Posts Tagged ‘ Aaron Parker

Composers Festival spotlight: Aaron Parker

Aaron Parker is another of the resident composers helping to put the “international” in this year’s Mizzou International Composers Festival, coming to Columbia all the way from England.

Parker currently is working toward a masters in experimental music at Brunel University in London, and, reflecting his continuing interest in teaching as well as composition, also serves as assistant director of music at Lord Wandsworth College in Hampshire.

A native of Manchester, Parker (pictured) previously completed a BMus in Composition at the Royal Northern College of Music in Manchester, studying with Gary Carpenter and Larry Goves.

He writes what he calls “loosely-defined instrumental and electronic music informed by a love of landscape, film (Jonas Mekas, Rose Lowder, Peter Bo Rappmund, Joshua Bonnetta), visual art (Anselm Keifer, Gerhard Richter, Ai Weiwei), and sound (Eliane Radigue, Rashad Becker, John Cage, Giuseppe Ielasi, Chris Watson, György Kurtág, Radiohead, and many others).”

In addition to “atholhu,” the new piece he composed for Alarm Will Sound to perform at the 2017 MICF, Parker’s recent projects include a workshop and performance of “biakoulem” by Kokoro, the new music ensemble of the Bournemouth Symphony Orchestra; a new piece for toy piano and live electronics for Xenia Pestova; a performance of large-scale ensemble and electronics work “Warehouse” as part of the 21C Music Festival at the Royal Conservatory in Toronto; and collaborations with Manchester-based multi-instrumentalist David Bainbridge and with vocalist Kathryn West.

Other recent commissions have come from the BBC Philharmonic Orchestra, the London Symphony Orchestra, the new music ensemble Psappha, and the ddmmyy series.

Parker released a solo album, Storage, in 2016 on the SLIP imprint, which was featured on Pitchfork.com, and also has had works recorded by the London Symphony Orchestra (through their Panufnik Composers program) and on Architectures, a 2016 compilation of new music on the RMN Classical label. Performances of his compositions have taken place across the UK and Europe, and have been broadcast on BBC TV and radio.

You can listen to Parker talk about his music in the interview he did earlier a few weeks ago for KMUC’s “Mizzou Music” program, and hear samples of his work on his SoundCloud page and via the embedded players below.

“Now (no more)” (2013), performed by Jenny Dyson (alto flute), Graham Proctor (percussion), Elinor Nicholson (harp), Oliver Farrant (cello), and Aaron Parker (electronics) .

“51° 12’ N / 0° 55’ W – 080115,” a world premiere performance recorded on February 24, 2015 at Hallé St. Peter’s in Manchester, England, featuring Conrad Marshall (flute), Dov Goldberg (clarinet),
Benjamin Powell (piano), Tim Williams (percussion), Benedict Holland (violin) and Jennifer Langridge (cello).

“serisu” (2016), performed by BBC Philharmonic Orchestra, conducted by Andrew Gourlay

Tickets for 2017 Mizzou International Composers Festival go on sale Friday, May 26

Tickets for the 2017 Mizzou International Composers Festival (MICF) will go on sale at 10:00 a.m. CDT on Friday, May 26.

Known as the region’s premier showcase for new works by top young composers, the MICF will take place this year from Monday, July 24 through Saturday, July 29 in Columbia, and will include three public concerts.

Returning for the eighth year as the festival’s resident ensemble, Alarm Will Sound will begin the weekend of shows at 7:30 p.m. Thursday, July 27 at the Missouri Theatre, 203 S. Ninth St. in downtown Columbia.

They’ll perform music from the 2017 MICF’s distinguished guest composers, Georg Friedrich Haas and Dan Visconti, as well as works by Robert Sirota, Don Freund, and AWS violinist/guitarist Caleb Burhans.

Next, the “Mizzou New Music” concert at 7:30 p.m., Friday, July 28 at the Missouri Theatre will feature performances by the Mizzou New Music Ensemble and guest artists DRAX, with saxophonist Leo Saguiguit and percussionist Megan Arns, and cellist Eli Lara.

The grand finale of the week will showcase the world premieres of eight new works written by the festival’s resident composers and performed by Alarm Will Sound at 7:30 p.m., Saturday, July 29 at the Missouri Theatre.

Festival VIP packages are $80, and include reserved premium seating at all three concerts; two drink tickets good at the Thursday and Friday performances; and admission to a VIP reception prior to the Saturday evening performance, featuring champagne and hors d’oeuvres with members of Alarm Will Sound and the composers.

Festival passes for all three concerts are $40 for an adult general admission pass, and $20 for a student general admission pass. Single tickets are priced at $18 for adults, $10 for students, and are all general admission. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781. To buy tickets online, visit http://composersfestival.missouri.edu/.

In addition to these three concerts, the MICF also will feature several free events, including open rehearsals and presentations by the participating composers. A complete schedule of those events will be released at a later date.

The eight resident composers were chosen from among more than 260 applicants from 25 different countries to participate in the festival and create a new work for Alarm Will Sound. They are:
* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

During the festival, the resident composers will receive composition lessons from distinguished guest composers George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The resident composers also will take part in rehearsals with Alarm Will Sound; give presentations on their music; and receive a premiere performance and professional live recording of their work.

Mizzou International Composers Festival announces resident composers for 2017

The Mizzou New Music Initiative (MNMI) has selected eight resident composers to participate in the 2017 Mizzou International Composers Festival (MICF).

Presented by MNMI and the University of Missouri School of Music from Monday, July 24 through Saturday, July 29 in Columbia, the eighth annual MICF will feature world premieres of new works written by each of the selected composers. Listed with their current places of residence, they are:

* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

The resident composers are chosen through a portfolio application process that this year attracted a record 261 entries from 25 different countries, also a record for the MICF. Applications were received from Argentina, Australia, Brazil, Canada, Denmark, England, Finland, France, Germany, Greece, Hong Kong, Ireland, Israel, Italy, Mexico, the Netherlands, New Zealand, Poland, Russia, Scotland, Serbia, South Korea, Sweden, Turkey, and the United States.

Four of the resident composers selected for 2017 are originally from outside the US, including Selim Göncü, who was born in Turkey; Carolina Heredia, a native of Argentina; Christopher Mayo, a Canadian; and Aaron Parker, who hails from England.

Henry Breneman Stewart, a graduate student working toward a master’s in composition at Mizzou, will represent the University of Missouri. Stewart was the winner of the 2016 Sinquefield Composition Prize, the university’s highest honor for a student composer.

The 2017 Mizzou International Composers Festival will include a series of public concerts featuring music from the resident composers and other contemporary creators, as well as workshops, master classes, and other events.

The Festival’s distinguished guest composers for 2017 will be George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they have since the MICF began in 2010.

During the festival, the eight resident composers will receive composition lessons from Haas and Visconti; take part in rehearsals with Alarm Will Sound; give public presentations on their music; and receive a premiere performance and professional live recording of a new work created specifically for the MICF and Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2017 Mizzou International Composers Festival will be announced at a later date. For more information, please visit http://composersfestival.missouri.edu/.