Posts Tagged ‘ composer

School of Music to begin streaming concerts online

Some of the new music being made at Mizzou will soon be heard all around the world in real time.

Thanks to the efforts of College of Arts and Science IT director Mike Watson and recording engineer Rob Boullion, the School of Music now has a system in place that will allow for live audio streaming on the web of selected concerts presented by the University.

The first concert to stream online will be the annual Chancellor’s Concert at 7:30 p.m. next Monday, March 11, featuring the world premiere of 2013 Sinquefield Composition Prize winner David Witter’s new work “Missouri” by the University Philharmonic.

You can access the stream via the link at the top of the Chancellor’s Concert page, or by clicking on the icon of the speaker in this post.  (Please note that the audio links only will become active just before the start of the concert at 7:30 p.m. Central time.)

St. Louis Symphony Orchestra’s 2013-14 season
to include works from Mizzou New Music Initiative composers

St. Louis Symphony Orchestra music director David Robertson, Stephanie Berg and Jeanne Sinquefield

The St. Louis Symphony Orchestra announced Thursday that it will perform new works by two young composers associated with the Mizzou New Music Initiative (MNMI) as part of its 2013-14 season. The announcement came during a “town hall” event at Powell Symphony Hall in St. Louis as the orchestra unveiled its entire season schedule for next year.

The SLSO will play Stephanie Berg’s Ravish and Mayhem as part of a concert program scheduled for Friday, January 10 and Saturday, January 11, 2014 at Powell Hall. The performances will be the first times that a work composed under the auspices of MNMI will be played by a major American symphony orchestra.

Berg, a native of Parkville, MO, earned her master’s degree in composition last year at the University of Missouri and now lives in Columbia. Chosen in 2012 as one of the resident composers for what now is known as the Mizzou International Composers Festival (MICF), she wrote Ravish and Mayhem, which then was premiered last July during the festival by the new music ensemble Alarm Will Sound. The piece subsequently has been re-arranged and expanded into a score for a full symphony orchestra, which will be played for the first time in March 2013 by the Columbia Civic Orchestra.

The SLSO also will perform Patrick Harlin’s Rapture during its concerts on Friday, September 27 and Saturday, September 28, 2013. Harlin also was one of the eight resident composers at last summer’s MICF, and currently is studying for a doctorate in composition at the University of Michigan. Both his work and Berg’s were selected from among a list of four compositions chosen by 2012 MICF faculty members Steven Stucky, Donnacha Dennehy, W. Thomas McKenney and Stefan Freund for submission to the SLSO’s artistic staff.

As a graduate teaching assistant on full scholarship, a member of the Mizzou New Music Ensemble, and past winner of the annual Sinquefield Composition Prize, “Stephanie has benefited from being a part of many programs established by the Mizzou New Music Initiative,” said Stefan Freund, associate professor of music at Mizzou and co-director of the Initiative. “The selection of Ravish and Mayhem for performance by the St. Louis Symphony demonstrates the broad impact the MNMI is having by providing young composers with amazing opportunities, including those on the very highest levels.”

“Our goal always has been to provide opportunities for composers at all stages of their development, from grade school to grad school and then on into their professional lives,” said Jeanne Sinquefield of the Sinquefield Charitable Foundation, which funds the Mizzou New Music Initiative. “When outstanding young composers like Stephanie and Patrick are able to have their works played by a top orchestra like the St. Louis Symphony, it shows that we’re well on the way to reaching that goal.”

You can hear a recording of Stephanie Berg’s Ravish and Mayhem at https://soundcloud.com/stephanie-berg, and a recording of Patrick Harlin’s Rapture at http://www.patrickharlin.com/#!music.

For information on purchasing tickets for the St. Louis Symphony Orchestra and a complete season schedule for 2013-14, visit the SLSO’s website at http://www.stlsymphony.org/.

St. Louis Beacon spotlights Mizzou composers’ new works
for Sheldon Concert Hall’s 100th anniversary season

The St. Louis Beacon today published an article by Terry Perkins about the new works commissioned from Mizzou composers by the Sinquefield Charitable Foundation that are being performed at the Sheldon Concert Hall and Art Galleries as part of the hall’s 100th anniversary season.

The third commission in the series, Patrick David Clark’s “Snow Coming,” will be premiered next Tuesday, February 5 by pianist Peter Henderson at one of the Sheldon’s “Coffee Concerts.” You can read the Beacon article here.

Mizzou New Music Initiative featured in Symphony magazine

The Mizzou New Music Initiative and the Sinquefield Charitable Foundation are prominently mentioned in the cover story of the Winter 2013 issue of Symphony magazine.

The article by Frank Oteri is about programs that support emerging composers, and the opening spread also features a nice photo of Alarm Will Sound’s Alan Pierson and composer Yotam Haber taken during the Mizzou International Composers Festival in Columbia. You can read the article online here.

Mizzou International Composers Festival announces resident composers for 2013

Columbia, MO – After considering the largest number of applicants yet in the event’s four-year history, the University of Missouri School of Music and the Mizzou New Music Initiative today announced the eight resident composers selected for next year’s Mizzou International Composers Festival.

Formerly known as the Mizzou New Music Summer Festival, the 2013 Mizzou International Composers Festival (MICF) will take place Monday, July 22 through Saturday, July 27 in Columbia. The resident composers were chosen through a portfolio application process that this year attracted 158 entries from across the USA and around the world, a new record for the event. Listed with their current places of residence, the selected composers are:

* Jason Thorpe Buchanan – Rochester, NY
* Ryan Chase – Bloomington, IN
* Andrew Davis – Austin, TX
* Eric Guinivan – Los Angeles, CA
* Elizabeth Kelly – Rochester, NY
* Wei-Chieh Lin – New York, NY
* Greg Simon – Ann Arbor, MI
* David Witter – Columbia, MO

As another indicator of its growing prestige and recognition both here and abroad, the 2013 MICF also attracted an event-record number of applications from outside the United States, including Austria, Brazil, Canada, China, Finland, Greece, Israel, Italy, Republic of Korea, Russia, Spain, Sweden, and the United Kingdom.

Three of the eight composers selected have significant international ties. Wei-Chieh Lin was born in Taiwan; Elizabeth Kelly studied at the The Hague Royal Conservatory in The Netherlands; and Jason Thorpe Buchanan spent 2010-2011 living in Hamburg, Germany as a visiting scholar with a Fulbright Fellowship at the Hochschule für Musik und Theater.

The University of Missouri is represented by David Witter, who recently earned a master’s degree in composition from Mizzou and is the winner of the 2013 Sinquefield Composition Prize.

The 2013 Mizzou International Composers Festival will include a series of public concerts featuring music from the resident composers and other contemporary creators, as well as workshops, master classes, and other events.

The Festival’s guest composers for 2013 will be Augusta Read Thomas , University Professor of composition at the University of Chicago and past composer-in-residence for the Chicago Symphony Orchestra; and Daniel Kellogg , an assistant professor of composition at the University of Colorado who has been called “one of the most exciting composers around” by the Washington Post.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they have since the Festival began in 2010.

During the festival, the eight resident composers will receive composition lessons from Thomas and Kellogg; take part in rehearsals with Alarm Will Sound; give public presentations on their music; and receive a premiere performance and professional live recording of a new work created specifically for the Festival and Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2013 Mizzou International Composers Festival will be announced at a later date. For more information, please visit http://composersfestival.missouri.edu/.

Jason Thorpe Buchanan

Ryan Chase

Andrew Davis

Eric Guinivan

Elizabeth Kelly

Wei-Chieh Lin

Greg Simon

David Witter

Mizzou New Music Ensemble to perform works by Cage, Kellogg, Gladney, and Strobel on Monday, December 3 at Whitmore Recital Hall

The Mizzou New Music Ensemble (pictured) will present the second concert of their 2012-13 season at 7:30 p.m., Monday, December 3 in Whitmore Recital Hall, 135 Fine Arts Building on the University of Missouri campus. Admission is free for Mizzou students, $5 suggested donation for the general public.

The program will include two pieces written by Mizzou students; a performance incorporating several works by famed composer John Cage; and the second installment in the Ensemble’s ongoing examination of Daniel Kellogg’s extended work Divinum Mysterium.

Synergetic Waveforms, written this year by University of Missouri freshman composition student Shaun Gladney, explores the collaborative nature of music performance and features sections written for body percussion.

Robert Strobel’s Three Recollections, also written in 2012, is a multi-movement work, inspired by Plato’s Phaed, which explores philosophies about life after death. Strobel currently is pursuing an M.M. in composition at Mizzou.

The Cage performance is based on Seven, which was composed in 1988 as one of the “Numbers” pieces and has a score that provides performers with notes and a range of times in which to perform them. This version of Seven also will incorporate various 60-second texts written by Cage – known collectively and colloquially as the “indeterminacy stories” – and selections from Song Books, a series of songs and theatrical happenings first conceived in 1970.

The prelude and second movement of Daniel Kellogg’s Divinum Mysterium will complete the program. Commissioned in 2000 by the chamber ensemble eighth blackbird, the five-movement work is based on the 13th century chant melody “Divinum Mysterium.” The second movement, The Spirit of God Moved Upon the Face of the Waters, features the alto flute in a mysterious, primal style of composition.

With Patrick David Clark directing, the Ensemble is playing different parts of the work at each of their concerts this year in preparation for a full performance during the 2013 Mizzou International Composers Festival. Kellogg, an associate professor of music at the University of Colorado, will be one of the guest composers for the Festival.

The Mizzou New Music Ensemble is made up of University of Missouri graduate students and recent alumni under the direction of Stefan Freund, a cellist, composer and associate professor. The Ensemble’s members for the 2012-13 season are Rachel AuBuchon, piano; Stephanie Berg, clarinets; Mary Jamerson, flute; Katherine Jones, violin; Ian McClaflin, percussion; and Matthew Pierce, cello.

For this concert, the Ensemble will augmented for Seven by cellist Grant Bradshaw. In addition, the performance of the Cage selections will include musicians from MU’s Creative Improvisation Ensemble, including faculty members Neil Minturn and Arthur White and students Alexandra Signor, Nathan Smith, Sam Copeland, and David Witter, who also will conduct the CIE members.

Mizzou International Composers Festival extends application deadline

This just in: Due to the anticipated effects of Hurricane Sandy, the deadline for applications to be a resident composer at the 2013 Mizzou International Composers Festival has been extended to Wednesday, November 7.

For details on the Festival and how to apply, please visit http://composersfestival.missouri.edu/application.html

David Witter wins 2013 Sinquefield Composition Prize

The University of Missouri School of Music and the Mizzou New Music Initiative are pleased to announce that David Witter is the winner of the 2013 Sinquefield Composition Prize. Witter, who holds both bachelor’s and master’s degrees in composition from Mizzou, submitted his piece “Garden Music” to the competition and was selected for the prize by a panel of independent judges.

The adjudicators for the 2013 competition were:
* Mara Gibson, director of the Community Music and Dance Academy and a member of the composition faculty at the UMKC Conservatory of Music and Dance in Kansas City;
* Eric Honour, professor of music at the University of Central Missouri in Warrensburg, MO; and
* Ingrid Stölzel, an instructor at Park University, composer with newEar contemporary chamber ensemble, and program manager for the Youth Symphony of Kansas City.

As winner of the 2013 Sinquefield Composition Prize, Witter now will have the opportunity to write an original work for Mizzou’s University Philharmonic, which will receive its world premiere on Monday, March 11, 2013 at the Chancellor’s Concert in Columbia. With the commission, he also receives a cash prize for the production of the score and parts, and will have his work recorded.

David Witter, born in 1978, is a composer, trombonist, improvisor, and educator originally from Holts Summit, MO. Now living in Columbia, he holds B.M. and M.M. degrees in composition from the University of Missouri, where he studied with W. Thomas McKenney and Stefan Freund. Witter (pictured) also was a finalist for the 2012 Sinquefield Composition Prize for his piece “Water Music”.

Witter’s compositions have been performed by the Mizzou New Music Ensemble at the Contemporary Art Museum St. Louis and the Missouri Botanical Garden, and he has led performances of the MU Creative Improvisation Ensemble at conferences in Ann Arbor, MI and Paterson, NJ. Witter is a member of the Gamma Gamma chapter of Pi Kappa Lambda, and currently is pursuing a Missouri teaching certification for K-12, after which he will teach elementary and middle school music.

The other finalists for the 2013 Sinquefield Composition Prize were Justin Pounds and Joseph Hills.