Composition major Dustin Dunn is featured in the latest issue of Mizzou magazine, which was mailed to alumni and other subscribers earlier this week.
Dunn, a sophomore from Annapolis, Missouri, is attending Mizzou on a full Sinquefield Scholarship from the Mizzou New Music Initiative.
“My future changed with a letter that said, ‘Congratulations! You have a full-tuition scholarship to the University of Missouri for the next four years,” he told reporter Dale Smith. “That’s when I knew that I was going to get an undergraduate experience that no one in my family had ever gotten before.”
For ten years, the Mizzou New Music Initiative’s Creating Original Music Project (COMP) has encouraged the musical dreams and aspirations of hundreds of K-12 students across Missouri, offering positive recognition and prizes, performance and educational opportunities, and more.
Some past winners of the annual statewide competition sponsored by the University of Missouri School of Music and the Sinquefield Charitable Foundation have even gone on to earn to full college scholarships or launch professional careers in music.
Now, heading into its second decade, COMP once again is looking for new, original music from student composers and songwriters in the Show-Me State. This year’s effort began when information was mailed last month to music teachers across the state inviting students to participate in the 2016 competition.
Both the winning composers and their schools will be awarded cash prizes, and the winning compositions will be performed at the Creating Original Music Project’s New Music Festival on Saturday, April 16, 2016 at the University of Missouri in Columbia.
Students in grades K-5 may submit compositions in two categories, Songs With Words and Instrumental Pieces. For grades 6-8, the categories are Fine Art Music and Popular Music; and for grades 9-12, they are Fine Art Music, Popular Music, Jazz, and Other styles.
All entries must be original music written by the student, and only one entry per student is allowed. Arrangements of previously composed pieces or improvisation based on composed pieces will not be accepted.
Mentors and teachers are encouraged to offer support and critiques, though the submissions must be the students’ own original compositions. Music teachers and/or mentors may assist students in notating or recording the pieces, and each student who applies must have the signature and sponsorship of their school’s music teacher.
Only three submissions per category per school are allowed. It is the responsibility of the school music teacher(s) to decide which three pieces per category will be entered in the contest. The postmark deadline for submission of all compositions is January 15, 2016.
For more information about the Creating Original Music Project and an application for the 2016 competition, please visit the COMP website at http://music.missouri.edu/COMP/.
For students looking for more guidance or feedback on their work, the Mizzou New Music Initiative also offers Composer Connection, a distance-learning program that gives aspiring composers a chance to talk with and receive instruction from a graduate student in composition at MU.
Students can e-mail works in progress, ask questions about composing, and receive suggestions and answers directly from the composer on call. The composer on call for the 2015-16 academic year is José Martínez, who can be reached by email at email@example.com.
The Mizzou New Music Initiative announced today that Erin Gee will be a distinguished guest composer at the 2016 Mizzou International Composers Festival (MICF), scheduled for Monday, July 25 through Saturday, July 30 on the campus of the University of Missouri in Columbia.
Currently an assistant professor of music at the University of Illinois Urbana-Champaign, Gee (pictured) is known for her series of compositions entitled “Mouthpieces,” which “use non-traditional vocal techniques, devoid of semantic language, to construct intricate and subtle patterns of a diverse array of vocal sounds.”
Her works are taught in the composition and musicology programs of universities such as MIT, University of Pennsylvania, Smith College, and Mills College, and she has lectured at Harvard, UC Berkeley, Dartmouth and Wellesley.
Gee’s awards for composition include a Guggenheim Fellowship, a Radcliffe Fellowship, the 2008 Rome Prize, the 2015 Charles Ives Fellowship from the American Academy of Arts and Letters, and more. She has written works on commission for the Zurich Opera House, Radio Symphony Orchestra Vienna, Los Angeles Philharmonic New Music Group, American Composers Orchestra, and many others, and in January 2014 she was cited by Alex Ross, music critic for The New Yorker, as being one of the most influential composer-vocalists of the 21st century.
Next July in Columbia, she’ll join British/American composer Oscar Bettison, who was named in September as the MICF’s other distinguished guest composer for 2016.
The MICF features three public concerts of music from contemporary composers, as well as workshops, master classes and other events. As in years past, Saturday night’s grand finale at the Missouri Theatre will present the world premieres of new works from each of eight resident composers, with the acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, serving as resident ensemble.
The resident composers are selected for the MICF each year through an online portfolio application process. During the Festival, they’ll get composition lessons from Bettison, Gee, and Mizzou faculty, and take part in rehearsals with Alarm Will Sound. Each composer also will receive a copy of a professional live recording of his or her work.
The deadline for submitting an application is 5:00 p.m. Central time, Monday, November 23, 2015. For more information or to apply to become a resident composer for the Mizzou International Composers Festival, please visit https://app.getacceptd.com/mizzou.
A complete schedule of events, times, dates and venues for the 2016 Mizzou International Composers Festival will be made available at a later date. For more information, please visit http://composersfestival.missouri.edu/.
“Forest Park Rhapsody” now will be entered in the national MTNA composition competition, which offers a first place prize of $3,000, plus a performance at the Winners Concert during the 2016 MTNA National Conference, taking place April 2 through April 6 in San Antonio, TX.
A native of St. Louis and graduate of Clayton High School, Colagiovanni (pictured) was a two-time winner in Mizzou’s statewide Creating Original Music Project (COMP) before enrolling at MU with a full Sinquefield Scholarship to study composition.
Mizzou composition major Erin Höerchler was the subject of a feature article last week in the Columbia Daily Tribune.
Reported by the Daily Tribune’s Amy Wilder, the profile is part of the paper’s weekly “Niche” series highlighting artists in the Columbia area.
Höerchler (pictured), a junior who’s originally from Jefferson City, used the opportunity to talk briefly about her compositional process, telling Wilder, “When I write, it’s like each part is a character, and there’s drama in between those characters…I’m not just writing sounds and music. It’s a story. There’s a whole aesthetic and a time period and a color scheme I create with each of my pieces.”
For the past four years, the Missouri Composers Orchestra Project (MOCOP) has been providing performance opportunities for new orchestral music written by Missouri residents. For its fifth year, MOCOP is expanding, both musically and geographically.
The 2016 competition will include both choral and orchestral works in five categories, three for Missouri composers and two added specifically for composers currently studying at schools in the Southeastern Conference (SEC).
Each year, recently composed works are selected through a competitive, blind judging process and are performed by the Columbia Civic Orchestra at a concert in Columbia. Each of the composers of the selected works is awarded a $500 honorarium, and this year, the composers selected from SEC schools also will receive travel expenses so they can attend the final rehearsal and concert.
New categories added for composers from SEC schools!
The categories for the 2016 MOCOP competition are Missouri Open – Orchestral; Missouri High School – Orchestral; Missouri High School – Choral; SEC Students – Orchestral; and SEC Students – Choral.
The CCO and the Columbia Chamber Choir will perform the selected works in a concert at 7:30 p.m. Sunday, March 20 at Broadway Christian Church, 2601 West Broadway in Columbia.
Applications must be received no later than 5:00 p.m. Central time on Friday, December 11, 2015
The Columbia Civic Orchestra is a volunteer group located in Columbia, Missouri, dedicated to providing enjoyment for its members and audiences with the presentation and preservation of high-quality symphonic music.
The Columbia Chamber Choir in a subset of the Columbia Chorale, which works to promote choral music of the highest artistic quality and to stimulate a greater community understanding, appreciation, and enjoyment of choral music by presenting programs appealing to a wide cross-section of Missouri residents and visitors.
This weekend, the Mizzou New Music Initiative and the University of Missouri School of Music will have the honor of welcoming Chen Yi for a brief residency on the MU campus and a world premiere.
Chen (pictured) currently is a distinguished professor of composition at the Conservatory of Music and Dance at the University of Missouri-Kansas City. A finalist for the 2006 Pulitzer Prize for Music for her composition “Si Ji” (“Four Seasons”), she was born and raised in Guangzhou, China and is known as a prolific composer who blends Chinese and Western traditions, transcending cultural and musical boundaries.
Along with many orchestral works, Chen has written numerous choral works and pieces of chamber music, including works written for traditional Chinese instruments.
Chen’s program notes describe “The Beautiful West Lake” like this:
“The shining waves in the lake, and the drizzling rains on the hills from a colorful landscape of the West Lake. It is presented by simple pentatonic melodies, with cluster harmonies and a pattern of reciting nonsense syllables in the background in my choral piece. The sound and voices in the music convey the feeling of enjoying the nature, which symbolizes the beauty in Southeast China, whose presence is just so natural and perfect.”
Following the concert, Chen will wrap up her visit on Monday by leading a morning coaching session at Loeb Hall with the Mizzou New Music Ensemble.
A violinist as well as a composer, she received bachelor and masters degrees in music composition from the Central Conservatory in Beijing, and a Doctor of Musical Arts degree from Columbia University.
Chen is the recipient of the prestigious Charles Ives Living Award from the American Academy of Arts and Letters in 2001 and was elected to the American Academy of Arts & Sciences in 2005. She has received
fellowships and commissions from organizations including the Guggenheim Foundation; the National Endowment for the Arts; the Koussevitzky, Fromm, Ford, Roche, and Rockefeller foundations; Meet The Composer, Chamber Music America;, the BBC Proms; the China National Center for the Performing Arts, the Lincoln Center Festival, and Carnegie Hall.
Ensembles and soloists commissioning her work have included the Cleveland Orchestra, Mira Wang and the Sächsische Staatskapelle Dresden, the Orchestra of St. Luke’s, the Seattle Symphony, Yo-Yo Ma and the Pacific Symphony, Evelyn Glennie and the Singapore Symphony, the Women’s Philharmonic, the Brooklyn Philharmonic, and the St. Paul Chamber Orchestra.
Chen’s music is published by Theodore Presser Company, and has been recorded and released on more than 20 different labels, including New Albion, CRI, Angel, Koch International Classics, Delos, New World and Naxos.
Also of note is that her husband is Zhou Long, also a professor of composition at UMKC’s conservatory, winner of the 2011 Pulitzer Prize for music, and one of two distinguished guest composers at the 2013 Mizzou International Composers Festival.
You can see and hear some samples of her works in the embedded videos below.
“Prospect Overture” for orchestra, commissioned by the China National Centre for the Performing Arts in Beijing and premiered by the China National Symphony Orchestra, conducted by Daniel Harding, on December 31, 2008 at the CNCPA.
“Chinese Ancient Dances” for clarinet and piano, performed by Divan Consort on September 27, 2012 at CSU Fullerton’s Meng Hall.
“Distance can’t keep us two apart,” a 2012 work commissioned by the American Choral Directors Association Endowment and performed here by Montclair State University Singers, conducted by Dr. Heather Buchanan, on February 17, 2012 at the Veterans Memorial Auditorium, in Providence, RI.
Although the Mizzou International Composers Festival represents the largest gathering of composers taking place each year in Columbia, the School of Music and the Mizzou New Music Initiative also are pleased to be able to host individual composers for short-term residencies during the school year.
Composer David Maslanka(pictured) will be in residence at Mizzou next week, and he’ll have a busy schedule while he’s visiting Columbia.
On Wednesday, Maslanka will have a coaching session with the Mizzou New Music Ensemble, who will be performing one of his works this season, and on Thursday, he’ll take part in a School of Music convocation at 3:00 p.m. at Whitmore Hall.
Born in 1943 in New Bedford, Massachusetts, David Maslanka is known particularly for his compositions for winds, a number of which have become staples of band repertoire. Among his more than 130 works are forty pieces for wind ensemble, including seven symphonies, fifteen concertos, a Mass, and many concert pieces. His chamber music includes four wind quintets, five saxophone quartets, and many works for solo instrument and piano. In addition, he has written a variety of orchestral and choral pieces.
His education includes undergraduate work at the Oberlin College Conservatory, a year at the Mozarteum in Salzburg, Austria, and masters and doctoral studies in composition at Michigan State University.
Maslanka served for more than 20 years on the faculty at Kingsborough Community College of the City University of New York, and also has taught at Sarah Lawrence College, New York University, and State University of New York at Geneseo.
Now a freelance composer who has worked solely on commission since 1990, Maslanka currently lives in Missoula, Montana. His compositions are published by Maslanka Press, Carl Fischer, Kjos Music, Marimba Productions, and OU Percussion Press. They have been recorded on labels including Albany, Reference Recordings, BIS (Sweden), Naxos, Cambria, CRI, Mark, Novisse, AUR, Cafua (Japan), Brain Music (Japan), Barking Dog, and Klavier.