Posts Tagged ‘ Jacob Gotlib

Mizzou faculty ensemble ZouM to perform
Friday, September 8 in Columbia and
Saturday, September 9 in St. Louis

The Mizzou faculty collective ZouM will showcase new music from six living composers with performances next weekend in Columbia and St. Louis.

They’ll play at 7:30 p.m. Friday, September 8 at Whitmore Recital Hall on the MU campus, then travel to St. Louis for a concert at 7:30 p.m. Saturday, September 9 at Washington University’s 560 Music Center.

Admission to the concert in Columbia is $5 for the general public, free to Mizzou students, staff and faculty with ID. The St. Louis concert is free and open to the public.

In all, fifteen Mizzou faculty members (plus one guest composer/performer) will take part in the concerts, which will feature two world premieres commissioned with support from the Sinquefield Charitable Foundation and the Mizzou New Music Initiative.

The program for the two concerts will include:

* “Portrait Sequence (Blanching Out),” a 2012 work by Mizzou New Music Initiative managing director Jacob Gotlib that will be performed by percussionists Abby Rehard and Megan Arns.

* “Dejate Caer,” written in 2012 by MNMI’s new post-doctoral fellow Carolina Heredia, and performed by violinist Julie Rosenfeld with pre-recorded electronics by Heredia.

* “Southern Harmony,” composed in 2014 by Jacob Bancks and performed by mezzo-soprano Julia Bentley and pianist Neil Minturn.

* “Winter Haiku,” composed in 2016 by Dennis Leclaire specifically for the Esterhazy String Quartet, which includes Julie Rosenfeld, Eva Szekely (violin), Leslie Perna (viola), and Eli Lara (cello).

* “Tantrums,” a new work by Asha Srinivasan, who was a resident composer at the 2012 Mizzou International Composers Festival (MICF). The piece was commissioned and will be given its world premiere by MU faculty duo DRAX, featuring Leo Saguiguit on baritone saxophone and Megan Arns on percussion, with the composer on electronics.

     Christopher Stark

* “Monday, Midnight,” a new work commissioned from Christopher Stark, who’s an assistant professor of composition at Washington University and was a resident composer at the 2015 MICF.

The world premiere will be performed by an ensemble including Rosenfeld, Lara, Minturn, and Arns, plus Steven Tharp (tenor), Kristine Poulsen (alto flute), and Wesley Warnhoff (clarinet), conducted by Mizzou professor of composition and MNMI artistic director Stefan Freund.

ZouM is a collective of Mizzou faculty members formed in the spring of 2015 to present contemporary chamber music.

After only two seasons, ZouM already has enlisted the talents of more than 25 faculty performers, composers, and academics from the University of Missouri School of Music to present innovative programs that promote contemporary chamber works by living composers.

Recent projects have featured works by Jennifer Higdon, Gabriel Prokofiev, and Dennis DeSantis, and by Mizzou composers Stefan Freund, Trey Makler, Jacob Gotlib, and Carolina Heredia.

MICF in the news

With the 2017 Mizzou International Composers Festival set to start on Monday, July 24, the MICF has been in the news.

The website I Care If You Listen, which has an international following among composers, musicians, and new music enthusiasts, offered extensive coverage of the festival with “5 Questions for Stefan Freund,” which included several photos and a SoundCloud playlist of the 2016 MICF’s eight world premieres.

Freund – the artistic director of the MICF and the Mizzou New Music Initiative, professor of composition at Mizzou, and cellist for Alarm Will Sound – used the opportunity to tell ICIYL’s worldwide audience all about the festival and how it fits into MNMI’s array of programs for composers at all stages of their careers.

On Sunday, July 16, the Columbia Daily Tribune published a feature story, “Face the Music,” previewing the MICF. The article by the Tribune‘s Aarik Danielsen, which was the cover story of the paper’s “Sunday Blend” section (pictured), featured interviews with resident composers Carolina Heredia and Christopher Mayo.

The Tribune and Danielsen followed up that story with three sidebars published online: one profiling the MICF’s resident ensemble Alarm Will Sound, one featuring a wide-ranging Q&A about the festival with MNMI managing director Jacob Gotlib, and one touting the MICF’s “can’t miss” moments.

Gotlib also was interviewed by Connor Lagore of the Columbia Missourian for that newspaper’s preview of the MICF, “Composers descend upon Columbia for new-music festival,”

On Tuesday, July 25, Columbia’s NBC affiliate KOMU aired a story about the festival by reporter Nick Allen, “Mizzou International Composers Festival begins eighth annual showcase.”

In addition, over the past few weeks the festival’s resident and distinguished guest composers all have talked with KMUC’s Trevor Harris for the station’s weekly “Mizzou Music” program, which airs at 6:00 p.m. every Wednesday. Those interviews have been archived on KMUC’s website.

Composer Louis Goldford visiting Mizzou campus in February

Louis Goldford will be the first visiting composer on the Mizzou campus in 2017, coming to Columbia next month for a weekend residency that will include a presentation of works, a coaching session with the Mizzou New Music Ensemble, and a concert.

Two of his compositions – “Travertine Hybrid #3,” for violin and electronics, and “Giffen Good,” for trombone and electronics – will be featured in the Mizzou music faculty’s electroacoustic concert at 7:30 p.m. Saturday, February 11 at Whitmore Recital Hall.

The performance also will include music written by Mizzou New Music Initiative managing director Jacob Gotlib, retired composition professor and MNMI co-artistic director emeritus W. Thomas McKenney, and Phillip Sink, who is MNMI’s first post-doctoral fellow and curated the concert program.

Goldford (pictured) is a St. Louis native who currently is a doctoral fellow studying composition at Columbia University in New York City. Before enrolling there, he earned his bachelor’s degree in composition from Webster University in St. Louis and a master’s degree from the Jacobs School of Music at Indiana University.

His works have been performed by Ensemble Dal Niente, Ensemble Modelo62, and the Meitar Ensemble, and featured at the International Computer Music Conference, the Northwestern University New Music Conference, and June in Buffalo, among others.

Goldford received an Honorable Mention from the 2015 American Composers Orchestra / Underwood New Music Readings, and in 2014 was the recipient of a Dean’s Prize in music composition from Indiana University.

More recently, he was named the winner of the 2017 Suzhou (Chou’s) International Commission Competition, and also was accepted into the Cursus program at IRCAM in Paris, where he previously completed the Computer Music Workshop (Atelier d’informatique musicale) while studying at the IRCAM Académie and festival ManiFESTE.

You can hear some of Louis Goldford’s music on his SoundCloud page.

Jacob Gotlib profiled in Columbia Daily Tribune

The Mizzou New Music Initiative’s new managing director Jacob Gotlib (pictured) recently was profiled in the Columbia Daily Tribune.

Gotlib, who earned his Ph.D in composition in 2015 from the State University of New York at Buffalo and also holds a master’s degree in composition from the University of Missouri-Kansas City and a B.M. in music technology from the Oberlin Conservatory of Music, began work at Mizzou in August.

You can read the article, written by the Tribune‘s Aarik Danielsen, here.

Jacob Gotlib hired as new managing director for Mizzou New Music Initiative

The University of Missouri School of Music has hired Jacob Gotlib to be the new managing director of the Mizzou New Music Initiative.

Gotlib, who earned his Ph.D in composition in 2015 from the State University of New York at Buffalo, will start work at Mizzou on Monday, August 15.

As managing director, he will oversee all programs and operations of the Mizzou New Music Initiative, including the Mizzou International Composers Festival, Creating Original Music Project (COMP), the Missouri Composers Orchestra Project (MOCOP), and more.

Currently living in Louisville, KY, Gotlib (pictured) already has some familiarity with the state of Missouri. Before getting his doctorate in Buffalo, he earned his master’s degree in composition in 2008 from the University of Missouri-Kansas City, and during his time there was one of the co-founders of the Kansas City Electronic Music and Arts Alliance (KcEMA). Gotlib also holds a B.M. in music technology from the Oberlin Conservatory of Music.

His compositions have been performed by a variety of groups, including Ensemble Linea, Ensemble SurPlus, Ensemble Dal Niente, Crossfire Percussion Duo, Schlagquartett Köln, and Slagwerk Den Haag, and his music has received recognition from ASCAP/SEAMUS, Ossia, The Acht Brücken Festival, Gaudeamus Muziekweek, and various others.

While attending the University at Buffalo, Gotlib taught courses in composition, theory, and more. He also has served as an adjunct instructor in composition at Indiana University Southeast and Marshall University.

“We are delighted to have Jacob as the new managing director for the Mizzou New Music Initiative,” said Julia Gaines, director of the School of Music. “We were really impressed with both his overall knowledge of the field and his specific experiences as a composer, teacher, and organizer of new music events and festivals.”