Posts Tagged ‘ Ethan Forte

St. Louis Symphony Orchestra to read works by Mizzou composers
Hans Bridger Heruth, Ethan Forte, and Daniel Vega

From left: Heruth, Forte, Vega

Three University of Missouri student composers will have their works played by musicians with the St. Louis Symphony Orchestra this year as part of a joint educational venture between the orchestra and the Mizzou New Music Initiative.

Student composers Hans Bridger Heruth, Ethan Forte, and Daniel Vega (pictured) were selected by SLSO Resident Conductor Gemma New to write new works for a 40-piece chamber orchestra drawn from the musicians of the St. Louis Symphony.

The three works will be read, played, and critiqued in a private session on Tuesday, October 1 in St. Louis. The composers then will get a chance to revise their music for a second, public reading by the same musicians at 3:30 p.m. Sunday, March 29 at Powell Hall.

Heruth, a senior, and Forte, a junior, are working toward their undergraduate degrees in composition at Mizzou, while Vega is in his second year of study for a master’s degree. They are the third group of Mizzou composers to take part in the program, which began in 2017. They will deliver the first versions of their works to the Symphony in early September.

“Given that the mission of the Mizzou New Music Initiative is to make Missouri a center for composition, we’re very pleased to be able to collaborate with one of the state’s most prestigious musical organizations,” said Stefan Freund, professor of composition at the University of Missouri School of Music and artistic director of the Mizzou New Music Initiative. “We’re grateful to the St. Louis Symphony and Gemma New for these opportunities to give our students some practical experience working with an ensemble of world-class musicians.”

The two-session format makes this program particularly valuable, Freund said. “Our composers are able to hear their music played, get immediate feedback directly from the conductor and musicians, and make revisions. Then they can hear the results of the changes they’ve made in the second session, which makes for a learning experience that can’t be duplicated in a classroom.”

Acclaimed as one of today’s most exciting and enduring orchestras, the St. Louis Symphony Orchestra is the second-oldest orchestra in the country, celebrating its 140th year in the 2019/2020 season. Widely considered one of the world’s finest, the SLSO maintains its commitment to artistic excellence, educational impact, and community connection – all in service to its mission of enriching lives through the power of music. Today, the SLSO builds on the institution’s current momentum on all fronts, including artistic, financial, audience growth, and community impact, and looks toward the future with new Music Director Stéphane Denève.

Mizzou New Music Ensemble to perform works by Socolofsky, Kirsten, Dennehy, Christensen and Forte on Sunday, February 24 at Whitmore Recital Hall

The Mizzou New Music Ensemble will perform works by three visiting composers plus two world premieres by Mizzou students in a concert at 7:30 p.m. Sunday, February 24 at Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus. Admission is free and open to the public.

The program will feature “Don’t say a word,” a “feminist rager-lullaby” by Annika Socolofsky from 2017 that “invokes the fragility and fury of the female voice.” Socolofsky, a composer and singer who is a doctoral candidate and fellow in composition at Princeton University, will be visiting Mizzou for a residency that week, and will coach and perform with the Ensemble.

Also included on the program will be “World Under Glass No. 2,” composed in 2011 by Amy Beth Kirsten. The piece is inspired by the Distillation series of New York visual artist Thomas Doyle, who creates dark, disturbing miniature scenes displayed in vessels resembling over-sized snow globes. Kirsten will be one of the two distinguished guest composers at this summer’s Mizzou International Composers Festival (MICF).

Donnacha Dennehy, who will be the other distinguished guest composer at the 2019 MICF, will be represented by “The Blotting.” a work commissioned in 2004 by the Bath International Music Festival that’s described by the composer as being “quite rhythmically virtuosic in places, making use of manically interlocking hockets.”

Two new works by Mizzou students will complete the concert. “Ozymandias” by Ethan Forte, a junior composition major at Mizzou, “attempts to capture the vivid literary work by Percy Bysshe Shelley,” while “The Dream is More Than Process” by second-year master’s student Mikkel Christensen takes inspiration and its title from a lyric by rapper Kendrick Lamar.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2018-19 season are Hannah Hutchins, percussion; Ann Mozina, flutes; Pedro Ramiro, violin; Elisabeth Roberts, piano; Brianna Trainor, percussion; Cameron Tubbs, cello; and Austin Wright, clarinets. They will be augmented for this performance by guest musicians Mitchell Goodman, euphonium; Tyler Hannsz, viola; Kassandra Ormsby, bassoon; and Aubrey Smith, soprano.

Post-doctoral fellow Yoshiaki Onishi is the Ensemble’s assistant conductor, and will conduct the performances of “World Under Glass no. 2” and “The Blotting.”

Mizzou New Music Ensemble to debut “Innovation Symphony”
with performances in Columbia and St. Louis

The Mizzou New Music Ensemble will celebrate the spirit of creativity in technology and the arts with performances in Columbia and St. Louis of “Innovation Symphony,” a new collaborative, multi-part work by four Mizzou student composers.

“Innovation Symphony” will be previewed in a concert at 7:30 p.m. Monday, April 23 at Whitmore Recital Hall on the University of Missouri campus in Columbia.

The work’s official premiere will be presented by Venture Cafe St. Louis at 8:00 p.m. Saturday, April 28 at the Cortex Innovation Community‘s @4240 building, located at 4240 Duncan Ave. in St. Louis.

The concert in Columbia is free and open to the public. Admission to the performance in St. Louis also is free and open to the public, but those wishing to attend are asked to RSVP online at https://innovationsymphony.eventbrite.com/.

“Innovation Symphony” has four sections, each written by a different composer based on a specific aspect of the Cortex Innovation Community, and was composed specifically for the Mizzou New Music Ensemble (pictured) with funding from the Sinquefield Charitable Foundation.

The sections are “A Creative Meditation,” written by Libby Roberts, who’s in her first year of study for a master’s degree in composition at Mizzou and is the pianist for the Ensemble; “Breath of Life,” by Ethan Forte, a sophomore composition major at Mizzou; “Efficiency of Locomotion,” by Adam Cohen, also a sophomore composition major; and “Untitled (Room to Breathe)” by Mikkel Christensen, who’s also a first year master’s student in composition.

“Innovation Symphony” does more than explore innovation as a subject, as the composers also have deployed unusual, creative techniques and instruments in their scores. For example, Christensen’s segment uses wood and plastic percussion instruments custom-built by the composer, while Roberts’ work incorporates a high-tech form of audience participation. Her composition includes ambient sounds that audience members will be able to trigger during the performance from three Novation Launchpad Minis, which are push-button controllers designed specifically for electronic music.

Before the premiere in St. Louis, all four composers will be on hand for Venture Cafe St. Louis’ weekly “Thursday Gathering” at 4:30 p.m. Thursday, April 26 at Venture Cafe, 4240 Duncan Ave, to give a presentation about their works and compositional processes. That event also is free and open to the public, with no RSVP required.

Venture Cafe St. Louis is an organization dedicated to connecting innovators to make things happen. Cortex Innovation Community is a 200-acre innovation hub and technology district integrated into St. Louis’ historic Central West End and Forest Park Southeast residential neighborhoods.

Mizzou New Music Ensemble presenting “Words and Music”
and more on Sunday, December 3 at Whitmore Recital Hall

The Mizzou New Music Ensemble will premiere new works by seven different Mizzou composers in a concert at 7:30 p.m. Sunday, December 3 at Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus. Admission is $5 for the general public, free for Mizzou faculty, students and staff with ID.

The full Ensemble (pictured) will present the premiere performances of “notfromme” by Mikkel Christensen, a first-year master’s student; “Night Blossoms,” by senior composition major Ben Colagiovanni; “If you have nothing nice to say [say it softly],” by Libby Roberts, also a first-year master’s student and the pianist for the Ensemble; and “Good Vibes,” by freshman composition major Nick Williams.

The concert also will feature four songs created this fall as part of “Words and Music,” a collaborative project between the School of Music and the Department of English.

Overseen by post-doctoral fellow Carolina Heredia and assistant teaching professor Julia Bentley from the School of Music, along with Gabriel Fried, assistant professor of English, the “Words and Music” project involved three teams, each including an MU student poet, composer, singer, and a Mizzou New Music Ensemble member.

The new works they created to be performed at this concert are:

“Katabasis,” with words by Mary Clare Agnew and music by Libby Roberts, which will be performed by Briana Bennett, mezzo-soprano, and Kelariz Keshavarz, flute;

“The Wanderer,” with words by Hannah Cajandig and music by Adam J. Cohen, a sophomore composition major, to be performed by soprano Morgan Owen and percussionist Brianna Trainor; and

“Transience,” with words by Bryn Bartel and music by sophomore composition major Ethan Forte, performed by Matt Ahn, baritone and Daniel Keeler, cello.

In addition, as an example for the students, Gabriel Fried and Carolina Heredia worked together to write “Schoolyard Blessing,” which will be performed at the concert by Julia Bentley with Libby Roberts on piano.

Missouri Composers Orchestra Project selects six works for concert on March 20

For many young composers, writing for orchestra or chorus represents a significant pinnacle of achievement, offering artistic satisfaction and enhancing credibility and career opportunities.

Reaching that pinnacle, however, also requires getting that new, large ensemble work played in public, which is not always an easy task when resources are scarce and many music directors tend to rely on familiar favorites.

Now, six up-and-coming composers are getting a boost from the Missouri Composers Orchestra Project (MOCOP), as their orchestral and choral works will be performed by the Columbia Civic Orchestra (CCO) and the Columbia Chamber Choir at a concert on Sunday, March 20 in Columbia.

The compositions were chosen in the fifth annual competition conducted under the auspices of MOCOP, a collaborative effort involving the CCO, Chamber Choir, the Mizzou New Music Initiative, and the Sinquefield Charitable Foundation.

The 2016 MOCOP competition included for the first time both choral and orchestral works in five categories – three for Missouri composers, and two added this year specifically for composers currently studying at schools in the Southeastern Conference.

All the winners will receive a $500 honorarium from the Sinquefield Charitable Foundation, and the composers selected from SEC schools also will receive travel expenses so they can attend the final rehearsal and concert. This year’s selected works and their composers are:

Missouri Open – Orchestral: “Wafting Mists” by Daniel Morel, a doctoral student at the UMKC Conservatory of Music and Dance. Morel also holds degrees from Bucknell University (BA) and The Hartt School, University of Hartford (MM, AD).

Missouri High School – Orchestral: “Nightmare Waltz” by Emily Shaw, a sophomore at Gloria Deo Academy in Springfield, MO.

Missouri High School – Choral: “Solar Flare” by Ethan Forte, a senior at Rock Bridge High School in Columbia, MO.

SEC Student – Orchestral: “A Cypress Prelude” by Christopher Lowry, a DMA student at Louisiana State University (LSU). Lowry, who plays viola with several regional orchestras, also has a bachelor of music degree from Vanderbilt University’s Blair School of Music and a master of music degree from LSU.

SEC Student – Choral: “When I am Dead, My Dearest” by Ryan Stennes, a senior pursuing a bachelor’s degree in composition at the University of Tennessee.

The concert also will include a performance of “Routine Android,” an orchestral work by University of Missouri senior composition major Luke Henderson that was recognized with an Honorable Mention in the 2016 MOCOP competition.

The CCO and the Columbia Chamber Choir will perform all the selected works in a concert at 7:30 p.m. Sunday, March 20 at Broadway Christian Church, 2601 West Broadway in Columbia. Admission is free and open to the public.

The Columbia Civic Orchestra is a volunteer group located in Columbia, Missouri, dedicated to providing enjoyment for its members and audiences with the presentation and preservation of high-quality symphonic music.

The Columbia Chamber Choir in a subset of the Columbia Chorale, which works to promote choral music of the highest artistic quality and to stimulate a greater community understanding, appreciation, and enjoyment of choral music by presenting programs appealing to a wide cross-section of Missouri residents and visitors.

The Missouri Composers Orchestra Project (MOCOP) is a collaborative effort by the Sinquefield Charitable Foundation, the Mizzou New Music Initiative, the Columbia Civic Orchestra, and the Columbia Chamber Choir to bring attention to new large ensemble works written in the state of Missouri and by SEC student composers. By identifying composers and providing opportunities for the performance of their work, MOCOP intends to showcase emerging talent from Missouri and SEC schools and share it with the world.