Posts Tagged ‘ Columbia Daily Tribune

2019 MICF featured in Columbia Daily Tribune

On the Sunday just before the start of this year’s Mizzou International Composers Festival, the Columbia Daily Tribune published four articles by features editor Aarik Danielsen telling readers about the fest.

You can read them all at the Tribune’s website by clicking on the links below:

* Meet this year’s composers

* Come Together: MU professors lead Khemia Ensemble to musical chemistry

* Eyes and ears open: Composer converts moments of awareness into a career, about resident composer Nicole Murphy

* Hear here: Composer tunes her work to a world of sound, about resident composer Kristina Wolfe

Mizzou composers Libby Roberts, Niko Schroeder
featured in Columbia Daily Tribune

From left: Roberts, Schroeder

Mizzou composers Libby Roberts and Niko Schroeder both were featured recently in stories published by the Columbia Daily Tribune.

Roberts, a second-year masters student in composition who also serves as the pianist for the Mizzou New Music Ensemble, was the subject of a story by features editor Aarik Danielsen under the headline “Whole notes: MU student unites mind, body and soul in musical pursuits.”

She is one of three Mizzou composers taking part in this year’s program of readings by musicians of the St. Louis Symphony and resident conductor Gemma New, and will have the work she composed for the Symphony read for the second time in a public event at 6:30 p.m. Wednesday, April 3 at Powell Hall in St. Louis.

Schroeder, who’s in his first year working toward a masters in composition, was profiled by the Tribune‘s Elena K. Cruz in a story headlined “Art and craft: Sinquefield Prize winner combines history with theory and simplicity.”

As the winner of this year’s Sinquefield Composition Prize, Mizzou’s highest honor for a student composers, Schroeder is writing a new, original work for the University Philharmonic Orchestra, directed by Barry Ford, which will premiere it as part of the Chancellor’s Arts Showcase on Monday, April 8, 2019 at the Missouri Theatre in Columbia.

MICF in the media

If you’ve missed any of the media coverage of the 2018 Mizzou International Composers Festival, you can catch up by following the links below:

* The Columbia Daily Tribune‘s coverage included interviews with resident composers Viet Cuong, Douglas Osmun and Gemma Peacocke, plus a guide to the entire festival.

* The Columbia Missourian published a short feature story offering an overview of the festival, along with a gallery of photos.

* MNMI managing director Jacob Gotlib was interviewed by Diana Moxon of KOPN’s “Speaking of the Arts.” Moxon also interviewed resident composers Amanda Feery and Gemma Peacocke.

* New Music USA helped spread the word about the live radio broadcasts and audio streaming of this year’s MICF concerts.

* You can listen to interviews with the festival’s resident composers and more, originally broadcast on Classical 90.5’s “Mizzou Music” program and now archived on their website.

 

Jacob Gotlib profiled in Columbia Daily Tribune

The Mizzou New Music Initiative’s new managing director Jacob Gotlib (pictured) recently was profiled in the Columbia Daily Tribune.

Gotlib, who earned his Ph.D in composition in 2015 from the State University of New York at Buffalo and also holds a master’s degree in composition from the University of Missouri-Kansas City and a B.M. in music technology from the Oberlin Conservatory of Music, began work at Mizzou in August.

You can read the article, written by the Tribune‘s Aarik Danielsen, here.

Erin Höerchler featured in Columbia Daily Tribune

Mizzou composition major Erin Höerchler was the subject of a feature article last week in the Columbia Daily Tribune.

Reported by the Daily Tribune‘s Amy Wilder, the profile is part of the paper’s weekly “Niche” series highlighting artists in the Columbia area.

Höerchler (pictured), a junior who’s originally from Jefferson City, used the opportunity to talk briefly about her compositional process, telling Wilder, “When I write, it’s like each part is a character, and there’s drama in between those characters…I’m not just writing sounds and music. It’s a story. There’s a whole aesthetic and a time period and a color scheme I create with each of my pieces.”

You can read the entire article online at http://www.columbiatribune.com/arts_life/ovation/erin-hoerchler/article_aeeec5bb-9100-5b55-a077-c31d1fec0be3.html.