Posts Tagged ‘ Carolina Heredia

Mizzou New Music Ensemble to perform works by Boulez, Higdon, Martínez, and Heredia in concert Sunday, October 6 at Whitmore Recital Hall

The Mizzou New Music Ensemble will begin their 2019-20 season with a concert featuring works by two modern masters, a Mizzou alumnus, and a current Mizzou faculty member.

The Ensemble (pictured) will perform music by Pierre Boulez, Jennifer Higdon, José Martínez, and Carolina Heredia at 7:30 p.m. Sunday, October 6 at Whitmore Recital Hall on the University of Missouri campus in Columbia. The concert is free and open to the public.

As the name suggests, Boulez’s “Dérive 1” is derived from two of his other compositions, “Messagesquisse” and “Répons,” the latter of which in turn was created as a re-elaboration of musical ideas from “Éclat/Multiples.” This working method was typical of Boulez, who was known for producing new material by extending or transforming existing pieces.

Higdon’s “Zaka” has been called “an energetic and tightly focused work that uses string instruments in percussive and unorthodox ways,” and was praised by the Sacramento Bee as “a fantastic sprint full of irresistible Stravinskian energy and rhythmic drive.”

Martínez, who earned his master’s degree in composition from Mizzou in 2016, describes his piece “Illegal Cycles” as “an attempt to contaminate salsa with some noise, yet at the same time, to look for the groove in the fine-art sound of the freely improvised music” and “a natural product of our post-postmodern world, where the artistic boundaries between genres are happily long gone.”

“Ius in Bello” (Latin for “law of war”) was inspired by the socio-political confrontations in Venezuela that began in 2014. Heredia, a native of Argentina and an assistant professor of composition at Mizzou, calls the work “my response to the violent repression executed by the government against civilian protesters,” explaining that it “engages with dream-like sections in which color-saturated imagery of a perfect future is tinted with crispy dissonances.”

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2019-20 season are Daniel Fitzpatrick, piano; Stephen Landy, percussion; Ann Mozina, flute; Jordan Nielsen, percussion; Pedro Ramiro, violin; Cameron Tubbs, cello; and Andrew Wiele, clarinet. Mizzou New Music Initiative post-doctoral fellow Yoshiaki Onishi serves as the Ensemble’s assistant conductor.

A look back at the 2019 Mizzou International Composers Festival

2019 MICF featured in Columbia Daily Tribune

On the Sunday just before the start of this year’s Mizzou International Composers Festival, the Columbia Daily Tribune published four articles by features editor Aarik Danielsen telling readers about the fest.

You can read them all at the Tribune’s website by clicking on the links below:

* Meet this year’s composers

* Come Together: MU professors lead Khemia Ensemble to musical chemistry

* Eyes and ears open: Composer converts moments of awareness into a career, about resident composer Nicole Murphy

* Hear here: Composer tunes her work to a world of sound, about resident composer Kristina Wolfe

Composers Festival spotlight: Khemia Ensemble

Khemia Ensemble will play a prominent role during their Mizzou International Composers Festival debut this year, presenting three performances featuring works by a total of 16 different composers.

Founded and led by University of Missouri School of Music faculty members Carolina Heredia and Bret Bohman, and including Mizzou assistant professor of cello Eli Lara, Khemia (pictured) is “a contemporary chamber ensemble focused on championing the works of living composers through vivid, multimedia performances.”

Members of Khemia will be featured in two afternoon “pop-up” concerts in downtown Columbia, on Thursday, July 25 outside Sparky’s Homemade Ice Cream and on Friday, July 26 near Uprise Bakery, with the entire group set to perform in a matinee concert on Saturday, July 27 at Whitmore Recital Hall in the Fine Arts Building on the Mizzou campus.

Over the course of the three performances, they’ll play music by Heredia, Bowman, and 2019 MICF resident composer inti figgis-vizueta, as well as Andy Akiho, Lembit Beecher, Bjarne Brustad, John Cage, Chris Cerrone, Daniel Fawcett, Ellen Harrison, Tom Johnson, Bruno Mantovani, Patricia Martinez, Emma O’Halloran, Tim Peterson, and Heitor Villa-Lobos.

With an original lineup of musicians featuring members from four different countries – Argentina, Brazil, China, and the United States – Khemia brings diverse approaches to the music of a variety of living composers and to their stated mission, which is to “foster collaborations among the arts by working closely with designers, visual artists, and writers as well as incorporating poetic, visual, and interactive elements in our performances.”

The ensemble’s collective interest in multimedia led to the creation several years ago of “Khemia Lights,” an installation devised in a collaboration between Bret Bohman and Intermedio, a Cincinnati-based sound and visual production company. Employing “audio-visual technology that responds live to the rhythm and intensity of the music we are performing, creating an exciting multi-sensory experience for the audience,” the lighting system has been used as part of interactive concerts in Cincinnati, Ann Arbor and Detroit.

Khemia Ensemble has been featured in venues and festivals such as National Sawdust, Strange Beautiful Music in Detroit, the third annual New Music Gathering, Latin IS America at Michigan State University and the Biennial New Music Festival at the National University of Cordoba.

They also have had residencies at University of Michigan, Tufts University, Michigan State University, the National University of Bogota and the National University of Cordoba, as well as two consecutive years at Avaloch Farms.

You can check out recordings of some past Khemia Ensemble performances in the embedded players below.

“Negative Image/Fragil,” composed by Carolina Heredia and Natali Herrera, recorded May 3, 2018 at National Sawdust in New York City

“Visual Abstract” by Pierre Jalbert, recorded in September 2017 at Strange Beautiful Music X in Detroit, MI

“Ear, Skin, and Bone Riddles (excerpt)” by Marcus Balter, recorded in September 2016 at Distler Hall, Tufts University, in Medford, MA, featuring Amy Petrongelli (soprano), Lauren Pulcipher (violin), and Horacio Contreras (cello)

Fall 2018 Student Composers Recital set for
Monday, November 26 at Whitmore Recital Hall

The Fall 2018 edition of the University of Missouri School of Music’s Student Composers Recital will present new works written and performed by students at 7:30 p.m. Monday, November 26 at Whitmore Recital Hall on the Mizzou campus. Admission is free and open to the public.

The program will include:
“The Wooden Playground” by Nathan Andrzejewski
“Numbers” by Mikkel Christensen
“The Struggle of a Painter” by Zach Davis
“When Icarus fell it was Spring” by Aaron Mencher
“Duck Your Modernism” by Niko Schroeder
“The Exquisites” by Emily Shaw
“Stream of Consciousness” by Jack Snelling
“The Bounds of Tonality” by Harry Tryer

The concert also will feature a performance of “Exquisite Corpse I,” a collaborative work written by first-year composition students Nathan Andrejewski, Ross Dryer, Holden Franklin, Emily Shaw, Jack Snelling, Nathaniel Swan, and Harry Tryer under the supervision of assistant professor Carolina Heredia.

The concept of “Exquisite Corpse” is derived from the Surrealist parlor game of the same name, in which the first participant would write a phrase or make a sketch on a sheet of paper, fold the paper to conceal part of it, and pass it on to the next player for their contribution.

As Heredia explains in the program notes, “Each student worked on a variation of the Happy Birthday song. The first collaborator wrote the introduction and passed on the last two bars only to the second collaborator. Then, the second collaborator repeated this action, and so on. At the end, our copyist and arranger took all the materials, put them together, and worked on the transitions to make them smoother.” The students dedicated the work to Dr. Stefan Freund, professor of composition and artistic director of the Mizzou New Music Initiative, and presented it to him for his birthday on October 31.

Carolina Heredia wins Grand Prize in Chamber Music OC’s
inaugural International New Music Competition

Mizzou’s Carolina Heredia has won the John Corigliano Grand Prize in the first International New Music Competition sponsored by Chamber Music OC, a new music presenting and educational organization in Irvine, CA.

Heredia, who is an assistant professor of composition at Mizzou, won the prize for “Ausencias,” a thirty-minute intermedia work for string quartet, fixed media, dance, and interactive video that also can be performed in a music-only format.

The original music-only version was premiered by JACK Quartet in March 2016, and the full work was first performed in March 2017 at the Duderstadt Video Studio at the University of Michigan.

Heredia (pictured) also won the competition’s “Wonder Woman” prize for her composition, which was one of 369 works submitted from 32 different countries. “Ausencias” will be featured in an upcoming Chamber Music OC performace, with details to be announced.

In addition to Heredia, there’s another prize winner who also has a Mizzou connection. Selim Göncü, who was a resident composer at the 2017 Mizzou International Composers Festival, won the competition’s California Love Prize for his work “dimINNUENDO.”

Mizzou New Music Initiative awards postdoctoral fellowship to Yoshiaki Onishi

The Mizzou New Music Initiative (MNMI) and the University of Missouri School of Music have awarded a postdoctoral fellowship to composer Yoshiaki “Yoshi” Onishi.

Starting with the Fall 2018 semester and continuing for two years, Onishi will teach private composition lessons, composition seminar, and freshman ear training to Mizzou students; serve as assistant conductor for the Mizzou New Music Ensemble; and assist with various MNMI programs. He also will begin a major research project to be completed during the two years of his fellowship.

Onishi (pictured) made news last week when he was awarded a 2018 fellowship from the Guggenheim Foundation, a prestigious prize that since 1925 has been given to scholars, artists and scientists who already have done exceptional work and continue to show promise for the future. As MNMI’s third postdoctoral fellow, he will succeed Carolina Heredia, who was hired by the School of Music to be an assistant professor of composition starting in Fall 2018.

“Yoshiaki Onishi has impressive credentials, and he’ll add another fresh perspective to our composition area,” said Julia Gaines, director of the School of Music and professor of percussion. “With Carolina Heredia joining the full-time faculty, we’re very pleased to have found yet another accomplished individual for this fellowship.”

“As a conductor and clarinetist as well as a teacher and a prize-winning composer, Yoshi has had a variety of experiences that apply directly to what we’re doing with the Mizzou New Music Initiative,” said Stefan Freund, professor of composition and artistic director of MNMI. “Our students definitely will benefit by having him in the mix, and since both of our previous post-doctoral fellows have gone on to tenure-track jobs, we hope that this opportunity will be good for Yoshi, too.”

Born in Hokkaido, Japan, Onishi received his doctorate in composition in 2015 from Columbia University. Previously, he studied composition, clarinet and conducting at University of the Pacific, graduating with highest honors, and earned an artist diploma and master of music degree in composition from Yale School of Music.

He has held teaching positions at Columbia University and Toho Gakuen School of Music in Tokyo, Japan, and has made guest lectures and appearances at the University of Hawai’i at Manoā, University of the Pacific, Columbia University, and other academic institutions.

Onishi has had his music presented worldwide by festivals and organizations such as Festival Rainy Days at Philharmonie Luxembourg, Takefu International Music Festival, Gaudeamus Muziekweek, and more; and performed by ensembles and soloists including Asko/Schönberg Ensemble, Klangforum Wien, JACK Quartet, Momenta Quartet, Wet Ink Ensemble, Nieuw Ensemble, Ensemble Intercontemporain, Anssi Karttunen, Ari Streisfeld, and Linda Jankowska. His works are published by Edition Gravis in Berlin, Germany.

As a conductor, he describes himself as “deeply engaged” in new music and has conducted many ensembles and orchestras, working closely with composers of his generation. Onishi is one of the founding members of Ensemble Exophonie Tokyo, and previously served as an assistant conductor for the Columbia University Orchestra.

His honors and awards include winning the Gaudeamus Prize, one of the most prestigious awards given to young composers, in 2011; being a two-time finalist for the Akutagawa Award in Music Composition in Japan; an artistic residency fellowship from Civitella Ranieri Foundation in Umbertide, Italy; a commission from Ensemble Intercontemporain; and more.

Carolina Heredia to join faculty of
University of Missouri School of Music
as assistant professor of composition

The University of Missouri School of Music will welcome Carolina Heredia as an assistant professor of composition starting with the fall semester in 2018.

Currently a post-doctoral fellow with the Mizzou New Music Initiative, Heredia (pictured) first came to Columbia as one of the eight resident composers for the 2017 Mizzou International Composers Festival. In her new tenure-track job, she’ll teach individual lessons, lead and teach independent and collaborative intermedia projects, and continue to assist with various MNMI programs.

“Carolina Heredia was the best fit for the job, and with that credential, we’re very pleased to welcome her as the first woman ever to join the University of Missouri’s composition faculty,” said Julia Gaines, director of the School of Music and professor of percussion. “As a native of Argentina, she also brings a Latinx influence to our program. We’re delighted that our top candidate also expands the diversity of our faculty in more than one way.”

“Carolina brings a unique and impassioned voice to the Mizzou New Music Initiative,” said Stefan Freund, professor of composition and artistic director of MNMI. “Her work with intermedia is inspiring for our students, and she will be leading them and our area in making collaborative art of the future.”

“I’m thrilled to join the Mizzou community as a full-time faculty member next year. Being here as a postdoc has allowed me to appreciate the enthusiastic, supportive and inspiring environment at the School of Music, and I truly believe this is a unique place,” said Heredia. “I’m very pleased to be part of a composition department that is committed to excellence and inclusivity at all levels of musicianship, while also making an important difference in the larger community.”

Born in Córdoba, Argentina, Carolina Heredia earned her doctorate in musical arts in composition at the University of Michigan, studying with Michael Daugherty and Evan Chambers.

While at Michigan, she also taught electronic music as a graduate student instructor and founded the Khemia Ensemble, a contemporary music group dedicated to creating innovative concert experiences involving interactive technology.

Previously, she earned her degree in music composition from the Universidad and Nacional de Villa María in Villa María, Argentina, and a master’s degree in music composition from the University of Michigan.

Her compositions have been commissioned and performed in the United States and South America by musicians and ensembles including Alarm Will Sound, JACK Quartet, Derek Bermel, Aspen Contemporary Ensemble, Duo Cortona, Tesla Quartet, and Alexander Fiterstein; and featured at events such as the SONIC Festival NYC, Aspen Music Festival and School, Bowling Green New Music Festival, TIES Toronto International Electroacoustic Festival, SEAMUS, New Music Gathering 2017 and 2018, Cordoba Composition Biennial, Mizzou International Composers Festival, and more.

Heredia’s honors and fellowships include the Fromm Commission from Harvard University (2015); a fellowship from the Susan and Ford Schumann Center for Composition Studies at the Aspen Music Festival (2015); an Institute of Humanities Fellowship from University of Michigan (2016-17); a Missouri Music Teachers Association (MMTA) composition commission from Music Teachers National Association and MMTA (2017); the Institute for Research on Women and Gender Award from University of Michigan (2017); and a Paul R. Judy Center for Applied Research grant from Eastman University (2017).