Festival schedule, program available online

In addition to the four ticketed concerts, the Mizzou New Music Summer Festival also features a number of free events, including composer presentations, workshops, and open rehearsals. You can see the complete schedule of festival events online here

You also can view the complete festival program online in PDF format here.

A visitor’s guide to Columbia

If you’re coming to Columbia to attend the Mizzou New Music Summer Festival, you may find some of these links useful:

Visitor information:
Columbia Convention and Visitors Bureau
Columbia Regional Airport
Hotels in Columbia
“Virtual tour” of Columbia
I Heart Columbia
Vox Magazine’s guide to Columbia restaurants
Mid-Missouri Dining Guide

Media:
Columbia Tribune
Columbia Missourian
Columbia area radio stations
KOMU-TV (NBC)
KMIZ-TV (ABC)
KRCG-TV (CBS)

National Weather Service forecast for Boone County

Mizzou New Music Summer Festival ticket information:

Single tickets are priced at $10 for adults, $5 for students for all concerts. To purchase tickets by phone, call Brown Paper Tickets at 1-800-838-3006. To buy tickets online, please visit http://newmusicsummerfestival.missouri.edu/.

The Sound of Art documents collaboration between composers, visual artists

The Mizzou New Music Initiative has released online three episodes of The Sound of Art, a series of short films documenting collaborative efforts between composers and visual artists.

Now available for viewing on the Missouri New Music Facebook page at http://www.facebook.com/moNEWmusic, the films cover the creation of three new compositions inspired by the summer 2010 exhibition at the Contemporary Art Museum St. Louis, and the premiere performances of those compositions at the Contemporary by the Mizzou New Music Ensemble.

Episode 1 features an interview with composer David Witter, who wrote “Failure to Communicate” in response to artist Martin Brief’s “Amazon God.” In episode 2, composer Michael Strausbaugh explains how he wrote “Crass Menagerie” after seeing artist Cameron Fuller’s “From The Collection Of The Institute for the Perpetuation of Imaginal Processes.” Episode 3 features composer Stephanie Berg talking about her piece “Paper Guns,” which was inspired by artist Sarah Frost’s “Arsenal.”

In addition to interviews with the composers, the episodes show the artworks as they were installed at the Contemporary, and include footage of the Mizzou New Music Ensemble performing the compositions.

“We thought it was important to support collaboration between local visual artists and local composers, giving them an opportunity interact and to support each other,” said Paul Ha, director of the Contemporary.

The Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of cellist, composer and associate professor Stefan Freund, and serves as the repertory group for the Mizzou New Music Initiative. At the time of these performances, the Ensemble’s members were Stephanie Berg, clarinets; Michael Strausbaugh, guitar; Matthew Pierce, cello; and Ian Derrickson, percussion, with violist Paul Seitz joining them as a guest performer.

The Sound of Art gave our composers an incredible opportunity to be inspired by living artists,” said Freund. “Through the concert at the Contemporary, they were able to share their musical vision of these artists’ works with an appreciative audience.”

The Sound of Art is underwritten by the Sinquefield Charitable Foundation and produced by Randy Sinquefield of Spectrum Studios in Columbia, with Kevin Duggan serving as director of photography and Randy White as editor. Future episodes in the series will be produced to document similar collaborative efforts as they happen.

“The episodes consist of art, music and film. Combined, they provide a vivid sense though sound and imagery of the pieces of art. The result is more than the individual parts,” said Jeanne Sinquefield of the Sinquefield Foundation. “Some of the individual pieces of art or music might not inspire you, but the combined episodes will. Look, listen and let your imagination fly. Does the art, match the music and the film?”

To watch The Sound of Art online, please visit the Missouri New Music Facebook page at http://www.facebook.com/moNEWmusic. (You need not have a Facebook account to view the videos.)

Tickets now on sale for 2011 Mizzou New Music Summer Festival

Tickets are now on sale for the 2011 Mizzou New Music Summer Festival, which will be held Monday, July 11 through Saturday, July 16 in Columbia.

The weeklong series of events will include four public concerts, with the grand finale featuring the world premieres of new works written by the festival’s eight resident composers and performed by the acclaimed new music ensemble Alarm Will Sound. The final concert will take place at 7:00 p.m., Saturday, July 16 at the Missouri Theatre Center for the Arts (MTCA), 203 S. Ninth St. in downtown Columbia.

Other public performances will include:

* “Another World’s Rapture Remix: An Electroacoustic Chamber Recital,” featuring members of Alarm Will Sound at 8:00 p.m., Tuesday, July 12 at Whitmore Recital Hall on the Mizzou campus;
* “Seasons with Alarm Will Sound” and special guest artist soprano Susan Narucki at 7:00 p.m. Thursday, July 14 at MTCA; and
* “Mizzou’s Right to Bear New Music” featuring the music of MU faculty members at 7:00 p.m. Friday, July 15 at MTCA.

Festival passes good for admission to all four concerts are on sale for $35 for adults, $20 for students. Only 200 festival passes will be available, and they will be on sale until 5:00 p.m., Monday, July 11. Any remaining passes will be made available at the box office starting at 6:00 p.m. on Tuesday, July 12.
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Single tickets are priced at $10 for adults, $5 for students for the concerts on Tuesday, Thursday and Friday; and $15 for adults, $10 for students for the final concert on Saturday. To purchase tickets by phone, call Brown Paper Tickets at 1-800-838-3006. To buy tickets online, or to see a complete listing of Mizzou New Music Summer Festival events, visit http://newmusicsummerfestival.missouri.edu/.

Mizzou New Music Summer Festival announces
selection of eight resident composers for 2011

The University of Missouri School of Music and the Mizzou New Music Initiative have selected eight resident composers for the 2011 Mizzou New Music Summer Festival, which will be held Monday, July 11 through Saturday, July 16 in Columbia. They are:

* Kari Besharse, Champaign IL
* David Biedenbender, Ann Arbor MI
* Patrick David Clark, Columbia MO
* Michael-Thomas Foumai, Honolulu HI
* Yotam Haber, New York NY
* Clint Needham, Columbus OH
* Steven Snowden, Austin TX
* Liza White, Berkeley CA

The 2011 Mizzou New Music Summer Festival will include a series of public concerts featuring music from these eight resident composers and other contemporary creators, as well as workshops, master classes and other events.

The Festival’s guest composers for 2011 will be Roger Reynolds, winner of the 1989 Pulitzer Prize for composition and professor at the University of California at San Diego, and Anna Clyne, a native of London who currently serves as the Mead Composer-in- Residence with the Chicago Symphony Orchestra.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they did for the inaugural Festival in 2010, and the Grammy award-winning soprano Susan Narucki will perform with them as a guest artist.

The eight resident composers were selected through a portfolio application process to create a new work for Alarm Will Sound. During the festival, they will receive composition lessons from Reynolds and Clyne; take part in rehearsals with Alarm Will Sound; give presentations on their music; and receive a premiere performance and professional live recording of their work. The resident composers also will have the opportunity to return to Missouri for a residency at the Sinquefield Reserve sometime during the following academic year.

“Last year a participant described composing for Alarm will Sound as being like driving a Ferrari,” said Jeanne Sinquefield of the Sinquefield Foundation. “It will be fun to see what this year’s composers can do with their ‘car’.”

Mizzou New Music Ensemble premieres “The Garden Symphony”

The Mizzou New Music Ensemble last Sunday traveled to the Missouri Botanical Garden in St. Louis to take part in an event paying tribute to Peter Raven, director emeritus of the Garden.

The Ensemble presented the world premiere performance of “The Garden Symphony,” a four-part work co-composed by Mizzou students Michael Anderson, Stephanie Berg, Laura Griggs, and David Witter, as well as a new piece for oboe and electronics composed in honor of Raven by MU professor W. Thomas McKenney.

You can read more about it in this feature story written by Bob Duffy of the St. Louis Beacon.

C.O.M.P. winners make news

The announcement of the winners of this year’s Creating Original Music Project (C.O.M.P.) competition has prompted a flurry of press coverage around the state.

In St. Louis, sisters Bella and Lilly Ibur have been the subjects of several news stories. They recently were featured on Show Me St. Louis, which airs weekday afternoons on local NBC affiliate KSDK (Channel 5), in a segment that also included Lilly performing her composition “Spinning.” The story was reported by KSDK’s Dana Hendrickson, and you can see it online here.

Meanwhile, Lilly had a chance to perform her song “By My Side” on the morning news show of local Fox affiliate KTVI (Channel 2). You can see that report by KTVI’s Tim Ezell here.

Bella also was featured in a story written for the Kirkwood/Webster Groves edition of Patch.com by reporter Owen Skolar, which you can read here.

All the C.O.M.P winners from the St. Louis area were mentioned in this story from the Suburban Journals, a group of regional weeklies covering St. Louis and surrounding counties.

In Jefferson City, C.O.M.P. winner Megan Villanueva was profiled in a story by News-Tribune reporter Michelle Brooks, while the four winners from Springfield were recognized in a blog post by News-Leader reporter Claudette Riley.

This year’s C.O.M.P. winners will perform their compositions at the Creating Original Music Project Festival, which will be held from 9:30 a.m. to 4:00 p.m. this Saturday, April 23 in the Fine Arts Building on the University of Missouri campus.

Mizzou New Music Initiative in the media

While new posts here have been scarce of late, there’s been plenty of activity involving the Initiative, including this year’s C.O.M.P. competition and preparations for the 2011 Mizzou New Music Summer Festival. There also has been some media coverage this month of the Initiative and some of the people involved in it:

* The St. Louis based cable channel HEC-TV featured the New Music Initiative in the March edition of its program State of The Arts. The report features footage of past C.O.M.P. winner Nick Funke, the Mizzou New Music Ensemble and Alarm Will Sound, as well as comments from Mizzou’s Robert Shay, W. Thomas McKenney and Stefan Freund and from Jeanne Sinquefield of the Sinquefield Charitable Foundation. You can see the episode of State of the Arts here; the segment on the Mizzou New Music Initiative starts at about the 20:00 mark.

* And speaking of Jeanne Sinquefield, she was interviewed earlier this month on St. Louis community ratio station KDHX, talking about C.O.M.P., the Summer Festival, the Initiative and her own musical background. You can listen to that interview here.

* Last but certainly not least, the Mizzou New Music Summer Festival’s resident ensemble Alarm Will Sound was the subject of not one, but two articles in the New York Times about the premiere this month of their new multi-media work “1969.” The piece is based on the notion of a proposed collaboration between Stockhausen and the Beatles (once alleged to have been proposed in the titular year, but since debunked). The Times‘ Allan Kozinn wrote a preview story here, and Steve Smith reviewed the concert here, calling it “a swirling, heady meditation on the intersection of experimental and commercial spheres, and of social and aesthetic agendas.”

Smith also singled out Mizzou’s Stefan Freund for some specific praise: “Tying up its strands and implications neatly, “1969” ended with a premiere: “Swimming,” by Stefan Freund, an Alarm Will Sound cellist. As if to confirm the prescience of the genre clashes put forth by Lennon, Stockhausen, Berio and Bernstein, Mr. Freund’s appealing work combined and transformed motifs heard throughout the evening. Its seamless integration, curiously, also called to mind a more familiar tradition: the old-fashioned operatic overture.”