Archive for the ‘ Mizzou New Music Initiative ’ Category

Mizzou New Music Ensemble to perform works
from MADSM competition, Mizzou and more
on Sunday, December 2 at Whitmore Recital Hall

The Mizzou New Music Ensemble will perform four new student works plus two pieces from acclaimed contemporary composers in a concert at 7:30 p.m. Sunday, December 2 at Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus. Admission is free and open to the public.

Two of the student works were selected for the performance through the first-ever Collegiate Composition Competition co-sponsored this year by the Mizzou New Music Initiative and the Missouri Association of Departments and Schools of Music (MADSM).

Ryan Jeschke, a senior composition major at Truman State University, won the MADSM competition’s undergraduate division with “Gunkanjima.” named for an island off the coast of Nagasaki, Japan that for nearly a century was a densely populated center for coal mining, then completely abandoned in the 1970s. The Ensemble will perform the work’s first movement, “The Shamisen.”

Daniel Vega, a first-year master’s student in composition at Mizzou, was the MADSM competition winner in the graduate division for “Natales,” which draws inspiration from the music of Estonian composer Arvo Pärt.

The other two student works were written by University of Missouri undergraduates. “Starry Night” by Ben Dawson, a junior working toward a composition degree at Mizzou, depicts “a cloudy, lonely night” with teasing fragments of a melody that is fully revealed at the end, while “A Dance Through Desire” by Holden Franklin, a freshman composition major, evokes feelings of a missed connection following a brief encounter.

Completing the program will be “à propos,” a work in four parts by French composer Fabien Lévy that was inspired by Arte Povera, an Italian artistic movement of the 1960s; and “Rising Tide,” written in 2015 by Nina C. Young, who will visit the Mizzou campus on November 30 and coach the Ensemble in preparation for the performance.

The seven-member Mizzou New Music Ensemble (pictured) is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer, conductor, professor of composition, and artistic director of the Mizzou New Music Initiative.

The Ensemble’s members for the 2018-19 season are Hannah Hutchins, percussion; Ann Mozina, flutes; Pedro Ramiro, violin; Elisabeth Roberts, piano; Brianna Trainor, percussion; Cameron Tubbs, cello; and Austin Wright, clarinets, augmented for this performance by guest musicians Kassandra Ormsby, bassoon; and Morgan Owen, viola. Post-doctoral fellow Yoshiaki Onishi is the Ensemble’s assistant conductor, and will conduct the performance of “à propos” at this concert.

Composer Nina C. Young coming to Mizzou for residency, concert

Composer Nina C. Young will visit Mizzou at the end of this month to coach the Mizzou New Music Ensemble and give a pre-concert talk before a performance of one of her works.

Young (pictured), who is an assistant professor of composition and director of the electronic music studios at the University of Texas at Austin and a visiting composer at the Peabody Institute, will be in Columbia starting Friday, November 30.

She’ll spend some time during the day on Friday working with the Ensemble, which will perform her composition “Rising Tide” as part of their concert on Sunday, December 2 at Whitmore Recital Hall.

Then on Friday evening, Young will present a pre-concert talk starting at 7:00 p.m. before the Mizzou Electronic Music Showcase at 7:30 p.m. at the A.P. Green Chapel. The showcase will include a performance of Young’s piece “Sun Propeller” by violinist and MU faculty member Julie Rosenfeld.

Born and raised in Rockland County, NY, just outside New York City, Young earned degrees from McGill University in Montreal and from Massachusetts Institute of Technology before getting her DMA at Columbia University. Her music draws on a variety of influences, from classical to minimalism to pop and more, frequently combining electronics and conventional acoustic instruments.

Young’s works have been performed by ensembles including the American Composers Orchestra, the Minnesota Orchestra, Phoenix Symphony Orchestra, Le Nouvel Ensemble Moderne, JACK Quartet, Aspen Philharmonic Orchestra, and many others. She also is co-artistic director of the New York-based new music group Ensemble Échappé. Her honors include the 2015-16 Rome Prize, a Koussevitzky Commission from the Library of Congress, a Charles Ives Scholarship from the American Academy of Arts and Letters, and the Salvatore Martirano Memorial Award.

Her interests in recent years have expanded to include collaborative, multidisciplinary works such as “Temenos,” a site-specific piece involving music, ballet, and the architecture of the Tempietto Del Bramante in Rome; and “Out of whose womb came the ice,” a work “commenting on the ill-fated Ernest Shackleton Trans-Antarctic Expedition 1914-17,” written for baritone, orchestra, electronics, and generative video and premiered in 2017 by the American Composers Orchestra Underground.

Fall 2018 Student Composers Recital set for
Monday, November 26 at Whitmore Recital Hall

The Fall 2018 edition of the University of Missouri School of Music’s Student Composers Recital will present new works written and performed by students at 7:30 p.m. Monday, November 26 at Whitmore Recital Hall on the Mizzou campus. Admission is free and open to the public.

The program will include:
“The Wooden Playground” by Nathan Andrzejewski
“Numbers” by Mikkel Christensen
“The Struggle of a Painter” by Zach Davis
“When Icarus fell it was Spring” by Aaron Mencher
“Duck Your Modernism” by Niko Schroeder
“The Exquisites” by Emily Shaw
“Stream of Consciousness” by Jack Snelling
“The Bounds of Tonality” by Harry Tryer

The concert also will feature a performance of “Exquisite Corpse I,” a collaborative work written by first-year composition students Nathan Andrejewski, Ross Dryer, Holden Franklin, Emily Shaw, Jack Snelling, Nathaniel Swan, and Harry Tryer under the supervision of assistant professor Carolina Heredia.

The concept of “Exquisite Corpse” is derived from the Surrealist parlor game of the same name, in which the first participant would write a phrase or make a sketch on a sheet of paper, fold the paper to conceal part of it, and pass it on to the next player for their contribution.

As Heredia explains in the program notes, “Each student worked on a variation of the Happy Birthday song. The first collaborator wrote the introduction and passed on the last two bars only to the second collaborator. Then, the second collaborator repeated this action, and so on. At the end, our copyist and arranger took all the materials, put them together, and worked on the transitions to make them smoother.” The students dedicated the work to Dr. Stefan Freund, professor of composition and artistic director of the Mizzou New Music Initiative, and presented it to him for his birthday on October 31.

Ryan Jeschke, Daniel Vega named winners
of MADSM Collegiate Composition Competition

From left: Ryan Jeschke, Daniel Vega

The Missouri Association of Departments and Schools of Music (MADSM) and the Mizzou New Music Initiative have selected the winners in the first-ever MADSM Collegiate Composition Competition.

The winning work in the Undergraduate category is “Gunkanjima” by Ryan Jeschke, a student at Truman State University, and the winner in the Graduate category is “Natales” by Daniel Vega of the University of Missouri.

The two winning pieces will be workshopped by the Mizzou New Music Ensemble with help from the composers; recorded; and then performed in concert next month on the Mizzou campus. The Ensemble will play the winning works again in January at the Missouri Music Educators Association conference in Osage Beach, with the goal of attracting future opportunities on concert programs around the state.

Jeschke, a native of Gladstone, MO, is a senior working toward a BM in composition at Truman State. As a composer, he’s interested in “challenging the traditional roles of instruments and exploring the possibilities of timbre within them,” and cites inspirations including rock and electronic music, video game soundtracks, and Japanese language and culture.

Vega, who is a saxophonist as well as a composer, originally is from Ward, CO. He earned his bachelors of music composition from Portland State University before coming to Mizzou, where he currently is in his first year of study for a masters degree in composition. His works explore “the intersections between contemporary music, humor, and nonviolent dissent” and are intended to provide “implicit messages about global citizenship through juxtaposition of musical ideas and styles.”

The MADSM Collegiate Composition Competition is intended to encourage the creation of original chamber music that can be played by high-school level musicians. The competition is open to all students currently enrolled in any MADSM member institution, with separate categories for undergraduate and graduate students.

Submitting composers were asked to write a new work from five to seven minutes in length for a group of three to five musicians. The judges for the 2018 competition were Stefan Freund, artistic director of the Mizzou New Music Initiative and professor of composition at the University of Missouri; Anthony Maglione, associate professor of music and director of choral studies of William Jewell College; and Jocelyn Prendergast, assistant professor of music and music education at Truman State University.

The Missouri Association of Departments and Schools of Music (MADSM) includes all institutions in the state of Missouri that offer post-secondary music study. MADSM offers a regular forum for leaders from these institutions to discuss issues pertaining to music study; to provide mutual support for each other; and to advocate for music education at the collegiate level, presenting a strong and unified voice for music education in Missouri.

Composer Joseph Joubert to visit Mizzou
for premiere of new commissioned work

Composer and pianist Joseph Joubert is coming to Mizzou at the end of this month for a residency that will include the world premiere performance of “Freedom’s Plow,” a new commissioned work written by Joubert for Mizzou’s Concert Chorale.

On Thursday, November 29, Joubert (pictured) will speak at a convocation of the music department, and then take part in a recording session with the Concert Chorale. While he’s in Columbia, he’ll also attend rehearsals of the Chorale and the University Singers, as well as the Concert Chorale’s performance featuring his new work on Saturday, December 1 at First Baptist Church in Columbia.

A native New Yorker and graduate of the Manhattan School of Music, Joubert probably is best known for his involvement in musical theater, having served as the conductor of “Motown The Musical” on Broadway; as keyboardist and assistant conductor for “Billy Elliot” and “The Color Purple”; and for two seasons as staff pianist for the Metropolitan Opera Company’s revival of “Porgy And Bess.”

As a pianist, he has appeared in New York City’s major concert halls, including Carnegie Hall, Avery Fisher Hall, and Alice Tully Hall, and with the Manhattan Symphony, the Bronx Arts Ensemble, the New Philharmonia, the West Palm Beach Symphony, the Mobile Symphony, the Marin Symphony, and more.  Joubert also has been active as a recording artist, providing arrangements and keyboards for well-known performers including Ashford & Simpson, Patti Labelle, Jennifer Holliday, Nancy Wilson, Diana Ross, Judy Collins, George Benson, The O’Jays, Nnenna Freelon, Boys Choir of Harlem, Dixie Hummingbirds, and more.

Mizzou composers’ collaboration with St. Louis Symphony
featured on HEC-TV’s “State of the Arts”

The St. Louis Symphony Orchestra’s reading of new works by Mizzou composers is the subject of a feature story on the latest episode of HEC-TV’s program “State of the Arts.”

The feature by reporter Paul Schankman includes an exclusive look at the private reading session held on Wednesday, October 31 at Powell Hall in St. Louis,  as well as interviews with composers Mikkel Christensen, Ben Colagiovanni, and Libby Roberts, MNMI artistic director and Mizzou professor of composition Stefan Freund, and SLSO resident conductor Gemma New.  You can watch the story in the embedded video window below.

HEC-TV is a St. Louis-based producer of education, arts, and cultural television programming, which can be seen on Charter channel 989, KTVI 2.2, U-Verse channel 99 and on demand at www.hecmedia.org.

Mizzou’s Creating Original Music Project (COMP) offers
awards, cash prizes for Missouri student composers

The Mizzou New Music Initiative is inviting young composers from all across Missouri to take part in the 2019 Creating Original Music Project (COMP).

Now in its 14th year, COMP is an annual statewide competition sponsored by the University of Missouri School of Music and the Sinquefield Charitable Foundation. COMP showcases new, original music from Missouri student composers and songwriters in grades K-12, offering positive recognition and prizes, performance and educational opportunities, and more.

Both the winning composers and their schools will be awarded cash prizes, and the winning compositions will be performed at the Creating Original Music Project’s New Music Festival on Saturday, April 13, 2019 at the University of Missouri in Columbia. Winners in high school also are eligible for scholarships to attend the Missouri Summer Composition Institute, which will take place June 16-22, 2019 on the Mizzou campus.

Students in grades K-5 may submit compositions in two categories, Songs With Words and Instrumental. For grades 6-8, the categories are Fine Art Music and Popular Music; and for grades 9-12, they are Fine Art Music, Jazz, and Pop Music/Other. All entries must be original music written by the student, and only one entry per student is allowed. Both notated pieces and music made electronically are eligible. Arrangements of previously composed pieces or improvisation based on composed pieces will not be accepted.

Mentors and teachers are encouraged to offer support and critiques, though submissions must be the students’ own original compositions. Music teachers and/or mentors may assist students in notating or recording the pieces, and each student who applies must have the signature and sponsorship of their school’s music teacher.

Only three submissions per category per school are allowed. It is the responsibility of the school music teacher(s) to decide which three pieces per category will be entered in the contest. All entries must be submitted online by Sunday, January 13, 2019.

For more information about the Creating Original Music Project and how to submit an application for the 2019 competition, please visit the COMP website at https://mizzounewmusic.missouri.edu/comp.

For students looking for more guidance or feedback on their work, the Mizzou New Music Initiative also offers Composer Connection, a distance-learning program that gives aspiring composers a chance to talk with and receive instruction from a graduate student in composition at MU.

Students can e-mail works in progress, ask questions about composing, and receive suggestions and answers directly from the composer on call. The composer on call for the 2018-19 academic year is Mikkel Christensen, who can be reached by email at mcfgr@mail.missouri.edu.

Mizzou welcoming composer Andrew List for residency next week

The School of Music and the Mizzou New Music Initiative will welcome composer Andrew List to Columbia for a residency next Thursday, October 25 and Friday, October 26.

While he’s on campus, List, who’s a professor of composition at Berklee College of Music in Boston, will make a presentation on his music; give private composition lessons; and work with the University’s Percussion Ensemble, which will perform his work “Night Wanderings” as part of the “Percussion Extravaganza” concert on Thursday night at the Missouri Theatre.

A longtime Bostonian, List (pictured) earned his undergraduate and master’s degrees at the New England Conservatory and his doctorate in composition at Boston University. He writes music for a variety of instrumentations and genres, including works for orchestra, string quartet, soloists, and various chamber ensembles, as well as vocal and choral music, opera, and music for children.

He has received commissions and performances from many ensembles and soloists in North and South America and in Europe, including the Boston Classical Orchestra, Zodiac Trio, Alea III, Esterhazy Quartet, Interensemble, Kalistos Chamber Orchestra, North-South Consonance, Metamorphosen Chamber Orchestra, Concordia String Trio, Turtle Island String Quartet, pianists George Lopez and Winston Choi, cellist Emmanuel Feldman, and soprano Lisa Saffer.

Recordings of his music include releases by the Prague Radio Symphony Orchestra, with Eva Szekely as violin soloist, on the Albany label; by MONTAGE Music Society on MSR Classics; and Zodiac Trio on Blue Griffin.

List has won numerous awards and honors, and is the composer-in-residence at the Zodiac Music Academy and Festival in Valdeblor, Côte d’Azur, France, where he presents a composition class each summer. He also was the first American ever to serve as a composer-in-residence for the city of Amsterdam. Sponsored by the city, the Amsterdams Fonds voor de Kunst foundation, and the American Embassy in The Hague, he spent eight months there presenting concerts of his music and that of other American composers, as well as lectures and workshops at major conservatories throughout the Netherlands.