzou International Composers Festival.

Celebrating its tenth year in 2019, the MICF begins on Monday, July 22 and continues through Saturday, July 27. All festival events listed are free and open to the public, with general admission seating on a first-come, first-served basis.

Events will take place at the Fine Arts Building and Loeb Hall on the campus of the University of Missouri; at the Missouri Theatre, Cafe Berlin, and two “pop-up” locations in downtown Columbia; and at the Firestone Baars Chapel on the campus of Stephens College.

Monday, July 22

9:45 a.m. – 12:00 p.m.
Resident Composer Presentations:
Chelsea Komschlies, inti figgis-vizueta and Peter Shin
Fine Arts Building Room 145 on the Mizzou campus

1:30 p.m. – 4:30 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Missouri Theatre, 203 S. 9th Street

6:00 p.m. – 8:10 p.m.
Resident Composer Presentations:
Theo Chandler, Nicole Murphy and Aaron Mencher
Fine Arts Building Room 145 on the Mizzou campus

Tuesday, July 23

9:30 a.m. – 10:55 p.m.
Resident Composer Presentations:
Charles Halka and Kristina Wolfe
Fine Arts Building Room 145 on the Mizzou campus

5:00 p.m. – 7:00 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:00 PM
Daniel Neumann, Guest Artist Presentation
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Wednesday, July 24

2:10 p.m. – 5:30 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Missouri Theatre, 203 South 9th Street

5:00 p.m. – 7:00 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:00 p.m.
Amy Beth Kirsten, Distinguished Guest Composer Presentation
Fine Arts Building Room 145 on the Mizzou campus

8:15 p.m.
Donnacha Dennehy, Distinguished Guest Composer Presentation
Fine Arts Building Room 145 on the Mizzou campus

Thursday, July 25

1:00 p.m.
Khemia Ensemble “Pop-Up Concert #1”
Sparky’s Homemade Ice Cream, 21 S 9th Street

Khemia Ensemble members Elizabeth Robinson (flute), Thiago Ancelmo de Souza (clarinet), Er-Gene Kahng (violin), and Amy Petrongelli (soprano) perform works by Lembit Beecher, Heitor Villa-Lobos, Ellen Harrison, Bruno Mantovani and Bjarne Brustad.

5:30 p.m. – 7:00 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:30 p.m.
Alarm Will Sound
Missouri Theatre, 203 South 9th Street

The festival’s resident ensemble Alarm Will Sound and guest artist Richard Crawford will perform the world premiere of “Jacob In Chains,” a new work written specifically for the festival by MICF distinguished guest composer Amy Beth Kirsten. AWS also will perform the concert version of distinguished guest composer Donnacha Dennehy’s “The Hunger” with guest artists Kate Manley and Iarla O’Lionard, and “Con/Influences” by Mizzou professor of composition, MNMI artistic director, and AWS cellist Stefan Freund.

9:30 p.m.
Bels Lontano
Cafe Berlin, 220 North 10th Street

Original electronic music by Mizzou composers and MICF resident composers. Presented in association with Dismal Niche.

Friday, July 26

11:00 a.m. – 12:30 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Loeb Hall 201 on the Mizzou campus

1:00 p.m.
Khemia Ensemble “Pop-Up Concert #2”
Uprise Bakery, 10 Hitt Street

Khemia Ensemble percussionists Chelsea Tinsler Jones and Shane Jones perform music by Andy Akiho, John Cage, Tom Johnson, and Tim Peterson.

2:00 p.m. – 5:00 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Loeb Hall 201 on the Mizzou campus

5:00 p.m. – 7:30 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:30 p.m.
Mizzou New Music
Missouri Theatre, 203 South 9th Street

This concert showcases the Mizzou New Music Ensemble, the flagship group of the Mizzou New Music Initiative, performing music by distinguished guest composers Donnacha Dennehy and Amy Beth Kirsten and Mizzou student composer Jack Snelling. In addition, faculty duo DRAX will perform a work by Mizzou assistant professor of composition Carolina Heredia, and Mizzou Percussion will perform music by Kirsten, Annika Socolofsky, and 2019 MICF resident composer inti figgis-vizueta.

9:30 p.m.
Eli Keszler
Firestone Baars Chapel, 1306 East Walnut Street

Solo performance of original works for percussion and electronics. Presented in association with Dismal Niche.

Saturday, July 27

11:00 a.m.
Khemia Ensemble
Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus

Multimedia chamber group Khemia Ensemble, featuring Mizzou faculty members Carolina Heredia, Bret Bohman, and Eli Lara, will perform a program of works by composers including Heredia, Bohman, Andy Akiho, Chris Cerrone, Daniel Fawcett, Patricia Martinez, Emma O’Halloran, and 2019 MICF resident composer inti figgis-vizueta.

5:00 p.m. – 7:30 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:30 p.m.
Eight World Premieres performed by Alarm Will Sound
Missouri Theatre, 203 South 9th Street

The grand finale concert features the world premieres of eight works created specifically for the acclaimed new music ensemble Alarm Will Sound by the festival’s resident composers:

* Theo Chandler – “Familiar Punchlines”
* inti figgis-vizueta – “braiding on golden stoops”
* Charles Halka – “Fever Dream”
* Chelsea Komschlies – “Hexactinellida”
* Aaron Mencher – “Haworthia”
* Nicole Murphy – “Dust”
* Peter Shin – “dogwhistling”
* Kristina Wolfe – “A Curation of Finds”

Composers Festival spotlight: “0150719 by reference”

In addition to the expanded schedule of concerts celebrating the festival’s tenth year, another first for the 2019 Mizzou International Composers Festival is “0150719 by reference,” a generative eight-channel audio installation created specifically for the MICF by Kenneth Kirschner and Daniel Neumann.

The installation will be open starting on Tuesday, July 23 and continuing through Saturday, July 27 in the second-floor lobby of the Missouri Theatre. Hours are 5:30 p.m. to 7:00 p.m. Tuesday and Wednesday, and 5:00 p.m. to 7:30 p.m. on Thursday, Friday, and Saturday.

The sounds for “050719 by reference” are based on a massive archive of samples of extended instrumental techniques that were recorded by members of Alarm Will Sound for a since-abandoned project.

Working collaboratively, Kirschner and Neumann (pictured) constructed their own musical materials from the sample library. Kirschner first produced a reference track with a harmonic structure, which both artists used while creating individual sounds for the piece. With the reference track removed, the two groups of individual sounds were combined, then mixed and spatialized with an algorithmic software player developed by Neumann to create an “unpredictable and continuously evolving” composition.

The title comes from a naming convention adopted by Kirschner when he began releasing his own music in the late 1980s, using the dates on which works are begun as their names. “I wanted my work to remain purely abstract, and for listeners to be able to bring whatever meaning or interpretation they wanted to it,” he said.

Both creators of “050719 by reference” brought extensive experience in music and sound design to the project. Originally from Princeton, New Jersey, Kirschner began playing piano when he was five years old. He briefly studied composition in college, but found academia too confining, and subsequently moved to New York City in the late 1980s to develop his work independently.

Kirschner spent the 1990s composing and refining his style, doing occasional commissions for ballet and modern dance. An early adopter of online distribution of music, he has made much of his work freely available on the internet, as well on a series of CD releases. You can read more about Kirschner’s DIY approach in his 2013 interview with New Music Box’s Molly Sheridan.

Neumann is a sound artist, organizer, and audio engineer who grew up in Germany and now is based in Brooklyn, NY. He earned a master’s degree in media art from the Academy of Visual Art Leipzig, and also studied electronic music composition under Emanuele Casale in Catania, Italy.

As audio engineer for Alarm Will Sound and others, Neumann is responsible for complex live productions featuring electroacoustic music and multi-channel audio, often requiring elaborate speaker setups and unusual miking techniques. His own work uses “conceptual and often collaborative strategies to explore sound, sound material and its modulation through space, situation and media.” Neumann also curates an event series in NYC and Berlin, CT::SWaM, that engages in “spatial sound works and focused listening.”

Since “050719 by reference” is a brand new work, there are no audio or video recordings available, but you can see Kirschner and Neumann talk about their work in the embedded videos below.

“Pirate This Music” – Kenneth Kirschner interviewed by Molly Sheridan for New Music Box

Daniel Neumann interviewed about his sound installation “Channels”

2019 Mizzou International Composers Festival adding
more concerts, offering free admission to all events

Khemia Ensemble

For its tenth year, the Mizzou International Composers Festival (MICF) in 2019 is adding five more concerts and an audio installation, and is making all MICF events free and open to the public.

Presented by the Mizzou New Music Initiative and the University of Missouri School of Music from Monday, July 22 through Saturday, July 27 in Columbia, the MICF once again will feature three evening concerts at the Missouri Theatre.

Resident ensemble Alarm Will Sound will perform on Thursday, July 25, followed by “Mizzou New Music” on Friday, July 26 and “Eight World Premieres” on Saturday, July 27. All three of those concerts, which in past years have been ticketed events, will be free this year.

The new events for 2019, also all free and open to the public, will include post-concert performances at 9:30 p.m. on Thursday and Friday at Cafe Berlin, 220 N. 10th St. (about eight blocks from the Missouri Theatre).

From left: Bels Lontano, Eli Keszler

Thursday’s performance will feature Bels Lontano playing electronic works by Mizzou student composers and MICF resident composers. On Friday, the MICF will team with Columbia community arts organization Dismal Niche to present a performance by percussionist and composer Eli Keszler.

The other three concerts added for the festival’s tenth year involve Khemia Ensemble, the group led by Mizzou assistant professor of composition Carolina Heredia and her husband Bret Bohman, who’s also a composer and adjunct faculty member.

Musicians from the ensemble will present informal “pop-up” concerts at 1:00 p.m. Thursday on 9th St. near Sparky’s Ice Cream, 21 S. 9th St, and at 1:00 p.m. Friday at Uprise Bakery, 10 Hitt St. The full Khemia Ensemble then will perform in a matinee concert at 11:00 a.m. Saturday at Whitmore Recital Hall on the Mizzou campus.

Lastly, a sound installation by Alarm Will Sound audio engineer and technical director Daniel Neumann and musician Kenneth Kirschner will be running in the second floor lobby of the Missouri Theatre throughout the festival. As yet untitled, the installation will feature eight channels of audio delivering algorithm-generated soundscapes based on samples of extended instrumental techniques performed by members of Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2019 Mizzou International Composers Festival will be available on the festival’s website at http://composersfestival.missouri.edu/.

The culmination of the MICF is Saturday’s concert featuring world premieres of new works written by each of the festival’s eight resident composers and performed by Alarm Will Sound. The resident composers for 2019 are:

* Theophilus Chandler, Houston TX
* Inti Figgis-Vizueta, Brooklyn NY
* Charles Halka, Bellingham WA
* Chelsea Komschlies, Philadelphia PA
* Aaron Mencher, Columbia MO
* Nicole Murphy, Brisbane, Australia
* Peter Shin, New Haven CT
* Kristina Wolfe, Huddersfield, UK

In celebration of the festival’s tenth year, Donnacha Dennehy and Amy Beth Kirsten will return to the MICF to serve as the two distinguished guest composers for 2019, teaching and consulting with the resident composers and ensemble.

Dennehy is the founder of the Irish new music group Crash Ensemble and an associate professor of music at Princeton University. He previously was a guest composer at the MICF in 2012. Kirsten is a member of the composition faculty of the Longy School of Music of Bard College, and was part of the festival’s first group of resident composers in 2010.

A complete schedule of events, times, dates and venues for the 2019 Mizzou International Composers Festival will be available on the festival’s website at http://composersfestival.missouri.edu/.

Grammy Award-winning vocal ensemble Roomful of Teeth
to perform Tuesday, October 23 at Missouri Theatre

The Grammy Award-winning vocal ensemble Roomful of Teeth is coming to Columbia to perform at 7:00 p.m. Tuesday, October 23 at the Missouri Theatre.

Tickets are $23 and $28, and are on sale now via Ticketmaster and at the Missouri Theatre box office.

While they’re in town, members of Roomful of Teeth will visit the University of Missouri campus to give a presentation on their music and take part in a reading session of works by student composers David Vega, Niko Schroeder, and Ethan Forte. They also will coach and rehearse with the University Singers, who will join them onstage during their Missouri Theatre concert for a performance of “Quizassa” by composer Merrill Garbus.

Founded in 2009, Roomful of Teeth (pictured) is an eight-voice ensemble that studies and incorporates singing techniques from around the world to create what they call “a new repertoire without borders.”

Their eponymous debut album was nominated in three categories in the 2014 Grammy Awards, and subsequently won the award for “Best Chamber Music/Small Ensemble Performance.” The album contains their recording of “Partita for 8 Voices,” a composition by group member Caroline Shaw that won the Pulitzer Prize for music in 2013. Their most recent album “Render” was released in April 2015.

Roomful of Teeth has performed in concert halls and at festivals across the United States, and has commissioned new works from composers including Elena Ruehr, Christine Southworth and Evan Ziporyn, Rinde Eckert, Judd Greenstein, Caleb Burhans, Merrill Garbus (of tUnE-yArDs), William Brittelle, Sarah Kirkland Snider, Missy Mazzoli, Sam Amidon, Michael Harrison, Ted Hearne, and Julia Wolfe.

Composer Michael Daugherty’s upcoming residency
at Mizzou inspires three concerts featuring his music

Grammy Award-winning composer Michael Daugherty is coming to Columbia for a residency, and the University of Missouri School of Music and the Mizzou New Music Initiative are welcoming him with three concerts featuring his music in October.

Daugherty, who is a professor of composition at the University of Michigan School of Music, Theatre & Dance, will be in Columbia for two days. On the first evening of his residency, the MU Wind Ensemble will perform his works “On the Air” and “Niagara Falls” as part of a concert at 7:00 p.m. Monday, October 8 at the Missouri Theatre. Admission to the performance is $5 for the general public, free for MU students, faculty and staff with IDs.

The next evening, seven more of Daugherty’s compositions will be featured a concert devoted entirely to his music, with performances by Mizzou faculty ensembles ZouM and DRAX; the Missouri Saxophone Quartet; the Mizzou New Music Ensemble; and faculty soloists Eli Lara, Leigh Muñoz and Julie Rosenfeld. That concert will take place at 7:30 p.m. Tuesday, October 9 at Whitmore Recital Hall, and is free and open to the public.

While he’s on campus, Daugherty (pictured) also will make a presentation on his music, give private lessons to composition students, and work with the Mizzou New Music Ensemble, who will complete the concert trilogy when they play two of his works in their first performance of the semester on Monday, October 15, also at Whitmore Recital Hall.

Daugherty is a composer, pianist, and teacher who’s originally from Cedar Rapids, IA. He is one of the most widely performed American concert music composers of his generation, influenced by Romanticism, Postmodernism, and popular culture, and known for referencing in his music iconic figures ranging from Elvis Presley and Superman to Frida Kahlo and Jackie Onassis.

His teachers included notable 20th century composers such as Jacob Druckman, Earle Brown, Bernard Rands and Roger Reynolds from 1980-82 at Yale; Pierre Boulez in 1979 and 1980 at IRCAM in Paris; and György Ligeti from 1982 to 1984 in Hamburg. Daugherty was also an assistant to famed jazz arranger Gil Evans from 1980 to 1982 in New York.

Daugherty’s orchestral music has received six Grammy awards, including “Best Contemporary Classical Composition” in 2011 and 2017, and has been commissioned and premiered by major orchestras such as the Albany Symphony, Baltimore Symphony Orchestra, Bournemouth Symphony (U.K), Detroit Symphony Orchestra, Nashville Symphony, National Symphony Orchestra, Pacific Symphony, Philharmonia Orchestra (London), Pittsburgh Symphony Orchestra, the Philadelphia Orchestra, RAI Symphony Orchestra (Milan), and San Francisco Symphony.

Alarm Will Sound to play free concert on
Wednesday, December 6 at Missouri Theatre

Alarm Will Sound is returning to Columbia to perform at 7:00 p.m. Wednesday, December 6 at the Missouri Theatre, 203 S. 9th St. Admission to the concert is free and open to the public.

As the resident ensemble for the annual Mizzou International Composers Festival (MICF), Alarm Will Sound (pictured) has been playing in mid-Missouri since 2010, and five of the six composers whose works they’ll perform in December at the Missouri Theatre have a connection to the MICF.

Two of the works were created specifically for the festival by past resident composers. “Paper Pianos I. You are not a kid,” was written by Mary Kouyoumdjian and premiered at the 2016 MICF, and “Urban Sprawl” was written by Clint Needham and was first performed the 2011 festival.

Needham currently is composer-in-residence and assistant professor at the Baldwin Wallace Conservatory of Music in Ohio; Kouyoumdjian is a freelance composer based in New York City.

Alarm Will Sound also will perform new works by two of its own members. “Escape Wisconsin” is by AWS violinist and guitarist Caleb Burhans, and premiered at the 2017 MICF, while “Unremixed” was composed by Stefan Freund, who is the cellist for AWS, professor of composition at Mizzou, and artistic director of the MICF and the Mizzou New Music Initiative.

Completing the program will be two pieces by well-known contemporary composers, “Try” by Andrew Norman and “Scratchband” by John Adams.

Norman was a distinguished guest composer at the 2015 MICF, and is the winner of the 2017 Grawemeyer Award for outstanding achievement by a living composer, and an assistant professor of composition at the University of Southern California’s Thornton School of Music; Adams is the Grammy Award and Pulitzer Prize winning composer of “Nixon In China,” “Doctor Atomic,” “Shaker Loops” and more.

Tickets for 2017 Mizzou International Composers Festival go on sale Friday, May 26

Tickets for the 2017 Mizzou International Composers Festival (MICF) will go on sale at 10:00 a.m. CDT on Friday, May 26.

Known as the region’s premier showcase for new works by top young composers, the MICF will take place this year from Monday, July 24 through Saturday, July 29 in Columbia, and will include three public concerts.

Returning for the eighth year as the festival’s resident ensemble, Alarm Will Sound will begin the weekend of shows at 7:30 p.m. Thursday, July 27 at the Missouri Theatre, 203 S. Ninth St. in downtown Columbia.

They’ll perform music from the 2017 MICF’s distinguished guest composers, Georg Friedrich Haas and Dan Visconti, as well as works by Robert Sirota, Don Freund, and AWS violinist/guitarist Caleb Burhans.

Next, the “Mizzou New Music” concert at 7:30 p.m., Friday, July 28 at the Missouri Theatre will feature performances by the Mizzou New Music Ensemble and guest artists DRAX, with saxophonist Leo Saguiguit and percussionist Megan Arns, and cellist Eli Lara.

The grand finale of the week will showcase the world premieres of eight new works written by the festival’s resident composers and performed by Alarm Will Sound at 7:30 p.m., Saturday, July 29 at the Missouri Theatre.

Festival VIP packages are $80, and include reserved premium seating at all three concerts; two drink tickets good at the Thursday and Friday performances; and admission to a VIP reception prior to the Saturday evening performance, featuring champagne and hors d’oeuvres with members of Alarm Will Sound and the composers.

Festival passes for all three concerts are $40 for an adult general admission pass, and $20 for a student general admission pass. Single tickets are priced at $18 for adults, $10 for students, and are all general admission. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781. To buy tickets online, visit http://composersfestival.missouri.edu/.

In addition to these three concerts, the MICF also will feature several free events, including open rehearsals and presentations by the participating composers. A complete schedule of those events will be released at a later date.

The eight resident composers were chosen from among more than 260 applicants from 25 different countries to participate in the festival and create a new work for Alarm Will Sound. They are:
* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

During the festival, the resident composers will receive composition lessons from distinguished guest composers George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The resident composers also will take part in rehearsals with Alarm Will Sound; give presentations on their music; and receive a premiere performance and professional live recording of their work.

From the Grammy Awards to Mizzou with Third Coast Percussion

When Third Coast Percussion visits the University of Missouri next week, not only will they be coming directly from the Grammy Awards, they’ll actually be bringing a bit of Mizzou along with them.

The Chicago-based group is nominated for a Grammy this year in the category of “Best Chamber Music/ Small Ensemble Performance” for their album Steve Reich, and they’ll also be performing at the Grammy “Premiere Ceremony” hosted by comedian Margaret Cho before the nationally televised portion of the awards gets underway on Sunday, February 12 at the Microsoft Theater in Los Angeles.

When they get to Columbia the next day, the four members of TCP will be looking at a busy schedule, culminating in a concert on Friday, February 17 at the Missouri Theatre, but also including various other activities throughout the week, most notably a workshop presentation of a new piece they recently commissioned from a Mizzou alumnus.

José Martínez, who earned his master’s degree in composition from Mizzou in 2016, was selected by Third Coast Percussion to participate in their Emerging Composers Partnership for the 2016-17 season.

Now pursuing doctoral studies at the University of Texas, Martínez during his time in Columbia was the percussionist for the Mizzou New Music Ensemble; a resident composer at the 2014 Mizzou International Composers Festival; and the winner of the 2013 Sinquefield Composition Prize, the University’s highest honor for a composition student.

After being chosen by Third Coast Percussion for this year’s Emerging Composers Partnership, he took part in a series of workshops with the group as a prelude to writing a new piece to be premiered in a concert this spring in Chicago.

That commissioned composition, “Two Questions About Time,” will get its first official performance on Sunday, May 28 at the Chicago venue Constellation, but Mizzou students and curious Columbia listeners will be able to hear how it’s shaping up in a public open workshop session with TCP and Martínez from 10:00 a.m to noon on Thursday, February 16 in Room 112 of Loeb Hall.

Third Coast Percussion’s residency also will include a performance for students at Lee Elementary School and a masterclass with the MU Percussion Studio on Tuesday, February 14; a joint public performance of Terry Riley’s “In C” with the Mizzou New Music Ensemble at 2:00 p.m. Wednesday, February 15 at the Student Center; and a reading session of new music by Mizzou student composers Jake Smucker, Trey Makler, and Aaron Mencher at 7:00 p.m. Thursday, February 16 at Whitmore Recital Hall.

Though TCP won’t be playing Martínez’ new work at their concert on Friday, the program nevertheless will have another connection to the Mizzou New Music Initiative, as it will include music by two former distinguished guest composers at the Mizzou International Composers Festival.

The group will play “Resounding Earth, mvt. 2, Prayer,” written by Augusta Read Thomas, who was a guest at the 2014 MICF; and “Surface Tension,” by Donnacha Dennehy, who took part in the 2012 festival. Steve Reich’s 2009 “Mallet Quartet” and Glenn Kotche’s “Wild Sound, part 4,” written in 2014, will complete the evening.

Photo of José Martínez (center) with Third Coast Percussion via https://www.instagram.com/thirdcoastpercussion/.