Posts Tagged ‘ Donnacha Dennehy

Mizzou New Music Ensemble to perform works by Socolofsky, Kirsten, Dennehy, Christensen and Forte on Sunday, February 24 at Whitmore Recital Hall

The Mizzou New Music Ensemble will perform works by three visiting composers plus two world premieres by Mizzou students in a concert at 7:30 p.m. Sunday, February 24 at Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus. Admission is free and open to the public.

The program will feature “Don’t say a word,” a “feminist rager-lullaby” by Annika Socolofsky from 2017 that “invokes the fragility and fury of the female voice.” Socolofsky, a composer and singer who is a doctoral candidate and fellow in composition at Princeton University, will be visiting Mizzou for a residency that week, and will coach and perform with the Ensemble.

Also included on the program will be “World Under Glass No. 2,” composed in 2011 by Amy Beth Kirsten. The piece is inspired by the Distillation series of New York visual artist Thomas Doyle, who creates dark, disturbing miniature scenes displayed in vessels resembling over-sized snow globes. Kirsten will be one of the two distinguished guest composers at this summer’s Mizzou International Composers Festival (MICF).

Donnacha Dennehy, who will be the other distinguished guest composer at the 2019 MICF, will be represented by “The Blotting.” a work commissioned in 2004 by the Bath International Music Festival that’s described by the composer as being “quite rhythmically virtuosic in places, making use of manically interlocking hockets.”

Two new works by Mizzou students will complete the concert. “Ozymandias” by Ethan Forte, a junior composition major at Mizzou, “attempts to capture the vivid literary work by Percy Bysshe Shelley,” while “The Dream is More Than Process” by second-year master’s student Mikkel Christensen takes inspiration and its title from a lyric by rapper Kendrick Lamar.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2018-19 season are Hannah Hutchins, percussion; Ann Mozina, flutes; Pedro Ramiro, violin; Elisabeth Roberts, piano; Brianna Trainor, percussion; Cameron Tubbs, cello; and Austin Wright, clarinets. They will be augmented for this performance by guest musicians Mitchell Goodman, euphonium; Tyler Hannsz, viola; Kassandra Ormsby, bassoon; and Aubrey Smith, soprano.

Post-doctoral fellow Yoshiaki Onishi is the Ensemble’s assistant conductor, and will conduct the performances of “World Under Glass no. 2” and “The Blotting.”

Mizzou International Composers Festival announces resident composers for 2019

The Mizzou New Music Initiative (MNMI) has selected eight resident composers to participate in the 2019 Mizzou International Composers Festival (MICF).

Presented by MNMI and the University of Missouri School of Music from Monday, July 22 through Saturday, July 27 in Columbia, the tenth annual MICF will feature world premieres of new works written by each of the selected composers. Listed with their current places of residence, they are:

* Theophilus Chandler, Houston TX
* Inti Figgis-Vizueta, Brooklyn NY
* Charles Halka, Bellingham WA
* Chelsea Komschlies, Philadelphia PA
* Aaron Mencher, Columbia MO
* Nicole Murphy, Brisbane, Australia
* Peter Shin, New Haven CT
* Kristina Wolfe, Huddersfield, UK

Two of the resident composers are originally from outside the US. Nicole Murphy is a native of Sydney, Australia, while Inti Figgis-Vizueta, though raised in Washington DC, was born in Dublin, Ireland.

Aaron Mencher, a senior composition major at Mizzou, will represent the University of Missouri. Mencher was the winner of the 2018 Sinquefield Composition Prize, the university’s highest honor for a student composer. Resident composer Peter Shin also has a Missouri connection, as he was born and raised in Kansas City.

The 2019 Mizzou International Composers Festival will include a series of public concerts featuring music from the resident composers and other contemporary creators, as well as workshops, master classes, and other events.

In celebration of the festival’s tenth year, Donnacha Dennehy and Amy Beth Kirsten will return to the MICF to serve as the two distinguished guest composers for 2019, teaching and consulting with the resident composers and ensemble.

Dennehy, who is considered one of Ireland’s top living composers, is the founder of the new music group Crash Ensemble and an associate professor of music at Princeton University. He previously was a guest composer at the MICF in 2012.

Kirsten is a member of the composition faculty of the Longy School of Music of Bard College. Her works explore theatrical elements of creation, performance, and presentation through music, language, voice, and theatre. She was part of the festival’s first group of resident composers in 2010.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they have since the MICF began in 2010.

During the festival, the eight resident composers will receive composition lessons from Dennehy and Kirsten; take part in rehearsals with Alarm Will Sound; give public presentations on their music; and receive a premiere performance and professional live recording of a new work created specifically for the MICF and Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2019 Mizzou International Composers Festival will be announced at a later date. For more information, please visit http://composersfestival.missouri.edu/.

Tenth annual Mizzou International Composers Festival set for July 22-27, 2019; applications for resident composers now open

The Mizzou New Music Initiative is accepting applications for resident composers to take part in the tenth annual Mizzou International Composers Festival (MICF), which will be held Monday, July 22 through Saturday, July 27, 2019 on the campus of the University of Missouri in Columbia.

In celebration of the festival’s tenth year, Donnacha Dennehy and Amy Beth Kirsten (pictured) will return to the MICF to serve as the two distinguished guest composers for 2019, teaching and consulting with the resident composers and ensemble. Dennehy was a guest composer at the MICF in 2012, while Kirsten was part of the festival’s first group of resident composers in 2010.

The MICF features three public concerts of music from contemporary composers, as well as workshops, master classes, and other events. As in years past, Saturday night’s grand finale at the Missouri Theatre will present the world premieres of new works from each of the eight resident composers, with Alarm Will Sound, conducted by artistic director Alan Pierson, serving as resident ensemble.

The resident composers are selected for the MICF each year through an online portfolio application process. During the festival, they’ll get composition lessons from the distinguished guest composers and Mizzou faculty, and take part in rehearsals with Alarm Will Sound. Each composer also will receive a professional live recording of their work.

The deadline to apply to become a resident composer for the 2019 Mizzou International Composers Festival is 5:00 p.m. Central time, Friday, November 16, 2018. For more information or to submit an application, please visit https://app.getacceptd.com/mizzou.

Considered one of Ireland’s top living composers, Donnacha Dennehy is the founder of the new music group Crash Ensemble and an associate professor of music at Princeton University. His music has been featured at festivals and venues around the world, including the Edinburgh International Festival, Carnegie Hall, The Barbican in London, and many others.

In recent years, Dennehy has concentrated especially on large-scale musico-dramatic works, including his first opera “The Last Hotel,” which premiered at the Edinburgh International Festival in August 2015; “The Second Violinist,” which won the 2017 Fedora Prize for Opera and premiered in July 2017 at the Galway International Arts Festival; and the docu-opera “The Hunger,” which was performed as a work-in-progress at the 2012 MICF, subsequently co-produced in completed form by Alarm Will Sound and Opera Theatre St. Louis, and presented at BAM in New York.

The full concert version of “The Hunger” will be performed during the 2019 MICF by Alarm Will Sound and guest soloists Kate Manley and Iarla O’Lionaird as part of AWS’ Thursday night concert. That concert also will include a performance of part of a new operatic work-in-progress that Kirsten is composing for Alarm Will Sound.

Educated at Roosevelt University and the Peabody Institute, Amy Beth Kirsten currently lives in New Haven, CT and is a member of the composition faculty of the Longy School of Music of Bard College. Her work explores theatrical elements of creation, performance, and presentation, fusing music, language, voice, and theatre, with musicians’ instruments, bodies, and voices often considered as equal vehicles of expression.

She has written and composed fully-staged theatrical works as well as traditional concert works for her own ensemble, HOWL, musicians from the Chicago Symphony Orchestra, the New World Symphony, eighth blackbird, American Composers Orchestra, and others.

A complete schedule of events, times, dates and venues for the 2019 Mizzou International Composers Festival will be made available at a later date. For more information, please visit http://composersfestival.missouri.edu/.

From the Grammy Awards to Mizzou with Third Coast Percussion

When Third Coast Percussion visits the University of Missouri next week, not only will they be coming directly from the Grammy Awards, they’ll actually be bringing a bit of Mizzou along with them.

The Chicago-based group is nominated for a Grammy this year in the category of “Best Chamber Music/ Small Ensemble Performance” for their album Steve Reich, and they’ll also be performing at the Grammy “Premiere Ceremony” hosted by comedian Margaret Cho before the nationally televised portion of the awards gets underway on Sunday, February 12 at the Microsoft Theater in Los Angeles.

When they get to Columbia the next day, the four members of TCP will be looking at a busy schedule, culminating in a concert on Friday, February 17 at the Missouri Theatre, but also including various other activities throughout the week, most notably a workshop presentation of a new piece they recently commissioned from a Mizzou alumnus.

José Martínez, who earned his master’s degree in composition from Mizzou in 2016, was selected by Third Coast Percussion to participate in their Emerging Composers Partnership for the 2016-17 season.

Now pursuing doctoral studies at the University of Texas, Martínez during his time in Columbia was the percussionist for the Mizzou New Music Ensemble; a resident composer at the 2014 Mizzou International Composers Festival; and the winner of the 2013 Sinquefield Composition Prize, the University’s highest honor for a composition student.

After being chosen by Third Coast Percussion for this year’s Emerging Composers Partnership, he took part in a series of workshops with the group as a prelude to writing a new piece to be premiered in a concert this spring in Chicago.

That commissioned composition, “Two Questions About Time,” will get its first official performance on Sunday, May 28 at the Chicago venue Constellation, but Mizzou students and curious Columbia listeners will be able to hear how it’s shaping up in a public open workshop session with TCP and Martínez from 10:00 a.m to noon on Thursday, February 16 in Room 112 of Loeb Hall.

Third Coast Percussion’s residency also will include a performance for students at Lee Elementary School and a masterclass with the MU Percussion Studio on Tuesday, February 14; a joint public performance of Terry Riley’s “In C” with the Mizzou New Music Ensemble at 2:00 p.m. Wednesday, February 15 at the Student Center; and a reading session of new music by Mizzou student composers Jake Smucker, Trey Makler, and Aaron Mencher at 7:00 p.m. Thursday, February 16 at Whitmore Recital Hall.

Though TCP won’t be playing Martínez’ new work at their concert on Friday, the program nevertheless will have another connection to the Mizzou New Music Initiative, as it will include music by two former distinguished guest composers at the Mizzou International Composers Festival.

The group will play “Resounding Earth, mvt. 2, Prayer,” written by Augusta Read Thomas, who was a guest at the 2014 MICF; and “Surface Tension,” by Donnacha Dennehy, who took part in the 2012 festival. Steve Reich’s 2009 “Mallet Quartet” and Glenn Kotche’s “Wild Sound, part 4,” written in 2014, will complete the evening.

Photo of José Martínez (center) with Third Coast Percussion via https://www.instagram.com/thirdcoastpercussion/.

“Conversations with Composers” podcast – Episode 103

Here’s the third installment in our series of “Conversations With Composers” podcasts recorded at this year’s Mizzou New Music Summer Festival. Episode 103 is the second and final part of a conversation including guest composer Donnacha Dennehy and resident composers Stephanie Berg, Brian Ciach, Charlie Piper and Asha Srinivasan. Give it a listen using the embedded player below:

“Conversations with Composers” podcast – Episode 102

Here’s another installment in our series of “Conversations With Composers” podcasts. Recorded during the 2012 Mizzou New Music Summer Festival, episode 102 is the first part of a conversation among guest composer Donnacha Dennehy and resident composers Stephanie Berg, Brian Ciach, Charlie Piper and Asha Srinivasan. You can hear it in the embedded player below:

More Mizzou New Music Summer Festival press coverage

As the Mizzou New Music Summer Festival has progressed this week, we’ve seen some more coverage of the Festival in the press and online:

* The Kansas City Star had a feature story about resident composer Stephanie Berg, who grew up in the KC suburb of Parkville.

* The Columbia Daily Tribune‘s Art Axis blog published interviews that reporter Aarik Danielsen conducted with guest composers Donnacha Dennehy and Steven Stucky.

* Violist Nadio Sirota, who’s a substitute player this week with the Festival’s resident ensemble Alarm Will Sound, has written about her experience for the website of NYC’s classical music radio station WQXR.

* Nonesuch Records, which has released recordings by both Alarm Will Sound and Donna Dennehy, mentioned the MNMSF in the weekly news wrap-up on their website. (Scroll down to see.)

Meanwhile, resident ensemble Alarm Will Sound has posted on their Facebook page some photo sets offering a behind-the-scenes look at the first three days of the Festival:
Alarm Will Sound at the Mizzou New Music Summer Festival – Day 1
Alarm Will Sound at the Mizzou New Music Summer Festival – Day 2
Alarm Will Sound at the Mizzou New Music Summer Festival – Day 3

Mizzou New Music Summer Festival to include free events

In addition to the ticketed concerts at the Missouri Theatre, the 2012 Mizzou New Music Summer Festival includes a number of events that are free of charge and open to the public.

At 4:00 p.m. on Monday, July 23, guest composer Steven Stucky will present a master class with the vocal ensemble Voices of Prometheus at McKee Auditorium on the MU Campus.

Presentations by the Festival’s guest resident and faculty composers also will be open to the public. All the composer presentations will take place in the Fine Arts Building’s Room 145.

The resident composers will give presentations on their work from 9:00 a.m – 12:15 p.m. and 1:45 – 3:50 p.m. on Monday, and from 9:00 a.m – 12:15 p.m. on Tuesday. Guest composer Donnacha Dennehy will offer his presentation at 7:00 p.m. Tuesday evening, followed at 8:30 p.m. by MU faculty composer Stefan Freund. Then on Wednesday evening, Steven Stucky will present at 7:00 p.m., with MU faculty composer W. Thomas McKenney discussing his work at 8:30 p.m..

If you’d like to get a close-up look at how new compositions are prepared for performance, the Festival’s resident ensemble Alarm Will Sound (pictured) will hold several open rehearsals during the week. Here’s the schedule of open rehearsals, which will be held in room 201 of Loeb Hall on the MU campus.

Tuesday, July 24:
12:45 p.m – 4:00 p.m – Resident composers
4:00 p.m – 5:00 p.m – Steven Stucky

Wednesday, July 25:
9:00 a.m. – 10:30 a.m. – Steven Stucky
10:45 a.m. – 12 15 p.m.- Donnacha Dennehy
1:45 p.m. – 5:00 p.m.- Resident composers

Friday, July 27:
9:00 a.m. – 12:15 p.m. – Resident composers
1:45 p.m.- 5:00 p.m.- Resident composers

For a complete schedule of events, please see the Mizzou New Music Summer Festival website.