Posts Tagged ‘ Daniel Fitzpatrick

Composers Festival spotlight: Daniel Fitzpatrick

The University of Missouri’s representative among the resident composers at this year’s MICF is Daniel Fitzpatrick, who currently is studying for his master’s in composition at Mizzou.

Fitzpatrick also is a music technology graduate assistant and has served as the pianist of the Mizzou New Music Ensemble. A native of Wentzville, MO, he earned his bachelor of music degree at Southeast Missouri State University.

For the MICF, he has written a new work titled “Adapt,” which will be performed by Alarm Will Sound as part of the “World Premieres I” online concert on Tuesday, July 27.

A multi-instrumentalist as well as a composer, Fitzpatrick began playing banjo at age seven, and also plays guitar and mandolin in addition to piano. Bluegrass and folk music have had considerable significance in his life as a composer and performer, but his original music draws on a variety of influences, exploring “many different folk traditions in his compositions along with the genres of dubstep, glitch, pop, and modern classical music.”

These diverse influences come into focus in various ways as Fitzpatrick composes and arranges music for banjo. For example, his 2019 piece “Perplexion” fuses the styles of bluegrass, ragtime, jazz, and contemporary classical music. He also has arranged and performed Sergei Rachmaninoff’s “Prelude in C# minor Op. 3, No. 2” on the banjo, defying the often stereotypical image and perceived limitations of the instrument.

Fitzpatrick has been featured as a banjo soloist and composer in various concerts and recitals at the University of Missouri, Southeast Missouri University, and East Central College.

This past year, his composition “Poem of the Phantom Queen,” commissioned by the Sinquefield Charitable Foundation and the Sheldon Concert Hall, was premiered by pianist Peter Henderson and St. Louis Symphony Orchestra cellist Bjorn Ranheim in a concert in March at The Sheldon.

He also was part of the 2020 MICF, performing his banjo concertino “Ancient Echoes” with the Mizzou New Music Ensemble in an online concert, showcasing the extended capabilities of the instrument in a setting of acoustic sound effects and modal interplay.

Fitzpatrick in 2017 was featured in a collaborative recital with artist Najjar Abdul-Mussawwir’s “Reconstructed” exhibition at Southeast Missouri State University. During this event, he premiered his piece “Premonition” and performed traditional bluegrass music, as well as works by Béla Fleck and Tony Trischka.

You can hear some samples of Daniel Fitzpatrick’s music in the embedded video windows below.

“Poem of the Phantom Queen,” performed by Bjorn Ranheim (cello) and
Peter Henderson (piano) on March 25, 2021 at the Sheldon Concert Hall.

“Ancient Echoes,” recorded in 2020 by the Mizzou New Music Ensemble, with Daniel Fitzpatrick (banjo), Stephen Landy (percussion), Ann Mozina (flute), Jordan Nielson (percussion), Pedro Ramiro (violin), Cameron Tubbs (cello). and Andrew Wiele (clarinet), directed by Dr. Stefan Freund.

Mizzou International Composers Festival to return
July 26-31 with nine world premieres and more

After a year in which the COVID-19 pandemic forced last-minute changes in programming, the Mizzou International Composers Festival (MICF) is back in 2021 in a more familiar form.

Presented Monday, July 26 through Saturday, July 31 by the Mizzou New Music Initiative (MNMI) and the University of Missouri School of Music, the twelfth annual MICF will showcase the world premieres of new works from nine resident composers and more, with all four concerts streamed online for free. The schedule of performances is:

Tuesday, July 27: “World Premieres I,” featuring resident ensemble Alarm Will Sound performing new works by three of the festival’s resident composers, plus the premiere of an excerpt from distinguished guest composer David T. Little’s monodrama “What Belongs to You,” featuring singer Karim Sulayman.

Wednesday, July 28: “Mizzou New Music,” featuring the Mizzou New Music Ensemble playing music by David Little and Chen Yi, and Khemia Ensemble premiering new works by Stefan Freund, Phillip Sink, and Nina Shekhar.

Friday, July 30: “Entry Points of Empathy,” a world premiere multi-media event with music composed by inti figgis-vizueta, Carolina Heredia, Tanner Porter, Annika Socolofsky, and Nina Shekhar, performed by Mizzou faculty and guests, plus video interludes and live graphics by Xuan Zhang.

Saturday, July 31: “World Premieres II,” featuring Alarm Will Sound performing new works from six resident composers, plus the American premiere of Stefan Freund’s arrangement of “Sparkle” by distinguished guest composer Chen Yi.

All concerts will begin at 7:30 p.m. Central Daylight Time, and can be viewed on the Mizzou New Music Facebook page and on the University of Missouri School of Music YouTube channel.

The concerts on Tuesday and Saturday will feature world premieres of new works written by each of the festival’s nine resident composers. Listed with their current places of residence, they are:

(Four of the composers – Alcocer, Fitzpatrick, Mortilla and Shekar – were newly selected this year to participate in the 2021 MICF; the other five originally were chosen for the 2020 MICF, but their works could not be premiered when COVID-related restrictions forced the festival to be reconfigured. Three more composers chosen in 2020 were unable to participate this year, but will be invited to be part of a future festival.)

The MICF’s distinguished guest composers for 2021 are Chen Yi and David T. Little. Chen is a distinguished professor of composition at the Conservatory of Music and Dance at the University of Missouri-Kansas City. A finalist for the 2006 Pulitzer Prize for Music for her composition “Si Ji” (“Four Seasons”), she was born and raised in Guangzhou, China and is known as a prolific composer who blends Chinese and Western traditions, transcending cultural and musical boundaries.

Little currently chairs the composition program at Mannes – The New School in New York City. He previously served as Executive Director of MATA and on the board of directors at Chamber Music America, and from 2014–2017 was composer-in-residence with Opera Philadelphia and Music-Theatre Group.

During the festival, the resident composers will receive composition lessons from Chen and Little and take part via Zoom in rehearsals with Alarm Will Sound. The resident composers also will give public presentations online about their music, and after the premiere performances, will receive professional live recordings of their new works.

For more information on the 2021 Mizzou International Composers Festival, including a complete schedule of events, times, and dates, please visit http://composersfestival.missouri.edu/.

Sheldon commissions to be available for online viewing

New works written on commission by Mizzou student composers for premiere at the Sheldon Concert Hall in St. Louis soon will be available for everyone to view via The Sheldon’s YouTube channel.

The first three pieces that will go online at 8:00 p.m. Thursday, March 25 are The Grace of Falling” by Santiago Beis, “Aubade with Ashen Clouds, Scarlet Sky by Oswald Huynh, and “Poem of the Phantom Queen” by Daniel Fitzpatrick.

All three works were written as the result of a partnership between The Sheldon (pictured) and the Mizzou New Music Initiative that since 2012 has commissioned new music to premiere live as part of the long-running Sheldon Classics series at the hall.

Performed variously by members of the St. Louis Symphony Orchestra, Mizzou faculty or fellow students and funded by Dr. Jeanne and Rex Sinquefield and the Sinquefield Charitable Foundation, the commissions are intended to “offer emerging composers the opportunity to premiere their works in a professional setting, and classical-music lovers the chance to experience some of today’s most adventurous new music.”

Additional world premieres will be added as The Sheldon’s season continues into mid-June.


Mizzou International Composers Festival announces resident composers for 2021

Clockwise from top left: Ana Paola Santillán Alcocer, Daniel Fitzpatrick, Paul Mortilla & Nina Shekhar

The Mizzou New Music Initiative (MNMI) has selected four resident composers to participate in the 2021 Mizzou International Composers Festival (MICF).

Presented by MNMI and the University of Missouri School of Music from Monday, July 26 through Saturday, July 31 in Columbia, the twelfth annual MICF will feature world premieres of new works written by each of the selected composers. Listed with their current places of residence, they are:

* Ana Paola Santillán Alcocer – Mexico City, Mexico
* Daniel Fitzpatrick – Columbia, MO
* Paul Mortilla – Coral Gables, FL
* Nina Shekhar – Princeton, NJ

These four composers will be featured in the 2021 MICF along with the eight composers who were chosen for the 2020 festival, but whose works could not be premiered when COVID-related restrictions forced the festival to be reconfigured as an online event.

Those composers are Yu Kuwabara (Tokyo, Japan), Pascal Le Boeuf (New York, NY), Shuying Li (Spokane, WA), Celka Ojakangas (Los Angeles, CA), DM R (Diana M. Rodriguez) (New York, NY), Niko Schroeder (Columbia, MO), Andrew Tholl (Los Angeles, CA), and Felipe Tovar-Henao (Bloomington, IN).

The premieres of the new works from all 12 composers will be presented during festival week in two concerts, six per concert, along with music by the distinguished guest composers. However, because the COVID pandemic makes future conditions difficult to predict, MNMI will have several contingent plans for the 2021 MICF if safety concerns, University policy, or state or local laws make it impossible to present the festival “in-person” on the campus of the University of Missouri in Columbia.

Those plans may include (but are not limited to) an online-only festival, a limited in-person experience, or some combination of online and in-person activities, such as additional concerts featuring music from the guest composers and other contemporary creators, workshops, master classes, and other events.

The Festival’s distinguished guest composers for 2021 will be Chen Yi and David T. Little. Chen is a distinguished professor of composition at the Conservatory of Music and Dance at the University of Missouri-Kansas City. A finalist for the 2006 Pulitzer Prize for Music for her composition “Si Ji” (“Four Seasons”), she was born and raised in Guangzhou, China and is known as a prolific composer who blends Chinese and Western traditions, transcending cultural and musical boundaries.

Little currently chairs the composition program at Mannes – The New School in New York City. He previously served as Executive Director of MATA and on the board of directors at Chamber Music America, and from 2014–2017 was composer-in-residence with Opera Philadelphia and Music-Theatre Group.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they have since the MICF began in 2010.

During the festival, the resident composers will receive composition lessons from Chen and Little and, if conditions permit, take part in rehearsals with Alarm Will Sound. The composers also will give public presentation on their music, and after the premiere performance, will receive professional live recordings of their new works.

A complete schedule of events, times, dates and venues for the 2021 Mizzou International Composers Festival will be announced at a later date. For more information, please visit http://composersfestival.missouri.edu/.

A look back at the 2020 Mizzou International Composers Festival online

Mizzou International Composers Festival going online for 2020,
will take place Monday, July 27 – Saturday, August 1

Clockwise from top: Alarm Will Sound, Khemia Ensemble, Mizzou New Music Ensemble

Responding to the restrictions on live events imposed due to the COVID-19 pandemic, the Mizzou International Composers Festival is going online for 2020.

The 11th annual edition of the MICF is set for Monday, July 27 through Saturday, August 1, with events streamed online from the Facebook pages of the Mizzou New Music Initiative and resident ensembles Alarm Will Sound and Khemia Ensemble, and from the YouTube channels of the University of Missouri School of Music, Alarm Will Sound, and Khemia Ensemble.

At 9:00 p.m. CDT on Friday, July 31, the MICF will present “Under Twilight,” a multimedia event curated by Mizzou professor Carolina Heredia that will take place both online and for an in-person, “drive-in” audience.

For the “drive-in” audience in the parking lot of the Sinquefield Music Center on the Mizzou campus, videos will be projected on an array of special outdoor 3D screens, while accompanying music is simulcast on radio station KMUC (90.5 FM). At the same time, the online audience will be able to see the program via Facebook and YouTube.

“Under Twilight” will include music and video by Maria Chavez and Flying Lotus, with soundtracks recorded by the composers; and a work by Joel Thompson, with music recorded by Sphinx Symphony Orchestra and the University of Michigan Men’s Glee Choir, conducted by Eugene Rogers.

The evening also will include pieces by former MICF distinguished guest composer Donnacha Dennehy and former resident composer Charlie Piper, as recorded by Alarm Will Sound; a work by Melissa Dunphy, recorded by Khemia Ensemble; and compositions from Carolina Heredia and Mizzou senior Ben Dawson, recorded by the composers and Mizzou students.

Then at 8:00 p.m. CDT Saturday, August 1, the festival’s finale will feature members of Alarm Will Sound, Khemia Ensemble, and the Mizzou New Music Ensemble performing a concert program including works by famed composers Meredith Monk and Pauline Oliveros, plus new music from Mizzou student Daniel Fitzpatrick and 2020 master’s graduate Niko Schroeder.

Alarm Will Sound will perform Monk’s “Anthem,” which also is the first work in their new series VIDEO CHAT VARIATIONS, showcasing remotely performed new works that respond to the quirks of video chat platforms.

Also on Saturday, the Mizzou New Music Ensemble will present Fitzpatrick’s “Ancient Echoes,” a concertino for banjo and ensemble that features the composer as banjo soloist; and the Khemia Ensemble, led by MU faculty composer Carolina Heredia, will present the world premiere of Schroeder’s “Moves” for ensemble and video.

The final piece on the program will feature members of all three groups coming together to perform Oliveros’ “Buffalo Jam,” which is scored with text instructions for any number and instrumentation of performers. The musicians, who were dispersed across the country, rehearsed and recorded the performance using the Jamulus platform, which enables transmission of audio with virtually no latency.

Along with the performances, Saturday’s event also will include interviews with the composers and a post-concert discussion open to audience members. The discussion will be led by Mizzou professor and MNMI and MICF artistic director Stefan Freund, Alarm Will Sound artistic director and conductor Alan Pierson, and Mizzou professor and Khemia Ensemble executive director Carolina Heredia.

Both Friday and Saturday night’s events are free and open to the public, but audience members are asked to register in advance using Eventbrite. To register for Friday’s event, either to view the event online or to “drive in” in person, go to https://micf2020undertwilight.eventbrite.com.To register for Saturday, go to https://micf2020finaleconcert.eventbrite.com.

In addition to the two weekend events, the festival also will include public online presentations from the eight resident composers and two distinguished guest composers who had been announced previously as participants in the 2020 MICF. All of the composer presentations will be available for public viewing online via the Mizzou New Music Initiative Facebook page.

Resident composers Pascal Le Boeuf, DM R (Diana M. Rodriguez), Niko Schroeder, and Celka Ojakangas will make individual presentations on their music starting at 6:00 p.m. CDT Monday, July 27, with Felipe Tovar-Henao, Shuying Li, Andrew Tholl, and Yu Kuwabara presenting at 6:00 p.m. CDT on Tuesday, July 28.

Distinguished guest composers David T. Little and Chen Yi will be the final presenters, starting at 6:00 p.m. CDT on Wednesday, July 29.

A complete schedule of events, times and dates for the 2020 Mizzou International Composers Festival will be available on the MICF website at https://composersfestival.missouri.edu/.

Mizzou New Music Ensemble to preview music from upcoming tour of South America and more on Monday, March 9 at Sinquefield Music Center

The Mizzou New Music Ensemble will present a preview of music from their upcoming tour of South America and more in a concert at 7:30 p.m. Monday, March 9 at the Sinquefield Music Center on the University of Missouri campus in Columbia. The concert is free and open to the public.

For their first concert of 2020 and their first public performance at the new Sinquefield Music Center, the Ensemble (pictured) will play two new works written by Mizzou graduate composition students, “Cataretê” by Luis Hermano Bezerra and “Ancient Echoes” by Daniel Fitzpatrick. Both pieces were composed specifically for the Ensemble’s upcoming tour of South America in late May and early June.

In addition, the Ensemble will present three works by South American composers that they will play during the tour: “Luna más negra” by Jose Halac of Argentina; “Sin Muerte” by Vladimir Guicheff Bogacz of Uruguay; and “Y vos, Por Salvarte, También Gritaste,” by Brazil’s German Gras, who was Luis Hemano Bezerra’s undergraduate composition teacher at the Universidade Estadual do Ceará in Fortaleza.

The concert also will feature music from the two distinguished guest composers for this summer’s Mizzou International Composers Festival, as the Ensemble will play Chen Yi’s “Near Distance” and David T. Little’s “Descanso (waiting).”

Rounding out the program will be a second performance of “Construction,” composed by Mizzou graduate student Niko Schroeder for the grand opening of the Sinquefield Music Center in February.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2019-20 season are Daniel Fitzpatrick, piano; Stephen Landy, percussion; Ann Mozina, flute; Jordan Nielsen, percussion; Pedro Ramiro, violin; Cameron Tubbs, cello; and Andrew Wiele, clarinet. Mizzou New Music Initiative post-doctoral fellow Yoshiaki Onishi serves as the Ensemble’s assistant conductor.

Mizzou New Music Ensemble hitting the road in May
for concert in Texas, tour of South America

The Mizzou New Music Ensemble will hit the road this spring to perform a concert in Fort Worth, TX, followed by a tour of South America that will take them to Argentina, Brazil, Peru and Uruguay.

The journey will begin with a performance at 3:00 p.m. Saturday, May 9 at the Amon Carter Museum of American Art in Ft. Worth, TX, where the Ensemble (pictured) will perform a program of new works created by Mizzou composition students in response to images from the museum’s collection.

Junior composition major Ben Dawson’s piece is inspired by the Carter Museum’s collection of 19th Century Landscapes, while freshman composition majors Isabelle Borchardt, Camden Hernandez and Sam Whitty have based their respective works on the collections devoted to Contemporary American Creativity, Western Living – Sculptures and Paintings, and 20th Century Modern Abstractions.

Admission to the concert is free, but reservations are required and can be made starting Wednesday, April 1 via the museum’s website at https://www.cartermuseum.org/.

Later in the month, the Ensemble will travel to South America for a tour from Monday, May 18 through Friday, June 5 that will include three residencies with concerts in Argentina, plus residencies and concerts in Brazil, Peru and Uruguay.

All six concerts will feature a core program of works by Mizzou faculty members Stefan Freund and Carolina Heredia, Mizzou composition alumnus José Martínez, and current graduate students Luis Hermano Bezerra and Daniel Fitzpatrick.

Those works include a new arrangement of Freund’s “St. Louis Reds,” Heredia’s “Ius in Bello,” and Martinez’s “Illegal Cycles,” as well as two pieces composed specifically for the tour, Bezerra’s “Cataretê” and Fitzpatrick’s “Ancient Echoes.” In addition, each concert on the tour will feature a work by a local composer associated with the host institution.

The Ensemble’s first stop will be from Monday, May 18 through Wednesday, May 20 at the Universidad Nacional de Quilmes in Buenos Aires, Argentina, where their concert will include a performance of Patricia Martínez’s “Expansion.”

Next, from Thursday, May 21 through Saturday, May 23, they’ll be at the Universidad Nacional de Córdoba in Córdoba, Argentina, and performing “Luna más negra” by José Halac.

From there, it’s back to Buenos Aires on Monday, May 25 and Tuesday, May 26, where they will reprise Martinez’s work as part of their performance at the Conservatorio Superior de la Ciudad de Buenos Aires.

Then, on Thursday, May 28 and Friday, May 29, the Ensemble will be in residence at the Escuela Universitaria de Música in Montevideo, Uruguay, with Vladimir Guicheff Bogacz’s “Sin muerte” and Sofia Scheps’ “I come from afar” as part of their concert program.

Traveling on to Brazil, their next stop will be from Sunday, May 31 through Tuesday, June 2 at the Universidade Estadual do Ceará in Fortaleza, where they will perform “Y vos, por salvarte, también gritaste…” by German Gras, who was Luis Bezerra’s composition teacher for his undergraduate degree.

The final residency of the tour will be on Thursday, June 4 and Friday, June 5 at the Universidad Nacional de Música in Lima, Peru, with the Ensemble performing José Sosaya’s “Girasol mágico gran brote” during their concert there.

At each location, the Mizzou composers also will give presentations about their work, and the Ensemble will do reading sessions of pieces written by composition students at each university.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2019-20 season are Daniel Fitzpatrick, piano; Stephen Landy, percussion; Ann Mozina, flute; Jordan Nielsen, percussion; Pedro Ramiro, violin; Cameron Tubbs, cello; and Andrew Wiele, clarinet. Mizzou New Music Initiative post-doctoral fellow Yoshiaki Onishi serves as the Ensemble’s assistant conductor.