Archive for the ‘ Mizzou New Music Initiative ’ Category

Missouri Composers Orchestra Project selects works
by Stephanie Berg, Dustin Dunn for performance in March

Stephanie Berg

Continuing their collaborative efforts to spotlight the work of Missouri composers, the Columbia Civic Orchestra (CCO) and the Mizzou New Music Initiative have announced the selection of two orchestral works written by Missouri residents to be performed by the CCO at a concert in March.

The two winning pieces were chosen in a statewide competition conducted under the auspices of the Missouri Composers Orchestra Project (MOCOP). The winners will receive a $500 honorarium from MOCOP’s sponsor, the Sinquefield Charitable Foundation.

The work chosen in the Open category is Ravish and Mayhem by Stephanie Berg, a native of Parkville who earned her master’s degree in composition from the University of Missouri last May and now lives in Columbia. The winning composition in the High School category is Appalachian Rhapsody by Dustin Dunn, a 16-year-old junior at South Iron R-1 High School in Ironton.

Dustin Dunn

The winners were selected through a blind judging process by John Cheetham, professor emeritus of music theory and composition at the University of Missouri, and Bruce Gordon, former orchestra manager for CCO. The judges also awarded Honorable Mentions to Nicholas S. Omiccioli of Kansas City for his work flourishes, and to Patrick David Clark of Columbia for FE 700° C.

Both winning compositions will be performed by the Columbia Civic Orchestra as part of their annual concert of music by living composers at 7:00 p.m., Saturday, March 9 at Broadway Christian Church, 2601 West Broadway in Columbia. Tickets are $15 for individuals, $40 for a group of up to five, and can be purchased in advance online at http://www.columbiachorale.com/ or at the door.

The concert also will spotlight several contemporary works for chorus, including the world premiere of La Terra Illuminata by Mizzou adjunct assistant professor Paul Seitz, a new piece commissioned specifically for CCO and the Columbia Chorale by the Sinquefield Charitable Foundation.

Also on the program are Music, When Soft Voices Die, written by Mizzou senior composition major Justin Pounds and performed by the MU Concert Chorale; and two works by Jerry Custer, a renowned choral music composer and educator. Custer teaches at Wayne State University in Michigan and will be guest lecturing that week at Mizzou. His new piece Chamber Music will be premiered by the Columbia Chorale and pianist James Kelly, while the CCO and MU Concert Chorale will perform his setting of the Stabat Mater Speciosa.

CCO music director Stefan Freund will lead the orchestra in the works by Berg and Seitz, while Marci Major, assistant professor of music education and assistant director of choral activities at Mizzou, will conduct the pieces by Custer and Pounds. MU sophomore Grant Bradshaw, assistant conductor of the Missouri Symphony Society Conservatory, will conduct Dunn’s work.

The Columbia Civic Orchestra is a volunteer group located in Columbia, Missouri, dedicated to providing enjoyment for its members and audiences with the presentation and preservation of high-quality symphonic music.

Columbia Chorale is a mixed voice classical community choir located in Columbia, MO. It has existed in one form or another since 1978. Its mission is to promote choral music of the highest artistic quality and to stimulate a greater community understanding, appreciation, and enjoyment of choral music by presenting rich, vital, varied musical programs that appeal to a wide cross-section of Columbia residents.

The Missouri Composers Orchestra Project (MOCOP) is a collaborative effort by the Sinquefield Charitable Foundation, the Mizzou New Music Initiative, and the Columbia Civic Orchestra to bring attention to orchestral works written in the state of Missouri. By identifying composers of orchestral music and providing opportunities for the performance of their work, MOCOP strives to showcase the talent of Missouri and share it with the community.

St. Louis Beacon spotlights Mizzou composers’ new works
for Sheldon Concert Hall’s 100th anniversary season

The St. Louis Beacon today published an article by Terry Perkins about the new works commissioned from Mizzou composers by the Sinquefield Charitable Foundation that are being performed at the Sheldon Concert Hall and Art Galleries as part of the hall’s 100th anniversary season.

The third commission in the series, Patrick David Clark’s “Snow Coming,” will be premiered next Tuesday, February 5 by pianist Peter Henderson at one of the Sheldon’s “Coffee Concerts.” You can read the Beacon article here.

Mizzou New Music Initiative featured in Symphony magazine

The Mizzou New Music Initiative and the Sinquefield Charitable Foundation are prominently mentioned in the cover story of the Winter 2013 issue of Symphony magazine.

The article by Frank Oteri is about programs that support emerging composers, and the opening spread also features a nice photo of Alarm Will Sound’s Alan Pierson and composer Yotam Haber taken during the Mizzou International Composers Festival in Columbia. You can read the article online here.

Mizzou International Composers Festival announces resident composers for 2013

Columbia, MO – After considering the largest number of applicants yet in the event’s four-year history, the University of Missouri School of Music and the Mizzou New Music Initiative today announced the eight resident composers selected for next year’s Mizzou International Composers Festival.

Formerly known as the Mizzou New Music Summer Festival, the 2013 Mizzou International Composers Festival (MICF) will take place Monday, July 22 through Saturday, July 27 in Columbia. The resident composers were chosen through a portfolio application process that this year attracted 158 entries from across the USA and around the world, a new record for the event. Listed with their current places of residence, the selected composers are:

* Jason Thorpe Buchanan – Rochester, NY
* Ryan Chase – Bloomington, IN
* Andrew Davis – Austin, TX
* Eric Guinivan – Los Angeles, CA
* Elizabeth Kelly – Rochester, NY
* Wei-Chieh Lin – New York, NY
* Greg Simon – Ann Arbor, MI
* David Witter – Columbia, MO

As another indicator of its growing prestige and recognition both here and abroad, the 2013 MICF also attracted an event-record number of applications from outside the United States, including Austria, Brazil, Canada, China, Finland, Greece, Israel, Italy, Republic of Korea, Russia, Spain, Sweden, and the United Kingdom.

Three of the eight composers selected have significant international ties. Wei-Chieh Lin was born in Taiwan; Elizabeth Kelly studied at the The Hague Royal Conservatory in The Netherlands; and Jason Thorpe Buchanan spent 2010-2011 living in Hamburg, Germany as a visiting scholar with a Fulbright Fellowship at the Hochschule für Musik und Theater.

The University of Missouri is represented by David Witter, who recently earned a master’s degree in composition from Mizzou and is the winner of the 2013 Sinquefield Composition Prize.

The 2013 Mizzou International Composers Festival will include a series of public concerts featuring music from the resident composers and other contemporary creators, as well as workshops, master classes, and other events.

The Festival’s guest composers for 2013 will be Augusta Read Thomas , University Professor of composition at the University of Chicago and past composer-in-residence for the Chicago Symphony Orchestra; and Daniel Kellogg , an assistant professor of composition at the University of Colorado who has been called “one of the most exciting composers around” by the Washington Post.

The acclaimed new music group Alarm Will Sound, conducted by artistic director Alan Pierson, once again will serve as resident ensemble, as they have since the Festival began in 2010.

During the festival, the eight resident composers will receive composition lessons from Thomas and Kellogg; take part in rehearsals with Alarm Will Sound; give public presentations on their music; and receive a premiere performance and professional live recording of a new work created specifically for the Festival and Alarm Will Sound.

A complete schedule of events, times, dates and venues for the 2013 Mizzou International Composers Festival will be announced at a later date. For more information, please visit http://composersfestival.missouri.edu/.

Jason Thorpe Buchanan

Ryan Chase

Andrew Davis

Eric Guinivan

Elizabeth Kelly

Wei-Chieh Lin

Greg Simon

David Witter

Mizzou New Music Ensemble to perform works by Cage, Kellogg, Gladney, and Strobel on Monday, December 3 at Whitmore Recital Hall

The Mizzou New Music Ensemble (pictured) will present the second concert of their 2012-13 season at 7:30 p.m., Monday, December 3 in Whitmore Recital Hall, 135 Fine Arts Building on the University of Missouri campus. Admission is free for Mizzou students, $5 suggested donation for the general public.

The program will include two pieces written by Mizzou students; a performance incorporating several works by famed composer John Cage; and the second installment in the Ensemble’s ongoing examination of Daniel Kellogg’s extended work Divinum Mysterium.

Synergetic Waveforms, written this year by University of Missouri freshman composition student Shaun Gladney, explores the collaborative nature of music performance and features sections written for body percussion.

Robert Strobel’s Three Recollections, also written in 2012, is a multi-movement work, inspired by Plato’s Phaed, which explores philosophies about life after death. Strobel currently is pursuing an M.M. in composition at Mizzou.

The Cage performance is based on Seven, which was composed in 1988 as one of the “Numbers” pieces and has a score that provides performers with notes and a range of times in which to perform them. This version of Seven also will incorporate various 60-second texts written by Cage – known collectively and colloquially as the “indeterminacy stories” – and selections from Song Books, a series of songs and theatrical happenings first conceived in 1970.

The prelude and second movement of Daniel Kellogg’s Divinum Mysterium will complete the program. Commissioned in 2000 by the chamber ensemble eighth blackbird, the five-movement work is based on the 13th century chant melody “Divinum Mysterium.” The second movement, The Spirit of God Moved Upon the Face of the Waters, features the alto flute in a mysterious, primal style of composition.

With Patrick David Clark directing, the Ensemble is playing different parts of the work at each of their concerts this year in preparation for a full performance during the 2013 Mizzou International Composers Festival. Kellogg, an associate professor of music at the University of Colorado, will be one of the guest composers for the Festival.

The Mizzou New Music Ensemble is made up of University of Missouri graduate students and recent alumni under the direction of Stefan Freund, a cellist, composer and associate professor. The Ensemble’s members for the 2012-13 season are Rachel AuBuchon, piano; Stephanie Berg, clarinets; Mary Jamerson, flute; Katherine Jones, violin; Ian McClaflin, percussion; and Matthew Pierce, cello.

For this concert, the Ensemble will augmented for Seven by cellist Grant Bradshaw. In addition, the performance of the Cage selections will include musicians from MU’s Creative Improvisation Ensemble, including faculty members Neil Minturn and Arthur White and students Alexandra Signor, Nathan Smith, Sam Copeland, and David Witter, who also will conduct the CIE members.

David Witter wins 2013 Sinquefield Composition Prize

The University of Missouri School of Music and the Mizzou New Music Initiative are pleased to announce that David Witter is the winner of the 2013 Sinquefield Composition Prize. Witter, who holds both bachelor’s and master’s degrees in composition from Mizzou, submitted his piece “Garden Music” to the competition and was selected for the prize by a panel of independent judges.

The adjudicators for the 2013 competition were:
* Mara Gibson, director of the Community Music and Dance Academy and a member of the composition faculty at the UMKC Conservatory of Music and Dance in Kansas City;
* Eric Honour, professor of music at the University of Central Missouri in Warrensburg, MO; and
* Ingrid Stölzel, an instructor at Park University, composer with newEar contemporary chamber ensemble, and program manager for the Youth Symphony of Kansas City.

As winner of the 2013 Sinquefield Composition Prize, Witter now will have the opportunity to write an original work for Mizzou’s University Philharmonic, which will receive its world premiere on Monday, March 11, 2013 at the Chancellor’s Concert in Columbia. With the commission, he also receives a cash prize for the production of the score and parts, and will have his work recorded.

David Witter, born in 1978, is a composer, trombonist, improvisor, and educator originally from Holts Summit, MO. Now living in Columbia, he holds B.M. and M.M. degrees in composition from the University of Missouri, where he studied with W. Thomas McKenney and Stefan Freund. Witter (pictured) also was a finalist for the 2012 Sinquefield Composition Prize for his piece “Water Music”.

Witter’s compositions have been performed by the Mizzou New Music Ensemble at the Contemporary Art Museum St. Louis and the Missouri Botanical Garden, and he has led performances of the MU Creative Improvisation Ensemble at conferences in Ann Arbor, MI and Paterson, NJ. Witter is a member of the Gamma Gamma chapter of Pi Kappa Lambda, and currently is pursuing a Missouri teaching certification for K-12, after which he will teach elementary and middle school music.

The other finalists for the 2013 Sinquefield Composition Prize were Justin Pounds and Joseph Hills.

“Music and New Media at the Crossroads”
scheduled for Thursday, October 18 and Friday, October 19

Next week, the University of Missouri will host an interdisciplinary symposium and festival, “Music and New Media at the Crossroads,” on Thursday, October 18 and Friday October 19.

Described as “an exploration of the profound ways in which new media and technologies are changing the way we create, disseminate, receive, and comment about music,” the event is presented by the School of Music and School of Journalism in partnership with the University Concert Series and includes four public programs.

At 3:00 p.m. on Thursday, composer Tod Machover (pictured), head of the MIT Media Lab’s Opera of the Future group, will deliver the keynote presentation, speaking about and illustrating his unique, multimedia operatic compositions. The program will be held in Jesse Auditorium, and admission is free.

At 7:00 p.m. Thursday evening, cellist Matt Haimovitz will present a solo recital in Jesse Auditorium that will include works by Machover. Tickets for the concert are $19 and $15, and are available at http://www.concertseries.org/event/matt-haimovitz-cellist/.

At 3:00 p.m. on Friday, there will be a panel discussion, “New Media and the Future of Classical Music,” held at the Fred Smith Forum in the Reynolds Journalism Institute.

The panel will feature music journalists Tim Page, a Pulitzer Prize winner, formerly of the Washington Post and now a faculty member at the University of Southern California); and Greg Sandow, blogger and freelance critic for the Wall Street Journal and other publications, and faculty member at the Juilliard School; as well as Machover, Haimovitz, and members of eighth blackbird. Admission is free.

At 7:00 p.m. Friday evening, the multiple Grammy Award-winning sextet eighth blackbird will return to Columbia for a concert at Jesse Auditorium combining acoustic and electronic works. Tickets are $19 and $15, and are available at http://www.concertseries.org/event/eighth­blackbird/.

For more information on “Music and New Media at the Crossroads,” visit the website at http://music.missouri.edu/musicandnewmedia.html.

In the embedded video window below, you can see Tod Machover speaking in 2010 on “The Future of Music” as part of a presentation to the RSA (Royal Society for the encouragement of Arts, Manufactures and Commerce) in London.

Mizzou New Music Ensemble opens 2012-13 season with concert on Monday, October 15 at Whitmore Recital Hall

The Mizzou New Music Ensemble will open their 2012-13 season with a concert at 7:30 p.m., Monday, October 15 in Whitmore Recital Hall, 135 Fine Arts Building on the University of Missouri campus. Admission is free for Mizzou students, $5 suggested donation for the general public.

For the season opener, the Ensemble (pictured) will perform five recent pieces by composers associated with the University, along with two parts of Daniel Kellogg’s extended work Divinum Mysterium. Kellogg, an associate professor of music at the University of Colorado, will be one of the guest composers for the 2013 Mizzou International Composers Festival.

Penrose Staircase, written in 2012 by Mizzou sophomore percussion major Matthew Stiens, is a soundscape of a mathematically inspired drawing by M.C. Escher.

Source and Refraction was composed in 2004 by Patrick David Clark, who graduated from Mizzou in May, 2012 with a master’s degree in conducting. It’s described as “a thoughtful, soft piece for piano, cello, violin, and guitar, wherein the piano is the source. The other instruments color, or refract the piano’s melody.” For this piece, the Ensemble will be augmented by guest musician Paulo Oliveira on guitar.

Bhairava, a 2012 composition by Justin Alexander Pounds, explores the Eastern sounds of India through a modern lens. Pounds is a senior studying composition at Mizzou.

Dan Cox’s I’m back at my cliff, also written in 2012, is a musical depiction of the Native American tradition of a “vision quest.” Cox graduated from Mizzou in May, 2012 with a bachelor’s degree in music.

pendulum and present was composed by Michael Ward, a senior pursuing a degree in vocal performance at Mizzou. The 2012 work is “a study on time featuring rigid and mechanical rhythmic motives.”

The concert will conclude with the prelude and first movement of Daniel Kellogg’s Divinum Mysterium. Commissioned in 2000 by the chamber ensemble eighth blackbird, the five-movement work is based on the 13th century chant melody “Divinum Mysterium.” With Patrick David Clark conducting, the Ensemble will play different parts of the work at each of their concerts this year in preparation for a full performance during the 2013 Mizzou International Composers Festival.

The six-member Mizzou New Music Ensemble is made up of University of Missouri graduate students and recent alumni under the direction of Stefan Freund, a cellist, composer and associate professor. They serve as the repertory group for the Mizzou New Music Initiative, an array of programs intended to position the University of Missouri School of Music as a leading center in the areas of composition and new music.

The Ensemble’s members for the 2012-13 season are Rachel AuBuchon, piano; Stephanie Berg, clarinets; Mary Jamerson, flutes; Katherine Jones, violin; Ian McClaflin, percussion; and Matthew Pierce, cello. As the repertory group for the Initiative, they work with faculty, students and visiting composers, and give public performances on campus and in the community.