Posts Tagged ‘ Missouri Saxophone Quartet

A look back at the 2016 Mizzou International Composers Festival…

Composers Festival spotlight: Missouri Saxophone Quartet

In addition to a performance by the Mizzou New Music Ensemble, the Friday night concert of the Mizzou International Composers Festival usually features one or more guest artists, and this year’s “Mizzou New Music” concert will include some selections from the Missouri Saxophone Quartet.

Formed in 2009, the MSQ includes Leo Saguiguit (soprano sax), Adrianne Honnold (alto sax), Joel Vanderheyden (tenor sax), and Matthew Kendrick (baritone sax).

Collectively, they play a variety of musical styles, from baroque transcriptions and traditional French repertoire to jazz, tango, and avant-garde, but are particularly “devoted to exploring and promoting new music, particularly that of Missouri composers.’

In keeping with that interest, the MSQ already have inspired several commissioned works, which they’ve presented at events including the North American Saxophone Alliance‘s Biennial Conference at the University of Georgia; the United States Navy Band’s International Saxophone Symposium in Fairfax, Virginia; the World Saxophone Congress in St. Andrews, Scotland; and the Odyssey Chamber Music Series in Columbia.

Individually, the four members are involved in many different performing and teaching activities.

Leo Saguiguit is an associate professor of music at Mizzou who holds music degrees from Emory University and Northwestern University. He performed at last year’s MICF as part of the duo DRAX, and also plays with the Athens (Greece) Saxophone Quartet, Chicago Saxophone Quartet, Trio Chymera, and the Odyssey Chamber Music Series of Columbia.

Saguiguit also has been a soloist with various orchestras and wind ensembles, performing on more than a dozen CD recordings, and has played as an orchestral saxophonist with the Lyric Opera of Chicago, Milwaukee Symphony, Grant Park Music Festival Orchestra, and more.

Adrianne Honnold earned her bachelor of music education and master of music degrees from the University of Illinois at Urbana-Champaign, and now teaches saxophone at the University of Missouri-St. Louis and Washington University.

A former member of the United States Air Force Heritage of America Band and Rhythm in Blue Jazz, she is one of the founding members and artistic directors of Chamber Project St. Louis and also has performed with the St. Louis Symphony, Kansas City Symphony Orchestra, Opera Theatre Saint Louis and the Lyric Opera of Kansas City.

Joel Vanderheyden is assistant professor of music and director of jazz at Jefferson College in Hillsboro, MO. He earned his D.M.A. in saxophone performance from the University of Iowa, a master’s in jazz studies from the University of Maryland, and a B.A. in music education and performance from University of Minnesota, Morris.

A member of the electro-jazz ensemble Koplant No, Vanderheyden previously served as director of jazz and woodwinds at Oakton Community College near Chicago, and director of jazz at the University of Minnesota-Morris.

Matthew Kendrick earned his music and accountancy degrees from Mizzou and has been featured as a saxophonist in festivals, recitals, and conferences throughout North America and Europe. He also is a founding member of the Contreras Saxophone Quartet, and serves on the executive committee of the board of directors of the Northland Symphony Orchestra.

For more on the Missouri Saxophone Quartet, you can “like” their Facebook page and follow them on Twitter, and you can see and hear them performing in the embedded videos below.

“Rocket To Venus” by Stefan Freund, recorded in 2012 at the World Saxophone Congress in St. Andrews, Scotland

“Primal” by Aaron Perrine, recorded in 2012 at the World Saxophone Congress in St. Andrews, Scotland

Excerpt from performance in February 2014 at Saxquest in St. Louis, MO

2016 Mizzou International Composers Festival
schedule of events and ticket information

Here’s the complete schedule of events and information on how to get tickets for the 2016 Mizzou International Composers Festival.

The 2016 MICF begins on Monday, July 25 and continues through Saturday, July 30.

Festival events will be held at the Fine Arts Building and Loeb Hall on the University of Missouri campus and at the Missouri Theatre in downtown Columbia, including:

Monday, July 25

10:00 a.m. – 11:00 a.m.
Matthew Browne, Resident Composer Presentation
Fine Arts Building Room 145 on the MU campus
Open to the Public

11:00 a.m. – 12:00 p.m.
Takuma Itoh, Resident Composer Presentation
Fine Arts Building Room 145
Open to the Public

1:30 p.m. – 2:30 p.m.
Wang Lu, Resident Composer Presentation
Fine Arts Building Room 145
Open to the Public

2:30 p.m. – 3:30 p.m.
Ryan Lindveit, Resident Composer Presentation
Fine Arts Building Room 145
Open to the Public

3:30 p.m. – 4:30 p.m.
Trey Makler, Resident Composer Presentation
Fine Arts Building Room 145
Open to the Public

4:30 p.m. – 5:30 p.m.
Wang A Mao, Resident Composer Presentation
Fine Arts Building Room 145
Open to the Public

Tuesday, July 26

9:00 a.m. – 12:00 p.m.
Alarm Will Sound Open Rehearsal
Missouri Theatre, 203 South 9th Street, Columbia, MO 65201
Open to the Public

3:00 p.m. – 4:00 p.m.
Daniel Silliman, Resident Composer Presentation
Fine Arts Building Room 145
Open to the Public

4:00 p.m. – 5:00 p.m.
Mary Kouyoumdjian, Resident Composer Presentation
Fine Arts Building Room 145
Open to the Public

7:00 p.m.
Oscar Bettison, Distinguished Guest Composer Presentation
Fine Arts Building Room 145
Open to the Public

8:15 p.m.
Julia Bentley with Erin Gee, Guest Presentation
Fine Arts Building Room 145
Open to the Public

Wednesday, July 27

2:30 p.m. – 3:45 p.m.
Alarm Will Sound Open Rehearsal
Missouri Theatre
Open to the Public

7:00 p.m.
Erin Gee, Distinguished Guest Composer Presentation
Fine Arts Building Room 145
Open to the Public

8:30 p.m.
Stefan Freund, Mizzou Faculty Composer Presentation
Fine Arts Building Room 145
Open to the Public

Thursday, July 28

7:30 p.m.
Alarm Will Sound
Missouri Theatre, 203 South 9th Street, Columbia, MO 65201
Tickets are $18 adults, $10 students

This concert features the festival’s resident ensemble Alarm Will Sound playing music by 2016 MICF distinguished guest composers Oscar Bettison and Erin Gee. AWS also will perform works by Mizzou student and former MICF resident composer José Martínez, and by AWS cellist and co-founder Stefan Freund, who is associate professor of composition at Mizzou and artistic director of the Mizzou New Music Initiative.

Friday, July 29

10:00 a.m. – 1:00 p.m.
Alarm Will Sound Open Rehearsal
Loeb Hall 201 on the MU campus
Open to the Public

2:30 p.m. – 5:30 p.m.
Alarm Will Sound Open Rehearsal
Loeb Hall 201
Open to the Public

7:30 p.m.
Mizzou New Music
Missouri Theatre, 203 South 9th Street, Columbia, MO 65201
$18 adults/ $10 students

This concert features the Mizzou New Music Ensemble, the flagship group of the Mizzou New Music Initiative, plus guest performing artists Missouri Saxophone Quartet, violinist Julie Rosenfeld and pianist Peter Miyamoto.

Saturday, July 30

7:30 p.m.
Eight World Premieres
performed by Alarm Will Sound

Missouri Theatre, 203 South 9th Street, Columbia, MO 65201
$18 adults/ $10 students

More than 220 composers from around the world submitted their portfolios to the festival, and eight were selected. The grand finale concert features the world premieres of eight works composed specifically for the acclaimed new music ensemble Alarm Will Sound by the MICF’s resident composers:

* Matthew Browne, Ann Arbor, MI
* Takuma Itoh, Honolulu, HI
* Mary Kouyoumdjian, Brooklyn, NY
* Ryan Lindveit, Los Angeles, CA
* Trey Makler, Columbia, MO
* Daniel Silliman, Princeton, NJ
* Wang A Mao, Kansas City, MO
* Wang Lu, Providence, RI

Tickets

Festival passes good for admission to all three concerts are on sale for $80 for the VIP package, which includes reserved premium seating and other benefits; $40 for adults; and $20 for students.

Single tickets are priced at $18 for adults, $10 for students. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781. To buy tickets online, go to http://composersfestival.missouri.edu/.

Box Office Hours and Location

Missouri Theatre, 203 S. Ninth St, Columbia, MO, 65211
Regular business hours: Monday – Friday 9:00 AM – 5:00 PM

Hours during Mizzou International Composers Festival concert days:
Thursday, July 28: 9:00 AM – Performance Intermission (approx. 8:30 PM)
Friday, July 29: 9:00 AM – Performance Intermission (approx. 8:30 PM)
Saturday, July 30: 5:00 PM – Performance Intermission (approx. 8:30 PM)

Tickets for 2016 Mizzou International Composers Festival go on sale Friday, June 3

Alarm Will Sound

Tickets for the 2016 Mizzou International Composers Festival (MICF) will go on sale at 10:00 a.m. CDT on Friday, June 3.

Hailed as “a vibrant inferno of creative energy” by the internationally syndicated radio program “Relevant Tones,” and praised for offering “kinetic excitement” by the hometown Columbia Daily Tribune, the MICF will take place this year from Monday, July 25 through Saturday, July 30 in Columbia, and will include three public concerts of new music by living composers.

Returning for the seventh year as the festival’s resident ensemble, Alarm Will Sound will begin the weekend of shows at 7:30 p.m. Thursday, July 28 at the Missouri Theatre, 203 S. Ninth St. in downtown Columbia.

They’ll perform music from the 2016 MICF’s distinguished guest composers, Oscar Bettison and Erin Gee, and a work by Stefan Freund, who is an associate professor at Mizzou, artistic director of the Mizzou New Music Initiative, and cellist for Alarm Will Sound.

Mizzou New Music Ensemble

Next, the “Mizzou New Music” concert at 7:30 p.m., Friday, July 29 at the Missouri Theatre will feature performances by the Mizzou New Music Ensemble and guest artists Missouri Saxophone Quartet, violinist Julie Rosenfeld, and pianist Peter Miyamoto. The concert will feature music from Bettison, Gee, Freund, Mizzou student composer Jose Martinez, and more.

The grand finale of the week will showcase the world premieres of eight new works, written by the festival’s resident composers and performed by Alarm Will Sound at 7:30 p.m., Saturday, July 30 at the Missouri Theatre.

Festival VIP packages are $80, and include reserved premium seating at all three concerts; two drink tickets good at the Thursday and Friday performances; and admission to a VIP reception prior to the Saturday evening performance, featuring champagne and hors d’oeuvres with members of Alarm Will Sound and the composers.

Festival passes for all three concerts are $40 for an adult general admission pass, and $20 for a student general admission pass.

Single tickets are priced at $18 for adults, $10 for students, and are all general admission. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781. To buy tickets online, visit http://composersfestival.missouri.edu/.

In addition to these three concerts, the MICF also will feature several free events, including open rehearsals and presentations by the participating composers. A complete schedule of those events will be released at a later date.

The eight resident composers were chosen from among more than 220 applicants from across the USA and around the world to participate in the festival and create a new work for Alarm Will Sound. They are:

* Matthew Browne, Ann Arbor, MI
* Takuma Itoh, Honolulu, HI
* Mary Kouyoumdjian, Brooklyn, NY
* Ryan Lindveit, Los Angeles, CA
* Trey Makler, Columbia, MO
* Daniel Silliman, Princeton, NJ
* Wang A Mao, Kansas City, MO
* Wang Lu, Providence, RI

During the festival, the resident composers will receive composition lessons from distinguished guest composers Oscar Bettison, a British/American composer who has served on the composition faculty of Johns Hopkins University’s Peabody Institute since 2009; and Erin Gee, an assistant professor of music at the University of Illinois Urbana-Champaign who is known for her works using non-traditional vocal techniques.

The resident composers also will take part in rehearsals with Alarm Will Sound; give presentations on their music; and receive a premiere performance and professional live recording of their work.