Archive for January, 2017

Composer Louis Goldford visiting Mizzou campus in February

Louis Goldford will be the first visiting composer on the Mizzou campus in 2017, coming to Columbia next month for a weekend residency that will include a presentation of works, a coaching session with the Mizzou New Music Ensemble, and a concert.

Two of his compositions – “Travertine Hybrid #3,” for violin and electronics, and “Giffen Good,” for trombone and electronics – will be featured in the Mizzou music faculty’s electroacoustic concert at 7:30 p.m. Saturday, February 11 at Whitmore Recital Hall.

The performance also will include music written by Mizzou New Music Initiative managing director Jacob Gotlib, retired composition professor and MNMI co-artistic director emeritus W. Thomas McKenney, and Phillip Sink, who is MNMI’s first post-doctoral fellow and curated the concert program.

Goldford (pictured) is a St. Louis native who currently is a doctoral fellow studying composition at Columbia University in New York City. Before enrolling there, he earned his bachelor’s degree in composition from Webster University in St. Louis and a master’s degree from the Jacobs School of Music at Indiana University.

His works have been performed by Ensemble Dal Niente, Ensemble Modelo62, and the Meitar Ensemble, and featured at the International Computer Music Conference, the Northwestern University New Music Conference, and June in Buffalo, among others.

Goldford received an Honorable Mention from the 2015 American Composers Orchestra / Underwood New Music Readings, and in 2014 was the recipient of a Dean’s Prize in music composition from Indiana University.

More recently, he was named the winner of the 2017 Suzhou (Chou’s) International Commission Competition, and also was accepted into the Cursus program at IRCAM in Paris, where he previously completed the Computer Music Workshop (Atelier d’informatique musicale) while studying at the IRCAM Académie and festival ManiFESTE.

You can hear some of Louis Goldford’s music on his SoundCloud page.

Dustin Dunn wins second place in MTNA’s national composition competition

Mizzou student Dustin Dunn has placed second in the “Young Artist” category of this year’s Music Teachers National Association (MTNA) national composition competition.

Dunn (pictured), a junior working on a bachelor’s degree in music composition, was recognized for “Of Stained Glass and Hymnody,” which was premiered in March 2016 by the Mizzou New Music Ensemble.

His work became eligible for a national award after winning first place in the Missouri statewide and West Central Division portions of the competition. As the second place winner, Dunn will receive a cash prize.

A native of Annapolis, MO and graduate of Iron South High School, Dunn was a winner in Mizzou’s statewide Creating Original Music Project (COMP) and in the Missouri Composers Project before enrolling at the university with a full-tuition Sinquefield Scholarship to study composition. In addition to his awards from MTNA, he also was the winner of the Springfield (MO) Symphony’s 2016 Missouri Composition Competition.

Missouri Composers Project selects works from four generations
for Columbia Civic Orchestra concert on Sunday, March 19

The Mizzou New Music Initiative (MNMI) offers a variety of programs supporting composers throughout their careers, and the results of this year’s Missouri Composers Project (MOCOP) competition are a particularly vivid demonstration of MNMI’s generational and geographic reach, with the four winning works coming from composers living across the state who range in age from 14 to 85.

Now in its sixth year, MOCOP is a collaborative effort involving MNMI, the Columbia Civic Orchestra (CCO), the Columbia Chamber Choir, and the Sinquefield Charitable Foundation. Composers from throughout Missouri are invited each year to submit orchestral and choral works for potential performance, with winners selected in two age categories, “open” and “high school.”

All four winners of the 2017 competition will receive a $500 honorarium from the Sinquefield Charitable Foundation, and the CCO and the Chamber Choir will perform their compositions in a concert at 7:30 p.m. Sunday, March 19 at Broadway Christian Church, 2601 West Broadway in Columbia. Admission to the concert is free and open to the public.

“Crucifixus,” one of two choral works chosen this year, was composed by William Hooper, an 85-year-old retired music educator and senior adult pastor at First Baptist Church in Bolivar, MO. Hooper is a graduate of Southwest Baptist College, William Jewell College, University of Iowa, and the George Peabody College of Vanderbilt University, and the author of seven books about various aspects of music in worship.

“Dangerously Slick” was written by Robert Fruehwald, and is one of two orchestral works selected for the 2017 program. Fruehwald, 59, is a teacher of music theory, piano and composition and former chair of the music department at Southeast Missouri State University in Cape Girardeau, MO. He earned his bachelor’s degree in music at the University of Louisville, an M.F.A. degree at the California Institute of the Arts, and a Ph.D. at Washington University in St. Louis.

The second choral winner this year is “Land of Nod” by Zachary Cairns, who is 38 years old and an associate professor of music theory and composition at the University of Missouri – St. Louis. Cairns earned his Ph.D. from the Eastman School of Music and M.A. and B.S. degrees from Pennsylvania State University. He previously was a MOCOP winner in 2015 for his orchestral work “Refracted Moonlight.”

This year’s winning entry from a high school composer is “The Hare,” an orchestral work by Olivia Bennett, a 14-year-old home-schooled freshman from Nixa, MO. Bennett was the winner of a first place award in the “Middle School- Fine Art” category of MNMI’s 2016 Creating Original Music Project (COMP) competition for Missouri students in grades K-12, and previously won third place in the “Elementary – Instrumental” in the 2012 COMP competition.

Mizzou International Composers Festival announces resident composers for 2017

The Mizzou New Music Initiative (MNMI) has selected eight resident composers to participate in the 2017 Mizzou International Composers Festival (MICF).

Presented by MNMI and the University of Missouri School of Music from Monday, July 24 through Saturday, July 29 in Columbia, the eighth annual MICF will feature world premieres of new works written by each of the selected composers. Listed with their current places of residence, they are:

* Clare Glackin, Los Angeles, CA
* Selim Göncü, Berkeley, CA
* Carolina Heredia, Ann Arbor, MI
* Christopher Mayo, Toronto, Canada
* Aaron Parker, Manchester, England
* Charles Peck, Ithaca, NY
* Amadeus Regucera, Oakland, CA
* Henry Breneman Stewart, Columbia, MO

The resident composers are chosen through a portfolio application process that this year attracted a record 261 entries from 25 different countries, also a record for the MICF. Applications were received from Argentina, Australia, Brazil, Canada, Denmark, England, Finland, France, Germany, Greece, Hong Kong, Ireland, Israel, Italy, Mexico, the Netherlands, New Zealand, Poland, Russia, Scotland, Serbia, South Korea, Sweden, Turkey, and the United States.

Four of the resident composers selected for 2017 are originally from outside the US, including Selim Göncü, who was born in Turkey; Carolina Heredia, a native of Argentina; Christopher Mayo, a Canadian; and Aaron Parker, who hails from England.

Henry Breneman Stewart, a graduate student working toward a master’s in composition at Mizzou, will represent the University of Missouri. Stewart was the winner of the 2016 Sinquefield Composition Prize, the university’s highest honor for a student composer.

The 2017 Mizzou International Composers Festival will include a series of public concerts featuring music from the resident composers and other contemporary creators, as well as workshops, master classes, and other events.

The Festival’s distinguished guest composers for 2017 will be George Friedrich Haas, a native of Austria and a professor of composition at Columbia University who is considered to be one of the major European composers of his generation; and Dan Visconti, a Chicago-based composer and concert programmer also known as an advocate for the arts as a form of cultural and civic service.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they have since the MICF began in 2010.

During the festival, the eight resident composers will receive composition lessons from Haas and Visconti; take part in rehearsals with Alarm Will Sound; give public presentations on their music; and receive a premiere performance and professional live recording of a new work created specifically for the MICF and Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2017 Mizzou International Composers Festival will be announced at a later date. For more information, please visit