Posts Tagged ‘ Julia Bentley

Mizzou New Music Ensemble presenting “Words and Music”
and more on Sunday, December 3 at Whitmore Recital Hall

The Mizzou New Music Ensemble will premiere new works by seven different Mizzou composers in a concert at 7:30 p.m. Sunday, December 3 at Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus. Admission is $5 for the general public, free for Mizzou faculty, students and staff with ID.

The full Ensemble (pictured) will present the premiere performances of “notfromme” by Mikkel Christensen, a first-year master’s student; “Night Blossoms,” by senior composition major Ben Colagiovanni; “If you have nothing nice to say [say it softly],” by Libby Roberts, also a first-year master’s student and the pianist for the Ensemble; and “Good Vibes,” by freshman composition major Nick Williams.

The concert also will feature four songs created this fall as part of “Words and Music,” a collaborative project between the School of Music and the Department of English.

Overseen by post-doctoral fellow Carolina Heredia and assistant teaching professor Julia Bentley from the School of Music, along with Gabriel Fried, assistant professor of English, the “Words and Music” project involved three teams, each including an MU student poet, composer, singer, and a Mizzou New Music Ensemble member.

The new works they created to be performed at this concert are:

“Katabasis,” with words by Mary Clare Agnew and music by Libby Roberts, which will be performed by Briana Bennett, mezzo-soprano, and Kelariz Keshavarz, flute;

“The Wanderer,” with words by Hannah Cajandig and music by Adam J. Cohen, a sophomore composition major, to be performed by soprano Morgan Owen and percussionist Brianna Trainor; and

“Transience,” with words by Bryn Bartel and music by sophomore composition major Ethan Forte, performed by Matt Ahn, baritone and Daniel Keeler, cello.

In addition, as an example for the students, Gabriel Fried and Carolina Heredia worked together to write “Schoolyard Blessing,” which will be performed at the concert by Julia Bentley with Libby Roberts on piano.

Mizzou New Music Ensemble playing works
by Mizzou composers past and present
on Monday, October 16 at Whitmore Recital Hall

The Mizzou New Music Ensemble‘s first concert of the 2017-18 season will feature music from two Mizzou alumni, one new faculty member, and more.

The concert will take place at 7:30 p.m. Monday, October 16 at Whitmore Recital Hall on the Mizzou campus. Admission is $5 for the general public, free for Mizzou faculty, students and staff with ID.

Works to be performed will include “Lus in Bello” by Carolina Heredia, who this fall joined the University of Missouri faculty as the Mizzou New Music Initiative’s new postdoctoral fellow. Heredia first composed the piece in 2014 for the acclaimed new music group JACK Quartet, and in 2016 revised the arrangement for the Khemia Ensemble, the group she founded while a graduate student at the University of Michigan.

Also on the program are two pieces by recent Mizzou alumni. “Spherodendron” is by Haley Myers, who graduated in 2015 with a BM in composition. Inspired by the work of artist Bill Smith, it was written in 2013 specifically for a concert at the World Chess Hall of Fame in St. Louis.

“Naturally Synthetic” was premiered in 2012 at the Contemporary Art Museum St. Louis, and was written by Joe Hills, who earned his master’s degree in composition from Mizzou in 2013.

In addition, Mizzou faculty mezzo-soprano Julia Bentley will join the Ensemble as guest artist for a performance of Steven Snowden‘s “Matilda.” Written in 2010 for soprano and mixed chamber ensemble, the piece incorporates the text of “Matilda Who Told Lies, and was Burned to Death,” a satirical children’s poem by the early 20th century writer Hilaire Belloc.

Snowden is a freelance composer based in Boston who was a resident composer at the 2011 Mizzou International Composers Festival. He’s returning to Mizzou for a guest composer residency in October, which will include a “Composer Portrait” concert of his music on Tuesday, October 3.

Completing the evening, the Ensemble will perform “Damn,” a 1998 work for amplified clarinet and four percussionists composed by John Mackey. Mackey, who lives in Massachusetts and is known particularly for his works for wind ensemble and concert band, visited the Mizzou campus for a residency in 2012.

The seven-member Mizzou New Music Ensemble (pictured) is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, professor of composition, and artistic director of the Mizzou New Music Initiative. The Ensemble’s members for the 2017-18 season are Victoria Hargrove, clarinet; Hannah Hutchins, percussion; Daniel Keeler, cello; Kelariz Keshavarz, flute; Pedro Ramiro, violin; Libby Roberts, piano; and Brianna Trainor, percussion.

Mizzou faculty ensemble ZouM to perform
Friday, September 8 in Columbia and
Saturday, September 9 in St. Louis

The Mizzou faculty collective ZouM will showcase new music from six living composers with performances next weekend in Columbia and St. Louis.

They’ll play at 7:30 p.m. Friday, September 8 at Whitmore Recital Hall on the MU campus, then travel to St. Louis for a concert at 7:30 p.m. Saturday, September 9 at Washington University’s 560 Music Center.

Admission to the concert in Columbia is $5 for the general public, free to Mizzou students, staff and faculty with ID. The St. Louis concert is free and open to the public.

In all, fifteen Mizzou faculty members (plus one guest composer/performer) will take part in the concerts, which will feature two world premieres commissioned with support from the Sinquefield Charitable Foundation and the Mizzou New Music Initiative.

The program for the two concerts will include:

* “Portrait Sequence (Blanching Out),” a 2012 work by Mizzou New Music Initiative managing director Jacob Gotlib that will be performed by percussionists Abby Rehard and Megan Arns.

* “Dejate Caer,” written in 2012 by MNMI’s new post-doctoral fellow Carolina Heredia, and performed by violinist Julie Rosenfeld with pre-recorded electronics by Heredia.

* “Southern Harmony,” composed in 2014 by Jacob Bancks and performed by mezzo-soprano Julia Bentley and pianist Neil Minturn.

* “Winter Haiku,” composed in 2016 by Dennis Leclaire specifically for the Esterhazy String Quartet, which includes Julie Rosenfeld, Eva Szekely (violin), Leslie Perna (viola), and Eli Lara (cello).

* “Tantrums,” a new work by Asha Srinivasan, who was a resident composer at the 2012 Mizzou International Composers Festival (MICF). The piece was commissioned and will be given its world premiere by MU faculty duo DRAX, featuring Leo Saguiguit on baritone saxophone and Megan Arns on percussion, with the composer on electronics.

     Christopher Stark

* “Monday, Midnight,” a new work commissioned from Christopher Stark, who’s an assistant professor of composition at Washington University and was a resident composer at the 2015 MICF.

The world premiere will be performed by an ensemble including Rosenfeld, Lara, Minturn, and Arns, plus Steven Tharp (tenor), Kristine Poulsen (alto flute), and Wesley Warnhoff (clarinet), conducted by Mizzou professor of composition and MNMI artistic director Stefan Freund.

ZouM is a collective of Mizzou faculty members formed in the spring of 2015 to present contemporary chamber music.

After only two seasons, ZouM already has enlisted the talents of more than 25 faculty performers, composers, and academics from the University of Missouri School of Music to present innovative programs that promote contemporary chamber works by living composers.

Recent projects have featured works by Jennifer Higdon, Gabriel Prokofiev, and Dennis DeSantis, and by Mizzou composers Stefan Freund, Trey Makler, Jacob Gotlib, and Carolina Heredia.

Mizzou New Music Ensemble presenting four world premieres and more
in concert Sunday, December 4 at Whitmore Recital Hall

The Mizzou New Music Ensemble will present four world premieres and more in the second concert of their 2016-17 season at 7:30 p.m. Sunday, December 4 at Whitmore Recital Hall on the University of Missouri campus. General admission is $5 for the public, free for Mizzou faculty, students and staff.

Three of those premieres were written by Mizzou students, including “The Garden of Earthly Delights” by Adam Cohen, a freshman composition major and Sinquefield Scholar. Inspired by Heironymous Bosch’s famous triptych painting, the piece juxtaposes surrealistic sounds against each other both rhythmically and melodically to evoke an aural whimsy.

“Foresight” is a new work by Luke Henderson that’s based on ideas found in Benjamin Franklin’s essay “The Morals of Chess.” A senior composition major at Mizzou, Henderson also has had his music performed by the University of Missouri Studio Jazz Band and the Columbia Civic Orchestra.

Kay Cypret’s “Trials and Tribulations” is a four-movement work representing “struggles of the mind, feet, heart, and spirit.” Cypret is a master’s composition student at Mizzou who also has written music for the Golden Spectra String Quartet, clarinetist Dr. Cheryl Cifeli, flautist Camden Beavers, and the Mizzou Tuba and Euphonium Ensemble.

The concert’s fourth premiere is “Passacaglia” by John Orfe, a faculty member at Bradley University and pianist for Alarm Will Sound, the group that serves as resident ensemble for the annual Mizzou International Composers Festival. Orfe’s work is a set of virtuosic variations over a line that is repeated throughout the duration of the piece.

In addition to the four world premieres, the ensemble (pictured) will be joined by a guest artist, mezzo-soprano and Mizzou professor of voice Julia Bentley, for performances of two more contemporary compositions.

“No Fire Gives Light” by Henry Breneman Stewart is an explosive work for mezzo-soprano, saxophone, percussion, and piano that is based on the biblical story “Terror Strikes the Egyptians at Night” from the Book of Wisdom, Chapter 17. Stewart is a second-year master’s student in composition at Mizzou, and was the winner of the 2016 Sinquefield Composition Prize, the university’s highest honor for a student composer.

The ensemble and Bentley will complete the program with Hans Abrahamsen’s “Efteraarslied,” which was written for mezzo-soprano, clarinet, violin, cello and piano, and incorporates text from German poet Rainer Maria Rilke’s “Autumn.” Abrahamsen, a Swiss composer who is the winner of the 2016 Grawemeyer Prize, was a distinguished guest composer for the 2015 Mizzou International Composers Festival.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, professor of composition, and artistic director of the Mizzou New Music Initiative. The Ensemble’s members for the 2016-17 season are Victoria Hargrove, clarinet; Daniel Keeler, cello; Kelariz Keshavarz, flute; Renan Leme, violin; Rebecca McDaniel, percussion; Gyumi Rha, piano; and Panagiotis Skyftas, saxophone.