Posts Tagged ‘ composer

Composers Festival spotlight: Charles Peck

It’s been a busy year so far for Charles Peck. In addition to being one of the eight resident composers for the 2017 Mizzou International Composers Festival, in the past two months he was selected for the Minnesota Orchestra’s Composers Institute, and also won the Boston New Music Initiative‘s annual commissioning competition.

Just this week, Peck’s oboe and tape piece “Fade” was performed at the NYC Electroacoustic Music Festival, a couple of days after his audiovisual work “Ferrous” was featured at the Caz Counterpoint Festival in Cazenovia, NY.

In addition, in June the Albany Symphony performed Peck’s “Mosaic” during the American Music Festival at EMPAC Concert Hall in Troy, NY as part of their Composer to Center Stage program. And in May, he had the debut performance of his work at Carnegie Hall, as members of the New York Youth Symphony played his new piano quartet “Sunburst” at Carnegie’s Weill Recital Hall.

With all this going on, Peck (pictured) also found time to complete “Vinyl,” which Alarm Will Sound will perform as part of the MICF’s “Eight World Premieres” grand finale on Saturday, July 29 at the Missouri Theatre.

A Philadelphia native, Peck currently is a doctoral candidate at Cornell University, where he has received the Otto R. Stahl Memorial Award in composition. Previously, Peck earned a bachelor’s degree in music industry from Drexel University, and a master’s in music from the University of Cincinnati College-Conservatory of Music.

His works have been performed by groups and soloists including the Kaleidoscope Chamber Orchestra, Symphony in C, the New York Youth Symphony, the JACK Quartet, Sandbox Percussion, ensemble mise-en, the Locrian Chamber Players, sTem, Derek Bermel, Ji Hye Jung, Rachel Calloway, Xak Bjerken, and Holly Roadfeldt.

Peck’s music also has been featured at the Aspen Music Festival, the Lake George Music Festival, the New Music Gathering, and the highSCORE Festival.

His honors and awards include winning the Lake George Music Festival’s Composition Competition, the NC New Music Initiative’s Orchestral Composition Competition, the Frame Dance Music Composition Competition, and the Symphony in C’s Young Composers’ Competition; taking part in the Castleton Festival’s Young Composer’s Forum; and winning grants from the McKnight Foundation, the American Composers Forum, and the Cornell Council for the Arts.

You can find out more about Charles Peck in the interview he did a couple of weeks ago on KMUC’s “Mizzou Music” program, and you can listen to his music on his SoundCloud page and in the embedded players below.

“Rift & Shade” performed by the JACK Quartet

“Mosaic,” world premiere performance by Kaleidoscope Chamber Orchestra on September 18, 2016 at First Presbyterian Church in Santa Monica, CA.

“Fade” for oboe and tape, performed by Mattie Peck

Composers Festival spotlight: Selim Göncü

Born in Turkey and educated in Hungary and Austria, Selim Göncü is one of four resident composers at the 2017 Mizzou International Composers Festival who originally comes from outside the USA.

He currently is pursuing a PhD in composition at University of California, Berkeley, studying with Franck Bedrossian and Ken Ueno, and the Bay Area is just the latest stop in an itinerary that already has included some prestigious destinations.

Göncü (pictured) started taking piano lessons at the age of eleven, and began his higher education with a year of study at the Liszt Academy of Music in Hungary.

He moved to University Mozarteum of Salzburg in Austria, studying with Reinhard Febel and focusing on electronic music. Göncü also served as an assistant in Mozarteum’s composition department for two years before graduating in 2012.

From Salzburg, it was on to Graz, as Göncü then attended the famous Kunstuniversität Graz, studying with Clemens Gadenstätter and graduating with the highest distinction.

As part of his musical education, he also has taken part in workshops and seminars with other notable composers including Francesco Filidei, Franck Bedrossian, Beat Furrer, Philippe Leroux, Klaus Huber, Aaron Cassidy, Isabel Mundry, and Dieter Ammann.

Göncü’s works have been performed and recorded in festivals and concerts in Austria, Germany, France, United Kingdom, Italy, Spain, Hungary, Turkey and the USA. In 2016, he participated in IRCAM’s ManiFeste Festival, where his work “dimINNUENDO” was premiered by Ensemble Intercontemporain.

Other honors include being selected for the 2013 Firenze Suona Contemporanea festival; a special mention in Risuonanze 2013; and a Kunstuniversität Graz Jahresstipendium fellowship.

For the 2017 MICF, Göncü has written a new work called “post-pandemonium” that will be performed by Alarm Will Sound as part of the festival’s grand finale on Saturday, July 29.

Other recent projects include a small ensemble work for L’Instant Donné, a duo for electric guitar and accordion for Ensemble Cairn soloists, a new work for Ensemble Proton Bern, and a concerto for keyboard and ensemble for Berkeley’s ECO Ensemble.

You can hear Selim Göncü talk about his music in the interview he did earlier this summer with KMUC’s “Mizzou Music” Program, and you can listen to samples of his work on his SoundCloud page and via the embedded players below.

“damplification” (2014-15), US premiere recording performed by Kate Campbell and Anne Rainwater.

Works for Ensemble playlist

“SISYPHEAN S(T)EIN” (2015), recorded at the world premiere at the 2015 Etchings Festival, performed by by Ecce Ensemble, with Vasko Dukovski (clarinet) Diamanda La Berge Dramm (violin), László Hudacsek (percussion), and Nicholas Isherwood (bass baritone), conducted by Jean-Philippe Wurtz.

Composers Festival spotlight: Clare Glackin

Resident composer Clare Glackin comes to the 2017 Mizzou International Composers Festival from the West Coast via Houston, Texas, where she recently graduated with an MM degree from Rice University’s Shepherd School of Music.

A native of Mount Vernon, Washington, Glackin (pictured) previously earned a BM from the University of Southern California’s Thornton School of Music, where she was named a Discovery Scholar and Outstanding Graduate of the composition program.

Her primary teachers have been Stephen Hartke, Frank Ticheli, Pierre Jalbert and Richard Lavenda. She also attended the Aspen Music Festival and School in the summer of 2016, where she studied with Chris Theofanidis.

Glackin writes instrumental and vocal concert works, seeking “to craft music that is engaging, unique, and fulfilling for both performers and audiences.” Her music has been performed by the Culver City Symphony, USC Thornton Symphony, Aspen Conducting Academy Orchestra, and others.

Her composition “Sammy Saguaro” will be included on the upcoming CD 16×16: The Rice Encores Project, which compiles sixteen new short works for violin and piano written by composition students at Shepherd School of Music.

Also an oboist, Glackin has been a member of the USC Concert Orchestra (receiving the USC Concert Orchestra Award in 2015), and Rice University’s Campanile Orchestra, and has played in various premieres of student compositions in performances at USC, Brevard Music Festival, the Oregon Bach Festival Composers Symposium, and more. When not composing, she also enjoys running, biking, kayaking, and baking desserts.

You can find out more about Clare Glackin by listening to the interview she did earlier this summer for KMUC’s “Mizzou Music” program, and you can hear some examples of her music on her SoundCloud page and in the embedded players below.

“Concertino for Oboe and Orchestra” (2014), performed on October 23, 2014 at Bovard Auditorium on the USC campus in Los Angeles by Rachel Van Amburgh, oboe, and the USC Thornton Symphony, conducted by Donald Crockett.

“Sonata for Violin and Piano” (2015)

“Poetic Study” (2015)

Composers Festival spotlight: Aaron Parker

Aaron Parker is another of the resident composers helping to put the “international” in this year’s Mizzou International Composers Festival, coming to Columbia all the way from England.

Parker currently is working toward a masters in experimental music at Brunel University in London, and, reflecting his continuing interest in teaching as well as composition, also serves as assistant director of music at Lord Wandsworth College in Hampshire.

A native of Manchester, Parker (pictured) previously completed a BMus in Composition at the Royal Northern College of Music in Manchester, studying with Gary Carpenter and Larry Goves.

He writes what he calls “loosely-defined instrumental and electronic music informed by a love of landscape, film (Jonas Mekas, Rose Lowder, Peter Bo Rappmund, Joshua Bonnetta), visual art (Anselm Keifer, Gerhard Richter, Ai Weiwei), and sound (Eliane Radigue, Rashad Becker, John Cage, Giuseppe Ielasi, Chris Watson, György Kurtág, Radiohead, and many others).”

In addition to “atholhu,” the new piece he composed for Alarm Will Sound to perform at the 2017 MICF, Parker’s recent projects include a workshop and performance of “biakoulem” by Kokoro, the new music ensemble of the Bournemouth Symphony Orchestra; a new piece for toy piano and live electronics for Xenia Pestova; a performance of large-scale ensemble and electronics work “Warehouse” as part of the 21C Music Festival at the Royal Conservatory in Toronto; and collaborations with Manchester-based multi-instrumentalist David Bainbridge and with vocalist Kathryn West.

Other recent commissions have come from the BBC Philharmonic Orchestra, the London Symphony Orchestra, the new music ensemble Psappha, and the ddmmyy series.

Parker released a solo album, Storage, in 2016 on the SLIP imprint, which was featured on Pitchfork.com, and also has had works recorded by the London Symphony Orchestra (through their Panufnik Composers program) and on Architectures, a 2016 compilation of new music on the RMN Classical label. Performances of his compositions have taken place across the UK and Europe, and have been broadcast on BBC TV and radio.

You can listen to Parker talk about his music in the interview he did earlier a few weeks ago for KMUC’s “Mizzou Music” program, and hear samples of his work on his SoundCloud page and via the embedded players below.

“Now (no more)” (2013), performed by Jenny Dyson (alto flute), Graham Proctor (percussion), Elinor Nicholson (harp), Oliver Farrant (cello), and Aaron Parker (electronics) .

“51° 12’ N / 0° 55’ W – 080115,” a world premiere performance recorded on February 24, 2015 at Hallé St. Peter’s in Manchester, England, featuring Conrad Marshall (flute), Dov Goldberg (clarinet),
Benjamin Powell (piano), Tim Williams (percussion), Benedict Holland (violin) and Jennifer Langridge (cello).

“serisu” (2016), performed by BBC Philharmonic Orchestra, conducted by Andrew Gourlay

Composers Festival spotlight: Carolina Heredia

Born in Córdoba, Argentina, Carolina Heredia is the first resident composer originally from South America to take part in the Mizzou International Composers Festival.

Heredia (pictured) has just completed her doctorate in musical arts at the University of Michigan, studying with Michael Daugherty, Evan Chambers, Kristin Kuster, and Erik Santos.

(Interestingly, while being the first from South America, she’s also the latest in a series of Michigan grads to serve as MICF resident composers, including Patrick Harlin (2012), Elizabeth Kelly (2013), Greg Simon (2013), Michael Schachter (2014), Ian Dicke (2014), Takuma Itoh (2016), and Matthew Browne (2016).)

Once the 2017 MICF is over, Heredia will be sticking around Columbia for a while, as last month she was awarded a two-year postdoctoral fellowship by the Mizzou New Music Initiative. Starting with the Fall 2017 semester, Heredia will teach private composition lessons to Mizzou students; assist with various MNMI programs; and work on interdisciplinary collaborative projects, initiating and supervising student efforts and also completing a major research project herself.

While at Michigan, she taught electronic music as a graduate student instructor and founded the Khemia Ensemble, a contemporary music group dedicated to creating innovative concert experiences involving interactive technology.

Previously, Heredia earned her bachelor’s degree in music composition from the Universidad Nacional de Villa María, and a bachelor’s degree in violin from the Conservatorio Superior Félix Garzón, both in Argentina; and a master’s degree in music composition from the University of Michigan.

Her compositions have been commissioned and performed in the United States and South America by musicians and ensembles including JACK Quartet, Derek Bermel, Aspen Contemporary Ensemble, Duo Cortona, and the Argentinean Cordoba State String Orchestra, and featured at events such as the SONIC Festival NYC, Aspen Music Festival and School, Bowling Green New Music Festival, TIES Toronto International Electroacoustic Festival, SEAMUS, the Cordoba Composition Biennial, and more.

Heredia’s honors and fellowships include a 2015 commission from the Fromm Music Foundation at Harvard University; the 2015 fellowship from the Susan and Ford Schumman Center for Composition Studies at the Aspen Music Festival; the Brehm Prize in Choral Composition (2015); the 2015 International Research Grant from the University of Michigan; the Margaret Dow Towsley Scholarship (2012); the Merit Scholarship from the University of Michigan (2011); and the Dorothy Greenwald Scholarship (2011).

For more about Caroline Heredia, listen to the interview she recorded last month for KMUC’s “Mizzou Music” program. You can hear some of her music via the embedded players below and on her SoundCloud page.

“Ausencias/Ausências/Absences” (2016) For String Quartet and Electronics, made possible by a grant from the Fromm Music Foundation and performed by JACK Quartet on March 8, 2016 at the University of Michigan’s Stamps Auditorium in Ann Arbor, MI.

“Virginia” (2015) for alto and SATB choir, recorded October 24, 2015 at Stamps Auditorium as performed by Rehanna Thelwell, contralto with the University of Michigan Chamber Choir, conducted by Jerry Blackstone.

“Añoranzas” (2016) for cello and electronics, performed by cellist Horacio Contreras for Khemia Ensemble’s album Voyages.

Composers Festival spotlight: Henry Breneman Stewart

The University of Missouri’s representative among the eight resident composers for this year’s Mizzou International Composers Festival is Henry Breneman Stewart, who just completed a master’s degree in composition at Mizzou.

While at Mizzou, Stewart (pictured) has composed works for the Mizzou New Music Ensemble, Columbia Civic Orchestra, University Singers and more, and served as the “composer on call” for the Mizzou New Music Initiative’s Composer Connection distance-learning program.

Most notably, he was the winner of the 2016 Sinquefield Composition Prize – the university’s top honor for a student composer – which resulted in a commission to write a new original work that was premiered at the 2016 Chancellor’s Arts Showcase.

A native of Lancaster County, PA, Stewart came to Mizzou via Goshen College in Goshen, IN, where he earned a BA in music and biochemistry, studying composition with Dr. Jorge Muñiz of Indiana University South Bend.

His interest in music began in childhood, as he grew up singing four-part harmony at East Chestnut Street Mennonite Church in Lancaster and began playing piano at age 5, later learning saxophone, flute and accordion as well.

During his sophomore year at Goshen, Stewart and two friends started the indie-folk band Moral Circus, which released a full-length album in early 2014. In addition to the Mennonite tradition, he cites as significant influences the music of Krzysztof Penderecki, James Blake, Shostakovich, Kanye West, Samuel Barber, Johnny Greenwood, and Run the Jewels.

When the 2017 MICF is over, Stewart will be staying in Columbia to earn a second master’s degree in music theory while also applying to doctoral programs in composition.

For more about Henry Breneman Stewart, you can listen to him talk about the process of creating a commission and his work that will be premiered at the MICF in an interview recorded in June for KMUC’s weekly “Mizzou Music” program.. You can hear his music in the embedded players below and on his SoundCloud page.

“Sun Will Rise In Black,” commissioned by the Columbia Civic Orchestra with funding from the Sinquefield Charitable Foundation and performed by Natalia Bolshakova, piano, and the Columbia Civic Orchestra, Stefan Freund, conductor.

“Love Your Enemy,” performed by the Mizzou New Music Ensemble

“Sonnet 73: De Profundis,” commissioned as a result of winning the 2016 Sinquefield Composition Prize, and performed by the University of Missouri University Singers, directed by R. Paul Crabb.

Mizzou New Music Initiative awards postdoctoral fellowship to Carolina Heredia

The Mizzou New Music Initiative and the University of Missouri School of Music have awarded a postdoctoral fellowship to composer Carolina Heredia.

Starting with the Fall 2017 semester and continuing for two years, Heredia (pictured) will teach private composition lessons to Mizzou students; assist with various MNMI programs; and work on interdisciplinary collaborative projects, initiating and supervising student efforts and also completing a major research project herself.

As MNMI’s second postdoctoral fellow, Heredia succeeds Phillip Sink, who is leaving Mizzou for a tenure-track job as assistant professor of theory and composition at Northern Illinois University.

Before beginning her fellowship, Heredia will have a chance to get acquainted with her new home as one of the eight resident composers for this year’s Mizzou International Composers Festival, a position for which she applied and was accepted last year.

“We were very impressed with Carolina’s work when we reviewed her application for the Mizzou International Composers Festival,” said Stefan Freund, professor of composition and artistic director of MNMI. “The festival is a catalyst for all sorts of opportunities, and in this case, it led to a connection with a composer and teacher who is going to be a great addition to our program.”

“Carolina’s interest in interdisciplinary projects was particularly attractive to us, and potentially could strengthen our ties with the university’s art and theater departments and the College of Arts and Science’s new digital storytelling program,” said Julia Gaines, director/associate professor of percussion and director of the School of Music. “We’re delighted to have her as part of the Mizzou New Music Initiative.“

Born in Córdoba, Argentina, Heredia comes to Mizzou from the University of Michigan, where she has just completed her doctorate in musical arts, studying with Michael Daugherty, Evan Chambers, Kristin Kuster, and Erik Santos.

While at Michigan, she also taught electronic music as a graduate student instructor and founded the Khemia Ensemble, a contemporary music group dedicated to creating innovative concert experiences involving interactive technology.

Previously, she earned her bachelor’s degree in music composition from the Universidad and Nacional de Villa María, and a bachelor’s degree in violin from the Conservatorio Superior Félix Garzón, both in Argentina; and a master’s degree in music composition from the University of Michigan.

Her compositions have been commissioned and performed in the United States and South America by musicians and ensembles including JACK Quartet, Derek Bermel, Aspen Contemporary Ensemble, Duo Cortona, and the Argentinean Cordoba State String Orchestra, and featured at events such as the SONIC Festival NYC, Aspen Music Festival and School, Bowling Green New Music Festival, TIES Toronto International Electroacoustic Festival, SEAMUS, the Cordoba Composition Biennial, and more.

Heredia’s honors and fellowships include a 2015 commission from the Fromm Music Foundation at Harvard University; the 2015 fellowship from the Susan and Ford Schumman Center for Composition Studies at the Aspen Music Festival; the Brehm Prize in Choral Composition (2015); the 2015 International Research Grant from the University of Michigan; the Margaret Dow Towsley Scholarship (2012); the Merit Scholarship from the University of Michigan (2011); and the Dorothy Greenwald Scholarship (2011).

Creating Original Music Project to present award-winning works
from Missouri student composers in concert on Saturday, April 15

Some of the winners at the 2016 COMP Festival

Whether heard on a concert stage or in a theater, on film or TV, or in a video game or app, every piece of music starts with a composer – and every young composer needs a start.

That’s why Mizzou’s Creating Original Music Project (COMP) will present performances of award-winning original works by young Missouri composers at the twelfth annual COMP Festival, held from 10:30 a.m. to 4:00 p.m., Saturday, April 15 in the Fine Arts Building on the campus of the University of Missouri.

Admission is free and open to the public. The junior division concert, featuring works from elementary and middle school winners, begins at 10:30 a.m., with the senior division concert of music by high school winners following at 2:30 p.m.

The festival also will be streamed live online at https://music.missouri.edu/concert-audio-streaming, with the audio stream going live 10 minutes before the start of each concert.

COMP was founded in 2005 to encourage K-12 students in Missouri to write original music and to provide performance opportunities for those works. It is a joint venture of the Mizzou New Music Initiative and the Sinquefield Charitable Foundation, which provides an annual gift of $80,000 to sponsor the competition.

Every year, in addition to having their music performed at the COMP Festival, the winning composers in each age group and category and their schools receive cash prizes. High school winners also receive a scholarship to attend the Missouri Summer Composition Institute, Mizzou’s high school summer music composition camp.

“The Mizzou New Music Initiative began with the Creating Original Music Project competition and summer camp, and COMP still is fundamental to our efforts to help composers of all ages grow and develop,” said Jeanne Sinquefield of the Sinquefield Charitable Foundation. “Hundreds of Missouri students have enjoyed opportunities from these programs over the last 12 years, and it’s encouraging to see both repeat winners and first-time entrants among this year’s group of winning young composers.”

The 2017 Creating Original Music Project (COMP) competition categories and winners are:

Elementary School – Song with Words
1) Brooke Noelle Eck of Woerther Elementary School, Ballwin, for “Full Blown Storm.” Sponsor: Rachel Puleo.
2) Jackson Smith of Our Lady of Lourdes Interparish School, Columbia, for “Pokémon.” Sponsor: Sarah Nolke.
3) Landon Irvin of Reeds Spring Elementary School, Reeds Spring, for “Game of Life.” Sponsor: Susan Gillen.

Elementary School – Instrumental
1) Yueheng Wang of Ulysses S. Grant Elementary School, Columbia, for “Echoing in the Sky.” Sponsor: Pam Sisson.
2) Natalie Johnson of Rogers Elementary School, St. Louis, for “Winter Snow.” Sponsor: Donna Buehne.
3) Stone Gill of Arcadia Valley Middle School, Ironton, for “Grab a Mic.” Sponsor: Chuck Lee.

Middle School – Fine Art
1) Brandon Kim of Jefferson Middle School, Columbia, for “The Quarrel.” Sponsor: Jaime Canepa.
2) Ammar Farra of Smithton Middle School, Columbia, for “Brass Trio in C Minor.” Sponsor: Emily Ebrecht.

Middle School – Popular
1) Grace Ensor, Holly Travers, Posey Bischoff, and Katie Downey of Steger Sixth Grade Center, Rock Hill, for “The Path of Life.” Sponsor: Kevin Cole.
2) Elsa Kelley-Marcum of Jefferson Middle School, Columbia, for “Deal with the Devil.” Sponsor: Christine Nichols.

High School – Fine Art
1) Brandon Thibodeau of Kearney High School, Kearney, for “Kaleidoscope.” Sponsor: Chris Heil.
2) Olivia Bennett, a home-schooled student from Nixa, for “The Hare.” Sponsor: Gabe Fleetwood.
3) Cheyenne Stumpf of Cuba High School, Cuba, for “Ki Bhavi Ragini.” Sponsor: Shannon Moore.

High School – Popular
1) Cooper Carr of Lee’s Summit West High School, Lee’s Summit, for “I See You.” Sponsor: Kirt Mosier.
2) Julia Riew of John Burroughs School, St. Louis, for “No More.” Sponsor: Robert Carter.
3) Menea Kefalov of Ladue Horton Watkins High School, Ladue, for “Storm.” Sponsor: Twinda Murry.

High School – Jazz
1) Jack Snelling of Webster Groves High School, Webster Groves, for “Lovesick.” Sponsor: Kevin Cole.
2) Samuel Luetkemeyer of Calvary Lutheran High School, Jefferson City, for “Playin’ Hooky.” Sponsors: Melisa Ahlers and Calee Gerth.

Each student who enters the competition must have the signature and sponsorship of his or her school’s music teacher. Community agencies, churches, after-school programs, private teachers, and other musical mentors also may sponsor their young musicians in partnership with the student’s school music teacher.