Posts Tagged ‘ Alarm Will Sound

Mizzou International Composers Festival announces resident composers for 2018

The Mizzou New Music Initiative (MNMI) has selected eight resident composers to participate in the 2018 Mizzou International Composers Festival (MICF).

Presented by MNMI and the University of Missouri School of Music from Monday, July 23 through Saturday, July 28 in Columbia, the ninth annual MICF will feature world premieres of new works written by each of the selected composers. Listed with their current places of residence, they are:

* Oren Boneh, Berkeley, CA
* Christine Burke, Iowa City, IA
* Viet Cuong, Philadelphia, PA
* Amanda Feery, Princeton, NJ
* Douglas Osmun, Columbia, MO
* Gemma Peacocke, Princeton, NJ
* Igor Santos, Chicago, IL
* Peter Shin, Los Angeles, CA

The resident composers are chosen through a portfolio application process that this year attracted 244 entries from 22 different countries. Applications were received from Argentina, Australia, Austria, Canada, China, Colombia, Costa Rica, Cyprus, Finland, Ireland, Israel, Italy, Japan, Mexico, the Philippines, Russia, South Africa, South Korea, Sweden, Thailand, the United Kingdom, and the United States.

Three of the resident composers selected for 2018 are originally from outside the US: Amanda Feery, a native of Offaly, Ireland; Gemma Peacocke, who’s from Hamilton, New Zealand; and Igor Santos, born in Curitiba, Brazil.

Douglas Osmun, a graduate student working toward a master’s in composition at Mizzou, will represent the University of Missouri. Osmun was the winner of the 2017 Sinquefield Composition Prize, the university’s highest honor for a student composer. Resident composer Peter Shin also has a Missouri connection, as he was born and raised in Kansas City.

The 2018 Mizzou International Composers Festival will include a series of public concerts featuring music from the resident composers and other contemporary creators, as well as workshops, master classes, and other events.

The Festival’s distinguished guest composers for 2018 will be Chen Yi, a native of Guangzhou, China who is a distinguished professor of composition at the Conservatory of Music and Dance at the University of Missouri-Kansas City, and Alex Mincek, an assistant professor, composition and music technology at Northwestern University’s Bienen School of Music and a co-founder and artistic director of the Wet Ink Ensemble.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they have since the MICF began in 2010.

During the festival, the eight resident composers will receive composition lessons from Chen and Mincek; take part in rehearsals with Alarm Will Sound; give public presentations on their music; and receive a premiere performance and professional live recording of a new work created specifically for the MICF and Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2018 Mizzou International Composers Festival will be announced at a later date. For more information, please visit http://composersfestival.missouri.edu/.

Alarm Will Sound to play free concert on
Wednesday, December 6 at Missouri Theatre

Alarm Will Sound is returning to Columbia to perform at 7:00 p.m. Wednesday, December 6 at the Missouri Theatre, 203 S. 9th St. Admission to the concert is free and open to the public.

As the resident ensemble for the annual Mizzou International Composers Festival (MICF), Alarm Will Sound (pictured) has been playing in mid-Missouri since 2010, and five of the six composers whose works they’ll perform in December at the Missouri Theatre have a connection to the MICF.

Two of the works were created specifically for the festival by past resident composers. “Paper Pianos I. You are not a kid,” was written by Mary Kouyoumdjian and premiered at the 2016 MICF, and “Urban Sprawl” was written by Clint Needham and was first performed the 2011 festival.

Needham currently is composer-in-residence and assistant professor at the Baldwin Wallace Conservatory of Music in Ohio; Kouyoumdjian is a freelance composer based in New York City.

Alarm Will Sound also will perform new works by two of its own members. “Escape Wisconsin” is by AWS violinist and guitarist Caleb Burhans, and premiered at the 2017 MICF, while “Unremixed” was composed by Stefan Freund, who is the cellist for AWS, professor of composition at Mizzou, and artistic director of the MICF and the Mizzou New Music Initiative.

Completing the program will be two pieces by well-known contemporary composers, “Try” by Andrew Norman and “Scratchband” by John Adams.

Norman was a distinguished guest composer at the 2015 MICF, and is the winner of the 2017 Grawemeyer Award for outstanding achievement by a living composer, and an assistant professor of composition at the University of Southern California’s Thornton School of Music; Adams is the Grammy Award and Pulitzer Prize winning composer of “Nixon In China,” “Doctor Atomic,” “Shaker Loops” and more.

Robert Sirota to discuss “Three Nocturnes” in pre-concert talk on Thursday, July 27

Composer Robert Sirota will discuss his new work “Three Nocturnes” in a pre-concert talk before Alarm Will Sound’s world premiere performance of it for the Mizzou International Composers Festival on Thursday, July 27 at the Missouri Theatre. Sirota’s talk will begin at 7:00 p.m., and the concert starts at 7:30 p.m.

Sirota (pictured) will be joined by artist Simon Dinnerstein, whose drawings “Night,” “Night Scene I,” and “Purple Haze” provided inspiration for “Three Nocturnes”; and Alex Barker, director of Mizzou’s Museum of Art & Archaeology, where the exhibition “The Lasting World – Simon Dinnerstein and the Fulbright Triptych” will be presented starting July 25 through December 22.

A native New Yorker who now splits his time between New York City and Maine, Robert Sirota has been called “a quintessentially American composer” by ClassicalLite. Over the past 40 years, his chamber, orchestral, and liturgical works have been performed all over the world, and he has been the recipient of numerous awards, honors and grants from the Guggenheim Foundation, National Endowment for the Arts, Meet The Composer, the American Music Center, and many others.

As a teacher, he served as director of the Peabody Institute of the Johns Hopkins University, chairman of the department of music and performing arts professions at New York University, director of Boston University’s school of music, and from 2005 to 2012, president of Manhattan School of Music. Sirota’s “Three Nocturnes” was commissioned by Alarm Will Sound specifically for the Mizzou International Composers Festival.

Admission to the pre-concert talk is included in the ticket price for the concert. Single tickets for all Mizzou International Composers Festival concerts are priced at $18 for adults, $10 for students. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781. To buy tickets online, visit http://composersfestival.missouri.edu/.

Alarm Will Sound, Mary Kouyoumdjian receive major grant for “Paper Pianos”

Alarm Will Sound, the resident ensemble for the Mizzou International Composers Festival, and Mary Kouyoumdjian, one of the eight resident composers at last year’s MICF, have received a major grant from The MAP Fund to underwrite production next year of an evening-long version of her work “Paper Pianos.”

Kouyoumdjian (pictured), who lives in New York City, first composed a short version of “Paper Pianos” for Alarm Will Sound to perform at the 2016 MICF. She then used the recording from the festival as part of her successful proposal for a grant to fund the expanded version.

The full concert version of the work will “explore the refugee experience through the life of pianist Milad Yousufi, who was forced to flee Afghanistan to avoid persecution. Incorporating recorded dialogue from interviews with Mr. Yousufi, as well as photographic and animated images, ‘Paper Pianos’ will dramatize the emotional plight of displacement and resettlement experienced by refugees throughout the world.”

The MAP Fund grant of $38,346 includes $31,450 to support the production of “Paper Pianos” and $6,896 in general operating support for Alarm Will Sound.

Based in New York City, The MAP Fund was established in 1988 to support innovation and cross-cultural exploration in new works of live performance. MAP awards $1 million annually to up to 40 projects in the range of $10,000 – $45,000 per grant to artists and organizations across the US. Since 1989, the program has disbursed more than $27 million to fund more than 1000 projects in playwriting, choreography, music composition, and ensemble, site-specific, and community-based performance.

You can hear the recording of the MICF version of “Paper Pianos” in the embedded player below.

Tickets for 2017 Mizzou International Composers Festival go on sale Friday, May 26

Tickets for the 2017 Mizzou International Composers Festival (MICF) will go on sale at 10:00 a.m. CDT on Friday, May 26.

Known as the region’s premier showcase for new works by top young composers, the MICF will take place this year from Monday, July 24 through Saturday, July 29 in Columbia, and will include three public concerts.

Returning for the eighth year as the festival’s resident ensemble, Alarm Will Sound will begin the weekend of shows at 7:30 p.m. Thursday, July 27 at the Missouri Theatre, 203 S. Ninth St. in downtown Columbia.

They’ll perform music from the 2017 MICF’s distinguished guest composers, Georg Friedrich Haas and Dan Visconti, as well as works by Robert Sirota, Don Freund, and AWS violinist/guitarist Caleb Burhans.

Next, the “Mizzou New Music” concert at 7:30 p.m., Friday, July 28 at the Missouri Theatre will feature performances by the Mizzou New Music Ensemble and guest artists DRAX, with saxophonist Leo Saguiguit and percussionist Megan Arns, and cellist Eli Lara.

The grand finale of the week will showcase the world premieres of eight new works written by the festival’s resident composers and performed by Alarm Will Sound at 7:30 p.m., Saturday, July 29 at the Missouri Theatre.

Festival VIP packages are $80, and include reserved premium seating at all three concerts; two drink tickets good at the Thursday and Friday performances; and admission to a VIP reception prior to the Saturday evening performance, featuring champagne and hors d’oeuvres with members of Alarm Will Sound and the composers.

Festival passes for all three concerts are $40 for an adult general admission pass, and $20 for a student general admission pass. Single tickets are priced at $18 for adults, $10 for students, and are all general admission. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781. To buy tickets online, visit http://composersfestival.missouri.edu/.

In addition to these three concerts, the MICF also will feature several free events, including open rehearsals and presentations by the participating composers. A complete schedule of those events will be released at a later date.

The eight resident composers were chosen from among more than 260 applicants from 25 different countries to participate in the festival and create a new work for Alarm Will Sound. They are:
* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

During the festival, the resident composers will receive composition lessons from distinguished guest composers George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The resident composers also will take part in rehearsals with Alarm Will Sound; give presentations on their music; and receive a premiere performance and professional live recording of their work.

Mizzou International Composers Festival announces resident composers for 2017

The Mizzou New Music Initiative (MNMI) has selected eight resident composers to participate in the 2017 Mizzou International Composers Festival (MICF).

Presented by MNMI and the University of Missouri School of Music from Monday, July 24 through Saturday, July 29 in Columbia, the eighth annual MICF will feature world premieres of new works written by each of the selected composers. Listed with their current places of residence, they are:

* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

The resident composers are chosen through a portfolio application process that this year attracted a record 261 entries from 25 different countries, also a record for the MICF. Applications were received from Argentina, Australia, Brazil, Canada, Denmark, England, Finland, France, Germany, Greece, Hong Kong, Ireland, Israel, Italy, Mexico, the Netherlands, New Zealand, Poland, Russia, Scotland, Serbia, South Korea, Sweden, Turkey, and the United States.

Four of the resident composers selected for 2017 are originally from outside the US, including Selim Göncü, who was born in Turkey; Carolina Heredia, a native of Argentina; Christopher Mayo, a Canadian; and Aaron Parker, who hails from England.

Henry Breneman Stewart, a graduate student working toward a master’s in composition at Mizzou, will represent the University of Missouri. Stewart was the winner of the 2016 Sinquefield Composition Prize, the university’s highest honor for a student composer.

The 2017 Mizzou International Composers Festival will include a series of public concerts featuring music from the resident composers and other contemporary creators, as well as workshops, master classes, and other events.

The Festival’s distinguished guest composers for 2017 will be George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they have since the MICF began in 2010.

During the festival, the eight resident composers will receive composition lessons from Haas and Visconti; take part in rehearsals with Alarm Will Sound; give public presentations on their music; and receive a premiere performance and professional live recording of a new work created specifically for the MICF and Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2017 Mizzou International Composers Festival will be announced at a later date. For more information, please visit http://composersfestival.missouri.edu/.

2017 Mizzou International Composers Festival set for July 24 – 29;
applications for eight resident composers now open

The Mizzou New Music Initiative is now accepting applications for eight resident composers to take part in the 2017 Mizzou International Composers Festival (MICF), which will be held Monday, July 24 through Saturday, July 29 on the campus of the University of Missouri in Columbia.

Georg Friedrich Haas and Dan Visconti will serve as the distinguished guest composers for the 2017 MICF, which will include three public concerts of contemporary music as well as workshops, master classes and other events.

As in years past, Saturday night’s grand finale at the Missouri Theatre will feature the world premieres of new works from each of the eight resident composers, with the acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, serving as resident ensemble.

The resident composers are selected for the MICF each year through an online portfolio application process. During the Festival, they’ll get composition lessons from the distinguished guest composers and Mizzou faculty, and take part in rehearsals with Alarm Will Sound. Each composer also will receive a professional live recording of their work.

Georg Friedrich Haas

A native of Austria, Haas is a professor of composition at Columbia University in New York City, and previously held dual professorships at the Hochschle für Musik in Basel, Switzerland, and the Kunstuniversität in Graz, Austria.

Considered to be one of the major European composers of his generation, Haas has received many national and international awards, including in 2007 the Grand Austrian State Prize for Music, the country’s highest artistic honor.

His compositions include operas, concertos, and a variety of chamber music, including seven string quartets, and his works have been performed by orchestras and chamber ensembles all over the world. One of Haas’ best-known compositions is “In Vain,” written in 2000 for a 24-piece chamber ensemble and praised as “a modern masterwork” by The New Yorker‘s influential music critic Alex Ross.

Dan Visconti

Visconti is a Chicago-based composer who currently serves as director of artistic programming at Fifth House Ensemble, a concert organization that presents innovative collaborative, educational, and interactive events. Known as an advocate for addressing social issues through music, he also is a sought-after speaker and writer on the subject of the arts as a form of cultural and civic service.

Visconti has earned numerous honors and commissions as a composer, and his works have been played by orchestras in the United States, Europe and Australia and by top interpreters of contemporary music including eighth blackbird, the Chamber Music Society of Lincoln Center, the Da Capo Chamber Players, and many others.

The deadline to apply to become a resident composer for the 2017 Mizzou International Composers Festival is 5:00 p.m. Central time, Monday, November 21, 2016. For more information or to submit an application, please visit https://app.getacceptd.com/mizzou.

A complete schedule of events, times, dates and venues for the 2017 Mizzou International Composers Festival will be made available at a later date. For more information, please visit http://composersfestival.missouri.edu/.

A look back at the 2016 Mizzou International Composers Festival…