Posts Tagged ‘ composer

Mizzou New Music Ensemble to present works
by Freund, Haas, Visconti, McKenney, and Heruth
on Monday, February 27 at Whitmore Recital Hall

The Mizzou New Music Ensemble’s first performance of 2017 will include music from a visiting guest composer, new works written by a longtime faculty member and a Mizzou student, and a sneak preview of this summer’s Mizzou International Composers Festival.

The concert is scheduled for 7:30 p.m. Monday, February 27 at Whitmore Recital Hall on the University of Missouri campus. General admission is $5 for the public, free for Mizzou faculty, students and staff.

Visiting the Mizzou campus for a guest composer residency that weekend will be Don Freund, professor of composition at Indiana University’s Jacobs School of Music and the father of University of Missouri professor and Mizzou New Music Initiative artistic director Stefan Freund. The Ensemble will perform the elder Freund’s 2013 work “Mixed Blood,” which combines Latin rhythms and a tango tune with sounds and structures of American contemporary art music.

The program also will feature “Their Rest Too is Related to Motion,” a new composition from W. Thomas “Tom” McKenney, professor emeritus and co-artistic director of the Mizzou New Music Initiative. Inspired by a piece of music that his daughter wrote for him while she was in grade school, McKenney adapted and expanded the tune’s basic musical elements into three movements, evoking the motions of ladybugs, whirligigs, and fireflies.

Mizzou’s student composers will be represented by Hans Heruth, a sophomore composition major and Sinquefield Scholar whose new work “To Decipher the Art” is a musical setting of a poem by Lee K. Acton. The piece was written especially for baritone Patrick Graham, who will perform it as a guest with the Ensemble.

Music from the two distinguished guest composers for this summer’s Mizzou International Composers Festival will complete the program.

Georg Friedrich Haas’ composition “aus freier Lust…verbunden” (“Bound … of free will”) is one of a series of works from 1996 in which each of the seven instrumental parts is simultaneously a solo piece, so that it can be played by any combination from solo performer to full ensemble. (The Ensemble will perform it as a quintet, using bass flute, bass clarinet, cello, and two percussionists.) Haas is a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation.

Dan Visconti’s “Fractured Jams” is a “high modernist” work for violin, cello, clarinet, and percussion that was composed in 2007 and features the use of extended techniques. Visconti is a Chicago-based composer and concert programmer who also is known as an advocate for the arts as a form of cultural and civic service.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, professor of composition, and artistic director of the Mizzou New Music Initiative. The Ensemble’s members for the 2016-17 season are Victoria Hargrove, clarinet; Daniel Keeler, cello; Kelariz Keshavarz, flute; Renan Leme, violin; Rebecca McDaniel, percussion; Gyumi Rha, piano; and Panagiotis Skyftas, saxophone.

Composer Louis Goldford visiting Mizzou campus in February

Louis Goldford will be the first visiting composer on the Mizzou campus in 2017, coming to Columbia next month for a weekend residency that will include a presentation of works, a coaching session with the Mizzou New Music Ensemble, and a concert.

Two of his compositions – “Travertine Hybrid #3,” for violin and electronics, and “Giffen Good,” for trombone and electronics – will be featured in the Mizzou music faculty’s electroacoustic concert at 7:30 p.m. Saturday, February 11 at Whitmore Recital Hall.

The performance also will include music written by Mizzou New Music Initiative managing director Jacob Gotlib, retired composition professor and MNMI co-artistic director emeritus W. Thomas McKenney, and Phillip Sink, who is MNMI’s first post-doctoral fellow and curated the concert program.

Goldford (pictured) is a St. Louis native who currently is a doctoral fellow studying composition at Columbia University in New York City. Before enrolling there, he earned his bachelor’s degree in composition from Webster University in St. Louis and a master’s degree from the Jacobs School of Music at Indiana University.

His works have been performed by Ensemble Dal Niente, Ensemble Modelo62, and the Meitar Ensemble, and featured at the International Computer Music Conference, the Northwestern University New Music Conference, and June in Buffalo, among others.

Goldford received an Honorable Mention from the 2015 American Composers Orchestra / Underwood New Music Readings, and in 2014 was the recipient of a Dean’s Prize in music composition from Indiana University.

More recently, he was named the winner of the 2017 Suzhou (Chou’s) International Commission Competition, and also was accepted into the Cursus program at IRCAM in Paris, where he previously completed the Computer Music Workshop (Atelier d’informatique musicale) while studying at the IRCAM Académie and festival ManiFESTE.

You can hear some of Louis Goldford’s music on his SoundCloud page.

Mizzou International Composers Festival announces resident composers for 2017

The Mizzou New Music Initiative (MNMI) has selected eight resident composers to participate in the 2017 Mizzou International Composers Festival (MICF).

Presented by MNMI and the University of Missouri School of Music from Monday, July 24 through Saturday, July 29 in Columbia, the eighth annual MICF will feature world premieres of new works written by each of the selected composers. Listed with their current places of residence, they are:

* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

The resident composers are chosen through a portfolio application process that this year attracted a record 261 entries from 25 different countries, also a record for the MICF. Applications were received from Argentina, Australia, Brazil, Canada, Denmark, England, Finland, France, Germany, Greece, Hong Kong, Ireland, Israel, Italy, Mexico, the Netherlands, New Zealand, Poland, Russia, Scotland, Serbia, South Korea, Sweden, Turkey, and the United States.

Four of the resident composers selected for 2017 are originally from outside the US, including Selim Göncü, who was born in Turkey; Carolina Heredia, a native of Argentina; Christopher Mayo, a Canadian; and Aaron Parker, who hails from England.

Henry Breneman Stewart, a graduate student working toward a master’s in composition at Mizzou, will represent the University of Missouri. Stewart was the winner of the 2016 Sinquefield Composition Prize, the university’s highest honor for a student composer.

The 2017 Mizzou International Composers Festival will include a series of public concerts featuring music from the resident composers and other contemporary creators, as well as workshops, master classes, and other events.

The Festival’s distinguished guest composers for 2017 will be George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they have since the MICF began in 2010.

During the festival, the eight resident composers will receive composition lessons from Haas and Visconti; take part in rehearsals with Alarm Will Sound; give public presentations on their music; and receive a premiere performance and professional live recording of a new work created specifically for the MICF and Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2017 Mizzou International Composers Festival will be announced at a later date. For more information, please visit http://composersfestival.missouri.edu/.

Dustin Dunn advances in MTNA national composition competition

Mizzou student Dustin Dunn has won the West Central Division in the “Young Artist” category of the Music Teachers National Association (MTNA) composition competition.

Dunn (pictured), a junior working on a bachelor’s degree in music composition, was recognized for “Of Stained Glass and Hymnody,” which was premiered in March 2016 by the Mizzou New Music Ensemble.

His award in the West Central Division is the latest step in a process that began in October, when he was named winner of the Missouri state division of this year’s MTNA competition.

Dunn’s work now advances to the finals of MTNA’s national competition, which offers a first place prize of $3,000, plus a performance at the Winners Concert during the 2017 MTNA National Conference, which will take place from March 18 to March 22 in Baltimore, MD.

A native of Annapolis, MO and graduate of Iron South High School, Dunn was a winner in Mizzou’s statewide Creating Original Music Project (COMP) and in the Missouri Composers Project before enrolling at the university with a full-tuition Sinquefield Scholarship to study composition. In addition to his awards from MTNA, he also was the winner of the Springfield (MO) Symphony’s 2016 Missouri Composition Competition.

You can read more about Dustin Dunn in the Fall 2015 issue of Mizzou, the University’s alumni magazine, and see the Mizzou New Music Ensemble’s performance of “Of Stained Glass and Hymnody” in the embedded video player below.

2017 Mizzou International Composers Festival
gets record number of resident composer submissions

A total of 261 composers from around the world applied for the eight resident composer spots at the 2017 Mizzou International Composers Festival, a new record for the MICF.

Submissions were received from 25 different countries – also a new record – including Argentina, Australia, Brazil, Canada, Denmark, England, Finland, France, Germany, Greece, Hong Kong, Ireland, Israel, Italy, Mexico, the Netherlands, New Zealand, Poland, Russia, Scotland, Serbia, South Korea, Sweden, Turkey, and the United States.

The 2017 MICF will be held July 24 – 29 on the University of Missouri campus and at the Missouri Theatre in Columbia. The eight resident composers selected to take part in the festival will be named in January.

Mizzou composer Douglas Osmun featured in Columbia Missourian

Mizzou composer Douglas Osmun, a first-year graduate student in composition and the winner of the 2017 Sinquefield Composition Prize, was the subject of a feature story this week in the Columbia Missourian.

Osmun (pictured) talked with reporter Ann Marion about his composition process and about “First Fig,” the work he submitted in this year’s Sinquefield Prize competition. As the winner of the competition, Osman was commissioned to write a new work for the University Philharmonic, which will get a premiere performance in April at the annual Chancellor’s Arts Showcase at the Missouri Theatre.

You can read the whole story here.

Mizzou New Music Ensemble presenting four world premieres and more
in concert Sunday, December 4 at Whitmore Recital Hall

The Mizzou New Music Ensemble will present four world premieres and more in the second concert of their 2016-17 season at 7:30 p.m. Sunday, December 4 at Whitmore Recital Hall on the University of Missouri campus. General admission is $5 for the public, free for Mizzou faculty, students and staff.

Three of those premieres were written by Mizzou students, including “The Garden of Earthly Delights” by Adam Cohen, a freshman composition major and Sinquefield Scholar. Inspired by Heironymous Bosch’s famous triptych painting, the piece juxtaposes surrealistic sounds against each other both rhythmically and melodically to evoke an aural whimsy.

“Foresight” is a new work by Luke Henderson that’s based on ideas found in Benjamin Franklin’s essay “The Morals of Chess.” A senior composition major at Mizzou, Henderson also has had his music performed by the University of Missouri Studio Jazz Band and the Columbia Civic Orchestra.

Kay Cypret’s “Trials and Tribulations” is a four-movement work representing “struggles of the mind, feet, heart, and spirit.” Cypret is a master’s composition student at Mizzou who also has written music for the Golden Spectra String Quartet, clarinetist Dr. Cheryl Cifeli, flautist Camden Beavers, and the Mizzou Tuba and Euphonium Ensemble.

The concert’s fourth premiere is “Passacaglia” by John Orfe, a faculty member at Bradley University and pianist for Alarm Will Sound, the group that serves as resident ensemble for the annual Mizzou International Composers Festival. Orfe’s work is a set of virtuosic variations over a line that is repeated throughout the duration of the piece.

In addition to the four world premieres, the ensemble (pictured) will be joined by a guest artist, mezzo-soprano and Mizzou professor of voice Julia Bentley, for performances of two more contemporary compositions.

“No Fire Gives Light” by Henry Breneman Stewart is an explosive work for mezzo-soprano, saxophone, percussion, and piano that is based on the biblical story “Terror Strikes the Egyptians at Night” from the Book of Wisdom, Chapter 17. Stewart is a second-year master’s student in composition at Mizzou, and was the winner of the 2016 Sinquefield Composition Prize, the university’s highest honor for a student composer.

The ensemble and Bentley will complete the program with Hans Abrahamsen’s “Efteraarslied,” which was written for mezzo-soprano, clarinet, violin, cello and piano, and incorporates text from German poet Rainer Maria Rilke’s “Autumn.” Abrahamsen, a Swiss composer who is the winner of the 2016 Grawemeyer Prize, was a distinguished guest composer for the 2015 Mizzou International Composers Festival.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, professor of composition, and artistic director of the Mizzou New Music Initiative. The Ensemble’s members for the 2016-17 season are Victoria Hargrove, clarinet; Daniel Keeler, cello; Kelariz Keshavarz, flute; Renan Leme, violin; Rebecca McDaniel, percussion; Gyumi Rha, piano; and Panagiotis Skyftas, saxophone.

Mizzou composer’s work to be performed at SCI conference

The Society of Composers, Inc (SCI) has selected a work by Mizzou’s Douglas Osmun for performance at their annual national conference next year.

Osmun’s “First Fig,” a work for voice, cello, and piano that incorporates text by Edna St. Vincent Millay, will be performed on Friday, March 31 at the SCI event, which will take place March 30 through April 1 at Western Michigan University in Kalamazoo, MI.

Osmun (pictured) is a first-year graduate student in composition and winner of the 2017 Sinquefield Composition Prize. He’s also an alumnus of Western Michigan, having earned his BM in music composition there before coming to Mizzou.

Founded in 1965, SCI is an independent professional society of nearly 1500 members dedicated to the promotion, performance, understanding and dissemination of new and contemporary music.

You can hear a recording of “First Fig” in the embedded audio player below.