Posts Tagged ‘ Haley Myers

Mizzou New Music Ensemble playing works
by Mizzou composers past and present
on Monday, October 16 at Whitmore Recital Hall

The Mizzou New Music Ensemble‘s first concert of the 2017-18 season will feature music from two Mizzou alumni, one new faculty member, and more.

The concert will take place at 7:30 p.m. Monday, October 16 at Whitmore Recital Hall on the Mizzou campus. Admission is $5 for the general public, free for Mizzou faculty, students and staff with ID.

Works to be performed will include “Lus in Bello” by Carolina Heredia, who this fall joined the University of Missouri faculty as the Mizzou New Music Initiative’s new postdoctoral fellow. Heredia first composed the piece in 2014 for the acclaimed new music group JACK Quartet, and in 2016 revised the arrangement for the Khemia Ensemble, the group she founded while a graduate student at the University of Michigan.

Also on the program are two pieces by recent Mizzou alumni. “Spherodendron” is by Haley Myers, who graduated in 2015 with a BM in composition. Inspired by the work of artist Bill Smith, it was written in 2013 specifically for a concert at the World Chess Hall of Fame in St. Louis.

“Naturally Synthetic” was premiered in 2012 at the Contemporary Art Museum St. Louis, and was written by Joe Hills, who earned his master’s degree in composition from Mizzou in 2013.

In addition, Mizzou faculty mezzo-soprano Julia Bentley will join the Ensemble as guest artist for a performance of Steven Snowden‘s “Matilda.” Written in 2010 for soprano and mixed chamber ensemble, the piece incorporates the text of “Matilda Who Told Lies, and was Burned to Death,” a satirical children’s poem by the early 20th century writer Hilaire Belloc.

Snowden is a freelance composer based in Boston who was a resident composer at the 2011 Mizzou International Composers Festival. He’s returning to Mizzou for a guest composer residency in October, which will include a “Composer Portrait” concert of his music on Tuesday, October 3.

Completing the evening, the Ensemble will perform “Damn,” a 1998 work for amplified clarinet and four percussionists composed by John Mackey. Mackey, who lives in Massachusetts and is known particularly for his works for wind ensemble and concert band, visited the Mizzou campus for a residency in 2012.

The seven-member Mizzou New Music Ensemble (pictured) is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, professor of composition, and artistic director of the Mizzou New Music Initiative. The Ensemble’s members for the 2017-18 season are Victoria Hargrove, clarinet; Hannah Hutchins, percussion; Daniel Keeler, cello; Kelariz Keshavarz, flute; Pedro Ramiro, violin; Libby Roberts, piano; and Brianna Trainor, percussion.

“Herstory” website features original music from Mizzou composer Haley Myers

Senior composition major Haley Myers talks about creating the soundtrack for "Herstory"

Haley Myers, a senior composition major at Mizzou, has written and performed original music for The Herstory: JAWS Oral History Project, a new website created by the Reynolds Journalism Institute at the University of Missouri.

“Herstory,” which went online last week, documents the professional careers, work experiences and associational life of senior women journalists who have participated in the Journalism and Women Symposium (JAWS), an organization of female journalists that grew out of a 1984 panel discussion at the Missouri School of Journalism. The site features in-depth interviews with 34 JAWS members, as well as profiles of the interviewees; audio and video clips; pictures of early JAWS gatherings; and newsletters and documents from the organization’s first few years, provided by the State Historical Society of Missouri Manuscript Collection.

Myers wrote the music and played piano for the site’s soundtrack, which also features fellow student Grant Bradshaw performing on viola. The music editing was done by Mizzou New Music Initiative managing director Billy Lackey.

The site was unveiled in a presentation on Friday, May 1 at the School of Journalism. You can read more about “Herstory” and the students and faculty members who worked on the project here.

Pictured, from left: Young Volz, associate professor, School of Journalism; A.J. Million, web developer; Dean Mills, professor and Dean of the School of Journalism; William Lackey; Haley Myers; Ying Wu, website creative director & assistant professor, School of Journalism.

New music inspired by Bill Smith exhibition
to debut Saturday, May 4 at World Chess Hall of Fame

The World Chess Hall of Fame and the Mizzou New Music Initiative will present the world premieres of three new compositions inspired by the work of St. Louis visual artist Bill Smith in “The Sound of Art at the World Chess Hall of Fame” at 7:00 p.m. Saturday, May 4 at the WCHOF, 4652 Maryland Ave in St. Louis. Doors open at 6:30 p.m., with a cocktail reception following the concert.

For this most recent installment in the series of interdisciplinary events that began in 2010, University of Missouri composition students Joe Hills, Haley Myers, and Robert Strobel each have written new pieces based on Beyond the Humanities, the Hall of Fame’s current exhibition of works by Smith.

The Mizzou New Music Ensemble (pictured) will perform Hills’ “Iridescent Labyrinth,” Myers’ “Spherodendron,” and Strobel’s “Graphyne,” as well as “Dancing Helix Rituals” by Augusta Read Thomas, who will be a guest composer at this summer’s Mizzou International Composers Festival in Columbia.

The event is free and open to the public. However, because seating is limited, reservations are required. RSVPs should be made to Lauren Stewart by phone at 314-367-9243 ext 106 or by email at lauren.stewart@worldchesshof.org. The concert also will be streamed live online at http://livestream.com/uschess.

The World Chess Hall of Fame is a nonprofit organization committed to building awareness for the cultural and artistic significance of chess. It opened on September 9, 2011, in St. Louis’s Central West End after moving from previous locations in New York and Miami.

The WCHOF is housed in an historic 15,900 square-foot building that includes three floors of galleries, the U.S. and World Chess Halls of Fame, and the Q Boutique. It provides visitors with a unique opportunity to use chess as a platform for learning, exploring, and seeing their world in entirely new ways. It is the only cultural institution of its kind in the world and the only solely chess-focused collecting institution in the U.S.