Posts Tagged ‘ composer

Composers Festival Spotlight: Texu Kim

Texu Kim

A native of South Korea, 2014 MICF resident composer Texu Kim currently is pursuing a doctorate in composition with minors in electronic music and music theory at Indiana University, where he also serves as an associate instructor in music theory.

Before coming to the USA, Texu earned bachelor’s and master’s degrees in composition from Seoul National University. He also holds a bachelor’s degree in chemistry from the same university, and in 1998 was a silver medal winner at the International Chemistry Olympiad in Melbourne, Australia.

In March, he was appointed composer-in-residence for the Korean Symphony Orchestra in Seoul, which will premiere two of his orchestral pieces in 2015. For the MICF, he’s written a new work called “Bounce” that will be performed by Alarm Will Sound, along with new works from the festival’s other resident composers, at the festival’s grand finale on Saturday, July 26 at the Missouri Theatre.

Texu also is looking forward to upcoming performances of his work at the ACDA Cincinnati Regional Convention, Ensemble Reconsil’s Exploring World Festival, and at the AGO National Convention in Boston.

Previously, his music has been been performed by Ensemble Modern, Ensemble Intercontemporain, Ensemble Reconsil Vienna, Seoul Philharmonic Orchestra, Ensemble TIMF, NOTUS Contemporary Vocal Ensemble at Indiana University, and the Contemporary Directions Ensemble. 

Texu’s awards and honors include the OSSIA New Music Composition Prize and Sang Yun International Composition Prize, as well as recognition from organizations such as the C4 Commissioning Competition, Gamma-UT Conference and Concert, Minnesota Orchestra Composer Institute, the Aspen Music Festival and School, ITongyeong International Music Festival, and Joong-Ang Music Concours. 

In addition to his contemporary compositions, his arrangements and orchestrations have been commissioned for and performed at events including the Innsbrook Music Festival and Piece & Piano Festival, and by groups such as Ensemble Mode and the Chamber Music Society of Kumho Art Hall.

His arrangements are featured on three albums by soprano Sumi Jo, and on recordings by harpist Jung Kwak, violinists Chee-Yun and Suyoen Kim, pianist Yeol-Eum Son, daegum (Korean traditional wind instrument) player Jeong-Seung Kim, and more. Texu also has written more than 50 songs for toddlers that were published by Bicycle Korea.

You can hear more of Texu Kim’s music in the embedded audio player and video windows below.

“Shake It!!” (2014), recorded January 21, 2014 at Indiana University’s Auer Hall.
Conducted by Texu Kim, featuring Heath White (flute), Mayu Isom (oboe), Nick Morandi (Bb clarinet, bass clarinet), Felipe Brito (trombone), Andreas Foivos Apostolou (piano), Augusta McKay Lodge (violin), Yoni Gertner (viola) and Timothée Berte-Renou (cello).

“Chopsaltok” (2012), premiered February 17, 2013 by Indiana University Symphonic Choir at Auer Hall, conducted by Jaeeun Kim and featuring Xie Zhizhong (tenor).

Composers Festival Spotlight: Ian Dicke

Ian Dicke

Resident composer Ian Dicke comes to this year’s Mizzou International Composers Festival from the University of California, Riverside, where he just completed his first year as an assistant professor of digital composition.

A native of New Jersey, Ian earned degrees in music from the University of Texas at Austin (D.M.A), University of Michigan (M.M.), and San Francisco Conservatory of Music (B.M.). In addition to teaching and composing, he also helps run two presenting organizations, founding and curating the Outpost Concert Series in Riverside while also continuing to co-direct the annual music festival Fast Forward Austin.

Drawing inspiration from social-political culture and interactive technology, Ian has written music in a variety of genres integrating acoustic ensembles with cutting edge audio processing techniques. Called “refreshingly well-structured” by Feast of Music and “uncommonly memorable” by Sequenza 21, his music has been performed by ensembles and festivals around the world, including the New World Symphony, Cabrillo Festival Orchestra, ISCM World New Music Days, and the Atlantic Coast Center Band Director’s Association.

Ian has received grants, awards, and recognition from the Fulbright Program, San Francisco Conservatory of Music, New Music USA, New York Youth Symphony, ASCAP, and BMI, among others. He has been an artist in residence at the Atlantic Center for the Arts and at Art342, and spent the 2012-2013 academic year living in Sweden as a Fulbright scholar researching interactive musical interfaces and environments.

In addition to writing “86′d” to be performed at the 2014 MICF by Alarm Will Sound, Ian’s other recent projects include a new work for the Friction Quartet and an interactive electronics and video piece for the Vasa Museum in Stockholm, Sweden.

You can hear some of Ian Dicke’s music on his website and in the embedded videos below.

“Grand Central” (2012), recorded March 2, 2013 by the San Francisco Conservatory of Music New Music Ensemble; Nicole Paiement, conductor. Commissioned by the San Francisco Conservatory of Music and scored for chamber orchestra, live audio processing, and video projections.

“Eight Oh Eight” (2011), performed by Dicke on September 27, 2013 at the Craft in America Study Center in Los Angeles.

“Assembly Lines” (2011), performed by the Boston New Music Initiative; Ray Daniels, conductor, on October 1, 2011

“Song of the Telegraph” (2010), performed by the University of Memphis Wind Ensemble, Albert T. Nguyen, Conductor.
l. Across the Wires; ll. Song of the Clouds; lll. Bluebird’s Halo

Composers Festival Spotlight: Holly Harrison

Holly Harrison

Holly Harrison is the first-ever MICF resident composer to come from Australia, where she was was born and raised, and currently is studying for a Doctorate of Creative Arts in Composition at the University of Western Sydney. She previously graduated from the University’s bachelor of music program with the University Medal for outstanding academic achievement.

Holly’s music is “driven by the nonsense literature of Lewis Carroll, embracing stylistic juxtapositions, the visceral energy of rock, and whimsical humour.” The first and last of those qualities certainly are reflected in the name of the piece she’s written for Alarm Will Sound to perform at the festival, which is called “Radishes and Strings.”

Another of Holly’s works, “Cabbages and Kings,” recently won first place at the 2014 Young Composers Meeting in Apeldoorn, The Netherlands, resulting in a commission to write a new piece for Orkest de Ereprijs for 2015. “Cabbages and Kings” also will be performed by Orkest de Ereprijs in September at the Gaudeamus Muziekweek in Utrecht.

Her honors and awards have included an Australia Postgraduate Award, three APRA Composition Awards, and the Marianne Rosenberg Musicology Prize. Holly received the Australia and Pacific Prize for the 2014 Zvi Zeitlin Memorial International Composers Competition, and in 2013 was the winner of the inaugural Pyeongchon Arts Hall International Chamber Music Composition Competition (South Korea).

Holly was selected for the 2013 Cabrillo Festival of Contemporary Music Composers Workshop here in the USA and the Melbourne Symphony Orchestra’s 2012-2013 Cybec 21st Century Australian Composers Program. She also was the Australian representative for the Young Composers Competition at the 29th Asian Composers’ League Conference and Festival held in 2011 in Taiwan.

Her music has been performed in Australia, Asia, Europe and the USA by ensembles and soloists including the Melbourne Symphony Orchestra, Orkest de Ereprijs, Cabrillo Festival Orchestra, Minot Symphony Orchestra, Hwaum Chamber Orchestra, National Taiwan Normal University Orchestra, Ensemble Offspring’s Jason Noble, and Antonietta Loffredo. Holly currently is collaborating with The Riot Ensemble (UK) on a work for two percussionists.

You can hear some of Holly Harrison’s music in the SoundCloud player embedded below.

Holly Harrison on drums in a duo with guitarist Joey Tabua,
recorded in May 2013 at the Workshop Playhouse Theater.

Composers Festival Spotlight: Michael Schacter

Michael Schachter

Michael Schacter is one of eight resident composers at the 2014 Mizzou International Composers Festival, and comes to Columbia from Ann Arbor, MI, where he currently is working towards a Ph.D. in music theory and composition at the University of Michigan.

Originally from Massachusetts and an enthusiastic Red Sox fan, Michael is a pianist as well as a composer whose music draws from “an eclectic brew of influences including jazz and New Orleans, Renaissance polyphony, Jewish liturgy and klezmer, and South Indian classical music.”

He earned his BA in 2009 from Harvard, where he directed the Harvard Chamber Singers and founded and directed the Harvard Jazz Collective, performing in concerts and master classes with Herbie Hancock, Joshua Redman, Roy Haynes, Roy Hargrove, Don Byron, and many others.

As a scholar, Michael’s research interests include the philosophy of music (especially aesthetics, epistemology, and ethics), pedagogy, early music, jazz, New Orleans music, and the classical music of South India. He spent the 2009-2010 academic year in Chennai, India, studying South Indian classical singing and vina playing. He returned there earlier this year to continue his research on melodic structures in South Indian classical music and work on a joint project transcribing and cataloging ragas with vina virtuoso Karaikudi S. Subramanian.

As a composer, Michael has received recognition from BMI, ASCAP, and the American Composers Forum, and his orchestral work “Freylekhe Tanzen” was selected for the ill-fated 2013 Minnesota Orchestra Composer Institute.

In 2013, the University of Michigan in partnership with the Gershwin family commissioned him to compose a mash-up of the University’s fight song “Hail to the Victors” and Gershwin’s “Rhapsody in Blue.” The resulting “Rhapsody in Maize and Blue” was premiered by Kenneth Kiesler and the University Symphony Orchestra in a concert featuring singer Audra McDonald.

Other recent and upcoming projects include premieres with the New York Virtuoso Singers, the Vocal Essence Ensemble Singers, and the Aurea Silva Trio, as well as collaborations with Subramanian, the Berkeley Community Chorus and Orchestra, the Jameson Singers, bass-baritone Davone Tines, and saxophonist Eddie Goodman.

For the 2014 MICF, Michael has written a new work called “Five-Six-Seven-Eight,” that will be one of eight world premieres performed by resident ensemble Alarm Will Sound for the Festival’s grand finale on Saturday, July 26 at the Missouri Theatre.

“The opportunity to write for an ensemble with the timbral palette of a full orchestra but the locked-in tightness of a Pro Tools session perhaps overly piqued my imagination, and I wanted to use this piece to explore a greater range of textures and ideas than one coherent movement could reasonably accommodate,” he said. “As such, the work consists of four miniatures, each between one and two minutes in length. The title, a reference to the common bandstand count-in, reflects the different dance-inspired characters of each miniature.”

You can hear more of Michael Schacter’s music on his website, and in the videos below.

The world premiere performance of “Three Wallace Stevens Songs”
on March 30, 2014 by The New York Virtuoso Singers

The final three minutes of “Oseh Shalom Bimromav,” winner of the Berkeley Community Chorus & Orchestra’s Young Composer Competition, performed in May 2013 by the BCCO.

“II. Jig, for Cello and Piano” (2011) performed by Schachter (piano) and Pierre Derycz (cello) at 2012 Midwest Composers Symposium at Indiana University, Bloomington, IN.

Zhou Long to serve as guest composer
for 2014 Mizzou International Composers Festival;
Beat Furrer unable to attend for medical reasons

The Mizzou New Music Initiative announced today that Swiss composer Beat Furrer, who had been scheduled to be one of the guest composers later this month at the 2014 Mizzou International Composers Festival, will be unable to attend the festival due to medical reasons.

In place of Furrer, Pulitzer Prize-winning composer Zhou Long, Distinguished Professor of Music at the University of Missouri-Kansas City Conservatory of Music and Dance, has agreed to serve as a guest composer for the 2014 MICF.

“We regret that Beat Furrer won’t be able to participate in this year’s festival, as his doctor has advised him not to travel, and we hope he’s feeling better soon,” said William J. Lackey, managing director of the Mizzou New Music Initiative. “However, we feel extraordinarily fortunate that a composer of Zhou Long’s stature happened to have space in his schedule at this time, and we are most grateful that he has agreed to join us in Columbia on such short notice.”

Zhou (pictured) was awarded the Pulitzer Prize in Music in 2011 for his first opera, Madame White Snake. Born in 1953 in China, he first came to the United States in 1985 to study music at Columbia University, where he received a Doctor of Musical Arts degree in 1993.

He has taught at UMKC since 2001, and has received awards, fellowships and commissions from major organizations and musical ensembles all around the world, including the American Academy of Arts and Letters, the National Endowment for the Arts, the Guggenheim and Rockefeller Foundations, the Cary Trust, and the Copland Fund for Music.

For MICF ticket buyers, the change in guest composers means that they’ll hear a different program during the concert by Alarm Will Sound on Thursday, July 24 at the Missouri Theatre, as the festival’s resident ensemble will perform Zhou’s Bell Drum Towers in place of one of the Furrer compositions previously scheduled. That concert also will include music by Nico Muhly, the MICF’s other guest composer this year.

For the festival’s eight resident composers, Zhou’s participation in the festival will give them a chance to study and interact with a composer and teacher who has been recognized internationally for creating a unique body of music that brings together the aesthetic concepts and musical elements of East and West.

A pioneer in combining the idiomatic sounds and techniques of ancient Chinese musical traditions with contemporary Western ensembles and compositional forms, Zhou served as music director for the presenting organization Music From China for more than a decade while living in New York. During the MICF, he will give a public presentation about his music; instruct and interact with the eight resident composers in individual and group sessions; and work with Alarm Will Sound on the performance of Bell Drum Towers.

To buy tickets for the Mizzou International Composers Festival online, or to see a complete listing of events, please visit http://composersfestival.missouri.edu/.

Tickets now on sale for 2014 Mizzou International Composers Festival
concerts on July 24, 25 & 26 at Missouri Theatre

Alarm Will Sound

Tickets are now on sale for the 2014 Mizzou International Composers Festival’s concerts on Thursday, July 24; Friday, July 25; and Saturday, July 26.

Celebrating its fifth anniversary in 2014, the Mizzou International Composers Festival will take place starting Monday, July 21 through Saturday, July 26 in Columbia. Already considered one of the most noteworthy contemporary music events in the Midwest, the MICF attracts attention from composers, musicians, music educators, and media around the world.

Once again, the grand finale of the week will feature the world premieres of eight new works written by the festival’s resident composers and performed by the acclaimed new music ensemble Alarm Will Sound (pictured, top left).  That concert will take place at 7:30 p.m., Saturday, July 26 at the Missouri Theatre, 203 S. Ninth St.

Beat Furrer

The festival’s other two public performances will feature Alarm Will Sound at 7:30 p.m. Thursday, July 24 at the Missouri Theatre; and “Mizzou New Music,” featuring works by MICF guest composers Beat Furrer and Nico Muhly, and by MU faculty and student composers, performed by the Mizzou New Music Ensemble at 7:30 p.m. Friday, July 25 at the Missouri Theatre.

Festival passes good for admission to all three concerts are on sale for $80 for the VIP package, which includes reserved premium seating; $40 for an adult general admission pass; and $20 for a student general admission pass.

Nico Muhly

Single tickets are priced at $18 for adults, $10 for students, and are all general admission. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781*. To buy tickets online, or to see a complete listing of Mizzou International Composers Festival events, visit http://composersfestival.missouri.edu/.

In addition to these three concerts, the MICF also will feature several free events, including open rehearsals and presentations by the participating composers. A complete schedule of those events will be released at a later date.

The eight resident composers were selected from more than 200 applicants from the USA and overseas to participate in the festival and create a new work for Alarm Will Sound. They are:
* Ian Dicke, Riverside, CA
* Holly Harrison, Sydney, Australia
* Texu Kim, Bloomington, IN
* José Martínez, Columbia, MO
* Nicholas Omiccioli, Kansas City, MO
* Michael Lee Schachter, Ann Arbor, MI
* Ashley Fu-Tsun Wang, Urbana, IL
* Christopher Weiss, Ann Arbor, MI

During the festival, the resident composers will receive composition lessons from guest composers Beat Furrer (pictured, center left), professor of composition at the Graz University of Music and Dramatic Arts in Vienna; and Nico Muhly (pictured, below left), a Juilliard graduate and protégé of Phillip Glass known for composing an eclectic range of works for classical and pop musicians, ballet, opera, and more.

The resident composers also will take part in rehearsals with Alarm Will Sound; give presentations on their music; and receive a premiere performance and professional live recording of their work.

*A $2.00 service fee and Missouri sales tax of 7.35% already are included in the price of each ticket. An additional fee of $3.00 per ticket will be charged for online purchases.

Mizzou composers, New Music Ensemble
develop new works inspired by Forest Park

Forest Park in St. Louis is the site of all sorts of musical performances, from the sounds of Broadway at the Muny to the St. Louis Symphony’s annual concert on Art Hill to the rock, pop and hip-hop of LouFest, and more.

Now, the park itself has become the subject of music, as four Mizzou students have been commissioned by the Sinquefield Charitable Foundation to compose new works for the Mizzou New Music Ensemble to perform at “The Sounds of Forest Park,” a private event next month for members of Forest Park Forever’s Leffingwell Society.

In February, the four composers and associate professor Stefan Freund, who is supervising the project, toured Forest Park and visited the Jewel Box (pictured), which will be the site of the performance. Each of the four composers then focused on a specific aspect of the park.

Sophomore Benedetto Colagiovanni wrote “Forest Park Rhapsody” to recall the park’s history, while the natural world of trees, plants and animals helped inspire “Elysium,” composed by sophomore Trey Makler.

Matt Steins, a junior at Mizzou, used the park’s architecture as creative fuel for his piece “Structural Symbiosis,” and master’s candidate Justin Pounds’ “A Leaf on the Wind” is meant to evoke all the different activities enjoyed by visitors in search of “fun in the park.”

While the event next month at the Jewel Box is invitation-only, you can get a sneak preview of “The Sounds of Forest Park” compositions at the Mizzou New Music Ensemble’s concert at 7:00 p.m. this Sunday, April 27 at Whitmore Recital Hall on the Mizzou campus.

Oratorio premiere draws media attention

The impending premiere this week of Stefan Freund’s Civil War oratorio is drawing plenty of attention from Columbia media.

Last week, Freund was interviewed by Trevor Harris of KBIA, and on Sunday, the Columbia Tribune published a feature story by Amy Wilder previewing the production.

Mizzou’s news service also had a preview story about the premiere, as did the Columbia Missourian. Though the latter article now is available only to subscribers, the Missourian also produced a short video to go with it, which you can view in the embedded video window below.

The world premiere of “The War Amongst Families and Neighbors: The Civil War in Missouri” takes place at 7:00 p.m., Thursday, April 24 in Jesse Auditorium. Tickets can be purchased online here, or at the door.