Posts Tagged ‘ Christopher Mayo

Composers Festival spotlight: Christopher Mayo

A native of Toronto, Christopher Mayo is the first Canadian to be a resident composer for the Mizzou International Composer Festival.

A composer of orchestral, chamber, vocal, and electronic music, Mayo (pictured) received his bachelor of music degree with honors at the University of Toronto, where he was awarded the Glenn Gould Composition Prize and the William Erving Fairclough Scholarship. He relocated to London in 2003 to study at the Royal College of Music, where he earned a master of music in 2004 and a Ph.D in composition in 2011.

His time there resulted in a number of opportunities, including appearing in the BBC Two television documentary Classic Goldie, helping UK drum and bass musician Goldie to write a commission for the London Symphony Orchestra. The LSO has gone on to record two of Mayo’s own works, releasing their version of “Therma” in 2013, and Mayo’s contribution to the multi-composer Panufnik Variations project in 2016. (While in London, Mayo also was a member of the Camberwell Composers Collective, which included 2012 MICF resident composer Charlie Piper.)

Since moving back to Toronto, Mayo has continued to collaborate occasionally with popular musicians, penning string arrangements for performers including Carly Rae Jepsen, Drake and Tanya Tagaq for the Polaris Music Prize awards ceremony, and writing orchestral arrangements of a number of Jepsen’s hits for her debut performance last month with the Toronto Symphony Orchestra.

Other recent projects include “Streets become Liars,” which was premiered in March by Crash Ensemble at New Music Dublin 2017, and, of course, “Beast (for Hugo Ball),” the work Mayo has written for Alarm Will Sound to perform at the MICF’s “Eight World Premieres” grand finale on Saturday, July 29 at the Missouri Theatre.

Characterized by a distinctive rhythmic language and a wide range of influences, Mayo’s music has been performed by orchestras including the LSO, BBC Symphony Orchestra, BBC National Orchestra of Wales, National Youth Orchestra of Great Britain, Vancouver Symphony Orchestra, and others.

He has had chamber works commissioned by London Sinfonietta, MATA Festival, Nouvel Ensemble Moderne, Ensemble contemporain de Montreal +, Motion Ensemble, and more. His chamber music also has been played by new music groups including ACME, L’arsenale, Aurora Orchestra, Aventa and Land’s End Ensemble; at festivals including the Bang on a Can Summer Music Festival, the Cheltenham Festival, and the Marrakech Biennale; and at venues ranging from Le Poisson Rouge to Wigmore Hall.

Mayo’s vocal works include “Death on Three-Mile Creek,” commissioned in 2011 by Carnegie Hall, and “Under Dark Water,” commissioned by Esprit Orchestra.

He frequently collaborates with artists from other disciplines, and in recent years has created new dance scores for Rambert Dance Company, New Movement Collective, and for the English National Ballet’s performance at the Coronation Gala at Buckingham Palace. Mayo’s chamber opera “The Tall Office Building Artistically Considered,” was cited as a “deft mix of documentary, pulsating drones, electric guitar and sparing percussion” in 2014 by BBC Music Magazine.

Christopher Mayo was interviewed by the Columbia Tribune‘s Aarik Danielsen for a feature story about the 2017 MICF, which you can read here. You can hear samples of Mayo’s music on his SoundCloud page and in the embedded players below.

“Pike and Shot” (2008), performed by Paul Widner (cello) and Philip Thomas (piano) at Continuum Contemporary Music’s performance on April 25, 2013 at the Music Gallery in Toronto.

Excerpts from various works

“First Screening” for orchestra and film, recorded September 25th, 2016 by the Victoria Symphony, conducted by Tania Miller.

Tickets for 2017 Mizzou International Composers Festival go on sale Friday, May 26

Tickets for the 2017 Mizzou International Composers Festival (MICF) will go on sale at 10:00 a.m. CDT on Friday, May 26.

Known as the region’s premier showcase for new works by top young composers, the MICF will take place this year from Monday, July 24 through Saturday, July 29 in Columbia, and will include three public concerts.

Returning for the eighth year as the festival’s resident ensemble, Alarm Will Sound will begin the weekend of shows at 7:30 p.m. Thursday, July 27 at the Missouri Theatre, 203 S. Ninth St. in downtown Columbia.

They’ll perform music from the 2017 MICF’s distinguished guest composers, Georg Friedrich Haas and Dan Visconti, as well as works by Robert Sirota, Don Freund, and AWS violinist/guitarist Caleb Burhans.

Next, the “Mizzou New Music” concert at 7:30 p.m., Friday, July 28 at the Missouri Theatre will feature performances by the Mizzou New Music Ensemble and guest artists DRAX, with saxophonist Leo Saguiguit and percussionist Megan Arns, and cellist Eli Lara.

The grand finale of the week will showcase the world premieres of eight new works written by the festival’s resident composers and performed by Alarm Will Sound at 7:30 p.m., Saturday, July 29 at the Missouri Theatre.

Festival VIP packages are $80, and include reserved premium seating at all three concerts; two drink tickets good at the Thursday and Friday performances; and admission to a VIP reception prior to the Saturday evening performance, featuring champagne and hors d’oeuvres with members of Alarm Will Sound and the composers.

Festival passes for all three concerts are $40 for an adult general admission pass, and $20 for a student general admission pass. Single tickets are priced at $18 for adults, $10 for students, and are all general admission. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781. To buy tickets online, visit http://composersfestival.missouri.edu/.

In addition to these three concerts, the MICF also will feature several free events, including open rehearsals and presentations by the participating composers. A complete schedule of those events will be released at a later date.

The eight resident composers were chosen from among more than 260 applicants from 25 different countries to participate in the festival and create a new work for Alarm Will Sound. They are:
* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

During the festival, the resident composers will receive composition lessons from distinguished guest composers George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The resident composers also will take part in rehearsals with Alarm Will Sound; give presentations on their music; and receive a premiere performance and professional live recording of their work.

Mizzou International Composers Festival announces resident composers for 2017

The Mizzou New Music Initiative (MNMI) has selected eight resident composers to participate in the 2017 Mizzou International Composers Festival (MICF).

Presented by MNMI and the University of Missouri School of Music from Monday, July 24 through Saturday, July 29 in Columbia, the eighth annual MICF will feature world premieres of new works written by each of the selected composers. Listed with their current places of residence, they are:

* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

The resident composers are chosen through a portfolio application process that this year attracted a record 261 entries from 25 different countries, also a record for the MICF. Applications were received from Argentina, Australia, Brazil, Canada, Denmark, England, Finland, France, Germany, Greece, Hong Kong, Ireland, Israel, Italy, Mexico, the Netherlands, New Zealand, Poland, Russia, Scotland, Serbia, South Korea, Sweden, Turkey, and the United States.

Four of the resident composers selected for 2017 are originally from outside the US, including Selim Göncü, who was born in Turkey; Carolina Heredia, a native of Argentina; Christopher Mayo, a Canadian; and Aaron Parker, who hails from England.

Henry Breneman Stewart, a graduate student working toward a master’s in composition at Mizzou, will represent the University of Missouri. Stewart was the winner of the 2016 Sinquefield Composition Prize, the university’s highest honor for a student composer.

The 2017 Mizzou International Composers Festival will include a series of public concerts featuring music from the resident composers and other contemporary creators, as well as workshops, master classes, and other events.

The Festival’s distinguished guest composers for 2017 will be George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they have since the MICF began in 2010.

During the festival, the eight resident composers will receive composition lessons from Haas and Visconti; take part in rehearsals with Alarm Will Sound; give public presentations on their music; and receive a premiere performance and professional live recording of a new work created specifically for the MICF and Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2017 Mizzou International Composers Festival will be announced at a later date. For more information, please visit http://composersfestival.missouri.edu/.