Posts Tagged ‘ Don Freund

Composer Don Freund in residence this weekend at Mizzou

This weekend, the Mizzou New Music Initiative will welcome composer Don Freund to campus for a four-day residency.

A professor of composition at the Indiana University Jacobs School of Music since 1992, Freund (pictured) is an internationally recognized composer whose works range from solo, chamber, and orchestral music to pieces involving live performances with electronic instruments; music for dance; and large theater works.

He has been described as “a composer thoughtful in approach and imaginative in style” (The Washington Post), whose music is “exciting, amusing, disturbing, beautiful, and always fascinating” (Music and Musicians/London ).

Freund also has a personal connection to the University of Missouri, because in addition to being an esteemed composer and educator, he’s also the father of Mizzou’s Stefan Freund, professor of composition and artistic director of the Mizzou New Music Initiative.

An alumnus of the Eastman School of Music, where he earned a masters degree and a doctorate, Don Freund is the recipient of numerous awards and commissions, including two grants from the National Endowment for the Arts and a Guggenheim fellowship. He has served as guest composer at many universities and music festivals, and presented master classes in the US, Europe, Asia, and South America.

Before joining the faculty at the Jacobs School, from 1972 to 1992 he was chairman of the composition department at Memphis State University, where he founded the university’s annual new music festival and programmed nearly 1,000 new American works. Also active as pianist and conductor, Freund been involved in those capacities in the performance of some 200 new pieces, usually in collaboration with the composer.

During his visit to Columbia, Freund will coach the Mizzou New Music Ensemble and give individual lessons to several student composers. He’ll also give a public presentation of his works, and talk about one of his favorite composers in a lecture titled “Composition Lessons with J.S. Bach.”

Freund’s residency also will include public performances of two of his works. The Columbia Civic Orchestra, conducted by Stefan Freund, will perform Don Freund’s “Preludes for Orchestra” as part of their concert on Sunday, February 26 at the Missouri Theatre, a performance that also will feature the premiere of Mizzou composer Henry Breneman Stewart’s new piano concerto.

Then on Monday, February 27, the Mizzou New Music Ensemble’s concert at Whitmore Recital Hall will include Freund’s 2013 composition “Mixed Blood.”

For more about Don Freund, read the interview with him published in 2015 in the Society of Composers newsletter, and listen to his music on his SoundCloud page and on the Jacobs School of Music site.

Mizzou New Music Ensemble to present works
by Freund, Haas, Visconti, McKenney, and Heruth
on Monday, February 27 at Whitmore Recital Hall

The Mizzou New Music Ensemble’s first performance of 2017 will include music from a visiting guest composer, new works written by a longtime faculty member and a Mizzou student, and a sneak preview of this summer’s Mizzou International Composers Festival.

The concert is scheduled for 7:30 p.m. Monday, February 27 at Whitmore Recital Hall on the University of Missouri campus. General admission is $5 for the public, free for Mizzou faculty, students and staff.

Visiting the Mizzou campus for a guest composer residency that weekend will be Don Freund, professor of composition at Indiana University’s Jacobs School of Music and the father of University of Missouri professor and Mizzou New Music Initiative artistic director Stefan Freund. The Ensemble will perform the elder Freund’s 2013 work “Mixed Blood,” which combines Latin rhythms and a tango tune with sounds and structures of American contemporary art music.

The program also will feature “Their Rest Too is Related to Motion,” a new composition from W. Thomas “Tom” McKenney, professor emeritus and co-artistic director of the Mizzou New Music Initiative. Inspired by a piece of music that his daughter wrote for him while she was in grade school, McKenney adapted and expanded the tune’s basic musical elements into three movements, evoking the motions of ladybugs, whirligigs, and fireflies.

Mizzou’s student composers will be represented by Hans Heruth, a sophomore composition major and Sinquefield Scholar whose new work “To Decipher the Art” is a musical setting of a poem by Lee K. Acton. The piece was written especially for baritone Patrick Graham, who will perform it as a guest with the Ensemble.

Music from the two distinguished guest composers for this summer’s Mizzou International Composers Festival will complete the program.

Georg Friedrich Haas’ composition “aus freier Lust…verbunden” (“Bound … of free will”) is one of a series of works from 1996 in which each of the seven instrumental parts is simultaneously a solo piece, so that it can be played by any combination from solo performer to full ensemble. (The Ensemble will perform it as a quintet, using bass flute, bass clarinet, cello, and two percussionists.) Haas is a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation.

Dan Visconti’s “Fractured Jams” is a “high modernist” work for violin, cello, clarinet, and percussion that was composed in 2007 and features the use of extended techniques. Visconti is a Chicago-based composer and concert programmer who also is known as an advocate for the arts as a form of cultural and civic service.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, professor of composition, and artistic director of the Mizzou New Music Initiative. The Ensemble’s members for the 2016-17 season are Victoria Hargrove, clarinet; Daniel Keeler, cello; Kelariz Keshavarz, flute; Renan Leme, violin; Rebecca McDaniel, percussion; Gyumi Rha, piano; and Panagiotis Skyftas, saxophone.