Posts Tagged ‘ Alan Pierson

Mizzou International Composers Festival set for July 27 – August 1, 2020; applications for resident composers now open

The Mizzou New Music Initiative is accepting applications for resident composers to take part in the 11th annual Mizzou International Composers Festival (MICF), which will take place starting Monday, July 27 through Saturday, August 1, 2020 on the campus of the University of Missouri in Columbia.

Chen Yi and David T. Little (pictured) will serve as the festival’s two distinguished guest composers for 2020, teaching and consulting with the resident composers and ensembles. Little also will write a new commissioned work specifically for the festival.

The week-long MICF features concerts of music from contemporary composers, along with workshops, master classes, and other events. Saturday night’s grand finale at the Missouri Theatre will present the world premieres of new works from each of the festival’s eight resident composers, with Alarm Will Sound, conducted by artistic director Alan Pierson, serving as resident ensemble.

The resident composers are selected for the MICF each year through an online portfolio application process. During the festival, they’ll get composition lessons from the distinguished guest composers and take part in rehearsals with Alarm Will Sound. Each composer also will receive a professional live recording of their work.

The deadline to apply to become a resident composer for the 2020 Mizzou International Composers Festival is 11:59 p.m. Central time, Friday, November 15, 2019. For more information or to submit an application, please visit https://app.getacceptd.com/mizzou.

Chen Yi is a distinguished professor of composition at the Conservatory of Music and Dance at the University of Missouri-Kansas City. A finalist for the 2006 Pulitzer Prize for Music for her composition “Si Ji” (“Four Seasons”), she was born and raised in Guangzhou, China and is known as a prolific composer who blends Chinese and Western traditions, transcending cultural and musical boundaries.

Along with many orchestral works, Chen has written numerous choral works and pieces of chamber music, including works written for traditional Chinese instruments. A violinist as well as a composer, Chen Yi earned bachelor and masters degrees in music composition from the Central Conservatory in Beijing, and a Doctor of Musical Arts degree from Columbia University.

Chen received the prestigious Charles Ives Living Award from the American Academy of Arts and Letters in 2001 and was elected to the American Academy of Arts & Sciences in 2005. Ensembles and soloists commissioning her work have included the Cleveland Orchestra, Mira Wang and the Sachsische Staatskapelle Dresden, the Orchestra of St. Luke’s, the Seattle Symphony, Yo-Yo Ma and the Pacific Symphony, Evelyn Glennie and the Singapore Symphony, the Women’s Philharmonic, the Brooklyn Philharmonic, the St. Paul Chamber Orchestra, and more.

Chen’s music has been recorded and released on more than 20 different labels, including New Albion, CRI, Angel, Koch International Classics, Delos, New World and Naxos.

David T. Little currently chairs the composition program at Mannes – The New School in New York City. He previously served as Executive Director of MATA and on the board of directors at Chamber Music America, and from 2014–2017 was composer-in-residence with Opera Philadelphia and Music-Theatre Group.

Little’s music has been presented by the LA Philharmonic, Carnegie Hall, LA Opera, Park Avenue Armory, Lincoln Center Festival, Kennedy Center, Holland Festival, and Opéra de Montréal, with upcoming engagements at the Chicago Symphony Orchestra and Chicago Opera Theater. He is the founding artistic director of the ensemble Newspeak, and recordings of his music can be heard on labels including New Amsterdam, Innova, Sono Luminus, Centaur, and National Sawdust Tracks.

A complete schedule of events, times, dates, and venues for the 2020 Mizzou International Composers Festival will be made available at a later date. For more information, please visit http://composersfestival.missouri.edu/.

Mizzou International Composers Festival gets
record number of resident composer applicants for 2015

With all the applications for 2015 submitted and logged, the Mizzou International Composers Festival has set another new record this year for the number of submissions from prospective resident composers.

The MICF got a total of 231 applications for the 2015 festival, including 82 returning applicants and 149 who applied for the first time.

Fifteen percent of the submissions came from outside the US, with applications arriving from composers in Australia, Brazil, Canada, Colombia, France, Germany, Ireland, Italy, Latvia, Mexico, Netherlands, South Korea, Spain, Switzerland, and the United Kingdom.

Last weekend, festival organizers met in St. Louis to review the submissions and decide which composers to invite for 2015. The working group included Mizzou New Music Initiative co-artistic directors Stefan Freund and W. Thomas McKenney and managing director William Lackey, as well as resident ensemble Alarm Will Sound‘s conductor/music director Alan Pierson and pianist John Orfe. They looked at applications, studied scores, listened to hours of music, and discussed it all extensively before compiling their final list.

The results of their deliberations will be revealed on Monday, January 5, when we announce publicly the names of the eight resident composers who will take part in the 2015 Mizzou International Composers Festival.

To stay current with all the latest news from the MICF and MNMI, keep watching this space. Also, please follow us on Twitter at @MizzouNewMusic, and “like” the Missouri New Music Facebook page.

Tom McKenney and Alan Pierson look at a score

MNMI managing director William Lackey coordinated the application process

John Orfe and Stefan Freund listen intently