Posts Tagged ‘ Inti Figgis-Vizueta

Composers Festival spotlight: ANTiCX

Founded in 2021, ANTiCX is an artist collective of composers and makers. The group’s name is an acronym of the first letters of the first names of its members. They are (pictured clockwise from upper left):

Annika Socolofsky is a composer and avant-folk vocalist who is assistant professor of composition and artistic director of Pendulum New Music at the University of Colorado Boulder

Nina Shekhar currently is pursuing her PhD in composition at Princeton University. She is a composer teaching artist fellow for Los Angeles Chamber Orchestra and is on faculty at Idyllwild Arts Academy and Brightwork newmusic‘s Project Beacon initiative.

Tanner Porter is a composer-performer and songwriter. She earned her BM in composition from the University of Michigan’s School of Music, Theatre and Dance, and an MM in composition from the Yale School of Music.

inti figgis-vizueta is a composer who maintains a private studio in New York City, with regular guest composition workshops and presentations of her practice at music programs around the country.

Carolina Heredia is a composer of acoustic and electronic music, intermedia producer, violinist, and educator. She currently is assistant professor of music composition at the University of Missouri, and the assistant director of the Mizzou New Music Initiative.

Xuan is a new media artist, filmmaker, and pianist working at the intersection of music, visual art, and technology. She currently teaches experimental filmmaking as an adjunct professor of humanities at Eastman School of Music and works as a freelance video artist.

ANTiCX will debut at the 2021 Mizzou International Composers Festival with “Entry Points of Empathy,” an online multimedia performance on Friday, July 30. The program will feature individual and collaborative works, including a live “sound sculpture,” with live performances by Mizzou faculty member Wesley Warnhoff (clarinet), Mizzou student Eve Werger (piano), and guest artists Leigh Muñoz (bassoon) and Ellen Sommer (piano).

It also will include a video art premiere by guest artist Katina Bitsicas, assistant professor in Mizzou’s School of Visual Studies, in collaboration with MU alumni Wilson Minshall.

The works to be performed are:
Nina Shekhar – “[redact]”
Tanner Porter – “Two movements for clarinet” (world premiere)
Carolina Heredia – “Tango Americano”
Xuan – “Interludes 1 and 2” (world premiere)
Annika Socolofsky – “The Dictionary of Obscure Sorrows: the meantime”
inti figgis-vizueta – “a bridge between starshine and clay”
Katina Bitsicas and Wilson Minshall – “Eye Thorn Forrest” (world premiere)
ANTiCX – “Entry Points of Empathy” (world premiere)

The title work “Entry Points of Empathy” is “a piece for fixed media, live improvisation and sound sculpture that explores communication through both personal and technological lenses,” said Carolina Heredia. “The visuals draw from the sounds directly with some being generated in real-time and others interpreted through pre-made animations. Each composer’s sound is connected to a distinct visual aesthetic and then pieced together like a mosaic on the Olga 3D screens structure.”

You can hear samples of music composed by the members of ANTiCX at their individual websites, linked above, and in the embedded players below.

“Rise” by Annika Socolofsky, recorded in October 2018 at Princeton University by Jonathan Hulting-Cohen (alto sax) and Nicholas Shaneyfelt (piano) .

“if these walls” by Nina Shakhar, recorded in May 2021 by Left Coast Chamber Ensemble .

“Propellers in the Sun” by Tanner Porter, performed by the University of Michigan Symphony Orchestra, conducted by Kenneth Kiesler.

“Openwork, knotted object”/”Trellis in bloom”/”lightning ache” by inti figgis-vizueta, recorded in June 2019 at National Sawdust in Brooklyn, NY by the National Sawdust Ensemble, featuring Allison Loggins-Hull (flute), Oran Etkin (clarinet), Sugar Vendil (piano), Ian Rosenbaum (percussion), Miranda Cuckson (violin), Jeffrey Zeigler (cello), and Charles Hagaman (technician), conducted by Lidiya Yankovskaya.

“Ausencias” by Carolina Heredia, recorded in 2016 by JACK Quartet.

“Reactions” is an experimental animation created in 2016 by Xuan in collaboration with composer Tomek Arnold.

Mizzou International Composers Festival to return
July 26-31 with nine world premieres and more

After a year in which the COVID-19 pandemic forced last-minute changes in programming, the Mizzou International Composers Festival (MICF) is back in 2021 in a more familiar form.

Presented Monday, July 26 through Saturday, July 31 by the Mizzou New Music Initiative (MNMI) and the University of Missouri School of Music, the twelfth annual MICF will showcase the world premieres of new works from nine resident composers and more, with all four concerts streamed online for free. The schedule of performances is:

Tuesday, July 27: “World Premieres I,” featuring resident ensemble Alarm Will Sound performing new works by three of the festival’s resident composers, plus the premiere of an excerpt from distinguished guest composer David T. Little’s monodrama “What Belongs to You,” featuring singer Karim Sulayman.

Wednesday, July 28: “Mizzou New Music,” featuring the Mizzou New Music Ensemble playing music by David Little and Chen Yi, and Khemia Ensemble premiering new works by Stefan Freund, Phillip Sink, and Nina Shekhar.

Friday, July 30: “Entry Points of Empathy,” a world premiere multi-media event with music composed by inti figgis-vizueta, Carolina Heredia, Tanner Porter, Annika Socolofsky, and Nina Shekhar, performed by Mizzou faculty and guests, plus video interludes and live graphics by Xuan Zhang.

Saturday, July 31: “World Premieres II,” featuring Alarm Will Sound performing new works from six resident composers, plus the American premiere of Stefan Freund’s arrangement of “Sparkle” by distinguished guest composer Chen Yi.

All concerts will begin at 7:30 p.m. Central Daylight Time, and can be viewed on the Mizzou New Music Facebook page and on the University of Missouri School of Music YouTube channel.

The concerts on Tuesday and Saturday will feature world premieres of new works written by each of the festival’s nine resident composers. Listed with their current places of residence, they are:

(Four of the composers – Alcocer, Fitzpatrick, Mortilla and Shekar – were newly selected this year to participate in the 2021 MICF; the other five originally were chosen for the 2020 MICF, but their works could not be premiered when COVID-related restrictions forced the festival to be reconfigured. Three more composers chosen in 2020 were unable to participate this year, but will be invited to be part of a future festival.)

The MICF’s distinguished guest composers for 2021 are Chen Yi and David T. Little. Chen is a distinguished professor of composition at the Conservatory of Music and Dance at the University of Missouri-Kansas City. A finalist for the 2006 Pulitzer Prize for Music for her composition “Si Ji” (“Four Seasons”), she was born and raised in Guangzhou, China and is known as a prolific composer who blends Chinese and Western traditions, transcending cultural and musical boundaries.

Little currently chairs the composition program at Mannes – The New School in New York City. He previously served as Executive Director of MATA and on the board of directors at Chamber Music America, and from 2014–2017 was composer-in-residence with Opera Philadelphia and Music-Theatre Group.

During the festival, the resident composers will receive composition lessons from Chen and Little and take part via Zoom in rehearsals with Alarm Will Sound. The resident composers also will give public presentations online about their music, and after the premiere performances, will receive professional live recordings of their new works.

For more information on the 2021 Mizzou International Composers Festival, including a complete schedule of events, times, and dates, please visit http://composersfestival.missouri.edu/.

MICF alumni in the news

Clockwise from top left: Browne, Simon, Kouyoumdjian, figgis-vizueta, Chandler, LeBoeuf

Although the resident composers for the Mizzou International Composers Festival are with us here in Columbia for only a short time each summer, MNMI continues to follow the progress of their careers as the years pass. Congratulations to these MICF alumni on their recent accomplishments:

* Works originally written for the MICF by Matt Browne (MICF 2016) and Greg Simon (MICF 2013) won first and second prizes respectively in the “new classics” division of the 2020 International Competition of the Moscow Tchaikovsky Conservatory for young composers.

You can see a video of the conservatory’s orchestra performing Browne’s “Writer’s Room,” Simon’s “Draw Me The Sun” and the other competition winners on YouTube.

* Mary Kouyoumdjian (MICF 2016) and inti figgis-vizueta (MICF 2019) recently took part in a roundtable discussion called “Understanding Intersectionality: Gender and Other Identities” that was presented online by the new music publication I CARE IF YOU LISTEN and American Composers Forum as part of their “UNEVEN MEASURES” discussion series. They were joined on the panel by violinist Jennifer Koh, composer Melissa Dunphy, and facilitator Amanda Cook, the editor-in-chief of ICIYL.

* figgis-vizueta also recently was selected to be part of the composition faculty for the 2021 Sewanee WinterFest at the University of the South in Sewanee, TN

* Theo Chandler (MICF 2019) recently was awarded a residency at Copland House, the former home of composer Aaron Copland in Cortlandt Manor, NY. Chandler will have the opportunity to live and work in the home next year for several weeks, expenses paid, as will Pascal LeBoeuf (MICF 2020) who previously was announced as a resident in 2019, had to postpone his stay due to the pandemic shutdown, and will be rescheduled for the coming season.

A look back at the 2019 Mizzou International Composers Festival

Composers Festival spotlight: inti figgis-vizueta

Resident composer inti figgis-vizueta this year will achieve an historic trifecta of sorts in the annals of the Mizzou International Composers Festival, as they will be the first resident composer to have three of their works played by three different ensembles in a single year at the MICF.

Like the seven other resident composers, figgis-vizueta (pictured) has written a new piece for Alarm Will Sound, who will perform their “braiding on golden stoops” as one of the eight world premieres presented in the grand finale concert on Saturday, July 27 at the Missouri Theatre.

In addition, Mizzou Percussion will play figgis-vizueta’s “To give you form and breath” as part of the “Mizzou New Music” concert on Friday, July 26 at the Missouri Theatre; and Khemia Ensemble will perform their “Openwork, knotted object // Trellis in bloom // Recipe for lightning” at the matinee concert on Saturday, July 27 at Whitmore Recital Hall.

inti figgis-vizueta  – they use the lower case and non-gendered pronouns – was born in Dublin, Ireland; raised in Washington, DC; and now is based in Brooklyn, NY. When not composing, they work as a curator for Score Follower.​

figgis-vizueta writes music that “focuses on combinations of various notational schemata, disparate and overlaid sonic plans, and collaborative unlearning of dominant vernaculars. She/they often write magically real musics through the lens of personal identities, braiding a childhood of overlapping immigrant communities and Black-founded Freedom schools—in Chocolate City (DC)—with Andean heritage and a deep connection to land(s).”

They have received numerous awards, most recently winning National Sawdust’s 2019 Hildegard Competition, and getting a chance to participate in the the American Composers Orchestra’s 2019 Underwood New Music Readings.  They also have won calls for scores from organizations and festivals such as West Cork Chamber Music Festival, Verdant Vibes, N/A Ensemble, UnTwelve, Baltimore Choral Arts Society, and 113 Collective.

figgis-vizuata’s music has been played by ensembles including loadbang, PUBLIQuartet, Hypercube, RTE Contempo String Quartet, Balance Campaign, the Shenandoah Valley Youth Symphony, the SJSU Wind Ensemble, and more. They also actively freelance as a composer, with recent commissions including new works for clarinetist Gleb Kanasevich, trumpeter Kate Amrine, countertenor Luke Paulino, and the duo Mazumal.

They were featured at the New Music Gathering as a panelist in 2017 and as a composer in 2018, as well as at the New Latin Wave Festival 2018.

For more about inti figgis-vizueta, listen to their interview recorded a few weeks ago for KMUC’s “Mizzou Music” program, and read their interview from earlier this year published by NationalSawdust.org (conducted by 2014 MICF distinguished guest composer Nico Muhly) and their “5 Questions” interview on I Care If You Listen (answering queries posed by 2018 MICF resident composer Gemma Peacocke).

“Symphony for the Body,” performed October 29, 2017 by Boston Conservatory Composer’s Orchestra

“Placemaking,” performed in 2018 by Boston Conservatory Composer’s Wind Ensemble, conducted by Mark Powell

2019 Mizzou International Composers Festival complete schedule

Here is the complete schedule of events for the 2019 Mizzou International Composers Festival.

Celebrating its tenth year in 2019, the MICF begins on Monday, July 22 and continues through Saturday, July 27. All festival events listed are free and open to the public, with general admission seating on a first-come, first-served basis.

Events will take place at the Fine Arts Building and Loeb Hall on the campus of the University of Missouri; at the Missouri Theatre, Cafe Berlin, and two “pop-up” locations in downtown Columbia; and at the Firestone Baars Chapel on the campus of Stephens College.

Monday, July 22

9:45 a.m. – 12:00 p.m.
Resident Composer Presentations:
Chelsea Komschlies, inti figgis-vizueta and Peter Shin
Fine Arts Building Room 145 on the Mizzou campus

1:30 p.m. – 4:30 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Missouri Theatre, 203 S. 9th Street

6:00 p.m. – 8:10 p.m.
Resident Composer Presentations:
Theo Chandler, Nicole Murphy and Aaron Mencher
Fine Arts Building Room 145 on the Mizzou campus

Tuesday, July 23

9:30 a.m. – 10:55 p.m.
Resident Composer Presentations:
Charles Halka and Kristina Wolfe
Fine Arts Building Room 145 on the Mizzou campus

5:00 p.m. – 7:00 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:00 PM
Daniel Neumann, Guest Artist Presentation
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Wednesday, July 24

2:10 p.m. – 5:30 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Missouri Theatre, 203 South 9th Street

5:00 p.m. – 7:00 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:00 p.m.
Amy Beth Kirsten, Distinguished Guest Composer Presentation
Fine Arts Building Room 145 on the Mizzou campus

8:15 p.m.
Donnacha Dennehy, Distinguished Guest Composer Presentation
Fine Arts Building Room 145 on the Mizzou campus

Thursday, July 25

1:00 p.m.
Khemia Ensemble “Pop-Up Concert #1”
Sparky’s Homemade Ice Cream, 21 S 9th Street

Khemia Ensemble members Elizabeth Robinson (flute), Thiago Ancelmo de Souza (clarinet), Er-Gene Kahng (violin), and Amy Petrongelli (soprano) perform works by Lembit Beecher, Heitor Villa-Lobos, Ellen Harrison, Bruno Mantovani and Bjarne Brustad.

5:30 p.m. – 7:00 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:30 p.m.
Alarm Will Sound
Missouri Theatre, 203 South 9th Street

The festival’s resident ensemble Alarm Will Sound and guest artist Richard Crawford will perform the world premiere of “Jacob In Chains,” a new work written specifically for the festival by MICF distinguished guest composer Amy Beth Kirsten. AWS also will perform the concert version of distinguished guest composer Donnacha Dennehy’s “The Hunger” with guest artists Kate Manley and Iarla O’Lionard, and “Con/Influences” by Mizzou professor of composition, MNMI artistic director, and AWS cellist Stefan Freund.

9:30 p.m.
Bels Lontano
Cafe Berlin, 220 North 10th Street

Original electronic music by Mizzou composers and MICF resident composers. Presented in association with Dismal Niche.

Friday, July 26

11:00 a.m. – 12:30 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Loeb Hall 201 on the Mizzou campus

1:00 p.m.
Khemia Ensemble “Pop-Up Concert #2”
Uprise Bakery, 10 Hitt Street

Khemia Ensemble percussionists Chelsea Tinsler Jones and Shane Jones perform music by Andy Akiho, John Cage, Tom Johnson, and Tim Peterson.

2:00 p.m. – 5:00 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Loeb Hall 201 on the Mizzou campus

5:00 p.m. – 7:30 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:30 p.m.
Mizzou New Music
Missouri Theatre, 203 South 9th Street

This concert showcases the Mizzou New Music Ensemble, the flagship group of the Mizzou New Music Initiative, performing music by distinguished guest composers Donnacha Dennehy and Amy Beth Kirsten and Mizzou student composer Jack Snelling. In addition, faculty duo DRAX will perform a work by Mizzou assistant professor of composition Carolina Heredia, and Mizzou Percussion will perform music by Kirsten, Annika Socolofsky, and 2019 MICF resident composer inti figgis-vizueta.

9:30 p.m.
Eli Keszler
Firestone Baars Chapel, 1306 East Walnut Street

Solo performance of original works for percussion and electronics. Presented in association with Dismal Niche.

Saturday, July 27

11:00 a.m.
Khemia Ensemble
Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus

Multimedia chamber group Khemia Ensemble, featuring Mizzou faculty members Carolina Heredia, Bret Bohman, and Eli Lara, will perform a program of works by composers including Heredia, Bohman, Andy Akiho, Chris Cerrone, Daniel Fawcett, Patricia Martinez, Emma O’Halloran, and 2019 MICF resident composer inti figgis-vizueta.

5:00 p.m. – 7:30 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:30 p.m.
Eight World Premieres performed by Alarm Will Sound
Missouri Theatre, 203 South 9th Street

The grand finale concert features the world premieres of eight works created specifically for the acclaimed new music ensemble Alarm Will Sound by the festival’s resident composers:

* Theo Chandler – “Familiar Punchlines”
* inti figgis-vizueta – “braiding on golden stoops”
* Charles Halka – “Fever Dream”
* Chelsea Komschlies – “Hexactinellida”
* Aaron Mencher – “Haworthia”
* Nicole Murphy – “Dust”
* Peter Shin – “dogwhistling”
* Kristina Wolfe – “A Curation of Finds”

2019 MICF in the media

With this year’s Mizzou International Composers Festival fast approaching, MNMI has been working to get the word out via local media.

For starters, the “Mizzou Music” radio program, heard at 6:00 p.m. Wednesday evenings on Columbia’s classical music station KMUC, has been airing a series of interviews with participants in this year’s MICF.

Composers interviewed by host Aaron Hay so far include Peter Shin, Nicole Murphy, Inti Viggis-Vizueta, Donnacha Dennehy, Chelsea Komschlies, Kristina Wolfe, Theo Chandler and Mizzou’s own Aaron Mencher.

Still to come are interviews with Charles Halka, Amy Beth Kirsten, and MNMI managing director Jacob Gotlib. All the interviews are or will be archived on KMUC’s website.

Meanwhile, MNMI artistic director and Mizzou composition professor Stefan Freund was interviewed for Columbia Access Television by Elise Bucheit of the Columbia Office of Cultural Affairs. You can see their conversation about the MICF in the video embed below:

Lastly, if you’d like to get a “sneak peek” at this year’s MICF, you can take a look inside the official program through the embedded window below. (To enlarge to full-page size, click the icon in the middle of the window.)

2019 Mizzou International Composers Festival adding
more concerts, offering free admission to all events

Khemia Ensemble

For its tenth year, the Mizzou International Composers Festival (MICF) in 2019 is adding five more concerts and an audio installation, and is making all MICF events free and open to the public.

Presented by the Mizzou New Music Initiative and the University of Missouri School of Music from Monday, July 22 through Saturday, July 27 in Columbia, the MICF once again will feature three evening concerts at the Missouri Theatre.

Resident ensemble Alarm Will Sound will perform on Thursday, July 25, followed by “Mizzou New Music” on Friday, July 26 and “Eight World Premieres” on Saturday, July 27. All three of those concerts, which in past years have been ticketed events, will be free this year.

The new events for 2019, also all free and open to the public, will include post-concert performances at 9:30 p.m. on Thursday and Friday at Cafe Berlin, 220 N. 10th St. (about eight blocks from the Missouri Theatre).

From left: Bels Lontano, Eli Keszler

Thursday’s performance will feature Bels Lontano playing electronic works by Mizzou student composers and MICF resident composers. On Friday, the MICF will team with Columbia community arts organization Dismal Niche to present a performance by percussionist and composer Eli Keszler.

The other three concerts added for the festival’s tenth year involve Khemia Ensemble, the group led by Mizzou assistant professor of composition Carolina Heredia and her husband Bret Bohman, who’s also a composer and adjunct faculty member.

Musicians from the ensemble will present informal “pop-up” concerts at 1:00 p.m. Thursday on 9th St. near Sparky’s Ice Cream, 21 S. 9th St, and at 1:00 p.m. Friday at Uprise Bakery, 10 Hitt St. The full Khemia Ensemble then will perform in a matinee concert at 11:00 a.m. Saturday at Whitmore Recital Hall on the Mizzou campus.

Lastly, a sound installation by Alarm Will Sound audio engineer and technical director Daniel Neumann and musician Kenneth Kirschner will be running in the second floor lobby of the Missouri Theatre throughout the festival. As yet untitled, the installation will feature eight channels of audio delivering algorithm-generated soundscapes based on samples of extended instrumental techniques performed by members of Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2019 Mizzou International Composers Festival will be available on the festival’s website at http://composersfestival.missouri.edu/.

The culmination of the MICF is Saturday’s concert featuring world premieres of new works written by each of the festival’s eight resident composers and performed by Alarm Will Sound. The resident composers for 2019 are:

* Theophilus Chandler, Houston TX
* Inti Figgis-Vizueta, Brooklyn NY
* Charles Halka, Bellingham WA
* Chelsea Komschlies, Philadelphia PA
* Aaron Mencher, Columbia MO
* Nicole Murphy, Brisbane, Australia
* Peter Shin, New Haven CT
* Kristina Wolfe, Huddersfield, UK

In celebration of the festival’s tenth year, Donnacha Dennehy and Amy Beth Kirsten will return to the MICF to serve as the two distinguished guest composers for 2019, teaching and consulting with the resident composers and ensemble.

Dennehy is the founder of the Irish new music group Crash Ensemble and an associate professor of music at Princeton University. He previously was a guest composer at the MICF in 2012. Kirsten is a member of the composition faculty of the Longy School of Music of Bard College, and was part of the festival’s first group of resident composers in 2010.

A complete schedule of events, times, dates and venues for the 2019 Mizzou International Composers Festival will be available on the festival’s website at http://composersfestival.missouri.edu/.