Archive for the ‘ Mizzou International Composers Festival ’ Category

If you’re coming to Columbia…

If you’re planning coming to Columbia for the 2014 Mizzou International Composers Festival, you can get advance tickets online for all three concerts, which will be presented again this year at the Missouri Theatre:

Thursday, July 24: Alarm Will Sound
Friday, July 25: Mizzou New Music
Saturday, July 26: Eight World Premieres

Also, you may find these links useful for planning and/or during your visit:

Visitors information
Columbia Convention and Visitors Bureau
University of Missouri Visitors Guide
Columbia Regional Airport
Vox Magazine’s guide to Columbia restaurants
City of Columbia official site
2013-2014 Columbia Missouri Visitor & Area Guide

Media
Columbia Tribune
Columbia Missourian
Columbia area radio stations
KOMU-TV (NBC)
KMIZ-TV (ABC)
KRCG-TV (CBS)
KMOS-TV (PBS)

National Weather Service forecast for Boone County, Missouri

Tickets now on sale for 2014 Mizzou International Composers Festival
concerts on July 24, 25 & 26 at Missouri Theatre

Alarm Will Sound

Tickets are now on sale for the 2014 Mizzou International Composers Festival’s concerts on Thursday, July 24; Friday, July 25; and Saturday, July 26.

Celebrating its fifth anniversary in 2014, the Mizzou International Composers Festival will take place starting Monday, July 21 through Saturday, July 26 in Columbia. Already considered one of the most noteworthy contemporary music events in the Midwest, the MICF attracts attention from composers, musicians, music educators, and media around the world.

Once again, the grand finale of the week will feature the world premieres of eight new works written by the festival’s resident composers and performed by the acclaimed new music ensemble Alarm Will Sound (pictured, top left).  That concert will take place at 7:30 p.m., Saturday, July 26 at the Missouri Theatre, 203 S. Ninth St.

Beat Furrer

The festival’s other two public performances will feature Alarm Will Sound at 7:30 p.m. Thursday, July 24 at the Missouri Theatre; and “Mizzou New Music,” featuring works by MICF guest composers Beat Furrer and Nico Muhly, and by MU faculty and student composers, performed by the Mizzou New Music Ensemble at 7:30 p.m. Friday, July 25 at the Missouri Theatre.

Festival passes good for admission to all three concerts are on sale for $80 for the VIP package, which includes reserved premium seating; $40 for an adult general admission pass; and $20 for a student general admission pass.

Nico Muhly

Single tickets are priced at $18 for adults, $10 for students, and are all general admission. Tickets can be charged by phone using Visa, MasterCard or Discover by calling 1-573-882-3781*. To buy tickets online, or to see a complete listing of Mizzou International Composers Festival events, visit http://composersfestival.missouri.edu/.

In addition to these three concerts, the MICF also will feature several free events, including open rehearsals and presentations by the participating composers. A complete schedule of those events will be released at a later date.

The eight resident composers were selected from more than 200 applicants from the USA and overseas to participate in the festival and create a new work for Alarm Will Sound. They are:
* Ian Dicke, Riverside, CA
* Holly Harrison, Sydney, Australia
* Texu Kim, Bloomington, IN
* José Martínez, Columbia, MO
* Nicholas Omiccioli, Kansas City, MO
* Michael Lee Schachter, Ann Arbor, MI
* Ashley Fu-Tsun Wang, Urbana, IL
* Christopher Weiss, Ann Arbor, MI

During the festival, the resident composers will receive composition lessons from guest composers Beat Furrer (pictured, center left), professor of composition at the Graz University of Music and Dramatic Arts in Vienna; and Nico Muhly (pictured, below left), a Juilliard graduate and protégé of Phillip Glass known for composing an eclectic range of works for classical and pop musicians, ballet, opera, and more.

The resident composers also will take part in rehearsals with Alarm Will Sound; give presentations on their music; and receive a premiere performance and professional live recording of their work.

*A $2.00 service fee and Missouri sales tax of 7.35% already are included in the price of each ticket. An additional fee of $3.00 per ticket will be charged for online purchases.

Mizzou New Music Ensemble to perform works
by Furrer, McKenney, and five student composers
on Sunday, April 27 at Whitmore Recital Hall

The Mizzou New Music Ensemble will present their final on-campus concert of the 2013-14 academic year at 7:30 p.m., Sunday, April 27 in Whitmore Recital Hall, 135 Fine Arts Building on the University of Missouri campus. Admission is free for Mizzou students, $5 suggested donation for the general public.

The program will include new works from five Mizzou students, plus music from Mizzou professor W. Thomas McKenney and from Swiss composer Beat Furrer, who will be one of two guest composers at this summer’s Mizzou International Composers Festival.

Furrer’s “Aer,” written for clarinet, cello, and piano, is described as “an exploration of breathy sounds created through extended techniques on the instruments,” while McKenney’s “The Rising of the Moon” is based on the Irish ballad of the same name by John Keegan Casey and recounts the battle between the United Irishmen and the British Army during the Irish Rebellion of 1798.

“About the Others,” by graduate composition student José Martínez, was inspired by poet Octavio Paz’ “Sunstone” and incorporates lively percussion ostinatos surrounded by energetic rhythms in the instruments.

Completing the program will be four new works by Mizzou composition students that were commissioned for an upcoming Forest Park Forever member event in St. Louis: “Elysium” by Trey Makler; “Structural Symbiosis” by Matt Stiens; “A Leaf on the Wind” by Justin Pounds; and “Forest Park Rhapsody” by Benedetto Colagiovanni.

The seven-member Mizzou New Music Ensemble (pictured) is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer and associate professor.

The Ensemble’s members for the 2013-14 season are Rachel Czech, cello; Hsu Shun Jung, piano; Mary Jamerson, flute; Katherine Jones, violin; Ian McClaflin, percussion; Shawn Nemati-Baghestani, oboe; and Jeremiah Rittel, clarinet.

The Ensemble serves as the repertory group for the Mizzou New Music Initiative, an array of programs intended to position the University of Missouri School of Music as a leading center in the areas of composition and new music. As the repertory group for the Initiative, they work with faculty, students and visiting composers, and give public performances on campus and in the community.

Mizzou International Composers Festival 2014 launch event
on Tuesday, April 22 at Ragtag Cinema to feature
live music, film, and a chat with composer Nico Muhly

The Mizzou International Composers Festival will launch ticket sales for 2014 with a FREE public event on Tuesday, April 22 at Ragtag Cinema featuring live music, refreshments, a film screening, and a live-by-Skype video chat with Nico Muhly, who will be a guest composer at this year’s festival.

Doors will open at 5:00 p.m., and single tickets and festival passes for the 2014 MICF will be on sale at special discounted prices throughout the event.

The Mizzou New Music Ensemble (pictured) will perform at 5:45 p.m., followed a screening of the film “Choking Man,” an 2008 independently produced drama with a musical score composed by Muhly that also includes Mandy Patinkin and a pre-“Breaking Bad” Aaron Paul in supporting roles. (You can see the trailer for “Choking Man” in the embedded video window below.)

When the screening is over, Muhly will appear live via Skype to take questions and discuss his work with the audience.

Admission is free, but because seating is limited, tickets will be required. Distribution of free tickets for the event will begin at 10:15 a.m. Tuesday, April 22 at the Ragtag box office, 10 Hitt St. in downtown Columbia. Each ticket admits one person, and includes one free beer or soda and one free small popcorn.

The 2014 Mizzou International Composers Festival will take place Monday, July 21 through Saturday, July 26 in Columbia, with Muhly and Swiss national Beat Furrer as guest composers; Alarm Will Sound as resident ensemble; and eight resident composers selected from more than 200 applicants from around the world.

MICF resident composers in the news

Here’s the latest news and updates from some of the resident composers at past Mizzou International Composers Festivals:

* Jeremy Podgursky, MICF 2010, is one of six winners this year of a Charles Ives scholarship from the American Academy of Arts and Letters. The $7,500 scholarships are awarded to composition students of great promise, as selected by a committee of academy members including MICF 2010 guest composer Martin Bresnick, Joan Tower, Samuel Adler, Mario Davidovsky, John Harbison, Stephen Hartke, Tania León, and Tobias Picker. The Ives scholarships and the academy’s other awards in music will be presented at a ceremony in May.

* Asha Srinivasan, MICF 2012, (pictured) is having compositions performed at three major events this month.  She was the featured composer and her works “Dviraag” and “Bapu” were played at the Western Illinois University New Music Festival, March 4 in Macomb, IL.  Srinivasan’s “Keerthanata” will be played at the Region V conference of the Society of Composers, Inc., held March 27-29 at Ball State University in Muncie, IN, and  her tuba and fixed media work “Dyadic Affinities” will be played at the national conference of SEAMUS, aka the Society of Electro-Acoustic Music in the United States which takes place the same weekend  at Wesleyan University in Middletown, CT.

* A new oboe trio composed by Stephanie Berg, MICF 2012 and a Mizzou almuna who earned both her bachelor’s and master’s degrees at MU, will be performed next year as part of the Arkansas Symphony Orchestra‘s chamber music series.

* David Crowell, MICF 2012, was the subject of a recent profile in the Huffington Post. The accompanying audio samples include “Fallout,” which Crowell wrote for Alarm Will Sound and the MICF. His new percussion work “Celestial Sphere” will be performed by Ian David Rosenbaum and a consortium of percussionists on March 23 at the Philips Collection in Washington D.C., while Crowell and his band Empyrean Atlas will play March 24 at Roulette in Brooklyn.

* Speaking of Alarm Will Sound, they’ve been using David Biedenbender‘s “Schism,” composed for the 2011 MICF, as part of their work in St. Louis with students at Webster University’s Community Music School. AWS and the CMS students will perform the piece together on Friday, May 30 at the Sheldon Concert Hall. The video below shows them working side-by-side on “Schism,” while the audio player contains AWS’ recording of it from the MICF.

Alarm Will Sound to perform free concert on Friday, February 7 at Missouri Theatre

Alarm Will Sound, the acclaimed chamber orchestra dedicated to contemporary classical music, is returning to Columbia to perform a concert at 7:30 p.m., Friday, February 7 at the Missouri Theatre.

The group (pictured) has served since 2010 as the resident ensemble for the Mizzou International Composers Festival, which takes place each year in July, but this will be their first performance here during the regular academic year. The February 7 concert is presented by the Mizzou New Music Initiative and the University of Missouri School of Music, and is free and open to the public.

The concert will feature seven works written or arranged specifically for Alarm Will Sound, including five that will be part of their next album. According to managing director Gavin Chuck, it’s a program that shows off the group’s established ability to translate music between idioms while also exploring human performance of sounds originally made by technology.

Two of the pieces they’ll play – Matt Marks’ arrangement of the Beatles’ “Revolution 9,” heard previously as part of the multi-media show 1969; and Evan Hause’s arrangement of Edgard Varèse’s “Poème électronique” – use traditional acoustic instruments to realize music originally created using tape machines and electronic manipulation.

A different form of interaction between man and machine is explored in Alarm Will Sound’s renditions of music by Conlon Nancarrow, whose works for player piano are essentially impossible for any human pianist to perform. The February 7 concert at the Missouri Theatre will include Nancarrow’s “Study 2A,” arranged by Gavin Chuck, and “Study 3A,” arranged by Derek Bermel, which were recorded for the group’s 2008 album a/rhythmia.

The three other works on the program destined for Alarm Will Sound’s next CD are “Big Spinoff,” from the esteemed American composer Charles Wuorinen; “Will Sound,” from Wolfgang Rihm, one of Germany’s most prolific contemporary composers; and “Zoetrope,” written by the young British composer Charlie Piper for the 2012 Mizzou International Composers Festival.

Mizzou International Composers Festival announces resident composers for 2014

With resident composers originally from Australia, Colombia, South Korea, Taiwan, and across the USA, the 2014 Mizzou International Composers Festival will bring a world of music to mid-Missouri next year.

Scheduled for Monday, July 21 through Saturday, July 26 in Columbia, the fifth annual MICF will present world premieres of new works from eight resident composers who were announced today by the University of Missouri School of Music and the Mizzou New Music Initiative.

Listed with their current places of residence, they are:

* Ian Dicke, Riverside, CA
* Holly Harrison, Sydney, Australia
* Texu Kim, Bloomington, IN
* José Martínez, Columbia, MO
* Nicholas Omiccioli, Kansas City, MO
* Michael Lee Schachter, Ann Arbor, MI
* Ashley Fu-Tsun Wang, Urbana, IL
* Christopher Weiss, Ann Arbor, MI

The eight resident composers were chosen through a portfolio application process that this year attracted 215 entries from around the world, a new record for the MICF.

Four of them were born outside the USA. The University of Missouri will be represented by José Martínez, who is a native of Colombia working on a master’s degree in composition at Mizzou and the winner of the 2014 Sinquefield Composition Prize.

The other international representatives among the resident composers will include Australia’s Holly Harrison, a candidate for the Doctorate of Creative Arts at the University of Western Sydney; Texu Kim, who’s originally from South Korea and currently is studying for his doctorate in composition at Indiana University; and Ashley Fu-Tsun Wang, a native of Taiwan currently pursuing her doctorate at the University of Illinois.

The group also includes another Missouri resident, Nicholas Omiccioli, an alumnus of the University of Missouri-Kansas City who currently is a resident with the Charlotte Street Urban Culture Project in Kansas City and production coordinator of newEar Contemporary Chamber Ensemble.

The 2014 Mizzou International Composers Festival will include a series of public concerts featuring music from the resident composers and other contemporary creators, as well as workshops, master classes, and other events.

The Festival’s guest composers for 2014 will be Beat Furrer, professor of composition at the Graz University of Music and Dramatic Arts in Vienna; and Nico Muhly, a Juilliard graduate and protégé of Phillip Glass known for composing an eclectic range of works for classical and pop musicians, ballet, opera, and more.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they have since the MICF began in 2010.

During the festival, the eight resident composers will receive composition lessons from Furrer and Muhly; take part in rehearsals with Alarm Will Sound; give public presentations on their music; and receive a premiere performance and professional live recording of a new work created specifically for the MICF and Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2014 Mizzou International Composers Festival will be announced at a later date. For more information, please visit http://composersfestival.missouri.edu/.

Ian Dicke

Holly Harrison

Texu Kim

José Martínez

Nicholas Omiccioli

Michael Lee Schachter

Ashley Fu-Tsun Wang

Christopher Weiss

St. Louis Symphony plays work by 2012 MICF resident composer Patrick Harlin

Patrick Harlin takes a bow on stage at Powell Hall. (Photo courtesy of Adam Crane, St. Louis Symphony)

This past weekend, the St. Louis Symphony Orchestra performed Patrick Harlin‘s work “Rapture” as a part of their concerts on Friday, September 27 and Saturday, September 28 at Powell Symphony Hall in St. Louis.

Harlin, who currently is working on a DMA at the University of Michigan, was a resident composer at the 2012 Mizzou International Composers Festival. His work was brought to the attention of the SLSO and music director David Robertson though a new collaborative effort launched this year by the orchestra and the Mizzou New Music Initiative.

Arriving in St. Louis on Tuesday night, Harlin was able to attend rehearsals with the orchestra during the week and discuss his composition in depth with guest conductor Stéphane Denève, who led the SLSO for the program. He also was interviewed about the concerts on Radio Arts Foundation – St. Louis, and by Michigan Radio, the NPR affiliate in Ann Arbor, MI.

During the concerts, Harlin was introduced from the stage by Denève, and got to take a bow before an appreciative audience (pictured, above left). The work also was heard on radio by listeners throughout the region as part of the orchestra’s Saturday night broadcast on KWMU (90.7 FM).

Reviewing the weekend’s program for the St. Louis Post-Dispatch, classical music Sarah Bryan Miller had nice things to say about Rapture, noting the work’s “minimalist roots, jazzy elements and strong hints of the ‘Dies irae.’ ”

“It grows from simplicity into complexity, with a boffo finish, and it got a smart performance from all concerned: groovy indeed,” Miller wrote.

From left, Stéphane Denève, Jeanne Sinquefield of the Sinquefield Charitable Foundation, and Patrick Harlin, backstage at Powell Hall

Harlin’s next project involves a trip to the Amazon River in South America, where he’ll record environmental sounds as part of his work toward his doctorate.

Here in Missouri,  the collaboration between MNMI and the St. Louis Symphony will continue when the orchestra plays “Ravish and Mayhem,” written by Mizzou alumnae and 2012 MICF resident composer Stephanie Berg, at concerts on January 10 and 11, 2014 at Powell Hall.