Posts Tagged ‘ Alarm Will Sound

Music from 2014 MICF now on SoundCloud

Now that tickets are on sale for the 2015 Mizzou International Composers Festival, here’s a chance to whet your musical appetite with some sounds from the 2014 MICF.

These works were written by 2014 resident composers Holly Harrison, Texu Kim, and Michael Schachter (pictured, from left) especially for the Festival’s resident ensemble Alarm Will Sound, and received their world premiere performances at the 2014 festival. To play the track, just click on the embedded SoundCloud player.

The 2015 MICF takes place July 20 – 25 in Columbia. To get your tickets to hear this year’s exciting world premieres and more, please visit http://composersfestival.missouri.edu/tickets.html.

“Radishes and Strings,” by Holly Harrison

“Bounce” by Texu Kim

“Five – Six – Seven – Eight” by Michael Schachter

Tickets for 2015 Mizzou International Composers Festival
go on sale Monday, June 8

New Muse Piano Duo

Tickets for the 2015 Mizzou International Composers Festival (MICF) will go on sale at 10:00 a.m. CDT next Monday, June 8.

Heralded as one of the premier contemporary music events in the Midwest, the MICF has been called “a vibrant inferno of creative energy” by the internationally syndicated radio program “Relevant Tones,” and praised for offering “kinetic excitement” by the hometown Columbia Daily Tribune.

DRAX

The 2015 MICF will take place from Monday, July 20 through Saturday, July 25 in Columbia. The grand finale of the week will feature the world premieres of eight new works written by the festival’s resident composers and performed by Alarm Will Sound, who return for their sixth year as resident ensemble.

That concert will take place at 7:30 p.m., Saturday, July 25 at the Missouri Theatre, 203 S. Ninth St. in downtown Columbia.

In addition to their grand finale performance, Alarm Will Sound also will play music from their recent repertoire in a concert at 7:30 p.m. Thursday, July 23 at the Missouri Theatre.

Alarm Will Sound

This year’s “Mizzou New Music” concert at 7:30 p.m., Friday, July 24 at the Missouri Theatre will feature performances by the Mizzou New Music Ensemble and guest artists New Muse Piano Duo, with pianists Jonathan Kuuskoski and Paola Savvidou, and DRAX, with percussionist Megan Arns and saxophonist Leo Saguiguit.

They will showcase music from MU faculty and student composers, as well as works by this year’s MICF guest composers, Hans Abrahamsen and Andrew Norman.

Festival passes good for admission to all three concerts are on sale for $80 for the VIP package, which includes a champagne and hors d’oeuvres reception with Alarm Will Sound members; $40 for an adult general admission pass; and $20 for a student general admission pass.

Single tickets are priced at $18 for adults, $10 for students, and are all general admission. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781. To buy tickets online, or to see a complete listing of Mizzou International Composers Festival events, visit http://composersfestival.missouri.edu/.

(Missouri sales tax of 7.975% already is included in the price of each ticket. An additional fee of $2.00 per ticket will be charged for online purchases. For these fees, a three-concert festival pass is considered one ticket.)

In addition to these three concerts, the MICF also will feature several free events, including open rehearsals and presentations by the participating composers. A complete schedule of those events will be released at a later date.

The eight resident composers were selected from more than 230 applicants from the USA and overseas to participate in the festival and create a new work for Alarm Will Sound. They are:

* Thomas Dougherty, Houston, TX
* Emily Koh, Waltham, MA
* Andrew McManus, Chicago, IL
* Justin Pounds, Columbia, MO
* Alessandro Ratoci, Lausanne, Switzerland
* Christopher Stark, St. Louis, MO
* Anthony Vine, Brooklyn, NY
* Conrad Winslow, Brooklyn, NY

During the festival, the resident composers will receive composition lessons from guest composers Hans Abrahamsen, a Danish composer whose spare yet lyrical works reflect his involvement in the “New Simplicity” movement of the 1960s; and Andrew Norman, a Los Angeles-based composer and teacher at the USC Thornton School of Music.

The resident composers also will take part in rehearsals with Alarm Will Sound; give presentations on their music; and receive a premiere performance and professional live recording of their work.

Mizzou International Composers Festival gets
record number of resident composer applicants for 2015

With all the applications for 2015 submitted and logged, the Mizzou International Composers Festival has set another new record this year for the number of submissions from prospective resident composers.

The MICF got a total of 231 applications for the 2015 festival, including 82 returning applicants and 149 who applied for the first time.

Fifteen percent of the submissions came from outside the US, with applications arriving from composers in Australia, Brazil, Canada, Colombia, France, Germany, Ireland, Italy, Latvia, Mexico, Netherlands, South Korea, Spain, Switzerland, and the United Kingdom.

Last weekend, festival organizers met in St. Louis to review the submissions and decide which composers to invite for 2015. The working group included Mizzou New Music Initiative co-artistic directors Stefan Freund and W. Thomas McKenney and managing director William Lackey, as well as resident ensemble Alarm Will Sound‘s conductor/music director Alan Pierson and pianist John Orfe. They looked at applications, studied scores, listened to hours of music, and discussed it all extensively before compiling their final list.

The results of their deliberations will be revealed on Monday, January 5, when we announce publicly the names of the eight resident composers who will take part in the 2015 Mizzou International Composers Festival.

To stay current with all the latest news from the MICF and MNMI, keep watching this space. Also, please follow us on Twitter at @MizzouNewMusic, and “like” the Missouri New Music Facebook page.

Tom McKenney and Alan Pierson look at a score

MNMI managing director William Lackey coordinated the application process

John Orfe and Stefan Freund listen intently

2015 Mizzou International Composers Festival set for July 20 – 25;
Hans Abrahamsen, Andrew Norman named as guest composers

The 2015 Mizzou International Composers Festival (MICF) will be held Monday, July 20 through Saturday, July 25 on the campus of the University of Missouri in Columbia, and will feature Hans Abrahamsen and Andrew Norman as guest composers.

The 2015 MICF will include a series of public concerts presenting music from contemporary composers, as well as workshops, master classes and other events.

Saturday night’s grand finale at the Missouri Theatre will feature the world premieres of new works from each of the festival’s eight resident composers, with the acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, serving as resident ensemble.

Hans Abrahamsen

Hans Abrahamsen was born in Copenhagen and attended the Royal Danish Academy of Music. A published composer beginning at age 16, Abrahamsen in the early part of his career was considered part of the “New Simplicity” movement that began in the mid-1960s as a reaction to the perceived over-complexity of avant-garde music. Some of his best-known early works include “Winternacht” (1976-78); “Nacht und Trompeten” (1981); and “Zwei Schneetänze” (1985).

Befriending and studying with György Ligeti during the 1980s, Abrahamsen received the Carl Nielsen Prize in 1989 and the Wilhelm Hansen Composer Prize in 1998. After a hiatus from composing, he re-emerged in the new century with a series of major compositions including the extended chamber work “Schnee” (2008), a Double Concerto for violin, piano and strings (2010-11); and “Let me tell you,” for soprano and orchestra, premiered in 2013 by the Berlin Philharmonic.

Andrew Norman

Andrew Norman is a Los Angeles-based composer and teacher at the USC Thornton School of Music. A graduate of the University of Southern California and Yale, Norman “draws on an eclectic mix of instrumental sounds, notational practices, and non-linear narrative structures.” His work has been noted by the New York Times for its “daring juxtapositions and dazzling colors” and by the Los Angeles Times for its “Chaplinesque” wit.

Norman has been the recipient of numerous commissions, prizes and awards, and his symphonic works have been performed by orchestras including the Los Angeles and New York Philharmonics, the Philadelphia Orchestra, the Minnesota Orchestra, the BBC Symphony, the Orpheus Chamber Orchestra, and the Tonhalle Orchester Zurich. His chamber music has been featured in the Wordless Music Series at Le Poisson Rouge and at the MATA Festival, the Tanglewood Festival of Contemporary Music, the Green Umbrella Series, and the Aspen Music Festival.

With the 2015 guest composers confirmed, eight resident composers now will be selected for the MICF through a portfolio application process to create a new work for Alarm Will Sound. During the week of the festival, they’ll get composition lessons from Abrahamsen and Norman and take part in rehearsals with Alarm Will Sound. Each composer also will receive a copy of a professional live recording of his or her work.

The application process for resident composers begins Thursday, October 23, 2014, and the deadline for submitting an application is Monday, November 24, 2014. To help composers save on printing and mailing costs, the MICF this year has moved to an online application process. For more information on applying to become a resident composer for the Mizzou International Composers Festival, please visit http://composersfestival.missouri.edu/application.html.

A complete schedule of events, times, dates and venues for the 2015 Mizzou International Composers Festival will be made available at a later date. For more information, please visit http://composersfestival.missouri.edu/.

A look back at the 2014 Mizzou International Composers Festival

Here’s a comprehensive look back at this year’s Mizzou International Composers Festival via news coverage and social media:

Even more media coverage of the 2014 MICF

With the 2014 Mizzou International Composers Festival now over, there still are a few items of media coverage of the festival to share.

In addition to their preview story on the 2014 Mizzou International Composers Festival (linked here), Vox magazine sent writer Caleb O’Brien to the festival’s grand finale on Saturday night, and his recap of the evening can be read online here.

If you’d like to get a pictorial look behind the scenes of the 2014 MICF, resident ensemble Alarm Will Sound has posted on their Facebook page two albums of photos from the week. (The photo of resident composer José Martínez and AWS music director and conductor Alan Pierson accompanying this post is from the first set.)

Meanwhile, Seth Boustead and Jesse McQuarters, respectively the host and producer of the radio program Relevant Tones, were in Columbia for several days during the festival, recording material for an episode about the MICF that will air sometime this fall. The program is broadcast weekly at 5:00 p.m. Saturdays on WFMT (98.7 FM) in Chicago, and also can be heard online and on other subscribing stations around the country.

In addition to gathering material for later, the Relevant Tones crew also put together five short “Mizzou Minute” podcasts covering different aspects of the MICF. You can hear all five of them via the embedded SoundCloud players below.

2014 Mizzou International Composers Festival to include free events

In addition to the ticketed concerts at the Missouri Theatre, the 2014 Mizzou International Composers Festival once again will include a number of events that are free of charge.

All the presentations by the Festival’s guest, resident and faculty composers are free and open to the public, and will take place in Room 145 of the Fine Arts Building on the MU campus.

The resident composers will give presentations on their work from 9:00 a.m. to 12:00 p.m. and 1:30 p.m. to 3:30 p.m. on Monday, July 21; and from 1:30 p.m. to 3:30 p.m. on Tuesday, July 22.

Guest composer Nico Muhly will discuss his work at 7:00 p.m. Tuesday evening, followed at 8:15 p.m. by MU faculty composer Stefan Freund.

Then on Wednesday, July 23, guest composer Zhou Long will give his presentation at 7:00 p.m., with MU faculty composer W. Thomas McKenney to follow at 8:30 p.m.

To get a behind-the-scenes look at how the Festival’s eight world premieres and other new works are being prepared for performance, you can see the Festival’s resident ensemble Alarm Will Sound in several rehearsals during the week that will be open to the public at no charge.

Open rehearsals will take place from 9:00 a.m to noon on Tuesday and 1:30 p.m. to 4:00 p.m. Wednesday at the Missouri Theatre; and from 9:00 a.m. to 12:00 p.m. and 1:30 p.m. to 4:30 p.m. on Friday, July 25 in Room 201 of Loeb Hall on the MU campus.

For a complete schedule of events, please see the Mizzou International Composers Festival website.

Composers Festival Spotlight: Alarm Will Sound

Alarm Will Sound

It’s been a busy year for Alarm Will Sound since the last Mizzou International Composers Festival.

For starters, the MICF’s resident ensemble (pictured) recently completed a year-long residency at New York City’s Metropolitan Museum of Art, performing there four times during the 2013-14 presenting season.

The concerts at the Met included “Permanent Collection,” revisiting key works written for the sinfonietta throughout musical history, in October; an all-Steve Reich program in November; a collaboration with Dance Heginbotham in February; and “I Was Here I Was I,” a music and theater piece composed by Kate Soper with a libretto by Nigel Maister, in June.

AWS over the past year also presented their second season of performances in St. Louis, playing three different programs at the Sheldon Concert Hall and making their debut at the top rock venue The Pageant with music from Aphex Twin, Steve Reich and Tyondai Braxton.

As part of their effort to get more involved in St. Louis, members of Alarm Will Sound conducted an ongoing series of workshops with students at the Community Music School of Webster University, culminating with selected students from CMS joining AWS on stage to perform in season’s final concert at The Sheldon. The program’s eventual goal, according to AWS managing director Gavin Chuck, is to form a student ensemble  – sort of an “Alarm Will Sound Jr,” if you will – to give CMS students continuing opportunities to learn and perform music by living composers.

And as if all that weren’t enough, AWS also managed to travel to Europe twice, to perform last September at the Sacrum Profanum Festival in Krakow, Poland, and in November to play at the Cresc Biennale in Frankfurt, Germany.

Other 2014 performances included a concert at NYC’s Carnegie Hall in June, featuring works by Donnacha Dennehy, Kate Moore, Kaki King, and Richard Ayres; and Alarm Will Sound’s Chicago debut over the Independence Day weekend in a concert at Millennium Park.

Last but certainly not least, AWS managed to make it to Columbia for the first time during the academic year, playing February 7 in a free concert at the Missouri Theatre.

Looking ahead, this year’s Mizzou International Composers Festival once again will feature two performances by Alarm Will Sound at the Missouri Theatre.  On Thursday, July 24, they’ll present a program including music from 2014 guest composer Nico Muhly, John Adams’ “Scratchband,” and more.

Then for the Festival’s grand finale on Saturday, July 26, AWS will will perform eight world premieres of works written especially for them by this year’s eight resident composers. Tickets for both concerts are on sale now.

For the latest from Alarm Will Sound, you can follow them on Twitter and/or “Like” them on Facebook.

You also can hear some of the music Alarm Will Sound has premiered at past Mizzou International Composers Festivals via SoundCloud. Audio files from 2010 are here; the tracks from 2011 are here; and 2012’s files are here.

Twinned: Alarm Will Sound/Dance Heginbotham
Recorded February 20, 2014 at the Metropolitan Museum of Art.

Alarm Will Sound at the Community Music School of Webster University

Ives “Ragtime Dance No. 4”
Recorded October 11, 2013 during the “Permanent Collection” performance at the Grace Rainey Rogers Auditorium at the Metropolitan Museum of Art.

Audio of the complete “Permanent Collection” concert