Posts Tagged ‘ Carolina Heredia

Composers Festival spotlight: Carolina Heredia

Born in Córdoba, Argentina, Carolina Heredia is the first resident composer originally from South America to take part in the Mizzou International Composers Festival.

Heredia (pictured) has just completed her doctorate in musical arts at the University of Michigan, studying with Michael Daugherty, Evan Chambers, Kristin Kuster, and Erik Santos.

(Interestingly, while being the first from South America, she’s also the latest in a series of Michigan grads to serve as MICF resident composers, including Patrick Harlin (2012), Elizabeth Kelly (2013), Greg Simon (2013), Michael Schachter (2014), Ian Dicke (2014), Takuma Itoh (2016), and Matthew Browne (2016).)

Once the 2017 MICF is over, Heredia will be sticking around Columbia for a while, as last month she was awarded a two-year postdoctoral fellowship by the Mizzou New Music Initiative. Starting with the Fall 2017 semester, Heredia will teach private composition lessons to Mizzou students; assist with various MNMI programs; and work on interdisciplinary collaborative projects, initiating and supervising student efforts and also completing a major research project herself.

While at Michigan, she taught electronic music as a graduate student instructor and founded the Khemia Ensemble, a contemporary music group dedicated to creating innovative concert experiences involving interactive technology.

Previously, Heredia earned her bachelor’s degree in music composition from the Universidad Nacional de Villa María, and a bachelor’s degree in violin from the Conservatorio Superior Félix Garzón, both in Argentina; and a master’s degree in music composition from the University of Michigan.

Her compositions have been commissioned and performed in the United States and South America by musicians and ensembles including JACK Quartet, Derek Bermel, Aspen Contemporary Ensemble, Duo Cortona, and the Argentinean Cordoba State String Orchestra, and featured at events such as the SONIC Festival NYC, Aspen Music Festival and School, Bowling Green New Music Festival, TIES Toronto International Electroacoustic Festival, SEAMUS, the Cordoba Composition Biennial, and more.

Heredia’s honors and fellowships include a 2015 commission from the Fromm Music Foundation at Harvard University; the 2015 fellowship from the Susan and Ford Schumman Center for Composition Studies at the Aspen Music Festival; the Brehm Prize in Choral Composition (2015); the 2015 International Research Grant from the University of Michigan; the Margaret Dow Towsley Scholarship (2012); the Merit Scholarship from the University of Michigan (2011); and the Dorothy Greenwald Scholarship (2011).

For more about Caroline Heredia, listen to the interview she recorded last month for KMUC’s “Mizzou Music” program. You can hear some of her music via the embedded players below and on her SoundCloud page.

“Ausencias/Ausências/Absences” (2016) For String Quartet and Electronics, made possible by a grant from the Fromm Music Foundation and performed by JACK Quartet on March 8, 2016 at the University of Michigan’s Stamps Auditorium in Ann Arbor, MI.

“Virginia” (2015) for alto and SATB choir, recorded October 24, 2015 at Stamps Auditorium as performed by Rehanna Thelwell, contralto with the University of Michigan Chamber Choir, conducted by Jerry Blackstone.

“Añoranzas” (2016) for cello and electronics, performed by cellist Horacio Contreras for Khemia Ensemble’s album Voyages.

Mizzou New Music Initiative awards postdoctoral fellowship to Carolina Heredia

The Mizzou New Music Initiative and the University of Missouri School of Music have awarded a postdoctoral fellowship to composer Carolina Heredia.

Starting with the Fall 2017 semester and continuing for two years, Heredia (pictured) will teach private composition lessons to Mizzou students; assist with various MNMI programs; and work on interdisciplinary collaborative projects, initiating and supervising student efforts and also completing a major research project herself.

As MNMI’s second postdoctoral fellow, Heredia succeeds Phillip Sink, who is leaving Mizzou for a tenure-track job as assistant professor of theory and composition at Northern Illinois University.

Before beginning her fellowship, Heredia will have a chance to get acquainted with her new home as one of the eight resident composers for this year’s Mizzou International Composers Festival, a position for which she applied and was accepted last year.

“We were very impressed with Carolina’s work when we reviewed her application for the Mizzou International Composers Festival,” said Stefan Freund, professor of composition and artistic director of MNMI. “The festival is a catalyst for all sorts of opportunities, and in this case, it led to a connection with a composer and teacher who is going to be a great addition to our program.”

“Carolina’s interest in interdisciplinary projects was particularly attractive to us, and potentially could strengthen our ties with the university’s art and theater departments and the College of Arts and Science’s new digital storytelling program,” said Julia Gaines, director/associate professor of percussion and director of the School of Music. “We’re delighted to have her as part of the Mizzou New Music Initiative.“

Born in Córdoba, Argentina, Heredia comes to Mizzou from the University of Michigan, where she has just completed her doctorate in musical arts, studying with Michael Daugherty, Evan Chambers, Kristin Kuster, and Erik Santos.

While at Michigan, she also taught electronic music as a graduate student instructor and founded the Khemia Ensemble, a contemporary music group dedicated to creating innovative concert experiences involving interactive technology.

Previously, she earned her bachelor’s degree in music composition from the Universidad and Nacional de Villa María, and a bachelor’s degree in violin from the Conservatorio Superior Félix Garzón, both in Argentina; and a master’s degree in music composition from the University of Michigan.

Her compositions have been commissioned and performed in the United States and South America by musicians and ensembles including JACK Quartet, Derek Bermel, Aspen Contemporary Ensemble, Duo Cortona, and the Argentinean Cordoba State String Orchestra, and featured at events such as the SONIC Festival NYC, Aspen Music Festival and School, Bowling Green New Music Festival, TIES Toronto International Electroacoustic Festival, SEAMUS, the Cordoba Composition Biennial, and more.

Heredia’s honors and fellowships include a 2015 commission from the Fromm Music Foundation at Harvard University; the 2015 fellowship from the Susan and Ford Schumman Center for Composition Studies at the Aspen Music Festival; the Brehm Prize in Choral Composition (2015); the 2015 International Research Grant from the University of Michigan; the Margaret Dow Towsley Scholarship (2012); the Merit Scholarship from the University of Michigan (2011); and the Dorothy Greenwald Scholarship (2011).

Tickets for 2017 Mizzou International Composers Festival go on sale Friday, May 26

Tickets for the 2017 Mizzou International Composers Festival (MICF) will go on sale at 10:00 a.m. CDT on Friday, May 26.

Known as the region’s premier showcase for new works by top young composers, the MICF will take place this year from Monday, July 24 through Saturday, July 29 in Columbia, and will include three public concerts.

Returning for the eighth year as the festival’s resident ensemble, Alarm Will Sound will begin the weekend of shows at 7:30 p.m. Thursday, July 27 at the Missouri Theatre, 203 S. Ninth St. in downtown Columbia.

They’ll perform music from the 2017 MICF’s distinguished guest composers, Georg Friedrich Haas and Dan Visconti, as well as works by Robert Sirota, Don Freund, and AWS violinist/guitarist Caleb Burhans.

Next, the “Mizzou New Music” concert at 7:30 p.m., Friday, July 28 at the Missouri Theatre will feature performances by the Mizzou New Music Ensemble and guest artists DRAX, with saxophonist Leo Saguiguit and percussionist Megan Arns, and cellist Eli Lara.

The grand finale of the week will showcase the world premieres of eight new works written by the festival’s resident composers and performed by Alarm Will Sound at 7:30 p.m., Saturday, July 29 at the Missouri Theatre.

Festival VIP packages are $80, and include reserved premium seating at all three concerts; two drink tickets good at the Thursday and Friday performances; and admission to a VIP reception prior to the Saturday evening performance, featuring champagne and hors d’oeuvres with members of Alarm Will Sound and the composers.

Festival passes for all three concerts are $40 for an adult general admission pass, and $20 for a student general admission pass. Single tickets are priced at $18 for adults, $10 for students, and are all general admission. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781. To buy tickets online, visit http://composersfestival.missouri.edu/.

In addition to these three concerts, the MICF also will feature several free events, including open rehearsals and presentations by the participating composers. A complete schedule of those events will be released at a later date.

The eight resident composers were chosen from among more than 260 applicants from 25 different countries to participate in the festival and create a new work for Alarm Will Sound. They are:
* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

During the festival, the resident composers will receive composition lessons from distinguished guest composers George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The resident composers also will take part in rehearsals with Alarm Will Sound; give presentations on their music; and receive a premiere performance and professional live recording of their work.

Mizzou International Composers Festival announces resident composers for 2017

The Mizzou New Music Initiative (MNMI) has selected eight resident composers to participate in the 2017 Mizzou International Composers Festival (MICF).

Presented by MNMI and the University of Missouri School of Music from Monday, July 24 through Saturday, July 29 in Columbia, the eighth annual MICF will feature world premieres of new works written by each of the selected composers. Listed with their current places of residence, they are:

* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

The resident composers are chosen through a portfolio application process that this year attracted a record 261 entries from 25 different countries, also a record for the MICF. Applications were received from Argentina, Australia, Brazil, Canada, Denmark, England, Finland, France, Germany, Greece, Hong Kong, Ireland, Israel, Italy, Mexico, the Netherlands, New Zealand, Poland, Russia, Scotland, Serbia, South Korea, Sweden, Turkey, and the United States.

Four of the resident composers selected for 2017 are originally from outside the US, including Selim Göncü, who was born in Turkey; Carolina Heredia, a native of Argentina; Christopher Mayo, a Canadian; and Aaron Parker, who hails from England.

Henry Breneman Stewart, a graduate student working toward a master’s in composition at Mizzou, will represent the University of Missouri. Stewart was the winner of the 2016 Sinquefield Composition Prize, the university’s highest honor for a student composer.

The 2017 Mizzou International Composers Festival will include a series of public concerts featuring music from the resident composers and other contemporary creators, as well as workshops, master classes, and other events.

The Festival’s distinguished guest composers for 2017 will be George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they have since the MICF began in 2010.

During the festival, the eight resident composers will receive composition lessons from Haas and Visconti; take part in rehearsals with Alarm Will Sound; give public presentations on their music; and receive a premiere performance and professional live recording of a new work created specifically for the MICF and Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2017 Mizzou International Composers Festival will be announced at a later date. For more information, please visit http://composersfestival.missouri.edu/.