Archive for the ‘ Mizzou International Composers Festival ’ Category

2016 Mizzou International Composers Festival
gets applications from 18 countries

The numbers have been tallied, and the 2016 Mizzou International Composers Festival (MICF) has received submissions from a total of 229 individuals hoping to be among the fest’s eight resident composers, including 129 who applied for the first time.

The 2016 MICF will take place from Monday, July 25 through Saturday, July 30 in Columbia.

Resident composer submissions were received from a total of 18 different countries, including Australia, Brazil, Canada, China, Colombia, Czech Republic, France, Germany, Greece, Israel, Italy, Japan, Singapore, South Korea, Spain, Sweden, the United Kingdom, and the United States.

Each resident composer will write a new work for the festival’s resident ensemble Alarm Will Sound, which will be premiered during the grand finale concert on Saturday, July 30 at the Missouri Theatre.

Resident composers also will get composition lessons from distinguished guest composers Oscar Bettison and Erin Gee and from Mizzou faculty members, and each composer also will receive a copy of a professional live recording of his or her work.

The eight resident composers selected for the 2016 Mizzou International Composers Festival will be announced in January.

Erin Gee to serve as distinguished guest composer
for 2016 Mizzou International Composers Festival

The Mizzou New Music Initiative announced today that Erin Gee will be a distinguished guest composer at the 2016 Mizzou International Composers Festival (MICF), scheduled for Monday, July 25 through Saturday, July 30 on the campus of the University of Missouri in Columbia.

Currently an assistant professor of music at the University of Illinois Urbana-Champaign, Gee (pictured) is known for her series of compositions entitled “Mouthpieces,” which “use non-traditional vocal techniques, devoid of semantic language, to construct intricate and subtle patterns of a diverse array of vocal sounds.”

Her works are taught in the composition and musicology programs of universities such as MIT, University of Pennsylvania, Smith College, and Mills College, and she has lectured at Harvard, UC Berkeley, Dartmouth and Wellesley.

Gee’s awards for composition include a Guggenheim Fellowship, a Radcliffe Fellowship, the 2008 Rome Prize, the 2015 Charles Ives Fellowship from the American Academy of Arts and Letters, and more. She has written works on commission for the Zurich Opera House, Radio Symphony Orchestra Vienna, Los Angeles Philharmonic New Music Group, American Composers Orchestra, and many others, and in January 2014 she was cited by Alex Ross, music critic for The New Yorker, as being one of the most influential composer-vocalists of the 21st century.

Next July in Columbia, she’ll join British/American composer Oscar Bettison, who was named in September as the MICF’s other distinguished guest composer for 2016.

The MICF features three public concerts of music from contemporary composers, as well as workshops, master classes and other events. As in years past, Saturday night’s grand finale at the Missouri Theatre will present the world premieres of new works from each of eight resident composers, with the acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, serving as resident ensemble.

The resident composers are selected for the MICF each year through an online portfolio application process. During the Festival, they’ll get composition lessons from Bettison, Gee, and Mizzou faculty, and take part in rehearsals with Alarm Will Sound. Each composer also will receive a copy of a professional live recording of his or her work.

The deadline for submitting an application is 5:00 p.m. Central time, Monday, November 23, 2015. For more information or to apply to become a resident composer for the Mizzou International Composers Festival, please visit https://app.getacceptd.com/mizzou.

A complete schedule of events, times, dates and venues for the 2016 Mizzou International Composers Festival will be made available at a later date. For more information, please visit http://composersfestival.missouri.edu/.

2016 Mizzou International Composers Festival set for July 25 – 30;
applications for eight resident composers now open

The Mizzou New Music Initiative is now accepting applications for eight resident composers to take part in the 2016 Mizzou International Composers Festival (MICF), which will be held Monday, July 25 through Saturday, July 30 on the campus of the University of Missouri in Columbia.

British/American composer Oscar Bettison (pictured) will serve as one of the MICF’s two distinguished guest composers, teaching and consulting with the resident composers and ensemble. The second distinguished guest composer will be announced at a later date.

The MICF features three public concerts of music from contemporary composers, as well as workshops, master classes and other events. As in years past, Saturday night’s grand finale at the Missouri Theatre will present the world premieres of new works from each of the eight resident composers, with the acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, serving as resident ensemble.

The resident composers are selected for the MICF each year through an online portfolio application process. During the Festival, they’ll receive composition lessons from the distinguished guest composers and Mizzou faculty, and take part in rehearsals with Alarm Will Sound. Each composer also will receive a copy of a professional live recording of their work.

Born in the UK, Bettison has served on the composition faculty of Johns Hopkins University’s Peabody Institute since 2009. His music has been described as possessing “an unconventional lyricism and a menacing beauty” and a “unique voice,” and has been commissioned and performed by leading ensembles and soloists around the world.

Bettison’s works have been featured and reviewed in the Los Angeles Times, New York Times, and British, Dutch and Italian media outlets, and has received airplay on radio throughout the US, Australia, Britain, The Netherlands and Brazil and on British and Dutch TV.

The application period for resident composers begins September 21, 2015, and the deadline for submitting an application is 5:00 p.m. Central time, Monday, November 23, 2015. For more information or to apply to become a resident composer for the Mizzou International Composers Festival, please visit https://app.getacceptd.com/mizzou.

A complete schedule of events, times, dates and venues for the 2016 Mizzou International Composers Festival will be made available at a later date. For more information, please visit http://composersfestival.missouri.edu/.

Composers Festival spotlight: New Muse Piano Duo

The New Muse Piano Duo is another relatively recent addition to the University of Missouri’s ensembles in residence, and will be making their Mizzou International Composers Festival debut this year as part of Friday’s “Mizzou New Music” concert.

Individually, Paola Savvidou serves as assistant professor of piano pedagogy at Mizzou, while Jonathan Kuuskoski is an assistant teaching professor and director of entrepreneurship and community programs.

Savvidou received her undergraduate degree from the University of North Carolina at Greensboro and earned MM and DMA degrees in piano performance and pedagogy from the University of Wisconsin-Madison, while Kuuskoski earned both a BA in music and an MBA from UNC-Greensboro, and an MM from University of Wisconsin-Madison.

As a performing duo, they specialize in music of the 20th and 21st centuries, seeking to expand the repertoire available for four hands and two pianos by performing newly composed works across the United States and abroad.

During their inaugural season in 2013-14, the New Muse Piano Duo toured with a program consisting exclusively of new works by living composers, selected from a call for scores that drew more than 90 submissions from across the Americas and Europe.

They also did guest artist residencies at the University of North Carolina – Wilmington, Truman State University, Missouri State University, and the Ionian University in Corfu, Greece, as well as a lecture recital at the European Piano Teachers Association Conference in Oslo, and guest artist recitals at the European Association for Music in Schools Conference and Biennial Euro-Mediterranean Musicological Conference at the University of Nicosia, Cyprus.

This past season, the Duo has premiered new works by Amy Williams, Jeffrey Hoover, Robert Honstein, and Haley Myers in performances in Missouri, Wisconsin, Illinois, and Baltimore.

Before coming to Mizzou, they helped found the New Music Everywhere ensemble, based in Madison, WI, collaborating with composers including Laura Schwendinger, Jeff Herriott, and Robert Honstein, visual artist Shinique Smith; with faculty from UW-Madison and UW-Whitewater; and with Madison-based troupes including the Deer Heart Dance Company, The Weather Duo, Mad Town Ballroom, and the UW First Wave Hip Hop Learning Community. Kuuskoski and Savvidou also have performed across the Midwest with the UW-Madison Contemporary Chamber Ensemble.

You can hear samples of the New Muse Piano Duo’s music in the embedded SoundCloud players below.

Composers Festival spotlight: Andrew McManus

A native of Massachusetts, 2015 MICF resident composer Andrew McManus currently lives in Chicago, where he earned his PhD at the University of Chicago, studying with Marta Ptaszynska, Augusta Read Thomas, Shulamit Ran and Howard Sandroff. He also holds degrees from the Eastman School of Music and Yale University.

The work McManus has composed for Alarm Will Sound to play at the festival is called “embers, fused to ash,” and you can read some of his thoughts about it and see a bit of the score here.

McManus’ acoustic works have been performed by the New York Philharmonic, eighth blackbird, Pacifica Quartet, Aspen Contemporary Ensemble, Spektral Quartet, Minnesota Orchestra and the New York Youth Symphony Chamber Music Program. His electronic works have been presented at the University of South Florida and the Aries Composers Festival in Fort Collins, CO.

Notable performances include the premiere of his orchestral work “Strobe” in June 2014 by the New York Philharmonic, which was called “riveting” and “breathless…surging…hazy… sometimes all at once” by the New York Times. And in May 2014 his opera “Killing the Goat,” based on the novel La Fiesta del Chivo (The Feast of the Goat) by Mario Vargas Llosa, was premiered by eighth blackbird, the Pacifica Quartet, and members of the Contempo Chamber Players at the University of Chicago.

McManus’ electronic work “Mesospherics” (2011-2013) was featured at the University of South Florida New Music Festival, and other compositions of his have been performed at the Wellesley Composers Conference, the Bowdoin International Music Festival and the Minnesota Orchestra Composer Institute.

For more about Andrew McManus, read this interview with him, done in conjunction with the University of Chicago’s Arts, Science and Culture Initiative. You can hear samples of Andrew McManus’ music in the embedded Vimeo and SoundCloud players below.

“Killing the Goat,” a chamber opera recorded May 16, 2014 at Ganz Hall, Roosevelt University in Chicago, IL. Performed by the Contempo Chamber Players of the University of Chicago; Julia Bentley, mezzo soprano; Chad Sloan, baritone; Ricardo Rivera, baritone; eighth blackbird; the Pacifica Quartet; and Jesse Langen, guitar; conducted by Cliff Colnot.

Composers Festival spotlight: Conrad Winslow

Even before coming to Columbia for the 2015 Mizzou International Composers Festival, resident composer Conrad Winslow has been all over these United States.

As his professional bio puts it, “Extended childhood road-trips through the continental United States and a residential stint in Hawaii have taught him to look wide.” Raised in Homer, Alaska and now based in Brooklyn, Winslow earned his undergraduate degree in music from Rollins College in Winter Park, Florida.

He subsequently moved to the Northeast, earning an M.M. degree in film scoring from New York University and a master’s degree in composition from the Juilliard School, where he studied with John Corigliano.

Informed by his travels and by “watching his parents chop down trees and build a log cabin home in the woods,” Winslow’s music has been lauded for its “harmonic thorniness and rhythmic vitality” by the New York Times and described as a “scenic, boisterous and bumpy ride” by the Albany Times Union.

He has earned honors and awards from ASCAP, New Music USA, the American Composers Forum and The Jerome Fund, and more. Winslow also has written instrumental music on commission from Carnegie Hall, the American Composers Orchestra, the Albany Symphony Orchestra, New York City Ballet’s Choreographic Institute, Bala Brass, and Gaudete Brass (who recorded his work for Cedille Records), and others.

His most recent commissions include works for bassoonists Rebekah Heller and Adrian Morejon, under the auspices of the International Double Reed Society, and Cadillac Moon Ensemble; and a ballet score for choreographer Justin Peck.

Winslow’s orchestral work “Joint Account” will receive a world premiere performance from the American Composers Orchestra in October at Carnegie Hall as part of the SONiC Festival, curated by former MICF distinguished guest composers Derek Bermel and Anna Clyne.

You can hear samples of Conrad Winslow’s music in the embedded SoundCloud and YouTube players below.

“Two Riddles” for two bassoons, performed by Rebekah Heller and Adrian Morejon on August 6, 2014 at SubCulture, NYC.

Composers Festival spotlight: Anthony Vine

One of two resident composers at this year’s Mizzou International Composers Festival now based in Brooklyn, NYC, Anthony Vine originally hails from Warren, OH.

He earned a B.M. in composition from The Ohio State University and an M.A. in composition from the University of Washington, and is the founder and artistic director of CNX: The Columbus // New York New Music Exchange, a programming and outreach initiative that seeks to build relationships between the contemporary music communities of Columbus, OH and New York City.

Vine’s music has been played and workshopped in North America and Europe by ensembles and performers including JACK Quartet, Pascal Gallois, Ensemble Besides, Quasar Saxophone Quartet, Bearthoven, Protean Duo, Inverted Space Ensemble, and members of the Columbus Symphony, among others.

He has attended summer courses and residencies such as the Darmstadt Summer Courses for New Music, SALT New Music Festival, and Composit New Music Festival, and taken private lessons and masterclasses with composers such as Rebecca Saunders, Georges Aperghis, Brian Ferneyhough, Joshua Fineberg, Enno Poppe, Philippe Leroux, Steven Takasugi, David Lang, and others. In January 2016, he’ll be one of seven composers participating in the Minnesota Orchestra’s 13th annual Composer Institute.

Vine frequently collaborates with choreographers and multimedia artists, and recently has been developing a site-specific project, Hallways, with Logan Company (Kathryn Logan and Katy Gilmore) and Matt Evans.
 
You can hear samples of Anthony Vine’s music in the embedded SoundCloud players below.  

Composers Festival spotlight: Thomas Dougherty

Resident composer Thomas Dougherty comes to the 2015 Mizzou International Composers Festival from Houston, TX, where he earned his master of music degree in composition from the Shepherd School of Music at Rice University and has served as composer and violinist for the Da Camera of Houston Young Artists Program.

Very soon, though, he’ll move to Los Angeles to begin work this fall on a DMA in composition at the University of Southern California’s Thornton School of Music, where the faculty includes 2015 MICF distinguished guest composer Andrew Norman.

A native of Pittsburgh, Dougherty attended Carnegie Mellon University during his senior year of high school, and went on to receive bachelor’s degrees in both composition and violin performance from the Eastman School of Music.

While a student at Eastman, Dougherty was awarded the Anthony and Carolyn Donato Prize and the Louis Lane Prize for Composition, and also was the winner of the Eastman Orchestral Composition Competition, which resulted in a performance of his “Three Pieces for Orchestra” by the Eastman Philharmonia.

As a violinist, Dougherty has performed many of his own solo and chamber works, has served as concertmaster for the Eastman Philharmonia, and was awarded first prize at the 2014 Music For Mt. Lebanon Keynotes Scholarship competition.

His residencies have included time as a Chamber Music Institute Fellow at The University of Nebraska-Lincoln, where he wrote a piece for the Meadowlark Trio, and at the American Conservatory at Fontainebleau in France, studying harmony and composition. Dougherty has also attended festivals such as the FUBiS Music Composition Course at the Freie Universität Berlin and the Composition Course at Montserrat in Valencia, Spain, and has presented his works in masterclasses to composers Steven Stucky and David Lang.

You can hear samples of Thomas Dougherty’s music in the embedded SoundCloud players below.