Posts Tagged ‘ Alarm Will Sound

Mizzou International Composers Festival set for July 27 – August 1, 2020; applications for resident composers now open

The Mizzou New Music Initiative is accepting applications for resident composers to take part in the 11th annual Mizzou International Composers Festival (MICF), which will take place starting Monday, July 27 through Saturday, August 1, 2020 on the campus of the University of Missouri in Columbia.

Chen Yi and David T. Little (pictured) will serve as the festival’s two distinguished guest composers for 2020, teaching and consulting with the resident composers and ensembles. Little also will write a new commissioned work specifically for the festival.

The week-long MICF features concerts of music from contemporary composers, along with workshops, master classes, and other events. Saturday night’s grand finale at the Missouri Theatre will present the world premieres of new works from each of the festival’s eight resident composers, with Alarm Will Sound, conducted by artistic director Alan Pierson, serving as resident ensemble.

The resident composers are selected for the MICF each year through an online portfolio application process. During the festival, they’ll get composition lessons from the distinguished guest composers and take part in rehearsals with Alarm Will Sound. Each composer also will receive a professional live recording of their work.

The deadline to apply to become a resident composer for the 2020 Mizzou International Composers Festival is 11:59 p.m. Central time, Friday, November 15, 2019. For more information or to submit an application, please visit https://app.getacceptd.com/mizzou.

Chen Yi is a distinguished professor of composition at the Conservatory of Music and Dance at the University of Missouri-Kansas City. A finalist for the 2006 Pulitzer Prize for Music for her composition “Si Ji” (“Four Seasons”), she was born and raised in Guangzhou, China and is known as a prolific composer who blends Chinese and Western traditions, transcending cultural and musical boundaries.

Along with many orchestral works, Chen has written numerous choral works and pieces of chamber music, including works written for traditional Chinese instruments. A violinist as well as a composer, Chen Yi earned bachelor and masters degrees in music composition from the Central Conservatory in Beijing, and a Doctor of Musical Arts degree from Columbia University.

Chen received the prestigious Charles Ives Living Award from the American Academy of Arts and Letters in 2001 and was elected to the American Academy of Arts & Sciences in 2005. Ensembles and soloists commissioning her work have included the Cleveland Orchestra, Mira Wang and the Sachsische Staatskapelle Dresden, the Orchestra of St. Luke’s, the Seattle Symphony, Yo-Yo Ma and the Pacific Symphony, Evelyn Glennie and the Singapore Symphony, the Women’s Philharmonic, the Brooklyn Philharmonic, the St. Paul Chamber Orchestra, and more.

Chen’s music has been recorded and released on more than 20 different labels, including New Albion, CRI, Angel, Koch International Classics, Delos, New World and Naxos.

David T. Little currently chairs the composition program at Mannes – The New School in New York City. He previously served as Executive Director of MATA and on the board of directors at Chamber Music America, and from 2014–2017 was composer-in-residence with Opera Philadelphia and Music-Theatre Group.

Little’s music has been presented by the LA Philharmonic, Carnegie Hall, LA Opera, Park Avenue Armory, Lincoln Center Festival, Kennedy Center, Holland Festival, and Opéra de Montréal, with upcoming engagements at the Chicago Symphony Orchestra and Chicago Opera Theater. He is the founding artistic director of the ensemble Newspeak, and recordings of his music can be heard on labels including New Amsterdam, Innova, Sono Luminus, Centaur, and National Sawdust Tracks.

A complete schedule of events, times, dates, and venues for the 2020 Mizzou International Composers Festival will be made available at a later date. For more information, please visit http://composersfestival.missouri.edu/.

A look back at the 2019 Mizzou International Composers Festival

Composers Festival spotlight: Donnacha Dennehy

Donnacha Dennehy returns to the Mizzou International Composers Festival in 2019 as a distinguished guest composer, having previously served in the same capacity in 2012, and thereby making MICF history by becoming the only composer to play that role twice.

Considered one of Ireland’s top living composers, Dennehy (pictured) is a founder of the new music group Crash Ensemble and an associate professor of music at Princeton University. His music has been featured at major festivals and venues around the world, including the Edinburgh International Festival; Carnegie Hall; the Tanglewood Festival; the Kennedy Center; The Barbican, Wigmore Hall, and the Royal Opera House in London, and many others.

In recent years, Dennehy has concentrated especially on large-scale musico-dramatic works, including his first opera “The Last Hotel,” which premiered at the Edinburgh International Festival in August 2015 and was released on an album earlier this year by Cantaloupe Music; and “The Second Violinist,” which won the 2017 Fedora Prize for Opera, premiered in July 2017 at the Galway International Arts Festival, and was presented in September 2018 at the Barbican in London.

Then there’s “The Hunger,” which was performed first as a work-in-progress at the 2012 MICF, subsequently co-produced in completed form by Alarm Will Sound and Opera Theatre St. Louis, and presented in 2016 at Brooklyn Academy of Music in New York.

The work follows the story of an American who went to Ireland during the Great Famine when so many were fleeing, and shows through text and music her transformation “from clerical observer to empathetic participant.” Now in its completed form, “The Hunger” will be released as an album in CD and digital formats on Friday, August 23 by Nonesuch Records.

For the MICF, Alarm Will Sound, soprano Katherine Manley, and sean nós singer Iarla O’Lionáird will perform the complete concert version of “The Hunger” as part of AWS’ concert on Thursday, July 25 at the Missouri Theatre. In addition, the Mizzou New Music Ensemble will perform Dennehy’s “The Blotting” as part of the “Mizzou New Music” concert on Friday, July 26 at the Missouri Theatre.

Other recent projects of Dennehy’s include “Surface Tension,” premiered by Third Coast Percussion in February 2016 and released last month as part of an album on the New Amsterdam label; “The Weather of it” for the Doric String Quartet, co-commissioned by Wigmore Hall and Carnegie Hall and premiered at Wigmore Hall in July 2016; a piece for the LA Philharmonic’s Green Umbrella series; and “Broken Unison” for So Percussion, co-commissioned by the Cork Opera House and Carnegie Hall.

In addition to the above, Dennehy has received commissions from Bang On A Can, Contact Contemporary Music (Toronto), Dawn Upshaw, Fidelio Trio, Joanna MacGregor, Kronos Quartet, Icebreaker, Nadia Sirota, National Symphony Orchestra of Ireland, Orkest de Volharding (Amsterdam), Percussion Group of the Hague, San Francisco Contemporary Music Players, St. Paul Chamber Orchestra, Ulster Orchestra, United Instruments of Lucilin (Luxembourg), Wide Open Opera (Dublin), and many others.

Along with the forthcoming album of “The Hunger,” Dennehy’s music can be heard on a number of recordings. Grá agus Bás, his 2011 release on Nonesuch featuring Crash Ensemble and singers Dawn Upshaw and Iarla O’Lionáird, was named as one of NPR’s “50 favorite albums’’ for the year.

RTE Lyric FM in 2014 issued a portrait CD of Dennehy’s orchestral music, and his works also have been heard on other releases include a number by NMC Records in London, Bedroom Community in Reykjavik, and Cantaloupe Music in New York. A recording of “Tessellatum,” a piece for Nadia Sirota and viol consort, came out on Bedroom Community in August 2017, and Surface Tension / Disposable Dissonance, with performances by Crash Ensemble and Third Coast Percussion, was released in June 2019 on New Amsterdam records.

For more about Donnacha Dennehy, listen to the interview he did recently with KMUC’s “Mizzou Music” program, and read the interview with him published last month in The Journal of Music. You can hear some of his music via the embedded players below.

Donnacha Dennehy, director Tom Creed, and singers Iarla Ó Lionáird and Katherine Manley are interviewed about the 2016 production of “The Hunger” at Brooklyn Academy of Music in New York

“Broken Unison,” performed by So Percussion on January 19, 2019 at Koerner Hall in Toronto

“Stainless Staining,” performed by Isabelle O’Connell (piano) with electronics on March 30, 2017 at SARC, Queen’s University in Belfast, Ireland

“Bulb,” recorded in 2014, featuring Vicky Chow (piano), Ashley Bathgate (cello) and Todd Reynolds (violin)

“The weather of it,” performed by Isaac Allen (violin), Bram Goldstein (violin), Angela Choong (viola) and Alex Greenbaum, (cello) on October 16, 2018 at Historic Old St. Mary’s Cathedral in San Francisco

2019 Mizzou International Composers Festival complete schedule

Here is the complete schedule of events for the 2019 Mizzou International Composers Festival.

Celebrating its tenth year in 2019, the MICF begins on Monday, July 22 and continues through Saturday, July 27. All festival events listed are free and open to the public, with general admission seating on a first-come, first-served basis.

Events will take place at the Fine Arts Building and Loeb Hall on the campus of the University of Missouri; at the Missouri Theatre, Cafe Berlin, and two “pop-up” locations in downtown Columbia; and at the Firestone Baars Chapel on the campus of Stephens College.

Monday, July 22

9:45 a.m. – 12:00 p.m.
Resident Composer Presentations:
Chelsea Komschlies, inti figgis-vizueta and Peter Shin
Fine Arts Building Room 145 on the Mizzou campus

1:30 p.m. – 4:30 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Missouri Theatre, 203 S. 9th Street

6:00 p.m. – 8:10 p.m.
Resident Composer Presentations:
Theo Chandler, Nicole Murphy and Aaron Mencher
Fine Arts Building Room 145 on the Mizzou campus

Tuesday, July 23

9:30 a.m. – 10:55 p.m.
Resident Composer Presentations:
Charles Halka and Kristina Wolfe
Fine Arts Building Room 145 on the Mizzou campus

5:00 p.m. – 7:00 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:00 PM
Daniel Neumann, Guest Artist Presentation
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Wednesday, July 24

2:10 p.m. – 5:30 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Missouri Theatre, 203 South 9th Street

5:00 p.m. – 7:00 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:00 p.m.
Amy Beth Kirsten, Distinguished Guest Composer Presentation
Fine Arts Building Room 145 on the Mizzou campus

8:15 p.m.
Donnacha Dennehy, Distinguished Guest Composer Presentation
Fine Arts Building Room 145 on the Mizzou campus

Thursday, July 25

1:00 p.m.
Khemia Ensemble “Pop-Up Concert #1”
Sparky’s Homemade Ice Cream, 21 S 9th Street

Khemia Ensemble members Elizabeth Robinson (flute), Thiago Ancelmo de Souza (clarinet), Er-Gene Kahng (violin), and Amy Petrongelli (soprano) perform works by Lembit Beecher, Heitor Villa-Lobos, Ellen Harrison, Bruno Mantovani and Bjarne Brustad.

5:30 p.m. – 7:00 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:30 p.m.
Alarm Will Sound
Missouri Theatre, 203 South 9th Street

The festival’s resident ensemble Alarm Will Sound and guest artist Richard Crawford will perform the world premiere of “Jacob In Chains,” a new work written specifically for the festival by MICF distinguished guest composer Amy Beth Kirsten. AWS also will perform the concert version of distinguished guest composer Donnacha Dennehy’s “The Hunger” with guest artists Kate Manley and Iarla O’Lionard, and “Con/Influences” by Mizzou professor of composition, MNMI artistic director, and AWS cellist Stefan Freund.

9:30 p.m.
Bels Lontano
Cafe Berlin, 220 North 10th Street

Original electronic music by Mizzou composers and MICF resident composers. Presented in association with Dismal Niche.

Friday, July 26

11:00 a.m. – 12:30 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Loeb Hall 201 on the Mizzou campus

1:00 p.m.
Khemia Ensemble “Pop-Up Concert #2”
Uprise Bakery, 10 Hitt Street

Khemia Ensemble percussionists Chelsea Tinsler Jones and Shane Jones perform music by Andy Akiho, John Cage, Tom Johnson, and Tim Peterson.

2:00 p.m. – 5:00 p.m.
Alarm Will Sound – Open Rehearsal with Resident Composers
Loeb Hall 201 on the Mizzou campus

5:00 p.m. – 7:30 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:30 p.m.
Mizzou New Music
Missouri Theatre, 203 South 9th Street

This concert showcases the Mizzou New Music Ensemble, the flagship group of the Mizzou New Music Initiative, performing music by distinguished guest composers Donnacha Dennehy and Amy Beth Kirsten and Mizzou student composer Jack Snelling. In addition, faculty duo DRAX will perform a work by Mizzou assistant professor of composition Carolina Heredia, and Mizzou Percussion will perform music by Kirsten, Annika Socolofsky, and 2019 MICF resident composer inti figgis-vizueta.

9:30 p.m.
Eli Keszler
Firestone Baars Chapel, 1306 East Walnut Street

Solo performance of original works for percussion and electronics. Presented in association with Dismal Niche.

Saturday, July 27

11:00 a.m.
Khemia Ensemble
Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus

Multimedia chamber group Khemia Ensemble, featuring Mizzou faculty members Carolina Heredia, Bret Bohman, and Eli Lara, will perform a program of works by composers including Heredia, Bohman, Andy Akiho, Chris Cerrone, Daniel Fawcett, Patricia Martinez, Emma O’Halloran, and 2019 MICF resident composer inti figgis-vizueta.

5:00 p.m. – 7:30 p.m.
“0150719 by reference”
Missouri Theatre – Second Floor Lobby, 203 South 9th Street

Audio installation by Kenneth Kirschner and Daniel Neumann.

7:30 p.m.
Eight World Premieres performed by Alarm Will Sound
Missouri Theatre, 203 South 9th Street

The grand finale concert features the world premieres of eight works created specifically for the acclaimed new music ensemble Alarm Will Sound by the festival’s resident composers:

* Theo Chandler – “Familiar Punchlines”
* inti figgis-vizueta – “braiding on golden stoops”
* Charles Halka – “Fever Dream”
* Chelsea Komschlies – “Hexactinellida”
* Aaron Mencher – “Haworthia”
* Nicole Murphy – “Dust”
* Peter Shin – “dogwhistling”
* Kristina Wolfe – “A Curation of Finds”

Composers Festival spotlight: “0150719 by reference”

In addition to the expanded schedule of concerts celebrating the festival’s tenth year, another first for the 2019 Mizzou International Composers Festival is “0150719 by reference,” a generative eight-channel audio installation created specifically for the MICF by Kenneth Kirschner and Daniel Neumann.

The installation will be open starting on Tuesday, July 23 and continuing through Saturday, July 27 in the second-floor lobby of the Missouri Theatre. Hours are 5:30 p.m. to 7:00 p.m. Tuesday and Wednesday, and 5:00 p.m. to 7:30 p.m. on Thursday, Friday, and Saturday.

The sounds for “050719 by reference” are based on a massive archive of samples of extended instrumental techniques that were recorded by members of Alarm Will Sound for a since-abandoned project.

Working collaboratively, Kirschner and Neumann (pictured) constructed their own musical materials from the sample library. Kirschner first produced a reference track with a harmonic structure, which both artists used while creating individual sounds for the piece. With the reference track removed, the two groups of individual sounds were combined, then mixed and spatialized with an algorithmic software player developed by Neumann to create an “unpredictable and continuously evolving” composition.

The title comes from a naming convention adopted by Kirschner when he began releasing his own music in the late 1980s, using the dates on which works are begun as their names. “I wanted my work to remain purely abstract, and for listeners to be able to bring whatever meaning or interpretation they wanted to it,” he said.

Both creators of “050719 by reference” brought extensive experience in music and sound design to the project. Originally from Princeton, New Jersey, Kirschner began playing piano when he was five years old. He briefly studied composition in college, but found academia too confining, and subsequently moved to New York City in the late 1980s to develop his work independently.

Kirschner spent the 1990s composing and refining his style, doing occasional commissions for ballet and modern dance. An early adopter of online distribution of music, he has made much of his work freely available on the internet, as well on a series of CD releases. You can read more about Kirschner’s DIY approach in his 2013 interview with New Music Box’s Molly Sheridan.

Neumann is a sound artist, organizer, and audio engineer who grew up in Germany and now is based in Brooklyn, NY. He earned a master’s degree in media art from the Academy of Visual Art Leipzig, and also studied electronic music composition under Emanuele Casale in Catania, Italy.

As audio engineer for Alarm Will Sound and others, Neumann is responsible for complex live productions featuring electroacoustic music and multi-channel audio, often requiring elaborate speaker setups and unusual miking techniques. His own work uses “conceptual and often collaborative strategies to explore sound, sound material and its modulation through space, situation and media.” Neumann also curates an event series in NYC and Berlin, CT::SWaM, that engages in “spatial sound works and focused listening.”

Since “050719 by reference” is a brand new work, there are no audio or video recordings available, but you can see Kirschner and Neumann talk about their work in the embedded videos below.

“Pirate This Music” – Kenneth Kirschner interviewed by Molly Sheridan for New Music Box

Daniel Neumann interviewed about his sound installation “Channels”

2019 Mizzou International Composers Festival adding
more concerts, offering free admission to all events

Khemia Ensemble

For its tenth year, the Mizzou International Composers Festival (MICF) in 2019 is adding five more concerts and an audio installation, and is making all MICF events free and open to the public.

Presented by the Mizzou New Music Initiative and the University of Missouri School of Music from Monday, July 22 through Saturday, July 27 in Columbia, the MICF once again will feature three evening concerts at the Missouri Theatre.

Resident ensemble Alarm Will Sound will perform on Thursday, July 25, followed by “Mizzou New Music” on Friday, July 26 and “Eight World Premieres” on Saturday, July 27. All three of those concerts, which in past years have been ticketed events, will be free this year.

The new events for 2019, also all free and open to the public, will include post-concert performances at 9:30 p.m. on Thursday and Friday at Cafe Berlin, 220 N. 10th St. (about eight blocks from the Missouri Theatre).

From left: Bels Lontano, Eli Keszler

Thursday’s performance will feature Bels Lontano playing electronic works by Mizzou student composers and MICF resident composers. On Friday, the MICF will team with Columbia community arts organization Dismal Niche to present a performance by percussionist and composer Eli Keszler.

The other three concerts added for the festival’s tenth year involve Khemia Ensemble, the group led by Mizzou assistant professor of composition Carolina Heredia and her husband Bret Bohman, who’s also a composer and adjunct faculty member.

Musicians from the ensemble will present informal “pop-up” concerts at 1:00 p.m. Thursday on 9th St. near Sparky’s Ice Cream, 21 S. 9th St, and at 1:00 p.m. Friday at Uprise Bakery, 10 Hitt St. The full Khemia Ensemble then will perform in a matinee concert at 11:00 a.m. Saturday at Whitmore Recital Hall on the Mizzou campus.

Lastly, a sound installation by Alarm Will Sound audio engineer and technical director Daniel Neumann and musician Kenneth Kirschner will be running in the second floor lobby of the Missouri Theatre throughout the festival. As yet untitled, the installation will feature eight channels of audio delivering algorithm-generated soundscapes based on samples of extended instrumental techniques performed by members of Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2019 Mizzou International Composers Festival will be available on the festival’s website at http://composersfestival.missouri.edu/.

The culmination of the MICF is Saturday’s concert featuring world premieres of new works written by each of the festival’s eight resident composers and performed by Alarm Will Sound. The resident composers for 2019 are:

* Theophilus Chandler, Houston TX
* Inti Figgis-Vizueta, Brooklyn NY
* Charles Halka, Bellingham WA
* Chelsea Komschlies, Philadelphia PA
* Aaron Mencher, Columbia MO
* Nicole Murphy, Brisbane, Australia
* Peter Shin, New Haven CT
* Kristina Wolfe, Huddersfield, UK

In celebration of the festival’s tenth year, Donnacha Dennehy and Amy Beth Kirsten will return to the MICF to serve as the two distinguished guest composers for 2019, teaching and consulting with the resident composers and ensemble.

Dennehy is the founder of the Irish new music group Crash Ensemble and an associate professor of music at Princeton University. He previously was a guest composer at the MICF in 2012. Kirsten is a member of the composition faculty of the Longy School of Music of Bard College, and was part of the festival’s first group of resident composers in 2010.

A complete schedule of events, times, dates and venues for the 2019 Mizzou International Composers Festival will be available on the festival’s website at http://composersfestival.missouri.edu/.

Mizzou International Composers Festival announces resident composers for 2019

The Mizzou New Music Initiative (MNMI) has selected eight resident composers to participate in the 2019 Mizzou International Composers Festival (MICF).

Presented by MNMI and the University of Missouri School of Music from Monday, July 22 through Saturday, July 27 in Columbia, the tenth annual MICF will feature world premieres of new works written by each of the selected composers. Listed with their current places of residence, they are:

* Theophilus Chandler, Houston TX
* Inti Figgis-Vizueta, Brooklyn NY
* Charles Halka, Bellingham WA
* Chelsea Komschlies, Philadelphia PA
* Aaron Mencher, Columbia MO
* Nicole Murphy, Brisbane, Australia
* Peter Shin, New Haven CT
* Kristina Wolfe, Huddersfield, UK

Two of the resident composers are originally from outside the US. Nicole Murphy is a native of Sydney, Australia, while Inti Figgis-Vizueta, though raised in Washington DC, was born in Dublin, Ireland.

Aaron Mencher, a senior composition major at Mizzou, will represent the University of Missouri. Mencher was the winner of the 2018 Sinquefield Composition Prize, the university’s highest honor for a student composer. Resident composer Peter Shin also has a Missouri connection, as he was born and raised in Kansas City.

The 2019 Mizzou International Composers Festival will include a series of public concerts featuring music from the resident composers and other contemporary creators, as well as workshops, master classes, and other events.

In celebration of the festival’s tenth year, Donnacha Dennehy and Amy Beth Kirsten will return to the MICF to serve as the two distinguished guest composers for 2019, teaching and consulting with the resident composers and ensemble.

Dennehy, who is considered one of Ireland’s top living composers, is the founder of the new music group Crash Ensemble and an associate professor of music at Princeton University. He previously was a guest composer at the MICF in 2012.

Kirsten is a member of the composition faculty of the Longy School of Music of Bard College. Her works explore theatrical elements of creation, performance, and presentation through music, language, voice, and theatre. She was part of the festival’s first group of resident composers in 2010.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they have since the MICF began in 2010.

During the festival, the eight resident composers will receive composition lessons from Dennehy and Kirsten; take part in rehearsals with Alarm Will Sound; give public presentations on their music; and receive a premiere performance and professional live recording of a new work created specifically for the MICF and Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2019 Mizzou International Composers Festival will be announced at a later date. For more information, please visit http://composersfestival.missouri.edu/.

Tenth annual Mizzou International Composers Festival set for July 22-27, 2019; applications for resident composers now open

The Mizzou New Music Initiative is accepting applications for resident composers to take part in the tenth annual Mizzou International Composers Festival (MICF), which will be held Monday, July 22 through Saturday, July 27, 2019 on the campus of the University of Missouri in Columbia.

In celebration of the festival’s tenth year, Donnacha Dennehy and Amy Beth Kirsten (pictured) will return to the MICF to serve as the two distinguished guest composers for 2019, teaching and consulting with the resident composers and ensemble. Dennehy was a guest composer at the MICF in 2012, while Kirsten was part of the festival’s first group of resident composers in 2010.

The MICF features three public concerts of music from contemporary composers, as well as workshops, master classes, and other events. As in years past, Saturday night’s grand finale at the Missouri Theatre will present the world premieres of new works from each of the eight resident composers, with Alarm Will Sound, conducted by artistic director Alan Pierson, serving as resident ensemble.

The resident composers are selected for the MICF each year through an online portfolio application process. During the festival, they’ll get composition lessons from the distinguished guest composers and Mizzou faculty, and take part in rehearsals with Alarm Will Sound. Each composer also will receive a professional live recording of their work.

The deadline to apply to become a resident composer for the 2019 Mizzou International Composers Festival is 5:00 p.m. Central time, Friday, November 16, 2018. For more information or to submit an application, please visit https://app.getacceptd.com/mizzou.

Considered one of Ireland’s top living composers, Donnacha Dennehy is the founder of the new music group Crash Ensemble and an associate professor of music at Princeton University. His music has been featured at festivals and venues around the world, including the Edinburgh International Festival, Carnegie Hall, The Barbican in London, and many others.

In recent years, Dennehy has concentrated especially on large-scale musico-dramatic works, including his first opera “The Last Hotel,” which premiered at the Edinburgh International Festival in August 2015; “The Second Violinist,” which won the 2017 Fedora Prize for Opera and premiered in July 2017 at the Galway International Arts Festival; and the docu-opera “The Hunger,” which was performed as a work-in-progress at the 2012 MICF, subsequently co-produced in completed form by Alarm Will Sound and Opera Theatre St. Louis, and presented at BAM in New York.

The full concert version of “The Hunger” will be performed during the 2019 MICF by Alarm Will Sound and guest soloists Kate Manley and Iarla O’Lionaird as part of AWS’ Thursday night concert. That concert also will include a performance of part of a new operatic work-in-progress that Kirsten is composing for Alarm Will Sound.

Educated at Roosevelt University and the Peabody Institute, Amy Beth Kirsten currently lives in New Haven, CT and is a member of the composition faculty of the Longy School of Music of Bard College. Her work explores theatrical elements of creation, performance, and presentation, fusing music, language, voice, and theatre, with musicians’ instruments, bodies, and voices often considered as equal vehicles of expression.

She has written and composed fully-staged theatrical works as well as traditional concert works for her own ensemble, HOWL, musicians from the Chicago Symphony Orchestra, the New World Symphony, eighth blackbird, American Composers Orchestra, and others.

A complete schedule of events, times, dates and venues for the 2019 Mizzou International Composers Festival will be made available at a later date. For more information, please visit http://composersfestival.missouri.edu/.