Posts Tagged ‘ Megan Arns

[Switch~ Ensemble] virtual residency at Mizzou will include
presentations plus a free online concert on Sunday, May 2

The new music group [Switch~ Ensemble] will do a “virtual residency” this spring for the Mizzou New Music Initiative, culminating in a online concert featuring works by Mizzou student composers.

The concert at 8:30 p.m. on Sunday, May 2 will include new works by Mizzou’s Santiago Beis, Luis Bezerra, and Oswald Huynh, as well as music by Chris Chandler and Zachary James Watkins. The performance will be available to view on the University of Missouri School of Music’s YouTube channel and on the Mizzou New Music Facebook page.

The [Switch~ Ensemble] residency also will include a presentation to the School of Music’s convocation on entrepreneurship for musicians, plus presentations to the School’s composition seminar and “introduction to electronic music” class.

Founded in 2012 at the Eastman School of Music, [Switch~ Ensemble] (pictured) is a group of ten instrumentalists and composers dedicated to performing high-level chamber music integrated with cutting-edge technology and supporting emerging and early career composers.

Mizzou assistant professor Megan Arns is their percussionist, and there are two other members who have some prior experience at MU: cellist T.J. Borden, who did a residency and concert for MNMI in 2019, and Jason Thorpe Buchanan, the ensemble’s artistic director, who was a resident composer at the 2013 Mizzou International Composers Festival.

Other members of [Switch~ Ensemble] are Lauren Cauley, violin; Christopher Chandler, composer and sound engineer; Matt Evans, saxophones; Madison Greenstone, clarinets; Clay Mettens, director of development, composer and sound engineer; Zach Sheets, composer, flutes, and managing director; and Wei-Han Wu, piano..

In keeping with their mission statement, [Switch~ Ensemble] has collaborated with both emerging and established composers, performing commissions and premieres of dozens of new works. Upcoming engagements include world premieres of commissioned works by Anne Leilehua Lanzilotti, Katharina Rosenberger, Anna-Louise Walton, and Kelly Sheehan, supported by New Music USA, the Ernst von Siemens Musikstiftung, Pro Helvetia, the MAP Fund, and more.

Past performances and residencies include Cornell, Bard College, University of Chicago, Ithaca College, Harvard University Group for New Music, UC Berkeley, the VIPA Festival (Spain), Eastman School of Music, Frost School of Music at University of Miami, and Avaloch Farms Music Institute, as well as concerts at the Image/Sound Festival, San Francisco Center for New Music, MATA Interval Series, NYCEMF, Vanguard New Music Series at Kent State University, the Queens New Music Festival, and more.

American Wild Ensemble to perform in concert
on Sunday, October 18 at Sinquefield Music Center

The American Wild Ensemble will perform in a concert presented by the Mizzou New Music Initiative at 7:30 p.m. Sunday, October 18 outside the Sinquefield Music Center on the University of Missouri campus in Columbia.

Titled “The American Aviatrix,” the program commemorates the centennial of the passage of the 19th Amendment by honoring the achievements of American women aviators. The concert will celebrate the lives of two of these groundbreaking women, pilots Bessie Coleman and Amelia Earhart, with world premiere performances of two new works, “Il n’y aura pas de regrets” by Mizzou assistant professor Carolina Heredia and “Livid Loneliness of Fear” by Ingrid Stölzel. The program also will include a performance of “Solitude of Self,” composed in 2018 by Caroline Malloneé.

Formed in 2016 with a commissioning project inspired by American national parks, the American Wild Ensemble  (pictured) celebrates American places, historic figures, and events by commissioning new works and performing them in site-inspired and site-specific locations. They have received support from organizations including the National Endowment for the Arts and Chamber Music America for performances in both traditional and nontraditional venues across the country.

The group is led by flutist Emlyn Johnson and cellist Daniel Ketter, who both are faculty members at Missouri State University in Springfield. The ensemble also includes Mizzou assistant professor Megan Arns on percussion; Bill Kalinkos on clarinet; Sarah Peters on violin; and soprano Ann-Marie Wilcox Daehn.

Admission to the American Wild Ensemble concert is free, but reservations are required, and concertgoers are asked to wear face coverings and maintain social distancing. Reservations can be made online at https://american-aviatrix.eventbrite.com.

There will be two seating options available: lawn seating and drive-in. With the ensemble set up in front of the north entrance of the Sinquefield Music Center, a limited number of socially distant seats will be available on the adjacent lawn. In addition, there will be a limited number of drive-in spaces available on the parking lot, where additional speakers will be set up and live video of the performance will be projected on the side of the building.

Cellist T.J. Borden coming to Mizzou for residency, concert

Cellist and composer T. J. Borden will visit Mizzou next month for a residency and concert.

Borden (pictured) will be in Columbia on Tuesday, April 9 and Wednesday, April 10. While on campus, he’ll make a presentation to Mizzou composition students and give private lessons to selected cello students.

He’ll wrap up his visit with a concert at 8:30 p.m. Wednesday night at Whitmore Recital Hall, performing a work by Mizzou New Music Initative post-doctoral fellow Yoshi Onishi, plus music by composers Zeynap Toraman and Carolyn Chen and the world premiere of “Soften the World,” a new piece for cello, percussion, and electronics by Daniel Meyer-O’Keeffe.

A critically acclaimed performer of contemporary music, Borden currently is working towards his DMA at UC San Diego. He is a member of Mivos Quartet, a string quartet specializing in new music, and of the [Switch~ Ensemble], a group dedicated to the performance of works that incorporate multimedia into live performance (and that also includes Mizzou percussion professor Megan Arns among its members.)  He previously earned his BM degree at Ithaca College and his MM at the University at Buffalo,

As a cellist, Borden has worked with established composers including Brian Ferneyhough, La Monte Young, Alvin Lucier, Phillippe Leroux, and Steven Mackey, as well as with younger composers such as Wojtek Blecharz, Zane Merritt, Ben Isaacs, Lena Nietfeld, and Matt Sargent.

He has performed with ensembles and musicians including the JACK Quartet, the Theater of Eternal Music Brass and String Band, the Slee Sinfonietta, Ensemble Offspring, Tony Conrad, Paul D. Miller aka DJ Spooky, and Steve McCaffery.  Borden’s festival appearances include performances at the Soundways New Music Festival in St. Petersburg, June in Buffalo, the New Media Art and Sound Summit, the New York City Electroacoustic Music Festival,  and more.

As a composer, Borden has been commissioned by organizations and performers such as Cleveland Institute of Art, Hochstein Alumni Orchestra, and hammered dulcimer virtuoso Mitzie Collins. You can hear T.J. Borden’s music on his website and on his Bandcamp page.

Mizzou faculty ensemble ZouM to perform
Friday, September 8 in Columbia and
Saturday, September 9 in St. Louis

The Mizzou faculty collective ZouM will showcase new music from six living composers with performances next weekend in Columbia and St. Louis.

They’ll play at 7:30 p.m. Friday, September 8 at Whitmore Recital Hall on the MU campus, then travel to St. Louis for a concert at 7:30 p.m. Saturday, September 9 at Washington University’s 560 Music Center.

Admission to the concert in Columbia is $5 for the general public, free to Mizzou students, staff and faculty with ID. The St. Louis concert is free and open to the public.

In all, fifteen Mizzou faculty members (plus one guest composer/performer) will take part in the concerts, which will feature two world premieres commissioned with support from the Sinquefield Charitable Foundation and the Mizzou New Music Initiative.

The program for the two concerts will include:

* “Portrait Sequence (Blanching Out),” a 2012 work by Mizzou New Music Initiative managing director Jacob Gotlib that will be performed by percussionists Abby Rehard and Megan Arns.

* “Dejate Caer,” written in 2012 by MNMI’s new post-doctoral fellow Carolina Heredia, and performed by violinist Julie Rosenfeld with pre-recorded electronics by Heredia.

* “Southern Harmony,” composed in 2014 by Jacob Bancks and performed by mezzo-soprano Julia Bentley and pianist Neil Minturn.

* “Winter Haiku,” composed in 2016 by Dennis Leclaire specifically for the Esterhazy String Quartet, which includes Julie Rosenfeld, Eva Szekely (violin), Leslie Perna (viola), and Eli Lara (cello).

* “Tantrums,” a new work by Asha Srinivasan, who was a resident composer at the 2012 Mizzou International Composers Festival (MICF). The piece was commissioned and will be given its world premiere by MU faculty duo DRAX, featuring Leo Saguiguit on baritone saxophone and Megan Arns on percussion, with the composer on electronics.

     Christopher Stark

* “Monday, Midnight,” a new work commissioned from Christopher Stark, who’s an assistant professor of composition at Washington University and was a resident composer at the 2015 MICF.

The world premiere will be performed by an ensemble including Rosenfeld, Lara, Minturn, and Arns, plus Steven Tharp (tenor), Kristine Poulsen (alto flute), and Wesley Warnhoff (clarinet), conducted by Mizzou professor of composition and MNMI artistic director Stefan Freund.

ZouM is a collective of Mizzou faculty members formed in the spring of 2015 to present contemporary chamber music.

After only two seasons, ZouM already has enlisted the talents of more than 25 faculty performers, composers, and academics from the University of Missouri School of Music to present innovative programs that promote contemporary chamber works by living composers.

Recent projects have featured works by Jennifer Higdon, Gabriel Prokofiev, and Dennis DeSantis, and by Mizzou composers Stefan Freund, Trey Makler, Jacob Gotlib, and Carolina Heredia.

Composers Festival spotlight: DRAX

DRAX, the duo of percussionist Megan Arns and saxophonist Leo Saguiguit, will return to the Mizzou International Composers Festival this year as guest artists for the “Mizzou New Music” concert on Friday, July 28 at the Missouri Theatre.

They’ll perform “Where Are Our Mothers/We Don’t Have Enough Time” by 2011 MICF resident composer Steve Snowden, and “Tantrums,” a world premiere that they commissioned from 2012 MICF resident composer Asha Srinivasan.

Formed in fall 2014 to explore the existing repertoire for saxophone and percussion duo and to commission new works, DRAX (pictured) made their MICF debut at the 2015 festival, performing new music including a piece commissioned from Mizzou alumnus and 2014 MICF resident composer Jose Martinez.

Recent performances include a concert for the Odyssey Chamber Music Series in December 2016, and an appearance at the 2017 North American Saxophone Alliance Region IV Conference in Oklahoma City, where they played new works by Mizzou student composer Aaron Mencher and Steve Snowden.

DRAX made their international debut at the 2015 World Saxophone Congress in Strasbourg, France, and also have performed at the North American Saxophone Alliance Region 4 Conference in Norman, Oklahoma, and the Missouri Percussive Arts Society’s Day of Percussion.

Both members of DRAX have multi-faceted careers as performers, teachers, and advocates for new music. Megan Arns is an assistant teaching professor of percussion at Mizzou who also has performed with the contemporary chamber groups [Switch~Ensemble] and What is Noise and with a number of symphony orchestras.

Arns has been involved in co-commissioning and premiering works by notable composers such as John Luther Adams, Alejandro Viñao, Halim El-Dahb, Steven Snowden, Adam Silverman, David Skidmore, Ivan Trevino, and Brian Nozny.

She earned performance degrees from Florida State University and Truman State University; an M.A. in ethnomusicology from the Eastman School of Music, and currently is a candidate for a D.M.A. in percussion performance and literature at Eastman.

Leo Saguiguit serves as associate professor of saxophone at the University of Missouri, and in 2016 was one of eight recipients of the university’s Faculty-Alumni Award. He also enjoys a busy schedule performing as a soloist and chamber musician and presenting master classes and lectures throughout the United States and abroad.

In addition to DRAX, he performs with the Athens (Greece) Saxophone Quartet, Chicago Saxophone Quartet, Missouri Saxophone Quartet, Trio Chymera, and the Odyssey Chamber Music Series of Columbia.

Saguiguit has appeared as concerto soloist with numerous orchestras and wind ensembles, and has performed regularly as an orchestral saxophonist with the Lyric Opera of Chicago, Milwaukee Symphony, Grant Park Music Festival Orchestra, Atlanta Symphony, Florida Orchestra, and Missouri Symphony.

He has earned degrees from Emory University and Northwestern University, and has recorded CDs with the Athens Quartet, Impuls Quartet, Chromos Quartet, and the wind ensemble Philharmonia à Vent.

DRAX performs “Burn” (2016) by Nathan Daughtrey and “Greensleeves” (traditional, arr. Mark Hanson), recorded December 2, 2016 at First Baptist Church in Columbia, MO

Tickets for 2017 Mizzou International Composers Festival go on sale Friday, May 26

Tickets for the 2017 Mizzou International Composers Festival (MICF) will go on sale at 10:00 a.m. CDT on Friday, May 26.

Known as the region’s premier showcase for new works by top young composers, the MICF will take place this year from Monday, July 24 through Saturday, July 29 in Columbia, and will include three public concerts.

Returning for the eighth year as the festival’s resident ensemble, Alarm Will Sound will begin the weekend of shows at 7:30 p.m. Thursday, July 27 at the Missouri Theatre, 203 S. Ninth St. in downtown Columbia.

They’ll perform music from the 2017 MICF’s distinguished guest composers, Georg Friedrich Haas and Dan Visconti, as well as works by Robert Sirota, Don Freund, and AWS violinist/guitarist Caleb Burhans.

Next, the “Mizzou New Music” concert at 7:30 p.m., Friday, July 28 at the Missouri Theatre will feature performances by the Mizzou New Music Ensemble and guest artists DRAX, with saxophonist Leo Saguiguit and percussionist Megan Arns, and cellist Eli Lara.

The grand finale of the week will showcase the world premieres of eight new works written by the festival’s resident composers and performed by Alarm Will Sound at 7:30 p.m., Saturday, July 29 at the Missouri Theatre.

Festival VIP packages are $80, and include reserved premium seating at all three concerts; two drink tickets good at the Thursday and Friday performances; and admission to a VIP reception prior to the Saturday evening performance, featuring champagne and hors d’oeuvres with members of Alarm Will Sound and the composers.

Festival passes for all three concerts are $40 for an adult general admission pass, and $20 for a student general admission pass. Single tickets are priced at $18 for adults, $10 for students, and are all general admission. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781. To buy tickets online, visit http://composersfestival.missouri.edu/.

In addition to these three concerts, the MICF also will feature several free events, including open rehearsals and presentations by the participating composers. A complete schedule of those events will be released at a later date.

The eight resident composers were chosen from among more than 260 applicants from 25 different countries to participate in the festival and create a new work for Alarm Will Sound. They are:
* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

During the festival, the resident composers will receive composition lessons from distinguished guest composers George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The resident composers also will take part in rehearsals with Alarm Will Sound; give presentations on their music; and receive a premiere performance and professional live recording of their work.

Composers Festival spotlight: DRAX

Formed in fall 2014, DRAX is the newest faculty ensemble-in-residence at the University of Missouri, and they’ll be making their Mizzou International Composers Festival debut as guest artists for the “Mizzou New Music” concert on Friday, July 24 at the Missouri Theatre.

As the latest addition to the growing new music scene at Mizzou, the duo of percussionist Megan Arns and saxophonist Leo Saguiguit intends to explore the existing repertoire for saxophone and percussion duo as well as commission new works.

They’ve already made their its international debut at the 2015 World Saxophone Congress in Strasbourg, France, and also have performed at the North American Saxophone Alliance Region 4 Conference in Norman, Oklahoma, and the Missouri Percussive Arts Society’s Day of Percussion.

Although their collaboration is relatively new, both members of DRAX have been involved in the creation and performance of new music throughout their respective careers.

Megan Arns recently joined the music faculty of the University of Missouri as an assistant teaching professor of percussion. She has performed with the contemporary chamber groups [Switch~ Ensemble] and What is Noise as well as with a number of symphony orchestras, and also has extensive experience in the field of marching percussion.

An advocate for the creation of new music, Arns has been involved in co-commissioning and premiering works by notable composers such as John Luther Adams, Alejandro Viñao, Halim El-Dahb, Steven Snowden, Adam Silverman, David Skidmore, Ivan Trevino and Brian Nozny.

She earned performance degrees from Florida State University and Truman State University; an M.A. in ethnomusicology from the Eastman School of Music, and currently is a candidate for a D.M.A. in percussion performance and literature.

Leo Saguiguit serves as associate professor of saxophone at the University of Missouri, and also enjoys a busy schedule performing as a soloist and chamber musician and presenting master classes and lectures throughout the United States and abroad.

In addition to DRAX, he performs with the Athens (Greece) Saxophone Quartet, Chicago Saxophone Quartet, Missouri Saxophone Quartet, Trio Chymera, and the Odyssey Chamber Music Series of Columbia.

Saguiguit has appeared as concerto soloist with numerous orchestras and wind ensembles, and has performed regularly as an orchestral saxophonist with the Lyric Opera of Chicago, Milwaukee Symphony, Grant Park Music Festival Orchestra, Atlanta Symphony, Florida Orchestra, and Missouri Symphony.

He has earned degrees from Emory University and Northwestern University, and has recorded CDs with the Athens Quartet, Impuls Quartet, Chromos Quartet, and the wind ensemble Philharmonia à Vent.

(While DRAX has yet to be captured on video – no, not that Drax, this DRAX – you can see separate performances involving Leo Saguiguit and Megan Arns in the embedded YouTube players below.)

Leo Saguiguit plays “Attila” by Mizzou alumnus Patrick David Clark in July 2012 at the World Saxophone Congress, accompanied by pianist Rachel Aubuchon

Megan Arns performs in the St. Louis celebration of ‘A Worldwide Day of In C,” held December 21, 2014 to mark 50 years of Terry Riley’s pioneering minimalist work