Posts Tagged ‘ Henry Breneman Stewart

Composers Festival spotlight: Henry Breneman Stewart

The University of Missouri’s representative among the eight resident composers for this year’s Mizzou International Composers Festival is Henry Breneman Stewart, who just completed a master’s degree in composition at Mizzou.

While at Mizzou, Stewart (pictured) has composed works for the Mizzou New Music Ensemble, Columbia Civic Orchestra, University Singers and more, and served as the “composer on call” for the Mizzou New Music Initiative’s Composer Connection distance-learning program.

Most notably, he was the winner of the 2016 Sinquefield Composition Prize – the university’s top honor for a student composer – which resulted in a commission to write a new original work that was premiered at the 2016 Chancellor’s Arts Showcase.

A native of Lancaster County, PA, Stewart came to Mizzou via Goshen College in Goshen, IN, where he earned a BA in music and biochemistry, studying composition with Dr. Jorge Muñiz of Indiana University South Bend.

His interest in music began in childhood, as he grew up singing four-part harmony at East Chestnut Street Mennonite Church in Lancaster and began playing piano at age 5, later learning saxophone, flute and accordion as well.

During his sophomore year at Goshen, Stewart and two friends started the indie-folk band Moral Circus, which released a full-length album in early 2014. In addition to the Mennonite tradition, he cites as significant influences the music of Krzysztof Penderecki, James Blake, Shostakovich, Kanye West, Samuel Barber, Johnny Greenwood, and Run the Jewels.

When the 2017 MICF is over, Stewart will be staying in Columbia to earn a second master’s degree in music theory while also applying to doctoral programs in composition.

For more about Henry Breneman Stewart, you can listen to him talk about the process of creating a commission and his work that will be premiered at the MICF in an interview recorded in June for KMUC’s weekly “Mizzou Music” program.. You can hear his music in the embedded players below and on his SoundCloud page.

“Sun Will Rise In Black,” commissioned by the Columbia Civic Orchestra with funding from the Sinquefield Charitable Foundation and performed by Natalia Bolshakova, piano, and the Columbia Civic Orchestra, Stefan Freund, conductor.

“Love Your Enemy,” performed by the Mizzou New Music Ensemble

“Sonnet 73: De Profundis,” commissioned as a result of winning the 2016 Sinquefield Composition Prize, and performed by the University of Missouri University Singers, directed by R. Paul Crabb.

Tickets for 2017 Mizzou International Composers Festival go on sale Friday, May 26

Tickets for the 2017 Mizzou International Composers Festival (MICF) will go on sale at 10:00 a.m. CDT on Friday, May 26.

Known as the region’s premier showcase for new works by top young composers, the MICF will take place this year from Monday, July 24 through Saturday, July 29 in Columbia, and will include three public concerts.

Returning for the eighth year as the festival’s resident ensemble, Alarm Will Sound will begin the weekend of shows at 7:30 p.m. Thursday, July 27 at the Missouri Theatre, 203 S. Ninth St. in downtown Columbia.

They’ll perform music from the 2017 MICF’s distinguished guest composers, Georg Friedrich Haas and Dan Visconti, as well as works by Robert Sirota, Don Freund, and AWS violinist/guitarist Caleb Burhans.

Next, the “Mizzou New Music” concert at 7:30 p.m., Friday, July 28 at the Missouri Theatre will feature performances by the Mizzou New Music Ensemble and guest artists DRAX, with saxophonist Leo Saguiguit and percussionist Megan Arns, and cellist Eli Lara.

The grand finale of the week will showcase the world premieres of eight new works written by the festival’s resident composers and performed by Alarm Will Sound at 7:30 p.m., Saturday, July 29 at the Missouri Theatre.

Festival VIP packages are $80, and include reserved premium seating at all three concerts; two drink tickets good at the Thursday and Friday performances; and admission to a VIP reception prior to the Saturday evening performance, featuring champagne and hors d’oeuvres with members of Alarm Will Sound and the composers.

Festival passes for all three concerts are $40 for an adult general admission pass, and $20 for a student general admission pass. Single tickets are priced at $18 for adults, $10 for students, and are all general admission. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781. To buy tickets online, visit http://composersfestival.missouri.edu/.

In addition to these three concerts, the MICF also will feature several free events, including open rehearsals and presentations by the participating composers. A complete schedule of those events will be released at a later date.

The eight resident composers were chosen from among more than 260 applicants from 25 different countries to participate in the festival and create a new work for Alarm Will Sound. They are:
* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

During the festival, the resident composers will receive composition lessons from distinguished guest composers George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The resident composers also will take part in rehearsals with Alarm Will Sound; give presentations on their music; and receive a premiere performance and professional live recording of their work.

Composer Don Freund in residence this weekend at Mizzou

This weekend, the Mizzou New Music Initiative will welcome composer Don Freund to campus for a four-day residency.

A professor of composition at the Indiana University Jacobs School of Music since 1992, Freund (pictured) is an internationally recognized composer whose works range from solo, chamber, and orchestral music to pieces involving live performances with electronic instruments; music for dance; and large theater works.

He has been described as “a composer thoughtful in approach and imaginative in style” (The Washington Post), whose music is “exciting, amusing, disturbing, beautiful, and always fascinating” (Music and Musicians/London ).

Freund also has a personal connection to the University of Missouri, because in addition to being an esteemed composer and educator, he’s also the father of Mizzou’s Stefan Freund, professor of composition and artistic director of the Mizzou New Music Initiative.

An alumnus of the Eastman School of Music, where he earned a masters degree and a doctorate, Don Freund is the recipient of numerous awards and commissions, including two grants from the National Endowment for the Arts and a Guggenheim fellowship. He has served as guest composer at many universities and music festivals, and presented master classes in the US, Europe, Asia, and South America.

Before joining the faculty at the Jacobs School, from 1972 to 1992 he was chairman of the composition department at Memphis State University, where he founded the university’s annual new music festival and programmed nearly 1,000 new American works. Also active as pianist and conductor, Freund been involved in those capacities in the performance of some 200 new pieces, usually in collaboration with the composer.

During his visit to Columbia, Freund will coach the Mizzou New Music Ensemble and give individual lessons to several student composers. He’ll also give a public presentation of his works, and talk about one of his favorite composers in a lecture titled “Composition Lessons with J.S. Bach.”

Freund’s residency also will include public performances of two of his works. The Columbia Civic Orchestra, conducted by Stefan Freund, will perform Don Freund’s “Preludes for Orchestra” as part of their concert on Sunday, February 26 at the Missouri Theatre, a performance that also will feature the premiere of Mizzou composer Henry Breneman Stewart’s new piano concerto.

Then on Monday, February 27, the Mizzou New Music Ensemble’s concert at Whitmore Recital Hall will include Freund’s 2013 composition “Mixed Blood.”

For more about Don Freund, read the interview with him published in 2015 in the Society of Composers newsletter, and listen to his music on his SoundCloud page and on the Jacobs School of Music site.

Mizzou International Composers Festival announces resident composers for 2017

The Mizzou New Music Initiative (MNMI) has selected eight resident composers to participate in the 2017 Mizzou International Composers Festival (MICF).

Presented by MNMI and the University of Missouri School of Music from Monday, July 24 through Saturday, July 29 in Columbia, the eighth annual MICF will feature world premieres of new works written by each of the selected composers. Listed with their current places of residence, they are:

* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

The resident composers are chosen through a portfolio application process that this year attracted a record 261 entries from 25 different countries, also a record for the MICF. Applications were received from Argentina, Australia, Brazil, Canada, Denmark, England, Finland, France, Germany, Greece, Hong Kong, Ireland, Israel, Italy, Mexico, the Netherlands, New Zealand, Poland, Russia, Scotland, Serbia, South Korea, Sweden, Turkey, and the United States.

Four of the resident composers selected for 2017 are originally from outside the US, including Selim Göncü, who was born in Turkey; Carolina Heredia, a native of Argentina; Christopher Mayo, a Canadian; and Aaron Parker, who hails from England.

Henry Breneman Stewart, a graduate student working toward a master’s in composition at Mizzou, will represent the University of Missouri. Stewart was the winner of the 2016 Sinquefield Composition Prize, the university’s highest honor for a student composer.

The 2017 Mizzou International Composers Festival will include a series of public concerts featuring music from the resident composers and other contemporary creators, as well as workshops, master classes, and other events.

The Festival’s distinguished guest composers for 2017 will be George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they have since the MICF began in 2010.

During the festival, the eight resident composers will receive composition lessons from Haas and Visconti; take part in rehearsals with Alarm Will Sound; give public presentations on their music; and receive a premiere performance and professional live recording of a new work created specifically for the MICF and Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2017 Mizzou International Composers Festival will be announced at a later date. For more information, please visit http://composersfestival.missouri.edu/.

Mizzou New Music Ensemble presenting four world premieres and more
in concert Sunday, December 4 at Whitmore Recital Hall

The Mizzou New Music Ensemble will present four world premieres and more in the second concert of their 2016-17 season at 7:30 p.m. Sunday, December 4 at Whitmore Recital Hall on the University of Missouri campus. General admission is $5 for the public, free for Mizzou faculty, students and staff.

Three of those premieres were written by Mizzou students, including “The Garden of Earthly Delights” by Adam Cohen, a freshman composition major and Sinquefield Scholar. Inspired by Heironymous Bosch’s famous triptych painting, the piece juxtaposes surrealistic sounds against each other both rhythmically and melodically to evoke an aural whimsy.

“Foresight” is a new work by Luke Henderson that’s based on ideas found in Benjamin Franklin’s essay “The Morals of Chess.” A senior composition major at Mizzou, Henderson also has had his music performed by the University of Missouri Studio Jazz Band and the Columbia Civic Orchestra.

Kay Cypret’s “Trials and Tribulations” is a four-movement work representing “struggles of the mind, feet, heart, and spirit.” Cypret is a master’s composition student at Mizzou who also has written music for the Golden Spectra String Quartet, clarinetist Dr. Cheryl Cifeli, flautist Camden Beavers, and the Mizzou Tuba and Euphonium Ensemble.

The concert’s fourth premiere is “Passacaglia” by John Orfe, a faculty member at Bradley University and pianist for Alarm Will Sound, the group that serves as resident ensemble for the annual Mizzou International Composers Festival. Orfe’s work is a set of virtuosic variations over a line that is repeated throughout the duration of the piece.

In addition to the four world premieres, the ensemble (pictured) will be joined by a guest artist, mezzo-soprano and Mizzou professor of voice Julia Bentley, for performances of two more contemporary compositions.

“No Fire Gives Light” by Henry Breneman Stewart is an explosive work for mezzo-soprano, saxophone, percussion, and piano that is based on the biblical story “Terror Strikes the Egyptians at Night” from the Book of Wisdom, Chapter 17. Stewart is a second-year master’s student in composition at Mizzou, and was the winner of the 2016 Sinquefield Composition Prize, the university’s highest honor for a student composer.

The ensemble and Bentley will complete the program with Hans Abrahamsen’s “Efteraarslied,” which was written for mezzo-soprano, clarinet, violin, cello and piano, and incorporates text from German poet Rainer Maria Rilke’s “Autumn.” Abrahamsen, a Swiss composer who is the winner of the 2016 Grawemeyer Prize, was a distinguished guest composer for the 2015 Mizzou International Composers Festival.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, professor of composition, and artistic director of the Mizzou New Music Initiative. The Ensemble’s members for the 2016-17 season are Victoria Hargrove, clarinet; Daniel Keeler, cello; Kelariz Keshavarz, flute; Renan Leme, violin; Rebecca McDaniel, percussion; Gyumi Rha, piano; and Panagiotis Skyftas, saxophone.

Mizzou New Music Ensemble to present
benefit performance of “The Sound of Chess”

The Mizzou New Music Ensemble will be the featured performers in “The Sound of Chess,” a benefit concert at 7:00 p.m. Saturday, April 30 at the Kingside Diner, 4651 Maryland Ave in St Louis’ Central West End.

The Ensemble will perform three new works written by Mizzou student composers inspired by the game of chess: “Love Your Enemy,” composed by Henry Stewart; “Caution” by Luke Henderson; and “The Endgame” by Alex Williams. The concert also will include a performance of “Illegal Cycles,” written in 2015 by Mizzou graduate student José Martínez.

Proceeds from the event will benefit the St. Louis Chess Club and Scholastic Center and the World Chess Hall of Fame.

Tickets for “The Sound of Chess” are $50 in advance from the St. Louis Chess Club website or $60 at the door, and include the concert, cocktails and hors d’oeuvres, and complimentary valet parking. For more information, contact events@worldchesshof.org.

The eight-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer and associate professor. The Ensemble’s members for the 2015-16 season are Rachel Czech, cello; José Martínez, percussion; Rebecca McDaniel, percussion; Gyumi Rha, piano; Jeremiah Rittel, clarinets; Panagiotis Skyftas, saxophones; Erin Spencer, flute; and Britney Stutz, violin.

Student Composers Concert set for Sunday, April 24 at Whitmore Recital Hall

The spring 2016 edition of the University of Missouri School of Music’s bi-annual Student Composers Concert will showcase new works written and performed by students at 7:30 p.m. Sunday, April 24 at Whitmore Recital Hall on the Mizzou campus.

Admission is free for Mizzou students, faculty and staff with ID, $5 for the general public.

The program will include:
“Four Jazz Moods” by Benedetto Colagiovanni
“That I Have Not Lived” by Dustin Dunn
“Ever Yours, l. Paris, 1 August 1890” by Travis Herd
“Musings of Sky” by Hans Bridger Heruth
“Ballroom Blues” by Erin Höerchler
“Instruction Manual” by José Martínez
“Solitude” by Aaron Mencher
“Crystalline” by Henry Breneman Stewart

Performers will include Jenna Braaksma, piano; Ben Colagiovanni, piano; Rachel Czech, cello; Ross Dryer, piano; Jesús Gómez, violin; Erin Höerchler, soprano; Beverly Jones, baritone saxophone; Bria Jones, mezzo soprano; Mary Kettlewell, soprano; Renan Leme, violin; Sam McCullogh, tenor saxophone; Travis Meier, soprano saxophone; Gyumi Rha, piano; Joe Rulli, saxophone; Catherine Sandstedt, viola; Paola Savvidou, piano; Patrick Smith, bass baritone; Britney Stutz, violin; Matthew Vallot, alto saxophone; and Alex Williams, cello.

Mizzou New Music Ensemble making moves
with compositions inspired by chess in concert
Monday, April 25 at Whitmore Recital Hall

Three new works by Mizzou student composers inspired by the game of chess will be given a “sneak preview” in a concert by the Mizzou New Music Ensemble at 7:30 p.m. Monday, April 25 at Whitmore Recital Hall on the University of Missouri campus. Admission is free for Mizzou students, faculty and staff with ID, $5 for the general public.

All three pieces were composed for the Ensemble’s upcoming concert on Saturday, April 30 at the World Chess Hall of Fame in St. Louis.

“Love Your Enemy” is by Henry Breneman Stewart, a first-year master’s student majoring in composition and winner of the 2016 Sinquefield Composition Prize. Capturing the tensions found in both the competition of chess and the expression of the arts, Stewart’s work contrasts loud, aggressive, figures with bittersweet melodic lines.

“Caution,” composed by Luke Henderson, was inspired by a Ben Franklin quote about chess. It features carnival-like marches and improvised sections that convey the excitement and delight resulting from being passionate about an interest, like chess. Henderson is a senior at Mizzou majoring in composition and music education. His work “Routine Android” had its premiere performance by the Columbia Civic Orchestra in March 2016 as part of the Missouri Composers Orchestra Project.

Alex Williams’ “The Endgame” is a programmatic work based on the notion of chess as warfare. Opening with a saxophone “call to battle,” it depicts the violence of war with rugged mixed-meter melodies, which then give way to a mournful alto flute solo and the climax. Williams is a sophomore Sinquefield Scholar majoring in composition at Mizzou.

In addition to the three new chess-inspired works, the concert also will include “B&E (with aggravated assault)” by Oscar Bettison, who will be a distinguished guest composer at this summer’s Mizzou International Composers Festival. Performed with guest musician Robbie Lawson on electric guitar, “B&E (with aggravated assault)” is described as “an unabashed heavy metal rock tune,” complete with double-bass drum pedal fills, shredding electric guitar, and wailing bass clarinet.

Rounding out the program will be a special performance of “Off Pist,” a “delightfully jazzy” work by the eclectic Swedish composer and bassist Svante Henryson; and a set by the Mizzou Creative Improvisation Ensemble, directed by Rich Pellegrin.

The eight-member Mizzou New Music Ensemble (pictured) is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer and associate professor. The Ensemble’s members for the 2015-16 season are Rachel Czech, cello; José Martínez, percussion; Rebecca McDaniel, percussion; Gyumi Rha, piano; Jeremiah Rittel, clarinets; Panagiotis Skyftas, saxophones; Erin Spencer, flute; and Britney Stutz, violin.

The Mizzou New Music Ensemble serves as the repertory group for the Mizzou New Music Initiative, an array of programs positioning the University of Missouri School of Music as a leading center in the areas of composition and new music. In that capacity, they work with faculty, students and visiting composers, and give public performances on campus and in the community.