Posts Tagged ‘ Daniel Fitzpatrick

A look back at the 2020 Mizzou International Composers Festival online

Mizzou International Composers Festival going online for 2020,
will take place Monday, July 27 – Saturday, August 1

Clockwise from top: Alarm Will Sound, Khemia Ensemble, Mizzou New Music Ensemble

Responding to the restrictions on live events imposed due to the COVID-19 pandemic, the Mizzou International Composers Festival is going online for 2020.

The 11th annual edition of the MICF is set for Monday, July 27 through Saturday, August 1, with events streamed online from the Facebook pages of the Mizzou New Music Initiative and resident ensembles Alarm Will Sound and Khemia Ensemble, and from the YouTube channels of the University of Missouri School of Music, Alarm Will Sound, and Khemia Ensemble.

At 9:00 p.m. CDT on Friday, July 31, the MICF will present “Under Twilight,” a multimedia event curated by Mizzou professor Carolina Heredia that will take place both online and for an in-person, “drive-in” audience.

For the “drive-in” audience in the parking lot of the Sinquefield Music Center on the Mizzou campus, videos will be projected on an array of special outdoor 3D screens, while accompanying music is simulcast on radio station KMUC (90.5 FM). At the same time, the online audience will be able to see the program via Facebook and YouTube.

“Under Twilight” will include music and video by Maria Chavez and Flying Lotus, with soundtracks recorded by the composers; and a work by Joel Thompson, with music recorded by Sphinx Symphony Orchestra and the University of Michigan Men’s Glee Choir, conducted by Eugene Rogers.

The evening also will include pieces by former MICF distinguished guest composer Donnacha Dennehy and former resident composer Charlie Piper, as recorded by Alarm Will Sound; a work by Melissa Dunphy, recorded by Khemia Ensemble; and compositions from Carolina Heredia and Mizzou senior Ben Dawson, recorded by the composers and Mizzou students.

Then at 8:00 p.m. CDT Saturday, August 1, the festival’s finale will feature members of Alarm Will Sound, Khemia Ensemble, and the Mizzou New Music Ensemble performing a concert program including works by famed composers Meredith Monk and Pauline Oliveros, plus new music from Mizzou student Daniel Fitzpatrick and 2020 master’s graduate Niko Schroeder.

Alarm Will Sound will perform Monk’s “Anthem,” which also is the first work in their new series VIDEO CHAT VARIATIONS, showcasing remotely performed new works that respond to the quirks of video chat platforms.

Also on Saturday, the Mizzou New Music Ensemble will present Fitzpatrick’s “Ancient Echoes,” a concertino for banjo and ensemble that features the composer as banjo soloist; and the Khemia Ensemble, led by MU faculty composer Carolina Heredia, will present the world premiere of Schroeder’s “Moves” for ensemble and video.

The final piece on the program will feature members of all three groups coming together to perform Oliveros’ “Buffalo Jam,” which is scored with text instructions for any number and instrumentation of performers. The musicians, who were dispersed across the country, rehearsed and recorded the performance using the Jamulus platform, which enables transmission of audio with virtually no latency.

Along with the performances, Saturday’s event also will include interviews with the composers and a post-concert discussion open to audience members. The discussion will be led by Mizzou professor and MNMI and MICF artistic director Stefan Freund, Alarm Will Sound artistic director and conductor Alan Pierson, and Mizzou professor and Khemia Ensemble executive director Carolina Heredia.

Both Friday and Saturday night’s events are free and open to the public, but audience members are asked to register in advance using Eventbrite. To register for Friday’s event, either to view the event online or to “drive in” in person, go to https://micf2020undertwilight.eventbrite.com.To register for Saturday, go to https://micf2020finaleconcert.eventbrite.com.

In addition to the two weekend events, the festival also will include public online presentations from the eight resident composers and two distinguished guest composers who had been announced previously as participants in the 2020 MICF. All of the composer presentations will be available for public viewing online via the Mizzou New Music Initiative Facebook page.

Resident composers Pascal Le Boeuf, DM R (Diana M. Rodriguez), Niko Schroeder, and Celka Ojakangas will make individual presentations on their music starting at 6:00 p.m. CDT Monday, July 27, with Felipe Tovar-Henao, Shuying Li, Andrew Tholl, and Yu Kuwabara presenting at 6:00 p.m. CDT on Tuesday, July 28.

Distinguished guest composers David T. Little and Chen Yi will be the final presenters, starting at 6:00 p.m. CDT on Wednesday, July 29.

A complete schedule of events, times and dates for the 2020 Mizzou International Composers Festival will be available on the MICF website at https://composersfestival.missouri.edu/.

Mizzou New Music Ensemble to preview music from upcoming tour of South America and more on Monday, March 9 at Sinquefield Music Center

The Mizzou New Music Ensemble will present a preview of music from their upcoming tour of South America and more in a concert at 7:30 p.m. Monday, March 9 at the Sinquefield Music Center on the University of Missouri campus in Columbia. The concert is free and open to the public.

For their first concert of 2020 and their first public performance at the new Sinquefield Music Center, the Ensemble (pictured) will play two new works written by Mizzou graduate composition students, “Cataretê” by Luis Hermano Bezerra and “Ancient Echoes” by Daniel Fitzpatrick. Both pieces were composed specifically for the Ensemble’s upcoming tour of South America in late May and early June.

In addition, the Ensemble will present three works by South American composers that they will play during the tour: “Luna más negra” by Jose Halac of Argentina; “Sin Muerte” by Vladimir Guicheff Bogacz of Uruguay; and “Y vos, Por Salvarte, También Gritaste,” by Brazil’s German Gras, who was Luis Hemano Bezerra’s undergraduate composition teacher at the Universidade Estadual do Ceará in Fortaleza.

The concert also will feature music from the two distinguished guest composers for this summer’s Mizzou International Composers Festival, as the Ensemble will play Chen Yi’s “Near Distance” and David T. Little’s “Descanso (waiting).”

Rounding out the program will be a second performance of “Construction,” composed by Mizzou graduate student Niko Schroeder for the grand opening of the Sinquefield Music Center in February.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2019-20 season are Daniel Fitzpatrick, piano; Stephen Landy, percussion; Ann Mozina, flute; Jordan Nielsen, percussion; Pedro Ramiro, violin; Cameron Tubbs, cello; and Andrew Wiele, clarinet. Mizzou New Music Initiative post-doctoral fellow Yoshiaki Onishi serves as the Ensemble’s assistant conductor.

Mizzou New Music Ensemble hitting the road in May
for concert in Texas, tour of South America

The Mizzou New Music Ensemble will hit the road this spring to perform a concert in Fort Worth, TX, followed by a tour of South America that will take them to Argentina, Brazil, Peru and Uruguay.

The journey will begin with a performance at 3:00 p.m. Saturday, May 9 at the Amon Carter Museum of American Art in Ft. Worth, TX, where the Ensemble (pictured) will perform a program of new works created by Mizzou composition students in response to images from the museum’s collection.

Junior composition major Ben Dawson’s piece is inspired by the Carter Museum’s collection of 19th Century Landscapes, while freshman composition majors Isabelle Borchardt, Camden Hernandez and Sam Whitty have based their respective works on the collections devoted to Contemporary American Creativity, Western Living – Sculptures and Paintings, and 20th Century Modern Abstractions.

Admission to the concert is free, but reservations are required and can be made starting Wednesday, April 1 via the museum’s website at https://www.cartermuseum.org/.

Later in the month, the Ensemble will travel to South America for a tour from Monday, May 18 through Friday, June 5 that will include three residencies with concerts in Argentina, plus residencies and concerts in Brazil, Peru and Uruguay.

All six concerts will feature a core program of works by Mizzou faculty members Stefan Freund and Carolina Heredia, Mizzou composition alumnus José Martínez, and current graduate students Luis Hermano Bezerra and Daniel Fitzpatrick.

Those works include a new arrangement of Freund’s “St. Louis Reds,” Heredia’s “Ius in Bello,” and Martinez’s “Illegal Cycles,” as well as two pieces composed specifically for the tour, Bezerra’s “Cataretê” and Fitzpatrick’s “Ancient Echoes.” In addition, each concert on the tour will feature a work by a local composer associated with the host institution.

The Ensemble’s first stop will be from Monday, May 18 through Wednesday, May 20 at the Universidad Nacional de Quilmes in Buenos Aires, Argentina, where their concert will include a performance of Patricia Martínez’s “Expansion.”

Next, from Thursday, May 21 through Saturday, May 23, they’ll be at the Universidad Nacional de Córdoba in Córdoba, Argentina, and performing “Luna más negra” by José Halac.

From there, it’s back to Buenos Aires on Monday, May 25 and Tuesday, May 26, where they will reprise Martinez’s work as part of their performance at the Conservatorio Superior de la Ciudad de Buenos Aires.

Then, on Thursday, May 28 and Friday, May 29, the Ensemble will be in residence at the Escuela Universitaria de Música in Montevideo, Uruguay, with Vladimir Guicheff Bogacz’s “Sin muerte” and Sofia Scheps’ “I come from afar” as part of their concert program.

Traveling on to Brazil, their next stop will be from Sunday, May 31 through Tuesday, June 2 at the Universidade Estadual do Ceará in Fortaleza, where they will perform “Y vos, por salvarte, también gritaste…” by German Gras, who was Luis Bezerra’s composition teacher for his undergraduate degree.

The final residency of the tour will be on Thursday, June 4 and Friday, June 5 at the Universidad Nacional de Música in Lima, Peru, with the Ensemble performing José Sosaya’s “Girasol mágico gran brote” during their concert there.

At each location, the Mizzou composers also will give presentations about their work, and the Ensemble will do reading sessions of pieces written by composition students at each university.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2019-20 season are Daniel Fitzpatrick, piano; Stephen Landy, percussion; Ann Mozina, flute; Jordan Nielsen, percussion; Pedro Ramiro, violin; Cameron Tubbs, cello; and Andrew Wiele, clarinet. Mizzou New Music Initiative post-doctoral fellow Yoshiaki Onishi serves as the Ensemble’s assistant conductor.

Mizzou New Music Ensemble to perform works by Boulez, Higdon, Martínez, and Heredia in concert Sunday, October 6 at Whitmore Recital Hall

The Mizzou New Music Ensemble will begin their 2019-20 season with a concert featuring works by two modern masters, a Mizzou alumnus, and a current Mizzou faculty member.

The Ensemble (pictured) will perform music by Pierre Boulez, Jennifer Higdon, José Martínez, and Carolina Heredia at 7:30 p.m. Sunday, October 6 at Whitmore Recital Hall on the University of Missouri campus in Columbia. The concert is free and open to the public.

As the name suggests, Boulez’s “Dérive 1” is derived from two of his other compositions, “Messagesquisse” and “Répons,” the latter of which in turn was created as a re-elaboration of musical ideas from “Éclat/Multiples.” This working method was typical of Boulez, who was known for producing new material by extending or transforming existing pieces.

Higdon’s “Zaka” has been called “an energetic and tightly focused work that uses string instruments in percussive and unorthodox ways,” and was praised by the Sacramento Bee as “a fantastic sprint full of irresistible Stravinskian energy and rhythmic drive.”

Martínez, who earned his master’s degree in composition from Mizzou in 2016, describes his piece “Illegal Cycles” as “an attempt to contaminate salsa with some noise, yet at the same time, to look for the groove in the fine-art sound of the freely improvised music” and “a natural product of our post-postmodern world, where the artistic boundaries between genres are happily long gone.”

“Ius in Bello” (Latin for “law of war”) was inspired by the socio-political confrontations in Venezuela that began in 2014. Heredia, a native of Argentina and an assistant professor of composition at Mizzou, calls the work “my response to the violent repression executed by the government against civilian protesters,” explaining that it “engages with dream-like sections in which color-saturated imagery of a perfect future is tinted with crispy dissonances.”

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2019-20 season are Daniel Fitzpatrick, piano; Stephen Landy, percussion; Ann Mozina, flute; Jordan Nielsen, percussion; Pedro Ramiro, violin; Cameron Tubbs, cello; and Andrew Wiele, clarinet. Mizzou New Music Initiative post-doctoral fellow Yoshiaki Onishi serves as the Ensemble’s assistant conductor.