Posts Tagged ‘ Leo Saguiguit

Mizzou faculty ensemble ZouM to perform
Friday, September 8 in Columbia and
Saturday, September 9 in St. Louis

The Mizzou faculty collective ZouM will showcase new music from six living composers with performances next weekend in Columbia and St. Louis.

They’ll play at 7:30 p.m. Friday, September 8 at Whitmore Recital Hall on the MU campus, then travel to St. Louis for a concert at 7:30 p.m. Saturday, September 9 at Washington University’s 560 Music Center.

Admission to the concert in Columbia is $5 for the general public, free to Mizzou students, staff and faculty with ID. The St. Louis concert is free and open to the public.

In all, fifteen Mizzou faculty members (plus one guest composer/performer) will take part in the concerts, which will feature two world premieres commissioned with support from the Sinquefield Charitable Foundation and the Mizzou New Music Initiative.

The program for the two concerts will include:

* “Portrait Sequence (Blanching Out),” a 2012 work by Mizzou New Music Initiative managing director Jacob Gotlib that will be performed by percussionists Abby Rehard and Megan Arns.

* “Dejate Caer,” written in 2012 by MNMI’s new post-doctoral fellow Carolina Heredia, and performed by violinist Julie Rosenfeld with pre-recorded electronics by Heredia.

* “Southern Harmony,” composed in 2014 by Jacob Bancks and performed by mezzo-soprano Julia Bentley and pianist Neil Minturn.

* “Winter Haiku,” composed in 2016 by Dennis Leclaire specifically for the Esterhazy String Quartet, which includes Julie Rosenfeld, Eva Szekely (violin), Leslie Perna (viola), and Eli Lara (cello).

* “Tantrums,” a new work by Asha Srinivasan, who was a resident composer at the 2012 Mizzou International Composers Festival (MICF). The piece was commissioned and will be given its world premiere by MU faculty duo DRAX, featuring Leo Saguiguit on baritone saxophone and Megan Arns on percussion, with the composer on electronics.

     Christopher Stark

* “Monday, Midnight,” a new work commissioned from Christopher Stark, who’s an assistant professor of composition at Washington University and was a resident composer at the 2015 MICF.

The world premiere will be performed by an ensemble including Rosenfeld, Lara, Minturn, and Arns, plus Steven Tharp (tenor), Kristine Poulsen (alto flute), and Wesley Warnhoff (clarinet), conducted by Mizzou professor of composition and MNMI artistic director Stefan Freund.

ZouM is a collective of Mizzou faculty members formed in the spring of 2015 to present contemporary chamber music.

After only two seasons, ZouM already has enlisted the talents of more than 25 faculty performers, composers, and academics from the University of Missouri School of Music to present innovative programs that promote contemporary chamber works by living composers.

Recent projects have featured works by Jennifer Higdon, Gabriel Prokofiev, and Dennis DeSantis, and by Mizzou composers Stefan Freund, Trey Makler, Jacob Gotlib, and Carolina Heredia.

Composers Festival spotlight: DRAX

DRAX, the duo of percussionist Megan Arns and saxophonist Leo Saguiguit, will return to the Mizzou International Composers Festival this year as guest artists for the “Mizzou New Music” concert on Friday, July 28 at the Missouri Theatre.

They’ll perform “Where Are Our Mothers/We Don’t Have Enough Time” by 2011 MICF resident composer Steve Snowden, and “Tantrums,” a world premiere that they commissioned from 2012 MICF resident composer Asha Srinivasan.

Formed in fall 2014 to explore the existing repertoire for saxophone and percussion duo and to commission new works, DRAX (pictured) made their MICF debut at the 2015 festival, performing new music including a piece commissioned from Mizzou alumnus and 2014 MICF resident composer Jose Martinez.

Recent performances include a concert for the Odyssey Chamber Music Series in December 2016, and an appearance at the 2017 North American Saxophone Alliance Region IV Conference in Oklahoma City, where they played new works by Mizzou student composer Aaron Mencher and Steve Snowden.

DRAX made their international debut at the 2015 World Saxophone Congress in Strasbourg, France, and also have performed at the North American Saxophone Alliance Region 4 Conference in Norman, Oklahoma, and the Missouri Percussive Arts Society’s Day of Percussion.

Both members of DRAX have multi-faceted careers as performers, teachers, and advocates for new music. Megan Arns is an assistant teaching professor of percussion at Mizzou who also has performed with the contemporary chamber groups [Switch~Ensemble] and What is Noise and with a number of symphony orchestras.

Arns has been involved in co-commissioning and premiering works by notable composers such as John Luther Adams, Alejandro Viñao, Halim El-Dahb, Steven Snowden, Adam Silverman, David Skidmore, Ivan Trevino, and Brian Nozny.

She earned performance degrees from Florida State University and Truman State University; an M.A. in ethnomusicology from the Eastman School of Music, and currently is a candidate for a D.M.A. in percussion performance and literature at Eastman.

Leo Saguiguit serves as associate professor of saxophone at the University of Missouri, and in 2016 was one of eight recipients of the university’s Faculty-Alumni Award. He also enjoys a busy schedule performing as a soloist and chamber musician and presenting master classes and lectures throughout the United States and abroad.

In addition to DRAX, he performs with the Athens (Greece) Saxophone Quartet, Chicago Saxophone Quartet, Missouri Saxophone Quartet, Trio Chymera, and the Odyssey Chamber Music Series of Columbia.

Saguiguit has appeared as concerto soloist with numerous orchestras and wind ensembles, and has performed regularly as an orchestral saxophonist with the Lyric Opera of Chicago, Milwaukee Symphony, Grant Park Music Festival Orchestra, Atlanta Symphony, Florida Orchestra, and Missouri Symphony.

He has earned degrees from Emory University and Northwestern University, and has recorded CDs with the Athens Quartet, Impuls Quartet, Chromos Quartet, and the wind ensemble Philharmonia à Vent.

DRAX performs “Burn” (2016) by Nathan Daughtrey and “Greensleeves” (traditional, arr. Mark Hanson), recorded December 2, 2016 at First Baptist Church in Columbia, MO

Tickets for 2017 Mizzou International Composers Festival go on sale Friday, May 26

Tickets for the 2017 Mizzou International Composers Festival (MICF) will go on sale at 10:00 a.m. CDT on Friday, May 26.

Known as the region’s premier showcase for new works by top young composers, the MICF will take place this year from Monday, July 24 through Saturday, July 29 in Columbia, and will include three public concerts.

Returning for the eighth year as the festival’s resident ensemble, Alarm Will Sound will begin the weekend of shows at 7:30 p.m. Thursday, July 27 at the Missouri Theatre, 203 S. Ninth St. in downtown Columbia.

They’ll perform music from the 2017 MICF’s distinguished guest composers, Georg Friedrich Haas and Dan Visconti, as well as works by Robert Sirota, Don Freund, and AWS violinist/guitarist Caleb Burhans.

Next, the “Mizzou New Music” concert at 7:30 p.m., Friday, July 28 at the Missouri Theatre will feature performances by the Mizzou New Music Ensemble and guest artists DRAX, with saxophonist Leo Saguiguit and percussionist Megan Arns, and cellist Eli Lara.

The grand finale of the week will showcase the world premieres of eight new works written by the festival’s resident composers and performed by Alarm Will Sound at 7:30 p.m., Saturday, July 29 at the Missouri Theatre.

Festival VIP packages are $80, and include reserved premium seating at all three concerts; two drink tickets good at the Thursday and Friday performances; and admission to a VIP reception prior to the Saturday evening performance, featuring champagne and hors d’oeuvres with members of Alarm Will Sound and the composers.

Festival passes for all three concerts are $40 for an adult general admission pass, and $20 for a student general admission pass. Single tickets are priced at $18 for adults, $10 for students, and are all general admission. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781. To buy tickets online, visit http://composersfestival.missouri.edu/.

In addition to these three concerts, the MICF also will feature several free events, including open rehearsals and presentations by the participating composers. A complete schedule of those events will be released at a later date.

The eight resident composers were chosen from among more than 260 applicants from 25 different countries to participate in the festival and create a new work for Alarm Will Sound. They are:
* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

During the festival, the resident composers will receive composition lessons from distinguished guest composers George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The resident composers also will take part in rehearsals with Alarm Will Sound; give presentations on their music; and receive a premiere performance and professional live recording of their work.

Composers Festival spotlight: Missouri Saxophone Quartet

In addition to a performance by the Mizzou New Music Ensemble, the Friday night concert of the Mizzou International Composers Festival usually features one or more guest artists, and this year’s “Mizzou New Music” concert will include some selections from the Missouri Saxophone Quartet.

Formed in 2009, the MSQ includes Leo Saguiguit (soprano sax), Adrianne Honnold (alto sax), Joel Vanderheyden (tenor sax), and Matthew Kendrick (baritone sax).

Collectively, they play a variety of musical styles, from baroque transcriptions and traditional French repertoire to jazz, tango, and avant-garde, but are particularly “devoted to exploring and promoting new music, particularly that of Missouri composers.’

In keeping with that interest, the MSQ already have inspired several commissioned works, which they’ve presented at events including the North American Saxophone Alliance‘s Biennial Conference at the University of Georgia; the United States Navy Band’s International Saxophone Symposium in Fairfax, Virginia; the World Saxophone Congress in St. Andrews, Scotland; and the Odyssey Chamber Music Series in Columbia.

Individually, the four members are involved in many different performing and teaching activities.

Leo Saguiguit is an associate professor of music at Mizzou who holds music degrees from Emory University and Northwestern University. He performed at last year’s MICF as part of the duo DRAX, and also plays with the Athens (Greece) Saxophone Quartet, Chicago Saxophone Quartet, Trio Chymera, and the Odyssey Chamber Music Series of Columbia.

Saguiguit also has been a soloist with various orchestras and wind ensembles, performing on more than a dozen CD recordings, and has played as an orchestral saxophonist with the Lyric Opera of Chicago, Milwaukee Symphony, Grant Park Music Festival Orchestra, and more.

Adrianne Honnold earned her bachelor of music education and master of music degrees from the University of Illinois at Urbana-Champaign, and now teaches saxophone at the University of Missouri-St. Louis and Washington University.

A former member of the United States Air Force Heritage of America Band and Rhythm in Blue Jazz, she is one of the founding members and artistic directors of Chamber Project St. Louis and also has performed with the St. Louis Symphony, Kansas City Symphony Orchestra, Opera Theatre Saint Louis and the Lyric Opera of Kansas City.

Joel Vanderheyden is assistant professor of music and director of jazz at Jefferson College in Hillsboro, MO. He earned his D.M.A. in saxophone performance from the University of Iowa, a master’s in jazz studies from the University of Maryland, and a B.A. in music education and performance from University of Minnesota, Morris.

A member of the electro-jazz ensemble Koplant No, Vanderheyden previously served as director of jazz and woodwinds at Oakton Community College near Chicago, and director of jazz at the University of Minnesota-Morris.

Matthew Kendrick earned his music and accountancy degrees from Mizzou and has been featured as a saxophonist in festivals, recitals, and conferences throughout North America and Europe. He also is a founding member of the Contreras Saxophone Quartet, and serves on the executive committee of the board of directors of the Northland Symphony Orchestra.

For more on the Missouri Saxophone Quartet, you can “like” their Facebook page and follow them on Twitter, and you can see and hear them performing in the embedded videos below.

“Rocket To Venus” by Stefan Freund, recorded in 2012 at the World Saxophone Congress in St. Andrews, Scotland

“Primal” by Aaron Perrine, recorded in 2012 at the World Saxophone Congress in St. Andrews, Scotland

Excerpt from performance in February 2014 at Saxquest in St. Louis, MO

Composers Festival spotlight: DRAX

Formed in fall 2014, DRAX is the newest faculty ensemble-in-residence at the University of Missouri, and they’ll be making their Mizzou International Composers Festival debut as guest artists for the “Mizzou New Music” concert on Friday, July 24 at the Missouri Theatre.

As the latest addition to the growing new music scene at Mizzou, the duo of percussionist Megan Arns and saxophonist Leo Saguiguit intends to explore the existing repertoire for saxophone and percussion duo as well as commission new works.

They’ve already made their its international debut at the 2015 World Saxophone Congress in Strasbourg, France, and also have performed at the North American Saxophone Alliance Region 4 Conference in Norman, Oklahoma, and the Missouri Percussive Arts Society’s Day of Percussion.

Although their collaboration is relatively new, both members of DRAX have been involved in the creation and performance of new music throughout their respective careers.

Megan Arns recently joined the music faculty of the University of Missouri as an assistant teaching professor of percussion. She has performed with the contemporary chamber groups [Switch~ Ensemble] and What is Noise as well as with a number of symphony orchestras, and also has extensive experience in the field of marching percussion.

An advocate for the creation of new music, Arns has been involved in co-commissioning and premiering works by notable composers such as John Luther Adams, Alejandro Viñao, Halim El-Dahb, Steven Snowden, Adam Silverman, David Skidmore, Ivan Trevino and Brian Nozny.

She earned performance degrees from Florida State University and Truman State University; an M.A. in ethnomusicology from the Eastman School of Music, and currently is a candidate for a D.M.A. in percussion performance and literature.

Leo Saguiguit serves as associate professor of saxophone at the University of Missouri, and also enjoys a busy schedule performing as a soloist and chamber musician and presenting master classes and lectures throughout the United States and abroad.

In addition to DRAX, he performs with the Athens (Greece) Saxophone Quartet, Chicago Saxophone Quartet, Missouri Saxophone Quartet, Trio Chymera, and the Odyssey Chamber Music Series of Columbia.

Saguiguit has appeared as concerto soloist with numerous orchestras and wind ensembles, and has performed regularly as an orchestral saxophonist with the Lyric Opera of Chicago, Milwaukee Symphony, Grant Park Music Festival Orchestra, Atlanta Symphony, Florida Orchestra, and Missouri Symphony.

He has earned degrees from Emory University and Northwestern University, and has recorded CDs with the Athens Quartet, Impuls Quartet, Chromos Quartet, and the wind ensemble Philharmonia à Vent.

(While DRAX has yet to be captured on video – no, not that Drax, this DRAX – you can see separate performances involving Leo Saguiguit and Megan Arns in the embedded YouTube players below.)

Leo Saguiguit plays “Attila” by Mizzou alumnus Patrick David Clark in July 2012 at the World Saxophone Congress, accompanied by pianist Rachel Aubuchon

Megan Arns performs in the St. Louis celebration of ‘A Worldwide Day of In C,” held December 21, 2014 to mark 50 years of Terry Riley’s pioneering minimalist work