Posts Tagged ‘ Adam Cohen

Mizzou New Music Ensemble to debut “Innovation Symphony”
with performances in Columbia and St. Louis

The Mizzou New Music Ensemble will celebrate the spirit of creativity in technology and the arts with performances in Columbia and St. Louis of “Innovation Symphony,” a new collaborative, multi-part work by four Mizzou student composers.

“Innovation Symphony” will be previewed in a concert at 7:30 p.m. Monday, April 23 at Whitmore Recital Hall on the University of Missouri campus in Columbia.

The work’s official premiere will be presented by Venture Cafe St. Louis at 8:00 p.m. Saturday, April 28 at the Cortex Innovation Community‘s @4240 building, located at 4240 Duncan Ave. in St. Louis.

The concert in Columbia is free and open to the public. Admission to the performance in St. Louis also is free and open to the public, but those wishing to attend are asked to RSVP online at https://innovationsymphony.eventbrite.com/.

“Innovation Symphony” has four sections, each written by a different composer based on a specific aspect of the Cortex Innovation Community, and was composed specifically for the Mizzou New Music Ensemble (pictured) with funding from the Sinquefield Charitable Foundation.

The sections are “A Creative Meditation,” written by Libby Roberts, who’s in her first year of study for a master’s degree in composition at Mizzou and is the pianist for the Ensemble; “Breath of Life,” by Ethan Forte, a sophomore composition major at Mizzou; “Efficiency of Locomotion,” by Adam Cohen, also a sophomore composition major; and “Untitled (Room to Breathe)” by Mikkel Christensen, who’s also a first year master’s student in composition.

“Innovation Symphony” does more than explore innovation as a subject, as the composers also have deployed unusual, creative techniques and instruments in their scores. For example, Christensen’s segment uses wood and plastic percussion instruments custom-built by the composer, while Roberts’ work incorporates a high-tech form of audience participation. Her composition includes ambient sounds that audience members will be able to trigger during the performance from three Novation Launchpad Minis, which are push-button controllers designed specifically for electronic music.

Before the premiere in St. Louis, all four composers will be on hand for Venture Cafe St. Louis’ weekly “Thursday Gathering” at 4:30 p.m. Thursday, April 26 at Venture Cafe, 4240 Duncan Ave, to give a presentation about their works and compositional processes. That event also is free and open to the public, with no RSVP required.

Venture Cafe St. Louis is an organization dedicated to connecting innovators to make things happen. Cortex Innovation Community is a 200-acre innovation hub and technology district integrated into St. Louis’ historic Central West End and Forest Park Southeast residential neighborhoods.

Mizzou New Music Ensemble presenting four world premieres and more
in concert Sunday, December 4 at Whitmore Recital Hall

The Mizzou New Music Ensemble will present four world premieres and more in the second concert of their 2016-17 season at 7:30 p.m. Sunday, December 4 at Whitmore Recital Hall on the University of Missouri campus. General admission is $5 for the public, free for Mizzou faculty, students and staff.

Three of those premieres were written by Mizzou students, including “The Garden of Earthly Delights” by Adam Cohen, a freshman composition major and Sinquefield Scholar. Inspired by Heironymous Bosch’s famous triptych painting, the piece juxtaposes surrealistic sounds against each other both rhythmically and melodically to evoke an aural whimsy.

“Foresight” is a new work by Luke Henderson that’s based on ideas found in Benjamin Franklin’s essay “The Morals of Chess.” A senior composition major at Mizzou, Henderson also has had his music performed by the University of Missouri Studio Jazz Band and the Columbia Civic Orchestra.

Kay Cypret’s “Trials and Tribulations” is a four-movement work representing “struggles of the mind, feet, heart, and spirit.” Cypret is a master’s composition student at Mizzou who also has written music for the Golden Spectra String Quartet, clarinetist Dr. Cheryl Cifeli, flautist Camden Beavers, and the Mizzou Tuba and Euphonium Ensemble.

The concert’s fourth premiere is “Passacaglia” by John Orfe, a faculty member at Bradley University and pianist for Alarm Will Sound, the group that serves as resident ensemble for the annual Mizzou International Composers Festival. Orfe’s work is a set of virtuosic variations over a line that is repeated throughout the duration of the piece.

In addition to the four world premieres, the ensemble (pictured) will be joined by a guest artist, mezzo-soprano and Mizzou professor of voice Julia Bentley, for performances of two more contemporary compositions.

“No Fire Gives Light” by Henry Breneman Stewart is an explosive work for mezzo-soprano, saxophone, percussion, and piano that is based on the biblical story “Terror Strikes the Egyptians at Night” from the Book of Wisdom, Chapter 17. Stewart is a second-year master’s student in composition at Mizzou, and was the winner of the 2016 Sinquefield Composition Prize, the university’s highest honor for a student composer.

The ensemble and Bentley will complete the program with Hans Abrahamsen’s “Efteraarslied,” which was written for mezzo-soprano, clarinet, violin, cello and piano, and incorporates text from German poet Rainer Maria Rilke’s “Autumn.” Abrahamsen, a Swiss composer who is the winner of the 2016 Grawemeyer Prize, was a distinguished guest composer for the 2015 Mizzou International Composers Festival.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, professor of composition, and artistic director of the Mizzou New Music Initiative. The Ensemble’s members for the 2016-17 season are Victoria Hargrove, clarinet; Daniel Keeler, cello; Kelariz Keshavarz, flute; Renan Leme, violin; Rebecca McDaniel, percussion; Gyumi Rha, piano; and Panagiotis Skyftas, saxophone.